Great Gig Book Oreille: y Ballads rt LT A) pri) TUT Ta) Yee Samba/Rhumba Seite 4 Christmas VE Cha Cha Cha aC T ELBE cd106 “2 no ase 626 357 aa 086 062 2 038 7 204 064 302 as nn 247 403 586 54 039 462 625 206 on 639 402 42 456 003, 659 465 ow ros. 36 302 385 40 17 85 a 582 ae 5st 658 20 088 A + Ater Youve Cone (©) ‘An Marie (Crm) ‘Aint Misbehavin’ (©) + Ain She Sweet. (C) Airegan (AB) Dita () + Alexanders Ragtime Band (F) + Alice in Wonderland (©) AIL Ask of You (0b) AI My Tomorrows. (Eb) + AIOF Me (©) + ALOF You) ‘AI OF Nething At Al (C) ‘AIL The Things You Are (AB) +A The Way) Alley Cat (©) + Almost Like Being In Love (88) ‘Alone Together (Om) * Aight, Olay, You Win (5) + Always 1 Aways In My Heart (6) + Amapola (8) + Amer (©, ‘Anema E Core (©) ‘Angel Eyes (Cm) ‘Anniversary Song (Em) + Anniversary Waltz (©) ‘Anthropology (8b) ‘+ Anything Goes (©) ‘Apt in Pars (©) Armando's Rhumba. (Cm) + Around The World (©) + Artivederei Roma (G) ‘Ansa Alinu (Om) + AsTime Goes By (€b) ‘Au Prvave (F) ‘Auld Lang Syne) + Autumn in New York (F) + Autuma Leaves (Em) Avalon @ 8 + aby Face (©) 1 Basin Sueet Blues (©) + Baubles, Bangles and Beads (Ab) + Beautiful Love Bebop (Eb) + Because of You (€2) + Beer Bare Polka (C) + Begin The Beguine (C) Bemies Tune (Om) + Besame Mucho (Om) Besie's Blues. (6) + Between The Devil and the (F) + Bewitched (©) OR K (BLUE) Alphabetical Index Bi Bailey iie's Bounce (f) Bim Bam Burm (Bb) + Bieth OF The Blues (C) Bittersweet (C) + Black Orpheus (Am) ‘Blue Bossa (Cm) + Blue Gardenia (©) 1 Blue Hawai (Bb) Blue In Green (85) lve Monk (Bb) Blue Moon (&b) + Blue Room (F) + blue skies (F) * Blue Tango (0) Blue Trane (Cm) Blue Velvet (@b) Blues For Aice (F) Blues in The Night (Bb) Bluesere (6b) ody And Soul (Ob) Bolivia (@) Bourbon Steet Parade (Ab) azil (Ab) "+ Breeze And | The () Bridal Chorus (86) Bunny Hop. (F) + But Beauthul (C) + But Not For Me_(@b) * Button Up Your Overcoat () + Cabaret (>) + Call Me (8) * Call Me tesponsible (AB) + Canadian Sunset (80) Caravan (Fm) + Cast Your Fate to The Wind. (F) + Cecilia (Q Ceora (Ab) * Chances Are (G) CChaceston, The (@b) + Chattanooga Choo Choo (©) * Cheek to Cheek (©) Chelsea Bdge (D6) Cherokee (86) + Chery Pink and Apple (&b) + Chicago Chicken Dance (©) Child ts Bom, A (Bb) + Choo Choo Ch’Boogie (F) + Christmas Song (Eb) + Christmas Time is Here (F) 469 432 oz “1 26 n7 022 643 643 29 ova a 632 466 138 126 4s 567 358 ow 205 voz 409 227 os 509 634 513 607 202 ne on 25 023 201 033 mn 18 a2 197 a3 054 146 078 027 050 133 v7 408 673 005 Ciao, Cio, Bambina (C) + Cielito Lindo (ab), Clarinet Polka () + Close To You (&b) Come Back To Somento (Crm) + Come Fly With Me (©) + Come Rain or Come Shine (F) Come Sunday (80) on alma (6) Confirmation (6) + Crazy Rrythm (F) + Cry Me & River (Cm) + Cute © D Dashoud (>) + Daddy's Little Git (© “+ Dancing in The Dark. (Eb) + Dancing On The Ceiting (F) + Danny Boy (Londondery Ait) “(C) Danser (7) * Darktown Struters Ball (C) + Dam That Dream (6) = Day By Day (F) + Days OF Wine And Roses (F) + DeweHeat (6) + Dearly Beloved (C) + Deep Purple (F) + Desafinado ab) + Dina Django Gm) + Do Nothing Ti You Hear) + Do You Know What t Means. (C) Dolphin Dance (eb) + Donk Be That Way (Eb) + Dont Blame Me (©) = Dont Get Around Much (©) * Dont Go te Suangers (Bb) ‘+ Dont Misundertand (F) + Dont Take Your Love From Me (C) Donna Lee (Ab) * Don't Wey ‘Bout Me (Ab) Boy (8b) + Dream (©) * Dream A Lite Dream (G) . Enry Autumn (©) + East of The Sun (©) + Easy Uving = Easy Steet (Eb) + Easy To Love (@) + Ebb Tide (©) + Edelweiss (60) Esa @) ‘+ Embraceable You (F)403 076 “a 658 9 090 18s, 06s 008 20 or 409 220 41 098 sis 305 19 352 on 107 209 053 + Emily © ‘End of a Love Als. The () Episrophy (CA) Equinox (Cm) = esate + Bvergreen (©) + everybody Loves Somebody (F) + Eventhing Happens to Me (Bb) + Everytime We Say Goodbye. (Eb) + Exactly Uke You (©) F Fating Grace (Ab) + Faling in Love Again (E>) + Faling In Love With Love (8b) + Fascinating Rhythen + Fascination (©) + Feelings (m) + Felicidade (Cm) Fine And Dandy (F) + Fine Romance, A (C) + Five Foot Two (©) + Flamingo (®) + Hy Me To The Moon () + Foggy Day, A (P) + Fools Rush In (©) “For Al We Know (F + For Sentimental Reaions (F) + For You For Me, orevermore_(F) Forest Flower (C) Four (6) + Frenesi (Ab) Friends (C) + From This Moment On_ (AB) * Frosty the Snowman (©) c Gaviota (Cm) + Gee Baby, Aint | Good to (Cm) = Gentle Rain (Am) seeps + GetMeto the Church on (6) + Ghost OF A Chance () Giant Steps (@) Gingerbread Boy (Bb) * Gi From jpanems. (F) “= Give Me The Simple fe (€b) ‘Give My Regards To Broadway (8b) + Glory of Love, The (G) + God Bles The Child (E5) Godfather Teme (Cm) + Going Out OF My Head (8b) + Gone With The Wind (Eb) + Good Moming Heartache (F) + Goodnight Sweetheart. () Gravy Watt: (©) * Green Dolphin Steet (©) ‘Green Eyes (E2) + Greensleeves (Om) Gregory Is Here (BE) Groove Merchant. (8b) Croovin’ High (Eb) 469 070 463 63 432 7 as 455 203 486 461 na 080 432 301 a6 10 138 353 4 327 133 22 506 036 76 020 o10 188 44 ne 686 + Cunntanamars (0) + Guess Pl Hang My Tears Out (©) 4 Hail To The Chit () Half Nelson (©) Happy Wanderer, The (Bb) ‘Harbor ights @b) Harlem Noctume (Om) Haunted Balroom () Hava Nagiih 6) “Have You Met Miss Jones (6) ‘+ Have Yourself a Merry Xmas (C) + Hawaiian Wedding Song (C) ‘Heat And Soul (F) + Hesther on The Hil, The (F) Helena Polka (®) + Helio Dolly (6) + Hello Young Lovers (Eb) “Here's That Rainy Day. (F) ‘Hey There. (Eb) Hokey Pokey (Bb) + Honeysuckle Rose (F) ‘+ Hoop-Dee-Doo (E5) Hooray For Hollywood (F) + How About You (G) + How Deep is The Ocean (F) + How High The Moon (©) ‘How Insensitive (Om) + How Long Hat This Been (6) How My Heart Sings (C) v +1 cant Get suned (©) #1 Cant Give You Anything (Ab) * 1 Concentrate on You (E5) “1 Could Have Danced All” (C) 1 Could Write @ Book (©) #1 Cover The Waterfront.) #1 Didnt Know What Time (©) +1 Donit Know Why (Bb) 1 Fallin Love Too Eatly (&) *1GetA Kick Out OF You (>) *1.Get Along Without You (Be) 1 Go To Rio (Bb) *1Gotk Bad (©) + 1Got Rhythm (Bb) +1 Hade’t Anyone Tit You (F) ‘Hear a Rhapiody (Eb) skate My Hear in San (Bb) + Let A Song Go Out OF My (EB) 11 Uke The Likes Of You (E>) 1 Love Pars (©) +I Love You IMean You () +1 Only Have Eyes For You (€) | Remember Citford (F) + IRemember You (©) +1 Say A Uitle Prayer For You (©) +1 Should Care (©) “1 Thought About You () Told You So.) oss 039 134 4s 15s 108 22 an 229 028 26 452 on 655 308 206 20 102 054 083 om 328 307 14 m 161 358 578 57 ma 27 491 491 640 oe +1 Wat Wait For You (Om) + 1Wish You Love + 1 Won't Dance (Q) 111 Be Home For Chritmas (C) +11 Be Seeing You @b) 1 ce By © 1H Remember April (G) +1 Take Romance (F + 11m Beginning To See The (©) ‘+ fm Getting Sentimental (F) ‘Tm Glad There Is You (F) + 11m Gonna Sit Right Down (©) + 11m In The Mood For Love () ‘tm Ole Fashioned () Ne Found A New Baby (©) 1+ 1Ve Got My Love to Keep Me (F) + 1Ve Got The World on a (E>) ‘Ive Got You Under My Skin. (&) + ve Grown Accustomed to (8) +f Ever | Would Leave You (6b) You Could See Me Now (Eb) ‘You Never Come To Me (E) = Wind (8b) + Imagination (€2) Impressions (Om) In’A Mellow Tone (Ab) In A Sentimental Mood (F) ‘In My Solitude (E>) In The Mood (Ab) In The Stil of the Night. (F) ‘In The Wee Small Hours (©) In Your Own Sweet Way (86) indiana F) Infant Eyes (E>) ‘Invitation (Cm) Irish Washerwoman (6) ‘Isnt te Romantic. (€) Hsotope (© ‘Ital Depends On You (C) + It Could Happen To You ‘It Don't Mean a Thing (BB) it Had To Be You (Ab) ‘It Might As Well Be Spring (©) + It Never Entered My Mind. (F) Wes A Raggy Walz (©) ‘t's Alright With Me) its Delovely +13 Only a Paper Moon (©) 'sYou Or No One (F) 115 Been a Long, Long Time (F) 1 shad * Ialousie (eb) ‘Jazz Samba. (Eb) Jeanine (AD) Jersey Bounce (C) ‘ingle Bes (C) + Hinglebell Rock (©) Joshua (Om) ley Spring (A)677 joi 688 Manteca (@b) 567+ NeverOn Sunday (E6) 204 Just Feends (G) 443 Maria Elena (C) O71 Nevertheless (Bb) 109 + jst In Tene (80) 539 Mas Que Nad 306 + New York, New York (F) 230. * jst One Of Those Things (F) 074 « Masquerade is Over. The (Eb) 637 Nica Dream (bm) 144 = ust Squeeze Me () 456 Mayim Mayim (Cm) 133+ Nice Neary (EB) K 152 + Mean To Me (F) 111+ Nice Wom # You ean Get tt (6) 608 Kids Are Prey People (F) 503 + Meditation (©) 211 Night And Day (Eb) 614 Killer Jor (©) 087 + Memery (C) 677 Night Dreamer (6) 576 + Kiss Of Fire (Om) 148 Memphis in June (C) 638 Night Has 1000 Byes, The (C) t 540 Menina Flor (EB) 631 Night In Tunes, A (E5) 132, + LOVE Love @ 696 Mercy, Mercy, Mercy (8b) 082 + Night We Caled tA Day, (6) 577 La Cumparita (Cm) 405 Mery Widow Walt () 042 + Nightingale Sang in Berk Sq, (€) 577 Paloma (©) 464 Mesian Hat Dance (F) 145 + No Moon at Al (Om) 468+ La Vie en Rove (©) 359 Midnight in Moscow (C) 514 + No More Blues (Chega De (F) 308 + Lady Be Good (6) 057 * Midnight Sun (C) 655 Now The Time (F) 83 Lady Bid 628 Milestones (Old) (86) ° 209 Lady is Tramp, The () 456 Misriou (Cm) 507 O Grande Amor (Am) 62 ment (002 Misty (Eb) 4430 Sole Mio (Eb) 66 + Last Night When We Were (GC) 626 Moanin’ (Fm) 142+ Oh You Craxy Moon (6) 311+ Late, Late Show, The © 627 Moments Notice (Eb) 952 + Old Cape Cod (F) 018 + bum 187 + Moments To Remember (Ab) 228 + Old Devil Moon (f) 627 Laxy Bird (©) 029+ Mona Usa 041 + Old Foie () 490. + Let Snow (®) 034 + Mood indigo. (Ab) 25 Oleo (80) 151 = Lets Do (#6) 052+ Moon Over Miami (G) 104 +On.A Gear Day (6) 122+ Lets Fallin Love (©) 401+ Moon River (C) 125+ On. Slow Boat To China (Bb) 150+ Lets Get Away From it A (EB) “104s Meanglow (©) 30S + On The Street Where You Lve (©) 688 berated Brother (Gm) 162 + Mocnight Becomes You (F) 303+ On The Sunny Side OF The (©) 423 Liechtensteiner Polka”) O16 + Moonlight in Vermont (Eb) 504 + Once t Loved (6) S10 + Like A Lover (©) 001 Moonlight Serenade (7) O17 Once in Awhile (Eb) 111+ Ute Someone in Love (84) 553 “+ More (©) 303 + One (Eb) 160+ Ui Dain oy 113 + MoteSee You, The (E6) 256 + One For My Baby (€b) 468 + Limbo Rock (F) 022+ More Than You Know (©) 56 + One More For The Road. (E5) 364 + Limehouse Blues (AB) 568 Morning. (Bom) 505 + One-Note Samba (Bb) 505 Little Boat (© 130 Moten Swing (Ab) 519+ Only Tru Your Heart 687 tue Sunflower (Om) 248 Mountain Greenery (C) 216 Opus One (6) 221+ Long Ago And Far Away (F) 127+ Me tucky <6) 620 Onitholagy (6) S11 + Look OF Love (Om) 658 Me Sims (©) 205 + Our Day Will Come (G) 517 Look tothe Sky 359 MustratRamble (8b) 201» Our Love s Here To Sty (F) 237 Let OF Uving To De, A (©) 236 + My Baby ust Cares For Me (6) 109+ Out OF Nowhere (G) 235+ Love For Sale (Bb) 156+ My Blue Heaven (Eb) O17 + Over The Rainbow (E5) 085 Love Story (Gm) AIS + My Buddy (6) P 145+ Love Walked In. (Eb) 412+ My Favorite Things (Em) 150+ Paper Dot) 165+ Lovely To Look At (F) 026 + My Foolth Heart (Bb) 055 + Party's Over, The (Eb) 413 + Lover © (004 My Funny Valentine. (Cm) 602 Passion Flower (6) 243+ Lover, Come Back To Me (Ab) 694 My Ute Suede Shoes (EB) 602 Peace 8b) 043+ Lover Man (Om) 444 My Love Forgive Me. (©) 141+ Peg'0” My Hear (@b) 687 Lucky Southern (0) 958 My Melancholy Baby (6) 207 + Pennies From Heaven (C) 522 Lujan (Om) 043 + My Old Fame (6) 217 Pennsyhanin 65000 (6) M18 Lalaby of Bircland (m) O11 + My One And Only Love () 433 Pennsyivania Polka (F) 606 + Lush Lite (Ob) 080+ My Own True Love (Tar) (2) 693 Pensativa (Gb) ™ 107+ My Romance (©) 58 + Penthouse Serenade (C) 208 + Mac The Knife (©) O16 + My Ship 067 + People (©) 452° MacNamaras Band” (F) 097s Myway 218 Perdido. (8b) 408 Mademoiselle de Pais (0) 452 My Wild Irish Rose (8) 555. + Perfigia (©) 143. + Mate Someone Happy (F) N 660 Perhaps (C) 110. Makin’ whoopee (F) 603 Naima (Gm) 079» Pieces of Dreams () 441 Mala Femmena (Bb) 082 + Nancy With The Laughing ¢) 408 Pigalle (C) 308 Mane) 626 Nas (Em) 159» Please Don't tk About Me (Eb) S18 Man And A Woman, A (©) O11 + Neamess OF You, Te (F) 554 + Poinciana (G) 126+ Manhattan’ 520+ Never Let Me Go. (D6) 007 + Polka Dots & Moonbeams (F) eeont oe 03s 506 310 536 oe 408 503 605 186 37 26 061 656 or 368 130 328 603 “7 mn saz 536 6 47 103 as o3 383 051 as 03, 129 0” 007 69 as as 501 363 23 695 489 68s “77 186 6s 09 485 636 07s 029 + Poor Buttery (Ab) ‘+ Porat of Jenny, A (F) + Preluce to a Kiss (©) Prety World (©) + ust’ On The Ritz (Fm) @ + Quando, Quando (Bb) ‘Quasimodo (Eb) (Que Sera, Sen (EB) + Quiet Nights (Corcovado) (C) Quintessence (F) R + Raindrops Recado Bossa Nova Recoréame (Am) + Red Roses (for A Blue Lady) (C) + Red Sain The Sunset (©) Relaxin’ at Camarilo (8b) Robin's Nest (C) + Rock-A-Bye Your Baby (C) Rove Room (Ab) + Rosetta Round Midnight (Em) + Rudolph (C) Russian Dance (6) s + SWondertul (6) Sabor A Mi (>) Sak Peanuts Samba de Ores (C) ‘San Francisco (C) + Santa Claus is Coming + Satin Doll (©) Scarborough Fair (Om) + Scotch & Soda (Eb) Scrappe From The Apple (F) Search For Peace + Second Time Around, The (C) = Seeet Love (@8) + Send in the Clowns. (AB) + Sentimental Journey () * September in The Rain (Eb) Serpent’ s Tooth (Bt) Seven Steps To Heaven) + Shadow OF Your Smile (G) + Sheik of Araby, The (Bb) * Shiny Stockings (AB) Sidewinder () + Silver Belts (©) Sivers Serenade (Em) Simone () + Sing (@b) Sister Sadie (6) + Seyler (EB) + Sleigh Ride (6) Sater (278) + Smile + Smoke Gets in Your Eyes (ED) sie ‘507 a9 326 a6 63 096 va 07 455 30 vas 351 325 ne + S0 Many Stars (6) + So Nice (Summer Samba) (F) So What (Om) +50 Whats New (©) + Softly As In A Moming (Om) Solar (Cm) Solid (6b) + Some Enchanted Evening (C) Some Other Blues (F) + Some Other Time (©) + Somebody Loves Me (6) ‘+ Someday My Prince Will (F) + Someone To Watch Over Me (Eb) Sometime Ago (F) + Somewhere (F) + Somewhere Beyond the Sea (Eb) + Somewhere My Love (C) Song For My Father (Fm) ‘Song For Strayom (Eb) + Song is You, The (C) + Song Sung Blue (F) Sophisticated Lady (AD) Soul Eyes (Eb) + Sound of Musi, The) Spain ©) + Spanish Eyes (6) * Speak Low (F) Speak No Eva (Cm) Speedball (O) + Spring Can Really Hang You (©) * Spring is Here (Ab) + St Louis Blues (©) St Thomas. (©) + Sur Eyes (@8) Saar Spangled Banner (8b) + Sada (C) + Stars Fell On Alabama (©) + Stella By Staright (6b) Stolen Moments (Cm) Stompin’ At The Savoy (F + Stormy Weather (AB) Straight No Chaser (F) + Stanger in Paradise (F) + Suanger on the Shoee_ (F) Swangers in the Night) Suing OF Pears (Eb) Stripper, The) Strollin’ (Ob) Sagar (Cm) + Summer Knows, The. (F) + Summer Place, A (Bb) + Summer Wind (Eo) + Summenine (Am) + Sunday kind OF Love (F) + Sunes, Sunset (Gm) + Surey With The Fringe. The (G) + Sweet and Lovely (G) + Sweet Georgia Brown (6) Sweet Gypiy Rore (C) + Sweet Loraine (©) rn ou 242 206 4a 565 M3 40 003 410 655 068 m1 ws ois 470 327 154 540 625 24 242 ae 020 war o7s ois 037 685 22 17 o73 638 467 18 $38 325, 02 101 ons 067 361 238 43 239 30 508 o72 635 60s 218 ons 033 on 407 456 Swnging Shepherd Blues (C) T Take Five (Cm) Take The °A" Train (©) + Tangerine (F) Tarantella (Am) Tea Fortwo (Ab) ‘Teach Me Tonight (©) = Tender Trap, The (Ab) + Tenderly (>) Tennessee Wake (©) “Tenor Madness (8b) + Thanks ForThe Memory () 1 That O'd Black Magic (@b) + That Old Feeing (E5) + Thats All @b) = Thats Amore ‘That's Entertainment (Bb) = Thats Ute (©) Theirs Tears ‘Theme, The (Bb) 1+ There No Greater Love (6b) 1+ There Will Never Be Another (Eb) + There Be Some Changes (8b) * Thete's A Small Hotel (©) ‘These Foolih Things () ‘They Can't Take That Away (@b) + They Sat tes Wondertl ‘Things Ain't What They Used (F) + Things We Did Last Summer, (G) Think On Me (0) 1 This Cant Be Love (Ab) * This Could Be The Stat (C) 1 This Guys in Love (@) 2 This ALL AK This New (Cr) «Those Were The Days_(Am) + Three Lite words: (©) 1 Tico Tico. (am) + Tie A Yellow Ribbon (2) Tiger Rag (8b) + Tl There Was You (>) Time After Time (Bb) ‘Time For Love, A (Bb) ‘Time On My Hands (F) Tin Root Blves (8b) + Too Close For Comfort (C) Too Fat Polka (C) + Too Marvelous For Words (6) + Toot Toot Tootsie (©) Triste (6) Try A tle Tendemess (0) Tune Up (0) Turn Out The Stars Tuxedo Junction (8b) Twelth of Never (0) ‘Twilight Time (©) 1 Two For The Road (©) Two Hears in 3/4 Time (C) Tens —_BDEeE_uUuuUuanaaZSEt STITT: SB BSE 2220 405, 0s 364 aa os os 009 407 406 656 on 4a 236 os O76 502 636 502 382 ons 221 08 ont 137 48 63 om oe ons 24 ost 3 7% as a2 089 451 7 os 50 304 162 521 “7 oe 62 307 486 083 122 030 676 490 629 120 + Undecided (©) + Under Paris Skies (Fm) + Unforgettable (F) + Up A Lazy River Up lumped Spring (8b) v Valve Hot (AD) Very Early ( + Very Thought OF You, The. (AB) Vienna Lite (8b) + Vienna, My City Of Dreams (F) Vers Blues. (6) + Violet For Your Furs (F) Volare (Bb) w “+ Wallin’ My Baby Back Home (Eb) Wate For Debby (F) Warr Valley (@b) ‘watch What Happens. (ED) ‘watermelon Man’ (F) + wave (©) + Way Down Yonder in New (G) 1 ay We Were, The (A) + Way You Look Tonight, The (Eb) + Well Be Together Again (C) + Weve Only jut Begun (F) + Weaver of Dreams, A (©) Wedding March (Or) Well You Need ‘Wert Coast Blues (Bb) + What A Ditference A Day (F) “What Are You Doing the Rest. (Amn) + What { Did For Love (©) + What bs This Thing Called (©) + What Kind of Fool Am 1 (C) + What Now My Love. (&) What Was (©) + Whaell D9?) + Wats New (C) + When 1 Fallin Love (®) “= When teh Eyes Are Smiling. (C) “+ When Light are Low (F) + When Sunny Gets Bue (F) ‘When You Wish Upon & Star () + When Youre Smiling. (6b) ‘+ When Your Lover Has Gone (AB) + Where Do You Stat (ED) Wheres Your Heart (Eb) + Where or When (E>) Wnisper Not (Cm) “= whispering (Eb) * wite Christmas (C) ‘Who Can I Turn To (5) “= Will You Stil Be Mine (Ab) + Wilow Weep For Me (G) Windows (Bb) + Winter Wonderland (@2) Witch Hunt (Cm) + witeherat 156 24 406 27 eis 26s 406 ex siz 362 nz 2 556 240 os 046 023 604 106 108 ws 13 1 153 126 059 558 + ith A Song in My Heart (EB) without 2 Song. (€) + Wondertul Copenhagen (C) Woodchoppes Ball (C) + Work Song. cfm) + Waap Your Troubles (©) + Wunderbar (6) Yardbied Suite (C) + Yellow Days ®) 1 Yes Sir, Thats My Baby (Eb) + Yesterdays (Om) ‘You and the Night and the (Eb) ‘You Belong To My Hear) + You Do Something To Me (Eb) + You Dent Know Me (C) + You Don't Know What Love Is (Fm) + You GoTo My Head. (©) You Know 1 Care (68) + You Mace Me Love You (©) + You Make Me Fel So Young. (B8) + You Stepped Out ofa Dream (C) 1 You'd Be So Nice to Come (C) + Youre Getting to bea Habit) ‘Youre My Thi (Fm) + Youre Nobody Til Somebody (F) + Youve Changed (&) + Your (0) zoz ome 039 021 003 063 059 060 or 013 032 ox 078 os ost 02 on 054 028 4s oz 050 00s 076 08 nz 053 03 068 02 070 02s oss 070 060 oto oo 062 036 020 40 064 037 034 or ons o10 one 053 039 026 THE GREAT GIG BOOK (BLUE) — Style Index BALLADS [AI My Tomorrows (@b) ‘AL OF You (&) ‘Al The Way (F) ‘Angel Eyes (Cm) ‘apr in Pais (€) ‘As Time Goes By (E5) ‘Autumn in New York (F) Bewitened (©) Blue Carden (6) Ble Hawaii (8) Blue Vehvet (Bb) ody And Soul (Ob) But Beauttul (G) Chances Are (G) Come Sunday (Bb) (Cry Me A River (Cr) ‘Darn That ream (G) Deep Purple (2) Dont Blame Me (C) Dont Coto Swangers (Bb) Dream (0) arty Autumn (C) fast of The Sun () Easy Living tasy Sueet () Embraceable You () End of a Love Afar. The (F) Everything Happens to (Bb) Everytime We Say (Eb) Flamingo () Fools Rush in (©) For All We Know (F) For Semtimental Reasons (F) For You, For Me, (F) Ceorgia © ‘Ghost OF A Chance (©) ‘God Bless The Child (Eb) Good Moming Heartache (F) Goodnight Sweetheart (C) Guess Hang My Tears (©) Harbor Lights (Eb) Heather on The Hill, The (F) Here's That Rainy Day (7) How Deep Is The Ocean (6) How Long Has This Been (C) Cant Get Sued (C) | Concenuate on You (Et) | Cover The Waterront (C) | Fallin Love Too Easily (eb) 1 Got i Bad (6) "ett My Heart in San (6) | Onty Have Eyes For You (C) ‘Remember You (G) # Should Care (©) | Wil Wait For You (Om) Wish You Love (F) "em Getting Sentimental (F) 068 009 069 081 066 027 026 036 038 03 056 083 os 043 om 07 029 om 082 016 oz 026 058 043 on 080 6 082 on on oa 02 ont 07 056 056 07 oss 058 067 079 007 ont o78 03s 061 013 0st 077 007 019 07s 029 046 026 ‘mm Glad Tere ls You (F) im tn The Mood For Love (C) Ie Grown Accustomed (E5) Ever 1 Would Leave (Bb) 1M Wing (8) Imagination (Eb) In A Sentimental Mood (F) Im My Soltude (Eb) {In The Sill of the Night (F) lun Romantic. (Eb) ft Might As Well Be (©) It Never Emered My Mind (F) Last Night When We (©) tua (©) Lover Man (Om) Masquerade is Over. The (Eb) Midnight Son (C) Misy (2) ‘Mona Liss () ‘Mood Indigo (Ab) ‘Moon Over Miami (6) Moonlight In Vermont (Eb) Moonlight Serenade (F) ‘More Than You Know (C) ‘My Foolish Heart (Bb) My Funny Valentine (Cm) My Melancholy Baby () My Old Flame (C) ‘My One And Only Love (©) ‘My Om True Love (Tar) (F) My Ship Nancy With The © NNeamess Of You, The ®) Nevertheless (86) [Night We Called A (6) [Nightingale Sang in (&b) O16 Cape Cod (F) (Old Folks (Eb) ‘Once In Awhile (Eb) (One For My Baby (Eb) ‘One More For The Road (Eb) ‘Over The Rainbow (Eb) Party's Over, The (&) Penthouse Serenade (C) People (©) Pieces of Dreams (6) Polka Dots & Moonbeam: (F) Poor Buttery (Ab) Portrait of Jenny, A (F) Prelude to 2 Kis (C) Red Ssils In The Sunset (C) Scotch & Sods (ED) ‘Second Time Around, The (C) September In The Rain (EB) September Song (C) Sack (Eb) Smite © ‘Smoke Gets tn Your Eyes (Eb) Some Other Time (©) Someone To Watch Over (€b) 032 o4s 049 035 065 004 077 (003 068 ors 020 ors 037 073 oz 067 o72 033 on 005 008 o72 076 008 oe ov 061 oz 024 050 ons 063 030 046 023 059 086 094 092 098 ons 087 097 093 09s 094 096 088 08s ons 09 085 088 095 Sophisticated Lady (Ab) Spring Can Really Hang (C) Spring Is Here (Ab) Stardust (C) Stella By Staright (@b) ‘Surnmer Pace, A (8b) Summertime Sunday Kind OF Love (6) Tenderly (Eb) ‘Thanks For The Memory () Thats All (Bb) ‘These Foolith Things (€b) ‘They Sat Ws Wonderul ‘Things We Did Lat (@) Thin te AL Ak Til There Was You (@5) Time On My Hands (F) Try A Uitle Tendemess (Eb) ‘Twilight Time (G) ‘Two For The Road (C) Unforgettable (F) Very Thought Of You, The (Ab) Violets For Your Furs (F) Warm Valley @) Weill Be Together Agnin (©) What A Ditference A Day ‘What Are You Doing the (Am) What Kind of Foot Am 1 (©) Whats New (©) When Sunny Gets Blue (F) When You Wish Upon A (©) Where or When (@) Who Can Tum To. () Wow Weep For Me (2) You Dont Know What (Fm) You Go To My Head (©) Youve Changed (Eo) ‘NEWER BALLADS AIL Ask of You (0b) Cas Your Fate to The (F) ‘Gose To You (@) Evergreen (©) Feelings (Em) Love Story (Gm) Memory (C) My Way ©) Send in the Clowns (AB) Somewhere (F) Svangeron the Shore (F) ‘Summe Knows, The (F) ‘Time For tove, A (BE) Twelfth of Never (0) Way We Were, The (A) ‘We've Only just Begun (F) What 1 Did For Love () When 1 Fallin Love You Don't Know Me (C)106 0 rs 105, 157 ass 101 135 105 us 103 136 132 128 ” 131 138 126 02 ne 158 187 M6 13 1? n9 107 148 182 47 m4 1B 129 16 1a 139 166 158 ne ns 161 16 155 108, 183 137 130 102 12 161 109 we 132 151 1 150 160 us 165 EASY SWING Alter Youve Gone (©) Ain't Misbehavin’ (©) ‘Alone Together (Om) ‘Autumn Leaves (Em) Benutiul Love (F) Because of You (Eb) Bue Moon (Eb) Blue Room (F) Blue Shier Blues in The Night (68) Bye Bye Blackbird (F) Call Me iresponsible (Ab) Canacian Sunset (8b) Cheek to Cheek (C) ‘Come Rain or Come (F) cute (©) Dancing In The Dark () Dancing On The Ceiing (F) Days Of Wine And Roses (©) Do You Know What it (C) Dont Take Your Love (©) Don’t Worry ‘Bout Me (Ab) Dream A Lite Dream (G) ayy To Love (6) Ebb Tide () Fine Romance, A (©) Fly Me To The Moon (C) Gee Baby, Ain't 1 Good (Cm) Glory of eve, The (C) Harem Necture (Om) ear And Sout (F) Hey There () How About You (C) Cant Give You (Ab) | Could Write @ Book (C) | Didnt Know What (G) | Don't know Why (6b) "Get Along Without You (6b) | Hadn't Anyone Til You (F) | Hear a Rhaprody (Eb) | Let A Song Go Out Of (Eb) | Love Pars () | Thought About You (Eb) | Won't Dance (©) M1 Be Seeing You (E>) 1H Cet By (©) Fm Gonna Si Right () Fe Got My Love to Keep (F) IA Mellow Tone (Ab) IeHad To Be You (Ab {ts Only » Paper Moon (6) es Been a tong, Long) Just nTime (@6) ust Squeeze Me (F) LOVE Love Lets Do i (6) Lets Fallin Love (©) Lets Get Away Fromm (EB) Uke Someone In Love (8b) ur Darin" (eb) Love Walked In (E>) Lovely To Look At (F ne 143 no 126 152 18 104 162 na 130 127 156 107 133 m 4s va 104 125 109 150 130 103, 19 164 163 ns 120 164 144 v6 ng. 13 ns 140 121 as 154 139 2 ra 101 137 143 7 162 2 120 156 nz 106 108 ws 123 ui 183 124 18s 138 187 Lullaby of Birdland (Fm) Make Someone Happy (6) Makin’ Whoopee (F) Mannatean (6) Mean To Me () Memphis in june (C) Moonglow (G) ‘Mooniight Becomes You () More See You, The (Eb) Moten Swing. (Ab) Me. tudy (G) My Blue Heaven (Eb) My Romance (©) Nice N’ Easy (€) Nice Work if You can Get (6) No Moon At all (Om) (On You Crazy Moon () (On A Clear Day (©) ‘On a Slow Boat To China (8b) ‘Out OF Nowhere (G) Paper Doll (F) Peg '0’ My Heart (8b) Rose Room (Ab) Satin Doll (C) Sentimental journey () Some Enchanted Evening (©) Sound of Music, The.) Star Eyes (ED) Stormy Weather (AB) Swanger in Parade () Summer Wind (Eb) Sweet and Lovely (6) ‘Sweet Loraine (G) Swinging Shepherd Blues (C) Teach Me Tonight (C) Tender Tap, The (AB) That Old Black Magic (Eb) ‘That Od Feeling (ED) That's Ute (©) There's A Small Hotel (C) They Can't Take That (Eb) ‘Three Ute Words (C) Time After Time (82) Wenver of Dreams, A (©) What Now My Love (F) When Lights Are Low (F) ‘When Your Lover Has (Ab) Will You Stil Be Mine (Ab) Witcnerate (2) Wien A Song In My Heart (E5) Yesterdays (Om) You Made Me Love You (C) You Make Me Feel So. (Bb) You Stepped Out ofa (©) You'd Be So Nice to (©) Youre Geting tobe a You'e My Theil (Fm) You'e Nobody Til” (F) NEWEREASY Everybody Lover | Say A Le Prayer For (©) Moments To Remember (AB) 186 186 iss 197 203 241 204 25 27 240 4 212 233 228 ue 26 29 205 27 202 245 201 230 220 209 246 239 224 229 22 27 207 22 29 223 210 225 216 224 206 210 27 230 209 22 27 235 243 248 236 20 228 26 205 201 207 27 Raindrops () Sing (Bb) Song Sung Blue (F This Guy' In Love (&b) MEDIUM/UP SWING Al Of Me (©) AAI OF Nothing At A (©) Al The Things You Aze_ (Ab) Almost Like Being In (86) ‘Aight, Okay, You Win (&b) Between The Devil and (F) Breeze And | The (F) But Not For Me (Eb) Chattanooga Choo Chea (©) Cherokee (8) ‘Choo Choo Ch’Boogie (F) ‘Come Fly With Me (©) Crazy Rhythm (F) Day By Day Dearly Beloved (©) Do Nothing Til You (f) Don't Be That Way (€b) Dont Get Around Much (C) ‘actly Uke You (C) Fascinating Rhythm) Foggy Day. A (F) From This Moment On (Ab) Give Me The Simple Life (E>) Gone With The Wind (€B) Green Dolphin street (€) Have You Met Miss Jones (F) How High The Moon (6) 1 Get A Kick Out OF You (E>) | bove You Remember April (©) "im Beginning To See (C) im Old Fashioned (2) Ie Got The World on a (EB) {We Got You Under My (€b) In The Mood (AB) Invitation (Cm) Ie Could Happen To You () Ie Don't Mean a Thing (Bb) Its You Or No One Jersey Bounce (C) Just Friends (C) Just One Of Those Things (F) Lady is A Tramp, The (C) Long Ago And Far Away (F) Lot OF Living To Do, A (©) Love For Sale (8) Lover, Come Back To Me (AD) ‘Mac The Knife (©) ‘Mountain Greenery (©) My Baby Just Cares For (@) Night And Day (5) ‘014 Devil Moon) ‘Opus One (6) ‘Our Day Wit Come (6) (Our Love ir Here To Stay (F) Pennies rom Heaven (C) Pennsyivania 65000 (G)ry Be m 246 as 23 27 208 21 223 a7 29 242 206 2 202 22 238 2 28 29 28 220 236 2 a 2s 27 os 240 307 Perdido (8) Red Roses (for A Blue (C) SWondertu (Eb) San Francisco (©) Secret Love (€) Shiny Stockings (AD) Somebody Loves Me (C) Somewhere Beyond the (ED) Song is You, The (C) ‘Stari Fell On Alabama (C) Stompin’ At The Savoy (F) ‘Suing OF Feats (ED) Take The °A° Ten (©) Tangerine (F) “There is No Greater Love (Bb) There Will Never Be (EB) There Be Some Changes (Bb) This Can't Be Love (AD) This Could Be The Start (©) Too Close For Comfor (©) Too Marvelous For Words (C) ‘Tuxedo Junction (8b) Undecided (C) Wilkin” My Baby Back (EB) Way You Look Tonight, (EE) What ts This Thing (©) without 2 Song (€) Woodehoppers Ball (©) Wrap Your Troubles (C) You and the Night and) You Do Something To Me (E>) ‘SOCETY/MISC, ley Cat (© Anything Goes (©) cabaret (E>) Ceciia Fine And Dandy (© (Get Me tthe Church on (G) Give My Regards To. (Bb) Hello Dolly (Bb) Hooray For Hollywood (F) ‘Got Rhythm (6b) "ike The Ukes OF You (Eb) All Depends On You (C) Ws Aight With Me (F) 1: Delovely (F) lady Be Good (©) Late, Late Show, The (F) Mare (©) New York, New York (®) (On The Street Where You (C) (On The Sunny Side OF (©) One (eb) Puttin’ On The Ritz (Fn) Rosetta (F) $0 What’ New (C) ‘Surrey With The Fringe. (©) ‘Sweet Gypsy Rose (©) That's Entertainment (Bb) Tie A Yellow Ribbon (€5) Winen You're Smiing (Bb) Whispering () 401 as a2 408 408 ae 401 402 a0 DIXIE ‘Aint She Sweet (C) ‘Alexanders Ragtime Band) Avalon ® Baby Face (C) Basin Street Blues (C) Bi Bailey Bith OF The Blues (C) Bourbon Steet Parade (Ab) Bye Bes (©) ‘Charleston, The (Bb) Chicago © Darktown Struters Ball (C) Five Foot Two (©) Honeysucle Rose (F) te Found A New Baby (©) Indiana ) lade © LUmehoute Blues (AD) ‘Midnight In Moscow (C) ‘Maskat Ramble (Bb) Rock-a-ye Your Baby (©) ‘Sheik of Araby, The (BH) ‘St Lous Blues (6) Sweet Georgia Brown (C) Tiger Rag (85) Tin Roof Blues (8) ‘Toot Toot Tootsie (C) Up A Lazy River (F) Wiay Down Yonder in (©) Yes Si, That's My Baby (Eb) Gravy Water (©) WALIZ ice io Wendertand (©) Always ‘Around The World (©) Edelweiss (Bb) Emily (© Falling in Love Again (E>) Falling In Love with (Bb) Fascination (©) Greensleeves (Or) Hello Young Lovers (Eb) 1 Could Have Danced All (C) 1 Take Romance (F) Lover (©) Mademoiselle de Pais (0) Mery Widow Waltz (F) Moon River (C) My Buddy (C) My Favorite Things (Em) igalle ©) (Que Sera Sera (Eb) Searborough Faic (Om) Someday My Prince Will (F) Somewhere My Love (C) Tennessee Wak: (C) 407 405 a 407 