AXPONA 2019

Look at that photo and notice the elegant wood grille on the Gershman Acoustics Grande Avant Garde loudspeaker ($13,000/pair). How good does that speaker look in person? I put a high value on imaging and what an orchestra looks like between the speakers. Therefore, I prefer speakers with grilles: Exposed drivers distract me from the sound and the illusion . . .

Check this out, Herb Reichert. Oklahoma City-based Great Plains Audio grew from what was left of the Altec Lansing corporation in 1998. It focuses on manufacturing the classic high-sensitivity drive-units and speaker systems from the legendary company. Located next to the AXPONA Master Class Theater, the Great Plains booth featured their version of the classic coaxial drive-unit that was introduced in 1944 and powered recording studio monitors in the 1950s and '60s.

Both the name of the company and the look of their products belie what I found to be the company's spirit. "CAD"—short, in this case, for Computer Audio Design, but more commonly denoting computer-aided design, evokes highly technical, inhuman stuff. The main CAD products on active display in this room at AXPONA—the CAD Audio Transport, the 1543 Mk II DAC, and various "Ground Control" boxes—are squared off and minimalist in design, resembling space objects from 2001: A Space Odyssey. The components' green logos evoked, for me, nothing so much as the eyes of aliens come to abduct us.

The last room I visited at the 2019 AXPONA was the best-sounding: the big room shared by Kyomi Audio and MBL on the Renaissance Hotel's 15th floor. The system comprised MBL's Noble Line N31 CD player/DAC ($15,400) that I reviewed in February 2018, the N11 preamplifier ($14,600), four N15 monoblock amplifiers ($35,600/pair) and the omnidirectional 101E Mk.2 loudspeakers ($70,500/pair), all hooked up with WireWorld Eclipse Series 8 cables.

The Larson 9 speakers ($14,995/pair) in this room were set up firing across the room width, meaning that the one row of listeners had to sit relatively close. Even so, this system, which used Gamut M250i monoblocks ($25,990/pair) and a Gamut D3i dual-mono preamplifier ($8390), all hooked up with Gamut cables, was definitely "room friendly," producing a comfortable sound from an LP cut of Chet Atkins and Mark Knopler playing "There'll be Some Changes Made."

I sat down in the Playback Designs room to listen to a system featuring Playback's MPS-8 SACD player/DAC ($25,000 plus $2400 for the Stream_X option) and Stream-IF streaming interface ($3300), both from the company's Dream series, with an Playback IPS-3 integrated amplifier ($14,000), these all sitting on an English Lateral Systems 4-shelf rack ($4100), driving Verity Parsifal Anniversary loudspeakers ($25,000/pair) and wired with Kubala-Sosna Emotion interconnects and Fascination AC cord and speaker cables. Playing was the DSD256 file of "Let There Be Love," copied from an analog Ampex 468 ¼" tape running at 30ips that had been recorded in parallel with Lyn Stanley's new direct-to disc album London With a Twist: Live at Bernie's.

Ever since Magnepan's Wendell Diller married this beautiful former Soviet spy (aka Agent G), he's been doing everything on the down low, hush-hush, totally covert. (Though I must say he does look good in dark glasses.)

This year at AXPONA he has a secret room, at the end of an obscure hall, with no signage. Agent G watches the door from a distance, and you must knock the secret knock to enter.