406 as 407 406 408 41 432 432 461 432 4 433 a3 3 “3 “an 442 “an 461 “1 43 43 442 470 442 4s 452 452 482 4s 456 455 456 456 455 456 402 462 465 463 464 466 ‘Two Hears In 3/4 Time (C) Under Pais Skies Fm) Up limped Spang (Bb) Vienna Life (Bb) Vienna, My City Of (F) What Do? (Eb) Where Your Heart (€) Wonderful Copenhagen (C) Wanderbar (©) POLKAS Beer Barrel Polka (C) Clarinet Potka (C) Happy Wanderer, The (3b) Hawaian Wedding Song (C) Helena Pola HoopDeeDoo (&) echtensteiner Polka () Pennsyvania Polka (F) Too Fat Polka (C) ITALIAN ‘Ah Matie (Cm) ALDI La (Bb) ‘Anerna Core (©) ‘Arivederci Roma (6) ise, Ciao, Bambina (©) Come Back To Somento (Cr) Goatather Thee (Cin) Mala Fermena (8b) Maria Elena (©) My Love Forgive Me (©) © Sole Mio. (E5) Tarantella (Am) ‘Thats Amore @) Volare (8b) IRISH Danny Boy (Londonseny (C) sh Washerwoman (6) MacNamar's Band (F) My Wild trish Rose (Bb) When ish Eyes Are (C) lewis Ansa Aline (Om) Hava Nagiiah (F) Mayim Mayim (Cm) Misiou (Gr) Sunnie, Sunset (Cm) Teena ©) ‘MISC-SPECIAL Anniversary Song (Em) ‘Anniversary Waltz (C) ‘Auld Lang Syne) Bridal Chorus (Bb) ‘Bunny Hop (PD (Chicken Dance (©)466 469 463 464 “68 468 464 40 465 465 “67 43 4s 492 492 486 48s 4 41 490 “7 “7 49 48 486 490 Cielito Lindo (6b) Daddys Lite Git (C) Cuantaramara (0) Hail To The Chet (C) Hokey Pokey (8D) La Wie en Rose Limbo Fock () Mexican Hat Dance (6) Russian Dance (©) Star Spangled Banner (8b) Stripper, The ‘Tove Were The Days (Am) Wedding March (Om) CHRISTMAS. Christmas Song (E5) Christmas Time is Here (F) Frosty the Snowman () Have Youre s Mery () MH Be Home For (C) lingle els (G) Hinglebell Rock (©) Let Snow Rudolph (©) Santa Claus i Coming Sitver Bells (©) Sleigh ide (©) White Chrismas (C) Winter Wonderland (E5) -BOSSANOVA Black Orpheus (Am) Call Me (8b) Desainado (@) ind) Don't Misundertand (F) Enate Felicidade (Cm) Centie Rain (Am) Gc From ipanema (F) Going Out Of My Head (8b) How insensitive (Om) You Never Come To Me (Eb) Uke & Lover (©) Lutte Boat (©) Look Of Love (Om) Look tothe Sky Lwjon (Om) ‘Man And A Woman, A (C) Meditation (C) Never Late Go (Ob) No More Blues (Chega De (F) (Grande Amor (Am) Once ttoved (F) One-Note Samba (Bb) Only Trus Your Heart Pretty Wedd (G) Quiet Nights) Recado Botta Nove Sabor A Mi (Eb) Shadow Of Your mile (6) So Many Stars (C) 507 540 508 502 502 S21 Fy 39 53s 337 337 539 540 536 336 556 sss 554 352 351 553 553 555 sa 387 551 555 557 556 S58 565 S67 566 367 375 378 576 S77 77 see 568 602 sor 601 So Nice (Summer Samba) (F) Theirs Tears Teste (88) Watch What Happens (Eb) Wave ©) Where Do You Stat (Eb) Yellow Days (@) SAMBA im Bam Bum (Bb) Brazil (Ab) Go To Rio (@b) Jazz Samba (€b) Mas Que Nada Menina Flor (Eb) ‘Quando, Quando (8) Samba de Orfeu (©) Tico Tico (am) RUMBA ‘Atways In My Heart (Bb) ‘Amapola (8b) Amor (©) Begin The Beguine () Besame Mucho (Om) Green Eyes (Eb) More (G) Perfidia (©) Poinciana (©) Softly AS In A Moming (Om) Spanish Eyes (G) Speak Low Strangers In the Night (F) You Belong To My Heart (Eb) Yours (0) CHA CHA Chery Pink and Apple (Eb) Dansero Frenesi (AB) [Never On Sunday (Eb) Tea For Two (Ab) TANGO Blue Tango (0) Iatousie (8b) Kis Of Fre (Om) {a Cumparsta (Cm) Paloma (©) (OTHER LATIN: Caravan (Fm) Moening (Bom) 1AZZ BALLAD Blue In Green (Bb) Cheliea Bridge (Ob) Child 1s Born, A (BE) 604 608 607 608 602 606 603 602 602 60s 603 601 3 605 604 ous on 63 67 613 6 614 oz 616 a3 ou ais 612 6s a6 625 62 64 630 63s 63 a9 6 40 ou on 628 626 67 63 as 630 ze 353 62s 69 639 630 as ar oz Django crm) | Remember Ciiford (F) IF You Could See Me Now (&b) Infant Eyes. (E>) ids Are Prety People (F) Lament ash Ue (Ob) Naima (em) Passion Flower (C) Peace 8b) Quintessence (9 Round Midnight (fm) Search For Peace Soul Eyer (ED) Tur Out The Sars You Know | Care (80) JAZZ EASY Bemies Tune (Om) Dolphin Dance (Eb) Dony (8b) Falling Grace (Ab) Haunted Ballroom (6) In Your Own Sweet Way (Bb) Killer Joe (©) Stolen Moments (Cm) Strolin’ (Ob) Sugar (Cm) Take Five (Cm) “Things Ain't What They Whisper Not (Cm) Work Song (m) Airegan (Ab) ‘Anthropology (88) Dashoud (2) Dig (ab) Four (Eb) Groovin’ High (&8) Half Nelson (C) Impressions (Om) Jeanine (A) Joshua (Om) Jey Spring Lady Bird Milestones (Old) (8) Naras (Em) ‘Nicis Dream (Bb) Night In. Tunesa, A (€) Oleo (8b) Ornithology (6) Quasimodo (6) Robbin's Nest (C) ‘Serapple From The Apple (F) Serpent’ s Tooth (6) Seven Steps To Heaven (F) ‘0 What (Om) Solar (Cm) Theme, The (88) Tune Up (0) Well You Needo't () Yardbied Suite (©)656 655 660 657 659 655 656 os 0 os 7 67 on ore 67s os 675 era ore 676 JAZZ MED/UP Bebop (5) Bolivia (@) Con Alma (@) Confirmation (F) Donna tee (Ab) Epistrophy (CH) Giant Steps @) titean You (F) Lary Bird (©) Moanin’ (rm) Moments Notice (&8) Night Has 1000 Eyes, The (G) Salt Peanuts) Serenity (@) ‘mater (278) Speak No Evil (Cm) This 1s New (Crm) Witch Hunt (Crm) AZZ BLUES ‘hs Privave (F) Besie's Blues (Eb) Bille’ Bounce Bittersweet () ‘ive Monk (8b) ive Trane (Cm) Biuer For Aice (2) Byraike Equinox (Cm) Gingerbread Boy (6b) trotepe () Me. Sins (©) Now The Time Perhaps (C) Relaxin’ at Comarilo (8b) Solid (6) Some Ouher Blues (F) Speedball) ‘Staight No Chaser (F) Tenet Madness (Bb) Viera Bives (8) 1AZZ WALTZ Bsa (@) How My Hear Sings (C) Ws Raggy Watt: () jo Night Dreamer (6) Simone (F) Sometime Ago ( Valse Hot (AD) Very Eary (| Watt For Debby (®) West Coast Blues (Bb) wnat was (C) Windows (Bb) azz aTIN 69 4 1 60 69 61 685 688 687 7 3 ‘Armande's Rhumbs (Ci) Blue Bossa (Cr) Ceora (AB) Fores Flower () Friends (©) Gaviota (Cm) Gregory ts Here (8b) Told You So (F) Lberated Brother (Gm) Lutte Sunflower (Om) Lady Souther (©) Manteca (Bb) My Little Suede Shoes (&b) Pensativa (Cb) Recordame (Am) ‘Siver's Serenade (em) ‘Song For My Father (Fm) Song Fr trayhom (EB) Spain ©) St Thomas (C) ‘Think On Me (0) Groove Merchant (8b) Mercy, Mercy, Mercy (Bb) Sidewinder (€) Sister Sacie (C) Watermelon Man (F)I LEFT MY HEART IN SAN FRANCISCO (Tony Bennett) Cross/Cory 54 C7 FT D7? G-7.C-7 F7 Bb? A579 GTC ‘The lovelicness of Paris is some-how sad-ly gay. The glo-ry that was Rome was ofanother F7 ER6 c-75_—G-7H5 Go FIC_D7 G7 cl F day, Tvebeen ter- bly a-lone and for -got-ten in Man-hat-ten, Im go-ing home to my ci- ty by the bay. sate [Al py EbsTID-7 Dbe7 C7 G7 [*c- Cen C-7 FT : : K Eos = = SSS SS T left my \ heart in San Fran- cis wign'n a hil itealls to My love waits there In San Fran cisco ‘a bove the Bhp c-7 F7 Bhar Ev ams p-7 ce? p-? pr me— To be where lit-tle cab-le cars. climb haf G-7 Db7 C7 C7 Bet c F7 ay 10 the sts, themoming F7 F/E> A-7D T don't D- G7 C7G-7C7 fog— care. My love waits D7 Cle7 may chill the air, blue and win-dy sea C7 F7 Bb When I come home to you San Fran-cis-co your gold-en sun will shine on me. MOONLIGHT SERENADE Glenn Miller 1938 F6 c7 oct Ab? _,_ G7 FE a ACTED D7 G- FG D- G-G@ G- B} C7 c+ 'F D%9G-7C7|*F F7 Bb Be B-715 ATS D7e E7 B-75 E7 Az75 D7 G7,_ cwBa? og C-7 F7 ‘Bb7I9 G7 C9 F-7 Bb cant un der-stand, I get mis-ty just hold - ing your hand. Walk my mus - ic I hear, I get’ mis-ty the mo~ ment youre hat from my glove, I get__mis-ty and too much in love. Bb Ab6 Eb — 1 Bb7 79 a, AbT ear. ‘You cansay that you're lead-ing me on, but it’s just what I want you to do, AbG Av D7 «C7 E21, G-75 C79 F-7 BbT — = © DE. wand En Don't you notticehow help-less-ly Tm lost, that's why I'mfol-lowing you. On my 2 MISTY ete eee Al BbA7 Bb-7 EAT (AbA7 + Ab-7 pb Lookat me, If as helpless as a kitten up a wee, aka feellikeI'm clinging to acloud; 1 Vikny Seats dovsond t= otacbspew pig ox heigl perks ws Guy ominahll wander te Wiswonterkeds ee ssceiatwig my “gitoodeer ny ny GEORGIA Hoagy Carmichael/Stuart Gorrell 1830 A] F E75 47 D-7) D-71C G7B BY6 Fa7 D7 Geor- gia, Geor- gia, Geor- gi, Ga Geor- gia, the whole day through, just an old sweet_song keeps Geor- gia. a song of you, comes as sweet and clear as Geor- gia, no peace I find, just an old sweet song keeps A-7 AbT G-7 c+ [2 G7 C7 F6 3.Geor - gia. on my mind. D-7 G7 D-7 By D-7 G7 D7 G7 Oth-er arms reach out 10 me, foth-er eyes smile ten- der- ly, D7 G7 D-7 E7 Aq D7 G7 C79 DG. a dnd Era Fine stil in peace - ful dreamsT see the road leads back to you. Georg on my mink (Gowen oo my mint) moony teem oe peer VVAS TIME GOES BY 3 Herman Hupfield 1931 (Casablanca) (ab? G-7_¢7) Al F-7 BIT F-25 BT OE F-7_ Fye7 B/G C-7 You must re-member this, 2 kiss is still a kiss, a sigh is still a sigh the when wo lov-ers woo, they still say “I love you", on that you can fe ly No still the sameold story, @ fight for love and glory, a case of do or die; the FT Fe? Op Bb7}9 [* Bha7 Eb6 Ee? |* Bb B-/F Fie? BIG And by. fun~da-ment-al things ap - ply as time goes by. ‘mat-ter what the fu- ture bringsas time goes by. worldwill al- ways wel- come Ab GS CT FT APS DI CHG AbIG> ‘Moom-lightandlovesongs nev~ er out of date, heartsfull of pass- ion, jeal-ous-y and hate; Wonran needs man and FT Bb EFT Becca G-7 CW F-7BHS Bb rina it have Hs me thao ow can de = eth Tower, as tine goes by TENDERLY (Onan payed ae a wat Walter Gross /Jack Lawrence 1946 Eb7 Bbs7 ab7iu The wem- bling trees. em-braced the breeze T cant for - ‘get how two. hears. = met hR-75 BMT c7 Pie you and 1 came Wan = dering by, and lost in a sigh were FHT G7 you took my lpsMY FUNNY VALENTINE Rodgers /Hart 1937 cen C7 c-6 AbaT AbIG F-7_ F-/Bb My fun-ny val-en-tine, sweet com-ic val- en-tine, you make me smile with my D-75 G79 c cen c7 c-6 bear. Your looks are laugh- a- ble, un = pho- to- graph- a ble, AbsT AWG = F-7 ~~ F-/Eb_—Ab-6 BLT Eba7 F7 G-7 F-7 yet you're my fav-‘rite work of art. Is your fi - gure less than greek, is your BMT FTG? FT BRST.—GT_ C= BRAT ADS? D-T5.G7 mouth a Iit-e weak, when you o - pen it t speak, are you sma? But Cc coun c7 c-6 Aba D-75 G7 don't change a hair for me, not if you care for me, stay fun-ny val - en-tine C7. B9 BRT AT abs7 F7 BiB stay,______ each day is val - en - tine’s ay. SUMMERTIME G. Gershwin/DuBose Heyward 1935 A-6 B-6 A-6 B-6 A-6 B-6 A-6 B-6 _D- F Summer - \ time and the liv-in! is ea = sy— fish are jump it One of these mom ins you goin'to rise up sing in then you'll spreadyour wings D- Er E7 F7 E7 AG B6 AG B-6 and the cotton is high Your dad- dys rich and_ your mam-my's good and youll take to the sky. But sill that_mom = in theres. a no- thin’ can A-6 B-6 A- D7 cis Al D7 D7 AS look = in so hush it de ba = by dont = you. ery harm you. with dad - dy and mam-my stand. = in’ by.. 5 EMBRACEABLE YOU ey A\ G6 Bbo7 AT D7 F7 E7 A-7 SS = = Em-ines me, ay seowens tae abe yore me 1 love all the_ma-ny charms a-bout yor —— a bove al ate pm ("Gs a7 Ge B78 [Ble- E-wD cers Fyn you ir- re- place - a- ble you.——___ Just one look at you, my heart grew T want my B- B-VA_G75 G-6 —FR7_—B79—E-7_—_AT. D7 BHT A-7 ab7t up = sy in me—________You and you a - lone bring out the gyp - sy in me *G7 A? Bb6 GIB I os FR75 B79 BH E-7 arms _a-bout you.___ Dont be a — naugh-ty ba-by, come to papa, come to E77 A7_ GD _E7 D7 «G6 pa- pa do.—_ My sweet em- brace - ble you. UNFORGETTABLE Gordon Irving 1951 (Vat Cole) G_ G6 G47 G6 CTS FI Cc cé CAT C63 Un-for- get-ta-ble, Unto 7 B- C°7 ACK" FA7 that's what you are. —— in ev ty wa Un-for- get-ta- ble, tho’ near so And for e+ ver-more—— that's how you'll BT Cc F7 ye AL far____Like asongof love that clings to me, how the thoughtof you does things to me, Cl Bb9 D9 AbT 2 a7 F-6 nev-er be-fore B79 has some-one been more.. E7 _ Ag D7 D7 G7 C6 (A-7D7) ‘That's why darling, its incre - di-ble, car that some-one soun-for-get - ta-ble, thinks that I am un-for- get - ta-ble too.6 STARDUST Hoagy Carmichael 1929 E7 c F9 And now the pur ple dusk of twilight time, steals a- cross the mea-dows of my ‘You wan-dered down the lane and far a- way. —Leav-ing me a song that will not E- A- [hB7 Al D- High up in the sky the lit-tle starsclimb. al’ - ways re - mind-ing me that Love is now the star-dust of yes-ter- day, 2 G7 cé C+ hear. die. E- FR G7 we're a - par. the music of the years gone by. Some-times 1 Be + F6 F-6 Bb7 won- der why I spend the lone~ly night dream- ing ofa song. The side a garden wall’ when stars are bright you are in my arms. ‘The Cc D7 ET ATS D- An “D- D-7Ab me-lo-dy haunts my FeV er- ie, and Tam once a guin with you When oor night-en-gale tells his fairy tale of par-a~ dise, where ros - es G7 G: G7 Gt c D7 Ebe7 CE Jove was new, and each kiss an in spi - ra - tion, ____ but AT D9 AZ D9 G7 Di G7 G that was Jong a- go, now my con- so-la- tion is in the star dust of a song Be - 2 D7 F6 F-6 C EWBA- CIG grew. Tho’ = Ts dream = in vain,__ in my bean it will re - G7 c ° ATM! D-7 BYFt F7 E7 Bb13 D+ the mem-o-ry of love's re frain ‘main, my star-dust mel- 0- dy.SEPTEMBER SONG 4 ur Wel 1938 ce any sc py py at © Oh it's a” long, long time, from May to Dec - em- ber, but the days grow the au-tumn wea ~~ ther, tums the leaves to. flame, fone hasn't got Andthese few precious days, THI spendwith yo these pre-cious D7 Ds G7 C47 Glut C47 2 Ds Gm sho when you reachSep- tem- ber Whenthe autumn © time for the wait-ing Cc Gatco [B) F6 f°7 x F6 game. Ohthe days dwindle down, to a prec-iousfew—_—Sep-tem- ber, pT CAG 0c. atcode @D%ust D7 D-75 pha? C6 Nov- em - ber, andthesefew days Tl spend with you. POLKA DOTS AND MOONBEAMS ‘Van Heusen/Burke 1940 Fa7 D2 G7 c7 Bb? AT D2. ‘A country dance was be-ing held ina _gar- den, T felt a bump and heard an ‘The mus-ic stated and was the per- plexed one, I held my breath and said “may Now in a cot-tage built of | i- lacs and laugh- ter Tknow the mean-ing of the G-7 E7 AT D-7 BT FE Bb A-7 AMT “oh, beg your par- don.” sud-den- ly I saw Pol-ka Dots and Moon - beams 1’ have ‘the next one?” In my fright-ened arms Pol-ka Dots and Moon - beams words “ev- er af ter,” and T'll al - ways see Po-ka Dots and Moon - beams G1 c7 A-Ab7G-7G)7]? G-7 c7 F6 E7 all a-round a pug- nosed dream “spark- led on a pug-nosed dream.” There were when I Kissmy pug-nosed dream. AMT Be B-7 E7 AAT Fee, B-7 E7 ues- tions Aa the eyes of olfrer dan-cers a5 we flost-ed ov-er the floor. There were Be B-7 E7 AT D7 G7 c7 ‘0. al and Ening ‘questions but my heart knew all the ans-wers, and perhaps a few things more8 EVERYTIME WE SAY GOODBYE Cole Porter 1944 Eba7 F-7 G-7__ Aba? G-7 C7 -F-7_ BLT Eba7 Gb7 Ev - ‘ry time__ we say good- bye, I die a ited, aa When you're nea there's such an sir of spring about it, T-can_ hear bo BIG Ghe7 E7 Bb-7 pbs ‘Ab7 Ba wwe say good-bye, I wonder why a Iit-e, why the gods _8- bove me who 4 lark some where be- gin 0 Bb-7_ Eb7, Aba Ab Db = G47 C7 G2, B7 must be inthe know, think so litte of me, they al - low you to go Bb-7 EBT Aba7 BIT 9 BIG Gho7 F7 Blau Bb | aba7 sing about it. There's no love song fin-er, but how strange the change from AbT, Dis B77 FT Bb BOT BG . ma-jor to mi-nor, ev- ‘y-time____ we say good - bye. WE'LL BE TOGETHER AGAIN ae co AMT D7 G7 A- AL, p7a No tears, 0 fears, -mem- ber there's al re %0 Your kiss, your =—smile,-are._=—mem- ries I'll 30 Some day, some = way, we both have a for Bh, BY Aber pes wha if we have to pan, welll be to-geth-er @- gain. Your ty think-ing with your hear, pan- ing is not good - bye, Abl_,__ G7" C6 Ab7_,__ G+7 c-6 Times when I know you'll be lone- some, times when I know you'll be sad, Ab. G7 Gham F7 D7, ‘Ab7 Giast G9 = don’t Jet temp-ta- tion sur - round you, don't let the blues make you bad. Some (D.C. aland En ne)THE VERY THOUGHT OF YOU ay Note 1984 Eb7 Aba7 BHT Aba7 Eb? Ab Bb-7 === ere . The ve-ry thought of you and I for- get to do the litte or- din- ar-y BeT AWC, F-7 F-1Eb F-9 Bo Bh7 Eb7 G-75 C7 things that ev-'ry-one ought to do. ‘mo~ ments go'til Im near to you.. Tm liv- ing in a kind of day-dream, Im hap-py as a I see your face in ev- ‘ry flow- er: your eyes in stars a- Bb =D GW C-7 F-9 Bh7 BT | king, and fool- ish tho’ it may seem, to me that’s ev-‘ty- thing. The mere 1 - F7 Bb7 Bb79 Abs 2 pos phat cr bove Its just the thought of you, the ve-ry thought of you, my love.__ I’M IN THE MOOD FOR LOVE Jimmy McHugh /Fields 1935 c Aa D7 G7 D7, G7 cr oC Tm in the mood for love, sim ply be - cause youre near Hea- ven is in your eyes, bright asthe stars Were un - If there's a cloud “a - — bove, if it should rain well det Bbo7 D-7 G7 iS Glat but when you're ‘near = me, Tm in the mood for love. ove. ™* oe RE yaar pe Emin te monde Bie eae. GS Be meee Ee aa Poe ees c Why stop to think of wheth - ex, this lit de dream might fade. FRETS B79 E7 D?op-ts G7 Weve put our hears to - geth - er, now we are one, Im not a - fraid 2. wand enna)10 HERE'S THAT RAINY DAY Johnny Burke /Jimmy Van Heusen 1949 G DF BYYF E7M Bbs7 ——s—, AbA7—A-7 D7 p77 May-be- I. should have saved those left ov er dreams, fun-ny but here's that rain-y Where is that wom out wish that I threw a- side, af-ter it brought my lov-er Bba7 Bba7 Ga -D-7G7|*C-7 Flu FS day Here's that rain- y_ day they told. sme a - bout, and I near? A-7 D9 C7 =B+7 E9 A-7 p7e!l* ca7 laughed at the thought that it~ might tum out this way___ Fun- ny how DIC B7E7 AB AWD D7 D7 G6 love be-comes a cold rain-y day, fun-ny that rain-y day is here—__ I REMEMBER YOU Johnny Mercer 1942 G6 D7 G7 car CH7SFH7 G6 C7 Fy 1 remember you, you're the one who made my dreams come tue, a few kiss-es a- T remember you, youre the one who said “I love you too”, I do, did- nt you B-7 Bb7 D7 ?D-7_ G7 FT B? E47 “AT 47 0. IT re-mem-ber too a dis- tant’ bell, know?. FR7 BT Es E-7 AZ Da?’ A-7_+D7_~G6 ‘When my life is Fv ‘and stars that fell like rain. out of the blue, CHISFIT G6) car BSB AT C6 the thrill of them G6 through and the an- gels ask me to re- call G7 ET CPs C-6 B-7 Bb = a7 DT all, then 1 shall tell them I re - mem- ber you. LBaEaBitinaitenBieBuienBitinBainE BeMY ONE AND ONLY LOVE 11 ‘Wood /Meltin 1953 AY Caz AT D-7 G7 Gi? AT? FAT __,_ Ye = ry thought of you makes my heart sing ‘like an. Ap-rilbresze onthe. ‘The sha-dows fall andspread their mis - ty charms, in the bush of light whleyou're Yoo fill ‘my. ea ger heart with such de sire, every kiss you give, sets my ET Alat AT D-7 G7? FIG AT pd? Opa G7 wings of Spring, and you sp- pear in all your splen-dom—> my one and on in my arms, T feel your lips so warm and ten- der my one and. on-ly soul on fire I give my- self in sweet sur - ren-den——— CHS. FHS B78 #755718) p- “E-TATD-1G7_ |? C6 love. love. The touch of your hand is like heaven E- =~ C#-75_,_, FETS B79 E~ ys E-/DH E-/(D —s— CH75 hea - ven thatl've nev-er known. «The ‘blush on yourcheeks when ev - er I speak D7, AM, G7a G7 cuca = D7 Gm 6 + tells me that you are my own. my one and on-ly love. THE NEARNESS OF YOU , ‘Hoagy Carmichael/Washington 1937 F7 Bbo7 Al C7 ‘Bba7 Fa7 T's not the pale moon that ex - cites me, that thrills and ex - cites me, oh It is-n't your sweet con- ver - sa don, that brings this sen - sa- don, oh T need no soft’ lights. to. en - chant me, if you'll ~_on- ly grant me — the. 2 F6 F AT p79 G-7 c2, OF ‘A-7 Abo G-7 Cust —— ta it's just the near-ness of you risen’ you. whenyou'rein my m0, its Just the nearness of > B) 1 hotayou"ev- er 0 G7 cs FA7 F7ust C-7 BT Bb? E79 A-7 D7 arms, ‘and Lfeel you so close to me——__ all my wild - est dreams come G7 DIM CIs Chg cond ATED D7 _ | Glas G9 G-7 C7 F6 C7ust F6 SS tue Teed no tight, and to feel in the night the near-ness of you.12 WHAT'S NEW? Burke agp 1000 D-75 Gn G7 ‘You have-n't clanged a We have-n't met since Par-don my ask- ing what's new Of courseyou could- n't FG-7 C7 ‘What's new? Wha's new?. A> dieu, C- Eb7B> "D-7_ G79 Aba7 G7 cé lovely ase - ver, 1 must ad- mit What's new? “ What's new? gee but it’s nice to see you again. T have-n’t changed, I love you 50. BRIT 3 Ab Dba7 G75 cn ee é Se SS Prob - a- bly I'm bor- ing you but see - ing you is F- Ab7/EbDbA7 cm oR B7 p-75 Gn grand and you were sweet to of-fer your hand I un der - stand, OG Pew BODY AND SOUL Hetman /Sour/Byton/Jobn Green 1950 al Eb G7 F7 Ee? Bb79 BH7 D9 bs My bean, is gad and for you for you dear on - ly, my days ‘in wg: & 205 Ton-areng ay IRS Se yoSte wees ise, My Be eye ing, you know I'm yours for just "the tak= ing! Ee PL. 7 pb BbT® EDT B-7Db C-75 R79 BLT 2 DbAT Why hive- n't yBu seen it? T'm all for you, Bo-dy and Soul. TY Melt "you mean it = BI Va gad" sur "en e D E-7 DFE G-7 . C7 FET B-7 E-7 A7 D7 T can't believe it, it's G7 hhard to con-ceive it, that you'd tum a- way ro-mance. D-7 E-7 Bb? D-7 G7 C7_ BBY pc.aree ‘Are you pre-tend-ing, it looks like the end-ing, un - Jess I could have one more chance to prove dear,13 Johnny Burke/ Jimmy Van Heusen CHOSFIWS B-7 Car BUT BEAUTIFUL G6 c7m B75 Em 4-7 fe is fun-ny or its sad, or it's qui- et or it’s mad, its a good thing or it's Love is tearful or its gay, it prob-lem or it’s play. Is a heart- ache eith - er B-7S E79 AT EIB C-4) Cf-75 DZ D/C B-7 E-7 bad, but beau - ti ful! Beau-t-ful to take a chance and way but beau ti- ful And Tm think - ing if you were mine Td fA? D7 G6 B7- OB-@) BT AT ATT would- tt mind at A-7 AMT if you fall you 2A-7 BT fall, E-7 F7 G6 and Tm think- ing Bb7 I nev-er let you go, and that would be but beau-ti-ful I know, SCOTCH AND SODA Al aber pis Dave Guard 1959 s— G77 EDS Scotch ‘n' so - da, in your eye, ba- by do I feel high, oh me oh Dry mar-ti - ni, jig- ger of | gin. Oh what a spell you've got’ me in, oh AU All I need is one of your smiles, sun-shine of your eyes oh meoh my Bb7 -@|"Bb-7 Eby a7 «J? Bb7 Bb-7) Bb7 BT my—— do -T feel Aba7 high. high. BE F- BIZ @ ba Peo- ple don't F9 be - lieve me, they say that I'm just brag - gin. F9 C7 F7 Bb7 C7 u Oe aoa 1 could feel the. way “I do andsill be on the wag - on @ Ga c Fv Bb7 aby BE Give me lov-ing ba-by feel high high-er than a kite could fly. Ree Se SO SS SS SS SS SESS SE SEE ES14 WHAT ARE YOU DOING THE REST OF YOUR LIFE Legrande/Bergman 1969 At AIG A-IG A-/Ft North and South and Bast and all the nick - les and the What are you do-ing the rest of your _life?. ‘All the sea-sonsand the times of your days Those tom-mor-rowswait - ing deep in your eyes in. a world of _—love you FAT E-7 D-7 West of your life I have. on - ly one's re - ~— quest your life, dimes of your days, Jet the rea- sons andthe ~—=shymes of your days. Keep in your eyes, Til a - wa-ken whats a - sleep in your eyes, B-75 6 EB Tous o that you spend it all with —me——— Allthe sea-sons and the “ me——__ I want to all be - gin and end with it may tke a kiss or B prs E7 AST Bos E7 . see your face in ev-'ry kind of light, in fields of dawn and for-ests of the AAT ADT pene Gba7 night. And when you stand be- fore the can-dles on the cake, Oh let me be the G7 cm FAT one to hear the si lent wish you make. Those fom” flor - rows wait - ing @ Etat E7 F9 B75 E? two. Thre all of my life, ‘Sum- mer, Win- ter, Spring and FAT Fr A-/E B7 ET A Fallof mylife, all Lev-er will re - call inmy life, is all my life with .you.I ONLY HAVE EYES FOR YOU 15 Warren/Dublin 1934 D-7_ G+, Dz 2 ARR, D-7_Aw%& D-7 G7, stars out to-night? 1 dont care if i's clou- dy or bright. cause I moon may be high, but I cant see a thing in the sky, cause here so am 1, may- be _—_mill-ions of peo- ple goby, but. they eB E-7 A7_— Eb-7Ab7 ‘B-7 Bbo Als. Eb7 D-7D#°7|'E-7 F13 cw, con- ly have eyes. for you— dear The for you. on- ly have eyes. all dis - ap pear from G7 Fe? E-7 A-7 G-7_ C79 F-6 D-7 Bb7 E-7 A-7 T dont know if Tm in a ger- den, or on crowd-ed a-ve - mie BHT Ab7 ocacom@ pha 47 D=7 D-75 G7 oC You are view. and I on-ly have eyes for—_you. THAT’S ALL ‘Alan Brandt/Bob Haymes 1952 Al pba C7. D-7— (C-7 F7_ Bba7 Bb Sr eres a en ee ies LS SESE ee Sty you're won-d'ring what I'm ask-ing in re~ tum dear, you'llbe glad ‘hold when leaves be- gin to mise to be neareach time you 0 to know that my de-mands are D-7 G7 E-2S BHT D-1 Gr C-7_ G7 call; and the on = ly heat I own, for you and you a- lone that's all, that's fall, and a love whose bum-ing light will warm the Win- ter night, that’s all) that's small; say it's me ‘thar you a'- dore for now and ev-er-more, that’s all: that’s F me [B} --. = ' F7 Be Bl er _ ph —_ cm RT Bb = — = —— so + = = ap 2 7. a, Tecan “ afl "Tiere are those, Tam sure, who have told you, they would give you theworld fer a Eba7 G7 c7 Fa? D7, G-7 c7 Faust F706 01F00 ‘oy. All Ihave are these arms to en- fold you and a love time can nev-er des- troy, If you're16 MY SHIP Kurt Well/ira Gershwin 1941 Al Fe p77 G9 C?ust C7 FE p79 G7 c79 My ship has sails that are made of silk, the decks are trimmed with gold, and of My ship's a- glow with a million pearls, and rub- ies fill each bin. The T do not care if that day ar-rives, that dream need nev - er be, _—if_ the FOE} D7 @ G-9 _E-75 a7 [“D-7 G7G-7 C7 [*D-7 G-7C7™F6 Jjam and spicethere’s a par- a- dise in the hold. sun sits high in a sapphire sky when my ship I sing does- n't Bl cac cr Gc ct G7 Bee Fa BSE? A? De My ship comes in, Tean wait the years ill it ap-pears, one fine day one spring. But the pearls and such, they Ar D7 ASTD? GladG9 CInt Ce cod G-7_E-TSA7 D-7_—_C7 ‘won't mean much if there's miss-ing just one thing. =I al-so bring my own tue love 10 FA7FH7G-7C7 FA9 B74 ~~ BbA9 Bbyas&b7A-7 Ab? DbA7 C79 FB me, If the ship Isingdoesn't al-so bringmy own tue love to me. ‘Suessdorf/Blackbur 1939 MOONLIGHT IN VERMONT Al e Eb C7 F-7 Bb7 Eb C7 7 Bb7 [+ Eb F-E, SS = = SSS SS SSS Pennies fall - ing leaves, a Moon-light in Ver mont y ski uails on a snow- light in Ver mont [By Prone ee warb- ling of a Moon- light in Ver D7 Gar E-1 Abr Gar AZ, Te-le- graph ca-bles, they sing down the high-way and ta-vel each bend in the road. Bey, BH Aber, FO | Bb7 AT AbaT BH, Poo-ple who meet in this fo-man-ue set-dng ae 50 hyp-n0-tied by the love - Ih e® BB oF E7 Bhs mont. You and I and moon - light in Ver- montOVER THE RAINBOW jiaccis arien/tiarburg 1938 17 . Al ocr Ga By abs? =D7--G-7_—C79 ETDS = = eat = Some - where, ov-er the rain-bow, way up hig there's a Some = where over the rain-bow, skies are Blue andthe Some - where over the rain-bow, blue - birds fly birds Ay Eba7 c7 F7 F-7 Bb7 ["Ebe —-F-7 Bb79]* Eb6 land that I heard of once in a Iul- la ~ by. ue. Some- dreams that you dare to dream real-ly do come ~ ‘ov = er the rain- bow, why” then, oh why cant I? B} ey F2. bo, BS Eo?) 6 F-7—Bb7 day ll wish op-on a star and wake up where te clouds are far be hind me. Eba7 Acts pz G-7 Gher Where F-7 BHT Dale twou-bles meltlike le-mon drops, a - way a-bove the chimney tops,that’s where you'll find me. Fa Bh Be ttanxory Eb If hap-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can't I? ONCE IN AWHILE Green/Edwards 1919 A ED Eb6 Eba7_. Bb6 G7 c9 G7 C9 Once in awhile will you uy gye owe it - Ue tought me? One in 3 while, will Jou dream of be to-~ mens’ ‘T Shatdwth Jou? 1 know ot “TH” Yet Son stand with jes ers day's ‘meme "op F7 c7 F7 _BH,. G-7_C7_F-7 Bb7,PEb6 Ab-7 Eb6 D7 Though some-one else may be near - er your heart _——__ in Mo ments be- fore we two dif - wd “a = hile, know -"ing you think of me once a : Ga) E7, Ay D7 Ga? E27 _, Ay D7 love's smol - der - ing em - ber one spark «may re - main, if Ga Ev, AZT p7 GB crs F-7 Bb? ro] love sill can re - mem ber, the = spark» may bum a - gain, ©18 LAURA D. Raskin 1945 A-7 D7 Gar (c9) G6 (C9) G7 = Lan = ra is the face in the mis ty light___ foot - steps Tau = ra—— on the train that is pass- ing through those eyes cn — 3 Fe? (Bb13) F6 (Bb13)|-F-7 Bb7ust Bb79, _BbA7 that you hear down the all ‘The laugh that floats on a sum-mer night, how fam- ill - iar they seem—— “15 DTan D7 Ga7 B77 E79 27 that you can nev er quite re - call, ‘And you see “ — She gave 79) (A-7) (7) (ab7) D-#5 G7, Ca7_~D-7_-E-7 A-75 D7 Gia | GZ, C6 your very first kiss to you that was Lavra, but she's on-ly & dream—___ WHAT A DIFFERENCE A DAY MADE Grever/Adams 1934 G-7 CJust ys 5, F47 Bb A-7 Ab7H, What a diff-'rence a * day made, twen- ty-four lit-tle ho - urs brought the sun and the ‘What a diff-'rence a day makes, there's a rain-bow be- fore me—— skies a- bove can't be G7 c7 VF E7 Alas AZ flow - ers,— where thereused to be rain My yes-ter-day was blue dear to-day I'm part of, stor - my—— since that mo-ment of D- D-7 Gru G7 Cras you dear, my Jone-ly nights are through dear___— since you said you were mine. 2 FT —_s. C-7 FT B-75 Bb-6 What a diff-‘rence a “bliss that thrilling iss. It herven when you find ro-mance on your AT Abo7 G7 c7 F6 what a diffrence a day made, and the dif-"rence is youDARN THAT DREAM 19 Al Van Heusen/De Lange 1939 GaT__BhT Eb7 A-7 Ban? E7 chs co B75 E7 Dam that dream I dream each night, you say you love me and you hold me tight, Dam your lips and dam your eyes, they lift me high a-bove the moon lit skies. Dar that dream and bless it too, with -out that dream I nev- er would have you. CH B-7 Bbo7 AT abl Ge D7 AT but when 1 a-wake you're out. of sight, ob, © dam_—that dream. Then I tum-ble ou of par - a - die oh But it haunts me it’ wont come tue, oh 2 A-7 Ab7HIGE pir] 556 C7 F7 Bb7G-7 FHT Fie dam that dream. Dam that one-track mind of mine, it cant un-der-stand that F-7 Bb7? BG C-7 ASD TEG-7—A-T D7 BY D7 you don't care. Just to change the mood I'm in, Td wekcome anice old night - mare, (6. aland End (Fine) SKYLARK ‘EbAy/Bb Hoagy Carmichael/J. Mercer 1941 BF? Aba7 By G7 ATH Aba ‘Sky - lark,—have you an-y-thing to say to me? Won’t you tell mewheremy Sky - lark, have you seen a val-ley green with spring where my heartcan go. a ‘Sky - lark I don’t know if you can find these things, but my heart is rid- ing C7 F7 F-7__,__ Bb oie Fs Bo Is there a mea-dow in the mist where some-one's waiting to be kissed? ov-er the she-dows and the : Sif you see them an-y : pbs gy IB) aber ashe B rain, to a blos-somed covered lane? Aba7 AbT G-75 ‘And in yur Jone~ly flight _ haven't you heard the music c7 F- Di B-7 Bb7 Ab6 jin the night, Gar won-der-ful mus-ic, faint a3 a wil AL “o-the-wisp, cra-zy a8 loon, GS. D7 GB acwcol EP Bb7 Bbran BD sad asa gyp - sy seren - ad-ing the moon Oh, where, won't you lead me there?nccsimin/emon nie iss A '-7 E7 Bb-7 Bb7 A-7 D7 Ab-7Db" Alco az pe ao, “en RABY AD DTALIDN @ E 20 I CAN'T GET STARTED T've flown a- “round the world in a plane, I've set-ted re-vo-lu- tions in Spain, the North Pole A-round a golf course I'm un-der par,” and all the movies want me to star, I've got. a Jn nine-teen twenty nine I sold shor, in En-gland I'm pre-sent - ed at court, butyou've got Az D-9 _ G79 B71 A9 D9 Glut 2C Gla C Fa? car I have chant - ed, but can'tget start - ed with you. ‘A-round the’ you. You're so. su hhouse, a show- placebut I get no place with E-7A7 E77 D49 G3. FR? —sE-7,_«-D+7: G7 _D-7— G7 Preme, ly-rics I write of you, scheme just for the sight ofyou, dream both day and night of you, 7 AS DiatDI9G Int 0c ace CAT BT AT D-9 Gust G7 C6 ‘and what good does itdo?In nine-teen me down-beart-ed'cause I cant get start- ed with you. THESE FOOLISH THINGS a Strachey/Linck 1935 Eb c- F-7_ Bb7 Eb C7 A. cig a- rene that bears a lip-stick’s ta-ces, an airline tick-et % 0 - A tink-ling pia - no in the next a- part-ment, those stumbling words that told you ‘The winds of Marchthat make my heart a dan-cer, ate = le-phone that rings but Fo Bb @ Bh BS Ab7 C7, [FBS man- tic pla- ces, and stil my heart has wings, these fool- ish things Te-mind me of ‘what my heart meant, a fair- ground’s paint- ed wings, these fool- ish who's to_ans- wer, F-7 Bb7 [2 F9 eB p7 Blo Ems ams pr G- i you things F-mind me of you. c7 ‘Bba7 You came, you saw, Gr oc7 F7. G-7— C7 you con-quered FL, ph me, when you did that to me, 1 knew some-how this had w be Oo # oo fo _Bb Bi, ABS. F9 Bb. Eb OB, how the ghost of you clings, these fool-ish things e- mind me of you,gaeaaenrgeSee 8S SS SB SE SE SE SES SS SS APRIL IN PARIS vernon pute/tiarburg 1932 21 D-15, B47 C47 C6 D-75 Ab7 G13 ca? BIC C chest nuts in Blos- som, hhol- i day tab-les - G-@) G7 Gh Fe EATFs7 FS B-75 E79 April in Par car under the wees______ ‘Acpril in Par-is this isa feeking AT AIG FARTS B79 E47 E7 E-15 ATG no one can ev er reo prise —____ Fi-75 Fo7 Cf Bb? D-7 Db? C6 A-7 BTS ETS 1 nesverinew the charm of spring, never merit face to face. A> AWG FETS I neveer mnewmny 79 Es? G7 D5, Barca? C6 heart could sing, nev - er missed a warm em- brace; ‘till —A-pril in Par-is, E-75 — Bb7M Ais BTM Diz + Cf D-75 G78 whom can I tum to, what have you done to my _ heart? TILL THERE WAS YOU Meredith Wilson 1950 BE Ee? F7 Ab6 Db7 Eb Gk ‘There were bells on the hill, but I nev-er heard them ring-ing, no I nev-er heard them at ‘There were birds in the sky, but I nev-er saw them wing-ing, no I nev-er saw them at There was love all a round, but I never heard it singing, no I nev-er heard it’ at F-7 Bb7 Eo? FT Bh ‘Ab BbAT ‘AbaT all till there was you Therewere. you ‘And there was mus-ie and AcT Bb6 BICT +7 F7 BOT BY oc wansend there were won-der-ful roses, they tell me, in sweet fra-grant meadows of dawn and dew. There was a22 MORE THAN YOU KNOW rose/euscu/voumans 1929 B wear C= Aans BY Cc Ars ‘Abr G79 Wheth-er you are here or _yon-der, wheth-er you are false or tue, E.- ven though your friends for - sake you, = ven though you don't suc- ceed, Bh-7 Eb7 AbaT G79 MDa abr G7 C-A-Ti8 D7 same Cc whether you re-mainor wander, I'm grow-ing fonder of you. break you need. wouldn't 1 be fa” take you, giveyouthe - o_,% Alcs gu, G9 CM Fe E-7A™® D7 Fo Bb More than you know, more than you know, man of my heart I love you 50, late-ly I Wheth- er you're right, whether you're wrong,man of my heart I'll sting Jong, you need me Oh bow I'd ery, oh how I'd cry, if you got tired and said good - bye, more than I'd *D-9 Ab7il -D-9G_ G79 E-7 A7p-7 G7, 2E7 ATS. find, you're on my mind, more than you know Whether you're - 0, more than you'll Son ict gs D-7 G79 C6 F9 C6 FE-7IS B79 E- che7s FETS B79 E-7 ev-er know. Lov-ing you the way that I do, there's noth-ing I can do a - boot it ev-er know ATS D7 Gar E-7 Alu AT Dia‘D7 D-9 G7ust__Gi7 DS. al Pat End Fe) bow Lov-ing may be all you can give, but hon-ey I can't live with- oui Ob COME SUNDAY uke Btigtn 1946 Al? Ebr FT D+7 G9 co of love, please look down and Bh; By op? G7 Lord dear Lord a - bove, God Al - might. F9 Bbs Eb6/Bb Bho? Bb6 =o see my PeO- Ye hough Foe ce F7 1 berlievethat God put sun and moon up in the C7 #7 D7 G+ C9 FH] Dc are sky. I don't mind the gray skies, ‘cause they're just clouds pass-ing by.YOU GO TO MY HEAD Ab-7— pb7i9 c-7s ba? G7 Ghar 23 Gillespie/Coots 1938, F-75 Bb7ant You go to my head and you lin-ger like as haunting re- fran, You go to my head like a sip of | bur-gun-dy brew, You got myhead, with a smiletharmakesmy tem-pra-ture nis, Bey oc-ms 7S Bbyae = @ BAT c7 ‘round in my brain, men- tion of you, thou- sand Ju~ Iys, AD6. like the bub-bles in a like the kick-er in a you in- tox - i- catemy AT glass of cham-pagne. ju-lep or two. EbsyBb thrill ofthe thought that you might give a thought AT, D7 BT Bb ee say to my-self "get a Eba7 Bb-7 Eb7}9—Aba7 C7 soul with your eyes. Cx7_,__A-5_ D7 G-7C7 F-7_ BbT Gba7Gb7 F-7 to my plea casts a spell o-ver me. Av, ab GG Gh F6 BT hold of your-self, cant you see that it nev-er can be." Ab-6 Db7 ‘Though Tm certain that this heart of mine and I find youspin-ning andthe ve - ry like a summer with a 'F-7E7| Bb7 a7 ‘You G-7C-7 Sul T You Be7, G-7D Pt has-nt a ghost of a Bs ETM chance in this cra-zy ro- mance, you go to my head, you go to my head, a DON’T BLAME ME Flelds/McHugh 1932 CS OB-7s Ans D-15 G7 ce pD-15 G7 Dont blame me for fall- ing in love with you, Tm Cant you see, when you do the things you do, if Blame your kiss, as sweet as. a kiss Ess AT D7 G+ C6°G7 [2D-7 G7 hel how can 1 i, dont blame me, hall that tm fed ing, “"* me welt ‘in my arms” bat E7 Ag D? if that dog- gone moon a-bove makes me need someone like un - der your spell, but cant ‘con - ceal’ the canbe, and blame all your charms that cé [B] F I cant help it D-7 D-75._ G7 you24 WHEN SUNNY GETS BLUE Fisher/Segal 1956 Gt, 7B By Fa Gt A When Sun- ny gets blue, her eyes get gray and cloud- y, then the rain be- gins to When Sun-ny gets blue, she breathes a sigh of sad- ness, like the wind that stirs the But memries stl fade, and pret - ty dreams will rise up, where her oth er dream fell AT D7 BATS Be? BMT AT AbT DT fall Pitter, pat- ter, pit ter, patter, love is gone so what can mat- ter, trees, ‘Wind that sets the tee to swaying, like some vi - o - lins a - play-ing, through. Hur - ry new love, fhur-ry here to kiss a - way each lone-ly tear, and G7 c7 Bb7 “AT D7 2 ET AW no sweet lov - ex man comes 19 call When dies wierd “and haunt-ing mel - 0 5 B} paz E7 PT B E-7 An par People used to love to hear her laugh, see her smile, that's how she got her name. D7 G+ car AT FA? D- G7 G-7 C7 ‘Since that sad af- fair, she's lost her smile, changed her style, some-how' she’s not the same. But ea a ou Fe Lax po or hold her near when Sun-ny gets blue hold her near when Sun-ny gets blue IN A SENTIMENTAL MOOD Duke Eltington 1935 D-_D-¢) D-7 D-6 G GCG G7 Gy D7 G-7 Gham fRa7 [Bl pbs Bh? Eb7 ab? ee ee Dbz Bb7 Eb7 AT G7 C7 oc.atentens ne)GOOD MORNING HEARTACHE 25 ; teeter cn = Good morming heart- ache you old gloom-y sight Good _mom- ing hearv-ache, tho’ we Wish I'd forget you, but you're here to stay.___It_ seemed I met you when my Good morning heartache, here we go a-gain—_ Good _mom- ing heartache, you're the ATS BT pm G7 Bb-6 AT abr @ said good-bye last night I med and tossed un til it seemed you had. gone, love went a- way. Now ev-'ry-day I stat by say ing to you fone who knew me when Might as well get used to you hang- ing a- round, \ G7 C7 F co |? G7 C7 cM F6 ws ‘but here you are with the dawn, Good mom-ing heart-ache, what's new? AAT D- Aw D47_G-6 D-7 G7 a7 c7 Stop hauni-EME now, can'tshakeyou TO how ‘Just leave mea lone I've Ab? Gh cr FT peace 9 G-7 com F6 eS got those monday blues, straight thru sunday blues. Good morm-ing heartache sit down. GOD BLESS THE CHILD Herzog Jr/Bille Holiday 1941 EbA7 Bb7 Ab6 Eba7 Bb7 Aba7 Bb? Bb7 Bb-7 Bb7 Them thas got sal gt th as nyse, $0 the Bi ble sidan it stl Is ows es suoog gets more, wile the weak ones fade em ets don'‘ev- er make he grade. Rich ‘te "aS dons ive: ust of” bread and such youcan Relp yourse but don't “ake eae Aba7 Ab-6 G7 F-7, Bb7 — Bb6 cn Fine Ma-mamay have, _pa- pa may tive, but “BT. Bb7 [? D-7G79 C- God’bless the child that’s got his own, cen C7 at's got his own. c-6 G7 Yes the Mon-ey, you got D-75 G79 ce cen C7 C6 lots of friends crowd-in’ ‘round the G-7 c7 F-75 BbBS ne door When you're gone and spend-in’ ends, they don’t come no more. Rich re-26 MY FOOLISH HEART Young/Washington 1950 Bhs? Bba7 D-7 G7 C-7__C-7Bb Alu A7 ‘The night” is. ike a love ly tune, be - ware my fool-ish heart. How Her lips are much too close to mine, be - ware my fool-ish heart, but D7? G7 Db i C-7 C-75 B78 D-7 white the ev-er con= stam moon, tke care my fool-ish hear. There'sa should our caver lips com ~ bine’ then Bba7 F-7 Bb Bhar Ass ps line be-tween love and fas-ci- na- tion that’s hard to see om an ev-en- ing such as this, for they G7 Dw G7 cz C7 GH cr FT both give the ve - ry samesen - sa - tion when you're lost in the magic of a kiss. Her *C-7 =7pb A757 G7 Bb? Ab7 let the fi'- re star, = For this time it is- n't fas-ci - ma- tion, or Bba7 Bba7 Ab? G7. G-7_ G7 C13 C#7 FlastF7 Bba7 ‘dream that will fade and fall a - part, it's love, thistime it's Jove, my fool - ish heart SOMEONE TO WATCH OVER ME ‘George/Ira Gershwin 1926 Ak EWG Ge G-7F ES? Eb ATS There's a some-bo- dy I'm long-ing to see, I hope that he, turns out to. be, I'm a lit= tle lamb who's lost in’ the wood, I know I could, al-ways be good, Won't you tell him please to put on some speed, fol-low my lead, Oh how 1 need. 2B Ab Bb BT LB ab ababat F7 FVA_Bb/Ab|“G+7_C9 F+7 Bb9 some-one who'll watch over me. me—™_Al-though he may not be the to one who'll watch ov-er some-one to watch over me, AgT Eb/Bb GB C-7 A-75 D7 G7 co F9 Bb79 D.C. sland Ena Fine) ‘man some girls think of as hand-some, to my heart he car-ries the key.IMAGINATION Van Heusen/Bure 1999 27 F-7— Bb7 Bba7 Abad + G-75 C7 Bb? E97 I-ma-gi - na-tion is- fun-ny, it makes a cloud- y day sun - ay, I-ma-gi - na-tion is- cra- zy, your whole per- spec-tive gets ha - zy, T+ magi - na-tion is- sil- ly. you go_a- round wil- ly - nil-- ys OF “G7 C7 F7_ BIT makes a bee think of hon-ey, just as I think of you, starts you ask- ing a dai- sy what to do, for _‘ex-am- ple, go a- round want- ing I 27 Be? BT [Bhbar T- ma-gi F7 AT D7 G7 what to do? E-75 a7 Have you ev-er felt a gen-tle touch and then a kiss and G2 C7 E15, Bhiast = BHT D.C. a! Coda D7 then, and then find i's on-ly your i -ma-gi- na-don a - gtin? Oh well, I-ma-gi © pr Bt, G7 DemcT Bhint BLT BMS F9 Bz, 0 a-round want-ing you and yet I can’t i- ma-ginethat you want me too—___ EASY LIVING Rebin/ Granger 1997 A Fal_,—_Ffe7 G-7 Gte7 Az F7__Bba7 BT Liv: ing for you 1S ea- sy liv-ing. It's éa-sy to live, whenyou'rein love Tilnev- er re gret the years I'mgiv-ing, they're ea-sy to give, whenyou're in loveand I'm Fal, D-7 G7 C7 | A-7_ D7 G-7 C7 |2F BET BET ADT Tm so in love, there's noth- ing but © gree we eT em “ae Dbs7 Bb7 Fb? AbT FT Bh ATI Aye ge pein —— ——— you may-be a fool but it's fun, peo- ple say you rule me—With Dba? Bb7, Bb-sAb G75 C7 Cp A-75 79 G-7 C#7 oc. atFnw —— ° = # one wave of your hind, dar- ling i's grand, they just don unser stand ‘Repeat 15 verse28 I'M GETTING SENTIMENTAL OVER YOU se«osn1s02 F9 E9 9 Di? G7 C7 Fa? C79 /*G7 C7 CIE I wasjust a notherwho laughedatro-mance, I said it was not for me— ‘meant to be— Thenyoumadeyouren- tranceand rightata glance. I knew this was F oa BAS ET AMT (BD7#N) D7 G7 o + 7 r= + — = = 2 = a Nev- er thoughtI'd fall but now hear you call P'm_fet- tin’ sen - ti- ‘Things you say and do just. thrill_me through and through I'm get- tin’ sen - ti Won’t you please be kind and just make up your mind that you'll besweet and [‘G-7 C7 F c7 ’G-7_ CHB F Bb OF EV men- tal ov - er you men- tal ov - er you SS = rs fy FETS I thought I was hap - -py, - I - could live with- out love—___ B-7 E7 AT p79 G7 7 . Ld ‘DS. al Code now I must ad -mit, -love- is all’_~»s‘T'm think” ing of - ® C7 F B&B D7 G7 G7 cI a “' ghole, be gentlewithme “Be hse T'msen --ti -men-tal -ov --er you i EARLY AUTUMN i Woody Herman/Ralph Burns 1949 Ab ABb pA cal, B7 Bba7 Al AbAT a D-9 Ab ABB 247 Aba7Bbs7 CAT Bl. a7 core Be? pT G7 Go c-7 F9 A/Bb Bb D47 Db7 C9 B79 Bb7 AATAbTIGIZveiny wate SMOKE GETS IN YOUR EYES 29 Jerome Kern/Habach 1933 B6 G-7 G7 F-7 Bbi3 BB Eb Ab AST They asked me how I, knew my trie love was true? 1 of course re- They said some- day you'll find, al who love are blind, when your heart's on Now laugh-ing friends” de - ride-tears-'I can-not hide, so" 1 smaile and Bb EbATB) _C-7 \G-7 C7 F-7 Bb7 |? Bb6 F-7 G7 lied something herein : eyes. 7 "fi, you must re - a -lize,smoke getsin Your eed $2, when"a: lovelylame” dies, smoke gets in Your Bar Gh FRICH Co? CHT FIT So Ichaffed them and I gayelylaughed, tothinktheywould doubt my love BAT GET FT Bb) OBS) OCT ETT DS aindEnang ‘Yet to-day my love has flown a- way, I am with - out- my - love. MONA LISA Livingston /Evans 1949 Mo-na _Li- sa, Mo- na Li-sa men have named you, you're so like the la- dy withthe mystic Do you smile to tempt a loverMo-na Li sa, or is this yourway to hide a broken G-1F C7 G7 c7 smile. Is. it_ only “causeyou'relone-ly they have blamed you, for that Mona Lisastrangeness inyour F FP G-7c13 |*Bb Be F c7 smile? Do you heart? Man-y dreamshavebeen brought to your doorstep, they just lie there,andthey F F7 Bb OBS? FIC F die there, are youwarm are you real Mo-na Li-sa, or just a cold and lone-ly, love-ly work of art?30 . WILLOW WEEP FOR ME dann Rone 1852 Verse D9 Gi3 co F7 I Oh Lord, why did yousend the darkness to Bo BY cH be? ‘Where's the light I'm long ing E9 AT D9 love, once we met by the old wil- low tree, c7 F9 D+7 ee me? ‘Arethe sha-dows for - ever to F6 Cc? B7 to see? Oh G13 ‘now you'vegone and left nothing to G6 AT D7 me, noth - ing but a sweet mem - G c7 G c7 = =—— Wil- low weep for me, wil-low weep for me, Gone my lov-er's dream, Jove- ly sum-mer dream, ‘weep-ing wil-low tee, weep in sym- pa- thy, GB DIT CT 9 ony Oh G Gr A-7 Bb? on —= bendyoubranches green a long thestream gone and left me here to weep my tears ‘bend yourbranch-es down a long theground c-9 a that runs to sea Lis tent my plea, —_lis- ten. willow and weepfor me. in- tthe steam. Sad as I can be, bear me wil-low and weep for and cov - er me. When the sha-dows fall, bend oh wil-low and weepfor me. G47 co FGDs G DIT IBIC- ADS G7 _,_ 7 me, Whisper to the wind and say thatlovebas sinned, to c7 F7 Bb7 BB7 Ab7 » G7 eave my heart a- break-ing and mak-ing a moan, Cc Abs =: ‘Mur - mur to thenight, wo G G7 C7 FT Bb7 BT Ab? A-7 Ab? s— _oSaiFoe hide her star- ry light, so none will find me sigh-ing and cry-ing a - lone. Oh nRpHeBRtRBRO:SERLCO:BRa SER ETO: BRT O:SETL SER BR BSB Baan EeBb C7 OF+7 Bb7 Bb G-75 C79 RT man tic, mom-ing sha-dows write the old - est mag - ic word. 1 man - tic, Evry note thats sung is like a lov ers iss D-15 G7 ce G7? BT EAT aac? D-15 G7 while all the world is say-ing hear the breezes play-ing in the tees a- —bove, c- F9 ‘ATH Bb7 2 F- F-VEP p-7s G7 C- C-7Bb love. Is - n't it ro > Sweet sym-bols in the moom-light, do you mean that AMG ‘you were meant for CA G-7 Gh F-7 Bh E> ARG Bb Twill fallin love per chance@___ Is - nt it ro - man - tic?. FOR SENTIMENTAL REASONS watsonspest 1915 F D7 G7 CZ E D-7 G7 cz ove You for, sen-ti-men- tal rea sons hope you do ie- Tove you! and you a-lone were meant "forme, please give your lov-ing D7 G9. 7 F D7 G-7 C9 FF G7GP FIA lieve me—_____ Tl give you bean" heat “"to-me, and ay we'll neve Tve giv-en you my heart. G7 c7 F Ab G-7 c7 F D7 think of you ev - ‘ry mom - ing, dream of you ev- ‘ry ‘night, ES aris D-7 ISN'T IT ROMANTIC ‘Rodgers /Hart 1932 31 BbT Eb6 C- F+7 Bb7 Ebs7 Ee F-7_Bb7 Bint tre: mane, occ eltg oh SEP ME aa Se Nah eo io. 3 7 i i i ’ j j | | i32 CHANCES ARE ‘Stillman Allen 1957 cé GH car F7_ G B-)_ Eta‘ B7 Chances are, ‘cause 1 wear a sil-ly grin, the mo-mentyou come in- to view, Just be- cause my com po-sure sort of lips, the mo-ment that yourlips meet mine, AICHE |'D?ast D7 G D-7G+7 D7 G BT Just be- heart's your val-en - tine ‘chances are you think that I’m in love with you chances. are you think my D7 GH C7 ATS D7 G- E-1s In thema-gic of ‘moonlight, when I sigh"hold me close dear”, chan-ces are you be- lieve thestars.that Alt A7 | Bb9 D9 G7ust G47 C6 G7 Caz F9 fill the skies are in my eyes. Guess you feel you'll always be theone and only one for me, and Gao c7 B-9 E7 A- G/B C6"A/CH D7 G Gt7 if youthink youcould,___ well, cham-ces are yourchan-ces are aw'fly good. DiasD7 — B-755 E79 AT DiastD7 G6 % are aw'fly good, the chances are your chan-ces are aw'fly good. SOPHISTICATED LADY Dule Ellington/Mills/Parish 1933, Ab7 G7 Gb7 F7 b7 FT E7 BT Aba pz 7 aber z Aber AaTS C-75 FI Fine B-75 E79 = A-2 D7 Gar E7 AT D7 G47 Bel C-7_— BLT -75 FT DG. ane End Fe) ZZ ae ane E SEE BEBE EREREEEBEEOEECOE BE eeTWILIGHT TIME ere Reeie 33 G B7 Hea-ven-ly shades of nightare faring, it's twilight time, out of the mist yourvoice is calling, Deep-enring sha-dows ga-thersplender, as day is _done, _ fin-gers of night will soon surrender, Deep in the dark your kiss willthrillme, like days of old, lighting thespark of lovethatfllsme, G7 c Cc G E7 it's twi- light time. When pur- ple col- ored cur-tains mark the end of day, T the set - ting sun. I count the mo- ments, dar- ling, till you're here with me, to- with dreams untold. Each day I pray for’ ev-'ning just to be with you, to- AT 2A7 D7 + Ad D7 GCG jear you, my dear, at twi-light time. B7 gether, at fast at twi- light time. Ez Cc E- C E- Here, in the —_af-ter- glow of day, we keep our ren-de-vous be-neath the bine AT Dz cB 7, Here, in the sweet and same old way, I fall in love a-gain as I DON’T GO TO STRANGERS ken/mason/evans 1954 a7 Fo car B+7 —=3— E-75 Ano a Build your dreams to stars a-bove, but when you need some-one tue to love, Play with fire till your fin gers burn, and when there's no place for you to um, Make your mark for your friends to see but when you need more than com- pa-ny, D-7,_F-6 — |"Glast G7 E-7 A7D-7G7 [?G7mus* G7 C6 Gras'C6 dnight sangria agate te aig ceed Ey Borie gt, oe Far you bear a call % fol-low your hear, you'll fol-low your heart I know. Tre AT D9 ACT D9 Dinas D9 Gust G9 —s— —— 4 DG, al2nd End o been through it all for I'm an old hand and I'll un-der- stand you go. So34 1GOT IT BAD Duke ingon 1941 Gar c7 B-7 E-7 AT A-7 F7 £7 EBT D7 Alas iev- er teats me sweet and gen-tle the way he should, I got it’ bad and that ain't My poor heat is sen - ti-men-tal not made of | wood, He don't love me like I lovehim, no- bo- dy could, B E-7A-7 D7 2G6 pb7i car ‘2004. 004. But when the week - end’s o- ver and C6 F7 Ga FT Cps FY) BT ETAT D7 IS aan mon-day rolls a- round, I end up like I start out just cry-in’ my heat out Like a lovely weeping willow, los in the wood, I got it bad and that ain’t good. ‘And the wings [tell mu pillow, no woman should, I got it bad and that ain't good. ‘Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can’t live without him. Lord above me make him love me, the way he should, I got it bad and that ain't good. MOOD INDIGO Duke nts 1991 ‘BbA7 c7 F F#H7 Bba7 Bba7 c7 ‘You aint been blue, No, 0, no. You aint been blue, @7 F7 Bb Bb7 Eb6 Ab7 in_down tomy shoes, while [B} phar G7 “ill you've had that mood in- di- go. ‘That fecl-in’ that goes. steal Bba7 c7 F7 F+7 Bb Tit and sigh “Go long blues” ‘Ale ways get that cz c7 F7_ Bb F7_soBb G7¢ Uy said good- byes In the ev- ‘ning when lightsarelow, Bb B BT mood in- di-go, since my" G7 FT “Cause there's no-bo-dy_ who cares a-bout me, Tarjust a soul who's G7 CL C7 F7 Bb Tm solonesome I could cry AMT Bba7 blu-erthan bluecan be. When I get that mood in- di- go.STELLA BY STARLIGHT 35 Victor Young/Ned Washington ya4s, E75 a7 C7 oF? FT Bb bs ab? = The song. a ro-bin sings, through years. of endless springg—— the BbS E-75 A798 D-7 Bb-7 Eb7 Fa7 E-75 a7 A-75 D7 mur-mur of a brook at ev-en-tide,__that ripples by a nook where two lowers hide A G73, C7 1, AbTa Bba7 theme, D-75 that’s Ste-la by star-light and not a diem My G7 cs pT Bba7 great sym-pho-nic E75 q79 bear and Ioa- gre, she’s ev-"ty- thing on earth to me—___ PRELUDE TO A KISS Duke Ettington SS D7 —sG#7 c7 Fa? B79 E7 ATs D-7 If you hear a song in blue, like a —flow-er cry ing forthe dew, If you hear a song that grows from my sen ti- men- tal woes, that was How my love song gent-ly cries for the ten- der-ness, with - in’ your eyes, my D-7 G+7 AT p71 car AST that was my heart ser- en - ad- ing you, my heart uy- ing to com- pose, love is a pre-lude that “nev er dies, ‘my pre-lude to a kiss. °D-7 G+ C6 B7 Ea CHL, FS -B7 Gh7—Ge7 = apre-lude to a kiss. ‘Though its just a sim-ple mebo-dy, with nothing fancy, a FR oF7 Ba7 CHT FES B7 Bay ATs D-7D{-7E-7Eb7 26 aang En rw) ' ‘noth-ing much, you could tum it to a sym-pho-ny, "2 Shu-bert tune with a Gersh-win touch, Oh!36 HOW LONG HAS THIS BEEN GOING ON? (George/Ira Gershwin 1927 al AD Gte7 Dust D9 D-7 G7 c7 F9 T could cry. sal-ty tears where have you been allthese years? ‘Therevere chill up my spine and some thrills I can‘tde - fine. Kiss me once, thenonce more what a dunce I was be - fore, Be D7 G7 sOf*c7 B7 D7 -Ga7 lit-tde wow tell me mow, how Jong has this been go-ing on?. car FT CA? «FT long has this been going on?. Oh Tfeel that Icouldmelt__—in-toHea-ven I'm C47 CH-75F{7 B- -E-6 B- CH75FI7 B- E-6 B-7 BT Oo aan hurled. 1 imovbow Col um-bus felix - finding amoth - er work ~~ ™ #2) Icouldery, salty tears, where have I been all these years? Listen you, tell me do, how long has this been going on? Whata kick! how I buzz, Boy, you click as no one does, hear me sweet, I repeat how jong has this been going on? ‘Dear when in your arms creep, that divine rendevous,don't wake me ifm asleep, let me dreamthat it's tue. Kiss me twice, then once more, that makes thrice, let's make, it four, what a break, for heavens sake, how long has this been goil IN MY SOLITUDE Elington/DeLange/Mils 1934 a BT F-6 G-7 C-7_—_ F-7 (FT 2ndx) Bbtmst —Bb7 In my haut me, with In my sede you © taunt me, with Inmy —sol-i- tude Tm —praya = ing, - Dear Bla, Beast Inny 1 _ sitinmy chair, I'm filledwithdes pairshere’s y By/B> Bb7 Bbh-7 Eb? Aba7 AT ByBb Gb? F-7 Bb7 ‘no onecould beso sad. Withgloom ev-'ry where, I sitand I stare, know thatI'Ilsoon go mad, Inmay 1. and End (Fine)THINGS WE DID LAST SUMMER, THE 37 ‘Sammy Cahn/Styne 1946 G ET AZ D7 CAT The © boat rides we wouldake,the moonlight on the lake, the way wedancedandhummedour fav- rite ‘The mid-way and the fun, the kew-pie dollswe won, the bell you rang to prove that you were The leaves be-gan to fadejlike pro-mis-es wemadehow coulda love thatseemed so right go B-75 E79 A-7 D7 @B-7 E-7 Ab G-7C7, F_F+7 Bb G7 c7_ fF . ‘puny ber, dar-lingwhen I say to you. Do_— you love me. as 1 love 1? ° vere Aw you my life wo be, my dieam come * Bb-7 Eb7 A-75 D798 G- Bb-6 Eb7 Eb) FIC Bev tue? or willthis dream of mine fade out of sight, like the moon, grow - ing cob F/A Abo? G7 c7 F dim on the rim of the hill, inthe chill, still of the night?I WISH YOU LOVE 39 ‘Trenet/Beach (French) 1946 G7 C7, Fa7 Bbi3 A-7—Abe7 [Al pz G7 1 wish you blue- birds in the spring, to give your heart a song to sing, and then a And in Ju- ly a lem-o ~ made, to cool you in some leaf-y glade, I wishyou T wish you shel - ter from the storm, a co- zy fire to keepyou warm, but most of G7, @ [Fc7_,_ Fs Fk? Cis. F7 kiss, but more than this, wish you love. ‘And in Ju- wealth, I wish you love. ‘health and more than all, when snowflakes Bip Bes My ach-ing heart and Ia - gree, thatyouand I could nev-er be, so with my best, my ve-ry F C7 D7 G7 G7 _,_, ¢7 Peace C7 + F6 best, I setyou free. 1 wishyou fall T wish you love. ANGEL EYES Matt Dermie/Brest 1948 Alc? D7 G79 C- abo G79C-7 C-7Bb A-75 D7 G7 Try to think that love's not a-round— still it's un-com- for bly eat__ ‘An-gel eyes that old devil sent _they glow un-bear-a- bly bright Par-don me, but gotta run the fact’s un-com-mon-ly clear. C7 D19G79 C- Abo Ab? G78 CG 1. C~ AP7G TEC Mid bear ain gain in), ground be- case yan gel eyes ain't bo —— say. “that ny love's mise spent, mit-opea with angel ejes 10-night—— ‘Gotta find who's now mum-ber one" "and'Bhy ‘my angel ejes ant here B] pbs Bb7e AbsT « ing, toast, T walk in the park just to kill the one - ly hours, coast, my heart tries. to sing so they wont hear it’ break - ing, grossed, but Tm onthe shelf with last year’s Eas - ter bon - nets, D7 Gta G7 c Bar i? D7 G7 car most Spring can really hang you up the most. ca7 GAC car G-71C car Spring canreal-ly hang you up the Blow cw Gac All af ter-noon those birds twit- ter_ twit, T_know the tune, “this is love, this is it’ Love camemy way I” hoped it would last, © we had our day, nowthat's all’ in the past. C7 FAT C7 Fa? FE7_, B7 EA7. Ad D7 Heard it ‘Pe-fore and 1 mow he score and I've de - Cid- ed that Spring is a bore. ‘Spring came a-long, 2 sea-son of song, full of sweet prom-ise but something went wrong. Gar Fa7 ca7 Bba7 C47 A? -D-7__—«G7 E-7 A79 + round the New "Year, now its Apr love is just © ghost, : 2 ton - ie “Sulepha and ‘mo las-ses was the Hoes FETS F-7 @ E7 A7 D7 D-7 G7 E-7 Av ‘Spring ar-rived on time, on-ly what became of you dear?, Spring can real- did= n't help a bit, my con D-7 Glut G7 C BDAY hahg yOu up the most, EH7 Ab7 D7 G7 Spring canteably hang you up the most. 4i- tion must be chron- ic, Spring canreably hang you up the E-7A78 D-7 — Ca7 D7 car B-75 BIT A-7 Dinas D7 mos, All alone, the par-ty's0- ver, old_man Win-ter was 1 grac-ious host, but when D7 Bb7 E2 AT D-7 D7 a7 you keep pray-ing for snow to hide the clo- ver, Spring can real-ly hang you up the mst46 YOU DON’T KNOW WHAT LOVE IS rayemeuion cn F7 pis cm Dhar Gans ‘You “don’t know what love is, un ail you've leamed the mean-ing of the blues, un- You don’t know how lips hur, un ail you've kissed and had 10 pay the cos. un. ‘You don't know how heart's bum, for love that can not live yet nev-er dies, un cr F-6 — Ab7 { Dba7 G-75 C79 Gas Sl you've loved a love you've had to lose, you dow know! what owe is Wee Jouve flipped your beat and” you were lest) You St you've fad. cach dawn wth sep-lese eyes, Jou 2DbT _C7® 6 (Bish Babar BLT Bbad don't know what love is. Do you know how a lost heart fears the thought of rem-in- AbAT D7 ~~ G7 car Db CTS ocmattnd ising, and how lips that taste of tears Jose their taste for kiss- ing? You SOME OTHER TIME Bernstein/Comdon/Green 1944 a7 Gast C4 Gast car Gat ‘Where has the time all gone to, have - n't done half the This day was just a © tok - en, too = ma - ny words are There's so much more em- brac - ing still tobe ~— dome but G7 D/FE F-6 E-7) ATus D7 _E-7 FA? Giast CA? Giant —— Qh Well, we'll catch up some oth-er time. things we want to, stil un - spo - ken time is rac - ing "C487 Gin! [*C47 B-7Eb7 ‘AbAT EbJust = AbST Eb Teast = Ab AT Eb79 oie Just when the fun is stan - ing comes the time for AbsT — Aa7tl ba G+ C47 E-7 A-7 Eb7 Dust D7, G7oust DG. siFne art - ing, but le’s be glad for what we've had and what's to come.AUTUMN IN NEW YORK 47 ‘Vernon Duke 1934 G7 A-T BS C7 CH Fa G7 a-7_ 7 ‘Autumn in New York, why does it seemso in = vit ing? ‘Autumn in New York, the gleaming rooftops at sun - down, G-7 A? Bb6 c7 Ams p79 ‘Au-tumn in New York, it spells the thrill of first night - ing. ‘Au-tumn in New York, it lifts you up when you're run down. G-7 Bb7 BE? AbAT BT C-7 D-75 G79 Glit- ter - ing crowds and —shim-mer-ing clouds in camry of steel, they're Jad-ed rou- es and gay di-vor-cees who lunch at the Ritz —will ca AS D-7_—« G78 car G7 c+ mak-ing me —_ feel. a home —______ Irs tell you that “it's di = vine” This Gz A-7 Bb CT C+: «Fa? G-7 A-7 D7D+7 ‘Autumn in New York, that brings the promise of new love, ‘Au-tumn in New York twans-forms the slumsin - to May - fair, C7 D7 Bb FIR Bh Bh7Ab G-75 (C79 Aweumn in New York is of-ten mingled with pain —____ ‘Av-tumn in New York, you'llneed no castles in Spain. F7 cH F- AbT ‘Dba7 ADT ‘Dba7 Gba7 Dreamers with emp-ty hands, may sigh for. ex - ot - ic lands, its Lov-ers that bless the dark on benches «in Cen-trl Park greet G7 AT Bho cm F- au-tumn in New York, it’s good to live it ‘Au-tumn in New York, its good to live it48 WHERE OR WHEN seterarian eo F F6 FAT Bb BUA It seems we — stood and talked like this be - fore, we looked at each oth - er in the The clothes you're wear-ing are the clothes you wore, the smile you are smil- ing you were “G-7 C79 BUG BF Bb BHA G-7 Cust FAT *E-7 AT same way then, but I can't re-mem- ber where or when. smil- ing then but I can’t re-mem- ber where or when. D7 G7 E-7 AT D-7 G7 ‘Some things that hap-pened for the first time, GID C7 F F6 seem to be —hap-pen-ing a E-75 A7 D-7 F7_ Bba7 gain And so it seems that we have met be ~ fore, and laughed be - A-75 D799 G-7 A-75 D7 G-7 c7 Gh 6 fore, and loved be - fore, but who knows = where «or = when__ FOR ALL WE KNOW Coots /Lewis 1934 F G9 c7 G-7C7 Fav D7 For all we know we may nev-er meet a- gain, be - fore you go makethis For all we know, this may on-ly be a dream we come we go, like a G7 c7 F/A @ Ab7 G7 mo-ment sweet a= gain We won't say good - night un - il the last fip-ple on a steam 0 lowe. me to : E-75 47 D- D-@) = p-7G7_— G7 C7 Gh © Bens E79 min-ute, Til hold out my hand and my heart will be in it. For night, to - _— Eb Dust D7 cz F6 G7 or-row was made for some, to -mor- row may nev-er come for all we know.EAST OF THE SUN 49 Brooks Bowman 1934 Gar Cc? B2 E7 Ad East of the sun and west of the moon, well build a dream- house of cr oF? Ad, —s D7 FAS B7 Ea love dear _Near to the sun in the day near to the moon at night, we'll Al, E-7A7 AzT,_ D7 Gar, c7 live in a love-ly way dear, living on love and pale moon- light. Just you and L—— for - B-7 E7 AZ, G2. FT ev-er and & day love will not die we'll__keep it that way, Av FS B7 EAT AT A2,— A-75 D7 ‘up among the stars we'll find, a har-mo-ny of life to a love-ly tune, east of the sun and west of the B-7 E7 Bbh7 Bb? A-7 — D7 G moon,— dear east of the sun and west of the = moon—____ SPRING IS HERE Rodgers /Hart 1938, Aber Abe Aber abe cus pre Sring it bere, why does-n't my heart dancing? §} is Spang is bere, why does-a't the breeze Se - igh me? = Sbang iS BT? C-79Gb__,_ F797 hs aba7 AWG F-7— F-/Bb why is- n't the walzen- wane - ing? No. deste why doesn themight im> ‘wate me? Maybe here, here, be - cause no- bo - dy * par cH F-6 B-7 £7 Bb7 Eb7 Jeads me, may-be it's be - cause no-bo-dy needs me, 2B-7 E7 Bb? Bb C7 F7 Bh? BT Ab SpringEASY STREET Bb7 BT ‘Alan Jones 1941 Ebs7 Ab-7 Bb7 c7 F7 a = Ea- sy street T'd love to liveon ea- sy steet_____ No- bo - dy works on Life is sweet for folks who live on easy street no week- ly pay- ments Ea- sy street I'm tell in’ ev-'ty - one I meet if I could live on Eba7 c7 * Bba7 F7 Ora Bb F- Bb7 ea = sy streak just sit around all day Gust sit and play the hors - es) you must meet that make your hair tum Easy street wouldn't. want no 2 Bhar Bb-7 Bb7 Abs7 Ab? Db gry When op- por- tun- i-ty comes knock-in’, you just keep on with your rockin’ ‘cause you Eba7 Be? Bb7 Aba7 AT Db7, ‘now your for-nane's made and ifthe son makes you per-spire,there's a man thet you can hire to plant C7 FW F-7 BW7 @ B7 Bh B py? Bp ‘Deal Cone ttees, © you can have shade on I would-n't want no job to - day, so please go way. WHEN YOU WISH UPON A STAR Harline/Washington 1940 c Al D7 G7 Cc CCE Bb? ‘When you wish up - on a star, makes no diff-‘rence who you are. An - y - thing your If your hear js in yourdream, no re- quest is too ex-treme, when you wish up - Lika a bolt out ofthe blue, fate steps in and sees you thru, when you wish up- D7 Giust G7 |'C6 zc D-7 G7 ET A7 hear de-sires will come to —_you. do, Fae is kind, op a star as dream- ers on 2 star your dream comes ‘rue. D-7 G7 Cc Cc oat D7 D-75 G78 Bical Fe she brings to those who love, the sweet ful -fill- ment of their sec- ret long - ing.THE SECOND TIME AROUND 51 Van Heusen/ Cahn 1945 Ebe7 D-7 G7 car Gast CAT FS) E-7 Love is love-li-er the se-cond time a- round just as won- der- ful’ with Love's more comf"-ta-ble the se-cond time you fall like a__friend-ly home the AT D7 BS E97 G7 c7 e's that se cond time you hear your love song. Who can say what led us to this. G7 both feet on the ground. se - cond time you call FAT Db? FIC A-7 D7 sung. __ makes you think per-haps, that love like youth is wast-ed on the young. Love's more ?Ra7 BDO D9 D-7 G7 East BbI3 mir-a-cle we found? There are those who'll bet love comes but once and yet, AT AT D7 GTmst c Tm oh so glad we met the se- cond time a - romi—— DEEP PURPLE De Rose/Parish 1934 F Fee7 G7 c7 When the deep pur-ple falls, ov - er —sleep-y gar-den walls, andthe In the stil of the night, once a - gain I'll hold you tight, though you're Fa7 A715 D7 CE Fe? D7Ft G7 stars be- gin to flick- er inthe sky, though the mist. of | a gone, your love lives on when moon-light beams and. as. long as my Bb-6 Av * abe G7 C7 CH mem = 0 - ry, you wan- der back to me, breath - ing my name with a hheart will beat, lov - er we'll F FR G-7c7_ [* abo7 G7 C7eust C+7 F sigh in the always meet, here in my deep purple dreams_52 OLD CAPE COD Eb Bb+7 _Eb7 Ab ‘Db If you're fond of sand dunes and salt-y air, quaint lit-tle vil-lag-es here and there, If you like the taste of a — lob-ster stew, served by a win-dow withan o-cean view, If you spend an eve- ning, you'll want to stay, watch-ing the moon-light on Cape Cod bay, Kaa 2b Bh7 Eb7 Ab EBba7 ‘F-7 Bb Bb7 Cod Wind- ing roads that seem to ‘you're sure to fall in love with old Cape Cod EE F7 Bb Eb ET Ab EWBb C7 beck-on you, miles of green be-neath the skies of blue, church bells chim-ing on a Sun- day mom, re- Fa FT Bratt Bb peace? F7 BbT Eb mind you of the town where you were bom. old Cape Cod. MOON OVER MIAMI ‘Burke/Lesie 1985 Aq D7 Gat _,. cIG G Ab shine on my love and so we can Moon ov-er Mi -a-mi, shine on as we be - 2 dream or Moon ov-er Mi - a-mi, you know we're wait- ing a lit te p7 c BT “G stroll be- side the roll of the roll - ing sea in. two that may come true when the tide comes ove, ait eis, on Mis - a - i's shore. B- E- B- —:—BI7 D FI, B- FI? Hark to the song of the smil-ing tov - ba- dours, hark to the throb- bing gui - tars, B- E- B- .G-/Bb DA, BT, A? D7 Dal Fine hhear how the waves of-fer thun-der-ous applause after each song to the starsI WILL WAIT FOR YOU 53 Michel Legrand/Gimbel 1965, D-7 D7 G7 G-7.C7 Wr it takes for - ever will wait for you, for a thousand An-y- where you wan-det, an-y - where you go, ev- "ty = day re it takes for -ev- er Twill wait for you, for @ thousand G7 c7 Fat Fo ES AT D-7 D7 summers Twill wait for you, “Til you're back be side me, ul T'm mem-ber how “T love you so, in “your heart be © lieve what in my. Summers "Twill wait for you, “TH! you're here be side me, ‘tl I'm G7 ESA D-7 E-75 479 D-7G-7| *D- 2p7 hhold-ing you, ‘til_T hear you sigh here in my arms. Any The heart T know that for - ev-er-more Tl wait for —_you. touching you, and for - ev-er-more —shar-ing your love. Bba7 G7 D2 Bba7 clock will tick sway the hours one by one and then the time will come when all the wait-ing's done. The E-75 AT B-75 BT Alms AT 06. aFee time when you re-tum and find me here and run straight’ © tomy wait- ing arms. If it FOOLS RUSH IN a7 CE Be Bloom /Mercer 1940 D-7 G7 D7 At Fools rush in where an gels fearto ead and so. come to _you, my love, Fools rush in where wise men nev-er go but wise men nev-er fall’ in love, D-7 GZ Ca7 AT D7 B-75 BT A- A-@A-7 my heart a~bove my head though I see the danger ther ——"_if there's a so how are they to 5 D9 AT A7| 2.Bb7 AT D7 chance for me—— then I don't a ‘When we met F-6 CG __aAy D-7 G7 c I felt my life be-gin, so op-en up your heart, and let this fool rush in.54 IT MIGHT AS WELL BE SPRING J Rodgers /Hammerstein 1945, G ce G D+7 Tmas restless as a wil-low in a windstorm, I'm as jump-y as puppet on a Jam sary eyatanvapi-ly dtc - em ed, ie 2 nigtinguewitout a sme fl Tmas _bu-sy asa spi-der spinning daydreams, I'mas gid-dy asa bacby on a DIC GB pbs |ta-7 D7 BAT E79A-7 Abn v7 67% ca seine. Tay fT hating fever tot Toknow oat Soe Tm” sing, Oh —whyshould I havespring —_fev-er, when it = swing, =I 24-7 D7 G D7 G7?) D7 G7 G7 Cc A is-m't even Spring? keep wishing Iwere somewhere else walk-ing down a strange new Cc’ E7 AT AWG FR7S BT E7 AT Dust D7 street, _hear-ing words that I have never beard from a girl I've yet to meet. I'm as % B? E- AT D7 B7 E79 = 47 have-n't seen a cro-cus or a rose-bud, or a ro-bin on the wing, but I feel so gay in a Av D7 GE? CHS C-6 GB E-7 A-7 D7 G mekamcho-ly way, that it mightas well be Spring, It might aswell be Spring. DREAM ‘Johnny Mercer 1944 c FET B7 ce dream that's the thing to do dream __and_they might come tue AT Db? Dream,— when you're feel - in’ blue Dream when the day is thr, A7™ D7 BT Bb7 car Just" watch the smoke rings rise in the | ait things never are as bad _as_they seem, D-7 G7 27) AT -D-7 Gm = C6 you'll find your share of mem -0- ries there. So s0 dream— dream dreampret - ty bal-loon and ta - ken the moon a - way. Wes time to wind up reamed thru the night, it seemed to be right just EB Ab6 D-7 G7 C7 F7 Bb the mas~quer- ade just make your mind up, the pi-per must be paid. The party's 2Bb-7 B7 Ab F-7 Bb7 G5) c7 be- ing with him, F7 Bb7 Eba7 C7 Fa Now you must wake-up, all dreams must end take off your Bb7 B make-up— the Par-ty's 0 ver, it's all. o-ver—__ my _— friend P. GOODNIGHT SWEETHEART ic B Ray Noble/Rudy Vallee 1931 c BC B Cc FCC D-7_ G7 Good - night sweet - heart, ‘til we meet tom = mor- row, good - night Good - night sweet - heart though I'm not be _- side you, good - night @ G7 G GG Gc pz a7 fa A a7 a6 sweet ~ heart, sleep will ba - nish sor - rom sweeet ~ heart stil my love will * guide you, D-7 ears and part ing may G7 car D-7 G7 Av ‘make us for-lom, but with the dawi— A-@ AT D7 Ebo7 E-7 AT? D-7 G7 8 new day is bors So T'll say c dreamsen - fold you, in each one I'll hold you, good- night sweet-heart, good - night . THE PARTY'S OVER 55 Seen Eb F-7 Bb EB Fv Bb7 : Regs om aww alia a adven re The pocge lve eae dae me ty A eve er you Eb ADIED Eb “Be7 Bb7 Ab6 LLL ccc cn cc nnn nn ccc56 Harold Arlen/J. Mercer 1943 ONE FOR MY BABY Al par BhT bay Bhat BhT BH [bia Wes quar-ter 10 thee. ther’s no-one in the place ex-cept you and me So “tat em ep Joe Tre pots lide sto-1y you ough know 7 Bvtat BO? Aba chr arg Bhar BD GAZ, We're pDb7Mc79 to the end. of a F-7 G-7 Ab6 BbTust sode— A-T5D7 drink in’ my fiend, GH cs brief ep - Bb ‘make it one for my ba-by and one more for the road. 1 Well, D-7 G7 Dia GAL D7 GlputD 7a got the rou- tine so drop an-oth- er nick-el in the ma-chine______ I'm that’s how it goes and Joe, I know you're get-ting anx-ious to close, so GAZ D7 Gar Dit GAZ, D-7 Glnst G7 feel- in’ so bad 1 wish you'd make the mus- ic dream-y and sad. Could thanks for the cheer I hope you did n't mind my bend- ing your ear ‘This car BAT Ca7 F9 Gar GATFR 7 E79 tell you a torch that I've found B+ one for Chast ney - er know it, but CTsust when I'm gloom-y you @ Be my ba- by and c7 B7 E79 A7 Jot but you've goto be tne to your code, make it must be drowned or it soon might ex- lode make it EW AT BT C6 Diat® G6 D-7 G7 ‘You'd AT Dat G6 G7 one more for the c7 road. Crus B+ 7 bud- dy I'm a kind of pore ve Cheust c7 got a lot-ta things to say, and c7 G7 AT Bb? D47 ‘Well, sim~ ply got-ta lis-ten to me, un - til it's talked a - way. AT D9 G6 road, that Jong. Jong RhaintiEnBinBenBtitinBtiEBhtEHehteHeEHeht Eee Eek EE eo _#__t............. |eMIDNIGHT SUN 57 Burke/Hampton /Mercer 1947 c ca c-6 Your lips were like a red and ru-by chal- ice, warm- er than the — sum- mer night T can't. explain the sil ver rain that found me, or was that a moonlight veil? The flame of it’ may dwin-dle to an em- ber, and the stars for - get to shine Fr Bb Bhar the clouds were like an al - a - bas-ter pal’- ace ris-ing to a The mus - ic of the un-i- verse a - round me, or was that a and we may see the mea-dow in Dec - em- ber, ic-y white and Bb-6 EDT AbD snow - y beight,— each sur its own am - -m bo-re- night - in - gale? And then your arms mi- rac - u - lous-ly ey - sal = ine but oh my dar ling al- ways Tl re Aba7 AMK6 pen a+ lis, sud - den = ly you held me tight T could see the found me, sud - den - ly the sky tamed pale 1 could see the mem - ber when your lips were close. = to.—mine, and we saw the FET BT a7 AT D7 ~=—G7 Mid - night Sun—___F*_ 1 Mid - night Sun___ EA EL Al Dev E7 a7 ‘Was there such a night? it’s a thrill I still don’ quite be - lieve bot Da D7 G7 E7 67 p-7 pb 2.6. after you were gone, there was still some star-dust on my sleeve The58 PENTHOUSE SERENADE vow il C6 a Just pic-mure a pent-house way up inthe sky, with hing- es on chim-neys for all of so-ci - € - ty welll stay aloof, and live in pro- pri - e = ty four it~ tle pent-house, we'll al - ways con-trive to keep love and ro~ mance for G7 D-2_, G7 O [ce ae D2, sas to go by, a sweet slice of hea- ven for just you and I, when we're a - there on the roof, two hea- ven-ly her- mits we will be in truth when €- ver a- live, in view of the Hud-son just 0 - ver the drive, when 7c G Cc a7 D7 ATS D-7G+ Jone. From we're = a= done, We'll see life's mad pat - tem, MY MELANCHOLY BABY Bumett/Norton 1911 EP F- Fe G- Eb? Bb? D7 DIS C7 F7 C7 Come to me my mel-an-chol- y ba - by, —cud-dle. up and don’t be Ev'ry cloud must have a sil - ver lin - ing, wait un til the ‘sun. shines, F-7 Bb 1. F- Cc F-7 Bb7 F7 BT all your fears sare fool - ish fan-cy, may be, F-7 ‘Ab Bhim Bb7 F7 AeT you know dear that Ebb Db7 dear, while 1 I'm in love with you. c7 F-7 Smile my hon-ey Bb7ast _Bb7 Bb Wiss a-way each tea, or else‘ shall be mel-an-chol-y 00.YOU'VE CHANGED 59 Fisher/Carey 1942 EbA7 ATS D+7 Db7 G-7s cH ‘You've changed, that spar-kle in your eye is gone, your smile is just_a care-less You've changed, your kiss-es now are so bla- se, youre bored withme in ev- ‘ty You've changed, you're not the an-gel I once knew, no need to tell me that were F9 OB BIS Bc? OFT Bb yawn, you're break-ing my heart, you've changed——————————————_ ‘You've way, I I through, it's Bb-7 Bb AbAT Ab-7T Db Bs Bb can't un-der-stand, you've changed You've for-got- ten the words “love you", G7 Eba7 BhT BT Abaz Ab pe ach mem-o-ry that we shared You ig- nore ev-'ry star a-bove you, I cant G1 Gh7 F7 Bb Toc acoa BY Bb Eb6 You've all ov-er now, you've changed. re- a-lize you ev-er cared. BLUE GARDENIA Russell/Lee 1953, Aq D7 Gar CHS FIT Ba? B-7 E7 Ble Gar - den-ia, row I'm a- lone with you, and Tam al- io blue, you, Gar - denis, once T'was near her bear, after the tear-drops star AT D273 |'Ga7 BE [*A-7D™G she has tossed us a - side. And like hide? ——‘T-lived for an ho-ur, what more cm I where are tear~ drops 10 Ci-7 Fi7 BAT GH-7 Ch? FIT) = B7) «OE ~—soB-7 AT A-7 D9 tell, love bloomed like a flow - er, then the pe-tals fell. Blue Gar - den-ia, Gar co B-75 B79 A-7 D7as Ab7 G6 thrown by a pass-ing breeze, but pressed in my book of mem-o - fies.60 BLUE HAWAII Robin/Ramnger 1937 Ap Bb7 EbD Eb Bb Ab GH7 c7 e — Night and you and blue Ha- wa ii, the night is hea-ven- ly Love - ly you and blue Ha- wa - ii, with all this love-li- ness, Dreams come true in blue Ha- wa = ii, and mine could all come true Bb Eb-/Bb Bhp G7 C-7_ FMB | * C77 re F7 Bb. F7 there should be love. Bb BT c7 and you are hea-ven to me. B BE E By Come with me while the moon is on the tea the night is young C-7 FT occas C-7 F7 Bb Ebb Bb and so are we this mag-ic night of nights with you. HARBOR LIGHTS kennedy 1997 Bb? F-7 T saw the har = bor lights, only told me we were pan - ing, I watched the har“ ter gts; Rt coud 'Y 106 TF ats wes RA 2 8 Now T know Tone = Ty nights, forall. the while my heart is whis - pig, EB F-7 * Bb that once brought you to me. Iwatchedthe ‘WB same old har = bor lights Good-bye to ten der nights some oth er har bor lights 2 BT Eb Ab AbT De7 beside the sil viry sea, T longed to hold you near and kiss you just once will seal your love from me. FP me EB c7 F7 BHT D.C. sland End (Fe) more, but you were on the ship and I was on the shore. Now IknowAn D-7 G7 a7 AT D7 fone that I have been think-ing of What kind of man is this™——~ An emp-ty shell, Glut G7 AT D7 B-7 E-7 AT D7 Abo? G-7 “Tm glad there is you In this worl of ov-errated ples sures, T'm glad there is c7 ‘Bb? ATs G7 oc? FT FA7 of underrated tea- sures I'm glad thereis you______ I'll live to love I'lllove to Be7 BT FAT E-75 A+? = D-7 G7 G7 ¢7 livewith you be -side me. thisroleso new, I'll muddle thmawith you to. guide me. BS D7 G-7_F/A__Bba7 C79 F6 fz you. more than ev-er—________ I'm glad there is = you__ THANKS FOR THE MEMORY Rainger/Robin 1937 G7C7 F6 CH F6 FR CYG __,__F/A Thanks forthe mem-o-ry, of can-dle- light and wine eas-es on the Rhine, the Thanks forthe memo-ny, of rain-y af-ter-noons—_swing-y Har-lem tunes, and Thanks forthe menro-ry, of sup-bulms at the shore’ nights in Sing-a- pore’ you Bb? E-75 FHe7, G7 0G Claus8C7 Par- the- non and mo-ments on the Hud-son Riv- er Line, how lovely it was. mot or trips and bum ing lips and bum-ing toast and prunes, might have been a head-ache but you nev- er were a bore, so Ab Bb-7 7 Ab p79 CIG_ AT ‘Merny'sthe time that we feast-ed and ma-ny's the time that we fast-ed, ob, well it was swell while it D7 G7 G7 c+ bc. alcoge @ G-7 C7 F last-ed, we did have fun and no harm done, And thank you so much.I'VE GROWN ACCUSTOMED TO HER FACE 6g Loewe/Lerner 1956 B C7 F7 Bb7) F-7 BbT AbI3 G-7 Tag Srowmae cus-tomed to her face _she al- most makestheday begin, __'veprownae- T've grownac cus-tomed to her face ‘she al- most makes the day be-gin,__ Tve got-ten Ab6 AT ByB> c7 Abb G7 BT Bb? ————— —— + + cas ome fo the ‘tune she whis-tlesnight and noon,her smilessher frowms,her ups, her downsaresec-ond used to hear hersay, "Good moming” ev- ‘ry day, her joys, her woesher highs, her lows are seo B Ab G77 F7 Bb7 F-7 Bb7 SS = SS . 7 ‘Ra-ture to me now, like breath-ing out and breath- ing in,___ I was se- na-ture to me now, like breath-ing out and breath- ing in, Tm ve-ry Ab6 AT BWB> C#7 FL. BY Dg cH sere Jn, dePendentand content beforewermet, sure-ly I could always be that way a gainand yetlve grownac- ‘rate fal she'sawo-manand so easy to for- getrath-er likea ha-bit one can al-ways brealand yet.T've grownac- A-75 Ab-7 G7 C79 F-7 Bblaxt B caer toimed 0 hher looks, ac - cus~tomed to her voice, ac -cus-tomed to ber face, cus-tomed to the trace, of some- thing in the air, ac -cus-tomed to hes face, FOR YOU, FOR ME, FOREVERMORE George/ira Gershwin 1946 A-T Abo7 G-7 F6 A-7_ Abe? G-7 c7 “F6 jars, you're rime, {OF evermore i's bound to. be for ev-ermow, I'm yours, you're mine, and in our hearts the. c7 C7 F7 C7 F789 Bb D7 G7 Plain to see, we found ty find-ing each oth-er, the love we waited 20-7 F7 Bbs7— Eb7aust BST Fa? p79. DY CH Tm "hp py end ing stars what a tovesly world this Fa? D-7 G7 G7 Clus* «C76 for—_ G7 c7 World will be, with a world of love in store, for you, for me, for ev-er ‘more—__70 GUESS I'LL HANG MY TEARS OUT TO DRY ule Styne/Cahn 1944 Al Bog o7 ca Fa? B-7Bb7IN4 7A$7 When I want rain Tet sun-ay wee-the, Tm juntas bhe us the a Frendsask me. out T tllthomI'm buss must gets pew al i bk Some-bo- y sad jut for-get ac bow het, I geve tht weaomeat By G7 cn Bb @ A? D7 —D-7 Giat_ [*C Glut 2 since love is gone, can't pull my-self to geth-er, guess I'll hang my tears outto diy I stay at home, and ask my-self where is she, ‘e- nough, sera 2c Blov cz G7 c7 Fa7 Bb7 F6 Dry lit-tle tear- drops, my lit-tle teardrops, hanging on a sting of dreams. AT E-7 Az D7 AMT Glas, G7 E7 Fly lit-tle mem- ‘ries, my lit-We mem- ries, re - mind ber of our cra- zy schemes. C -C87B A-7___C/G. FETS B7 E-7 BT Dz G7sus* c then one day she passed me right by Oh_ well, I guess I'll hang my tears out to dry—— GHOST OF A CHANCE victor young/washington 1951 Al ca Ge Es 70 FI Bh ° 1 need your love so bad - ly, I Jove you oh so mad - ly, but Thought "st" at T'd found you, but “oth "er loves sur = round "yoo, But what's the good of schem - ing, I Inow I must be dream - ing, for z ca7 GH “B-7 AT D-7 G7 c FC Aw AT py you T don't sand @ ghost of a chance with you— D2 Gt, car If you'd sur- ren- der just for a un- der kiss or tw0, FRETS. B7_. E7 Al D7. G7 you might dis-cov-er that I'm the lov-er meant for you, and T'd be te. But D.C. wan En Fe)amie eee eee ee ee a TWO FOR THE ROAD 71 ‘Mancini/Bricusse 1967 c7 E-7 E-/D FETS B79 If you'refeeking fan-cy free— come wander thru the world with me,— Insum-mer-time the sun will shine in win- ter we'll drink sum-mer wine, and ev'ry- day that 7 A/G D/Ft AcIG GAT E-7 AT chance to be——— will be our ren-dez- vous two for the road. we'll tra-vel down the you are mine willbe a love- ly day ACH D7 D-iC GIB 79 Ens years, col-lecting pre-cious mem 0 ries se D-75 G79 ca7 c7 = ‘ting sou-ven- irs and liv- ing GIF E- ED C75 C-6 life thewaywe please__— In summertime the Aslongas —lovestillwears a smile, I GB car B-7_Bb7A-7_ D7 G know that we'll be two for the road, and thas. © along, long while NEVERTHELESS uty Kadmar 1991 BI Deel FIC F9 D-75___G7 May-be I'm right and may-beI'm wrong, and may-be I'm weak, and may-be I'm strong, but May- be I'll win, and’ may-beT'll lose," and may-be I'm in" for _exy- ing the blues, May-be T'l live a life of regret, and _may-be I'll give much more than I get, C7 G7 “c7 F7 Bb G7 c-7F9 [*c7 F7—oBb nev-er-the-less, I'm in love for you. ove with you, ™* Bb7 FT Bb7 Bar Some- how, I know at aglance, the ter-ri-ble chan - ces I'm tak - _ing, G7 cr G7 c7 ed 2.6. aland End (Fine) fine at the stat, then left with a heart that is break - = ing -72 VIOLETS FOR YOUR FURS mat dennis/adair 1941 BY7 BB? A-7 pw G7 FAT I bought you vi- o-lets for your furs and it was spring for a-while, re - mem-ber? T bought you vi-o-lets for your furs, and there was blue in the win-try sky. CLs. Fa? Bba7_ AAT D7 'G-7 G-7 I bought you vi- 0-lets for your furs, and there was A- pril in Dec - em-ber. The ‘You pinned the vi-o-lets to your furs and gave a lift to the crowds pass-ing c7 FA7 G7 G7 F6 c7 snow drift-ed down on the flow-ers and melt-ed where it lay, the snow looked like dew on the G7 G-7_pb7 |*G-7 ‘Bba7 Bb7 Fa? a-75 FA7 blossoms as on a sum-mer’s diy. by. You smiledatmeso sweetly, since thenonethoughtoc~ D7 Bb-7,__C+7 F6 G-7 C2, F6 ‘curs, that we fell in love com-plete-ly, the day that I boughtyou vi- o-lets for your furs. TRY A LITTLE TENDERNESS Connally /Woods 1932 bar c7 F-7 BIT Bb D+ DI co She may be wea- wo-men do get wea-ry ‘wear-ing that same shab-By dress ‘You know she's wai just an = ti ci-pacting things she may nev ~ er pos- sess ‘You won't re- gret it, wo-men don’t for- get it, love is theirwhole hap-pi- ness F7 F-7 Bb7 G7'9C79F-7 Bb79|*Eb Bb-7 BHT C7 ‘And when she's weary, uy a lit-de ten-aer - ness While she's with-out them, uy a litle tender : Ws call so ea-3y. uy a litcde tens der 5 Aber D5 Gre cr Gs cm not just sen i - men - tal, she has her grief and car, and F7 G75 cs F-1_ F7 Bb? word that's soft and gen- Ue makes its ea-si-er 0 bearTHIS IS ALL I ASK 73 Gordon Jenkins 1958 F6 G7 c7 G7 c7 Fo? F6 Ffe7 As I ap-proach the prime of my life, I find I have the time of my life, G7 Ffe7 G7 Bb-2_ 7 FATA Abe? Nearing to en - joy at my lei-sure all the sim-ple plea-sures, and so I hap-pi-ly con- AB B9 A-75 — p7is D-7 G79 pio crs F6 D7 cede, this is all Task, this is all I need. p71 G7 c7 Cronus G7 C7__,__ F6 FAT ats Beau-ti- ful girls, walk a little slow-er when you walk by Wan- der-ing rainbows leave a bit of col-or for my heart to G7 Gte7 "PATA me. Lin- ger-ing sun sets, say a litede long-er with the tone - ly own, Stars in the sky make my wish come true be-fore the night has B75 BT A- A-@D AT D7 sea, Chil - dren ev - AT D4 G7 ‘ry - where, che? when you shoot at bad men, shoot at me, G7 c7 D-7 take me “to that strange, en-chanted land. grown-ups sel-dom un-der- Bs B-75 E79 ae stand, flown. and let the mus-ic play as Jong as there's a A> AT DTS G7 CTnus* F6 song. to sing = and. STwill stay young-er than spring.74 THE MASQUERADE IS OVER ‘Wrubel, Magidson 1938 ven Eb Bba7 G75 c7 F7 Bbla:t BST My blue ho - ri - zon is tum - ing gray and G7 cre D9 Bblast B79 my dreams are drift - ing ao: way. ‘Your ‘Your You sl B G7 C7 Bh7 BT Ab D7 eyes don't shine__like they used to. shine, thrill words don't © mean what they used to. mean, they were once in - look the = same youre a = ot'_—~—sthe.=— same, heart G7? _c7 F7 F7 By OB OB gone when your © lips meet spired, now theyre just rou - ‘no, no you're = not_—the ov = er and so is love, 26-7 C7 F7 Bb7 ‘Your love, and so is love I F7 Bb7 G7 C79) 7 BHT Bar guess I'll have to play Pag - liac- ci and get my-self a clown’s dis - guise, and A-TS p79 G47 G7 C-7__F7, BI Bb a6 wcoae Jeam to laugh like Pag - liac- ci with = tears__—in._ my — eyes. You ® Br AbD D9 G-7 C79 F7 BbTast Eb ride is ov ex, and so is love and so is love,THEY SAY IT’S WONDERFUL 75 lrving Berlin 1946 G7 G-75 c7 Av Abo? G-7s . They say that fall ing in love is won-der-ful——— It’s. won- der ful ‘And with the moon a - bove, it's won-der- ful it’s won der-ful— ‘C79 Fa7 Ay Dm [2c F? FT So they tell me AT AbT G7 AIG so they Bba7 F/A can't re- call who. said it, 1 know I nev-er read it, I on - ly know they Fo E7 A7 D7 Ab? DIT G-7 G-75 cn tell methatlove is grand, and the thingthat’s known as romance is Av B9 D9 D-7 G7 G-7 C7 F6 won- der-ful, won-derful in ev- "ry way so they say. SMILE (Chaplin/Turner 1954 F F47 Smile, tho’ your heart is ach - ing, smile. e- ven tho’ it's break- ing, Light up your face with glad- ness, hide ev'ry trace of sad - ness, AT Abo7 G7 p79 G7 when there are clouds in the sky, you'll get by. If you smile hough your al- tho’ a tear may be = ver so near. That's the time you mist. Bb7 . BS F6 fear and sor- row, smile and may - be to- mor-row, you'll. see the keep on try - ing, smile, what's the use of | cry- ing, you'll find. that D+7 G7 C79 2079 F sun come shin- ing thru for you. you'll just smile. life is still worth - while, if76 THE END OF A LOVE AFFAIR opera nesang 1950 A G7 cl, Fa? F7 BT, Bb So I walk a lit-tle too fast, and ‘I drive a lit-tle too fas, and I'm So I talk a lit-te too much, and I laugh a lit-de too much, and my So I smoke a lit-tle too much, and I drink a lit-e too much, and the BT Bb? Dba7 “FE D-7 AMT Clu reck-less it's tue, but what else can you do at the end of a love af - fair? Sol voice is too loud when I'm out in a crowd, so that peo- ple are apt to tunes I re-quest are not al-ways the best, but the ones wherethe trumpets 2p B)p-7 G7 D7 G7 D7 G7 sta. Do they mow, do they care, that it's only that I'm lonely and low as can D7 G7 car Aq D7. s«D7 G7? G7c7 be? And the smile on my face isn't real- ly a smile at all_____ So I ® cr Fr par, BO FA? antiaircraft it KA kA heh ee blare. So I go at a mad-den-ing pace, and I pre - tend that it's tak- ing her Abo7 G7 c7 G7 c7 F6 place. But what else can you do at the end of a love af - fair___ WARM VALLEY ‘Duke Ellington 1943 Bbeust G7 c7 F-7 pb7 Ebs7 E7 F-7 BS FB Bo? Be? BT - By “Bb BHT AbSL C7, Ab6 Dba7_ Fe7_B7 BS Ee F-7 Bb7,_ OnA SUNDAY KIND OF LOVE 77 Louis Prima/B.Belle 1946 F6 A-7 Abe7 G-7 cn Fe D7 o — 7 I want a Sun- day kind of love love to last past Sat ur- day night, I want a love that's on thesquare__can'tseemto find some - bo - dy to care, My armsneed —some-one to en-fold to keepmewarmwhen Monday’sare cold, G7 Bb6_ BT AT p79 G7 c7 + I'd like to know it’s more than love at first sight—___ 1 want a Sun- day kind of love— T'm on a lone-ly road that leads me no- where @ love for all my life to have and to hold 'F6 D7 ~~ G-7 G7 6 GbAD F6 c-7 Fv Fine do my Sun- day dreaming and Bhs ab7tug: D-7 I want a FT BbS C-7_F9 C2 all my Sun-day scheming ev- "ty min-ute,ev- ‘ry hour, of ev'ry day. I'm hop-ingto discover a G9 Db7 co Ffo7 G7 c7 My ams need cer- tain kind of lov-er, who will show me the way? SEPTEMBER IN THE RAIN ‘Warren Dublin 1937 B ADT G7 c7 F7 F-7E Db7 BT BHT The leaves of browncame tumblingdown, re - menber? in Sep- tember in the The sun Went out just like a dy~ing ember thatSep - ‘Though spring is here, “to me it's, still Sep - tember thatSep Bc? ['F-7 Bb7 B Bb-7 By? Be7 BT rin The To ev-'ry word of love I heard you AbAT Do? C-7 F7 C7 FT F-7 BT Whis-per—— the rain drops seemed to play a sweet re - fain. Though78 PORTRAIT OF JENNIE Robinson /Burge 1948 Al F D-7 Db7C-7 FHL. Bbs BS e A por-trait of — Jen-nie, more love-ly to see, than a The por-trait of | Jen-nie is etched on my hear where her the por-trait of | Jen-nie, 1 nev- er will part for there ‘a7 D-7 G-7,__G?8,_ Av? D9 G-7—c7, [a7 D7 mas - ter-piece, how-ev-er fa-mous it be. The por-traitof fea - tureshave been G7 cw F6 BS F6 B7,E7 Aal, CH D-7 G7 — sketched from the sta. Ah the co-lor and beau- ty of line and the glow of her CS, F7 E-7 A798 D-7 Abo GI G79 -G-7 c7s DG. gl Coda ee 6 spi- rit di- vine all cast’ «in. Hea-ven’s © own de - sign. With the por- trait of AT D-7 G2, Hx Clat C7 Fb is - n't an-y or-trait of Jen-nie, ex - cept in my heart. CRY ME A RIVER ‘Arthur Hamilton 1953 Ae. C-6 c7 F-7 BT Eb? D-7_G7 Now. you say you're _lone-ly— Now you say you're _sor-1y, Now you say you love me, G-75_, C79 Flat FO you cry the whole night thru well you can for be-ing so un - true well you can well just to prove you do, come on and Bhat = |b, «G7 |" 79 BT cry meariver, cry meariv-er, I erieda riverov-er you. G ATS pm = G-_ 4 AAT p79 Fine ‘You drove me, G near-ly drove me ATS. ‘out of myhead, 49.G while you D-7 Thewer shed atear, G7 DcaFne remember? | rememberall that you said; told melovewastoo ple-bi-an, toldme youwere thru with me andPIECES OF DREAMS 79 Michel Legrande/Bergman 1970 F6 G7 A7 D7 G7 G-7F CIE C7 Lit- tle boy los——"____ in searchof Lit- de boy found— you go a- Lit-e boy false in searchof lit- tle boy tue _will you be Fa7 G-7 A-7 B-75 C7 Che? ATICH won-der-ing, wan-der- ing, stum- bl- ing, tum-bl-ing, round, round. ev- er done _ta- vel- ing al- ways un - rav-el-ing you, you? “D7 IC 75 E7 AT Fast F9 When will you fin what'son the tip of ‘your mind?. Bba7 FIA G-7 C7 Av D7 G7 c7 Whyare you blind toall you ev-erwere, nev-erwere, real-ly are, nearly are? 2D-7 BYD G-77Db C7 FIC B-75 running a - way couldlead you fur-ther a ~ stray and as for FIC Class = C9 Fast C-7 B7! Bhs? BL-7 BT fish- ing in streams____ Fa7 D-7 G7 for pie- ces of dreams, c7 F6 G7 those A? D-7 Pie-ces will nev-er fit, what is the senseof it? Lit-tle boy biu=—~—don’tet your G7 G-7F CVE C7 Fa7 G-7, lit- de sheep roami— it’s timecome blow your horn, meet the mom, AT B-75 C7 crs F6 _Bb6 F6 look and see, can you be far from home.80 THE HEATHER ON THE HILL Locwe/Lemer 1947 A ks c7 F6 G7 cx FZ, ‘The mist of May is in the gloam- in’, and all thecloudsare holdin’ still ‘The mornin’ dew is blink-in’ yon - der, there'sla- zy mus- ic in the rill That when the mist is in the gloam - in’ and all thecloudsare holdin’ still Bhs? = A-7 D7 G-7 DIA Bh? Be FIC C7 O 6 C7 — so take my handand TetS go roam-in’ thru the hea- ther on the hill — and all I want to do is wan-der if you're not there I won't go roam in’ Gba7 BHT Ab-7 Db7 Bb-7 BT aR6 hill, Theremay be oth- erdays as richand rare, theremaybe oth-ersprings as fll and ‘AbA7 D-7 G7 C47 Cho7 D-7 G7) Clu C7 Bie al Gad fair, butthey won't be thesame “they'licomeand go, for this, = T—inow. 6 D-7__G-79Db FIC __D-7_ G-7_ C7 F6 bill, the eather onthe MY OWN TRUE LOVE (TARA’S THEME) Steiner /David 1941 F G7 Ci G7 c7 Fast F F/A Bb My own tue love, my own tue love, at last I've found you, No lips but yours, no arms but yours, will ev- er lead me And by your “kiss, you've shown true ‘love, T'm yours for - ev - er, FA G7_c7 PF G7C7 F Bb my own tue love. Fine titra hea- ven's doors. T roamed the earth my own tue love. AT G7 AT G7? 7 T knew Fd know you, know you ‘by your kiss.IF EVER I WOULD LEAVE YOU 81 Loewe/Lerner 1960 C7 FT ‘Bba7 Ht ev-er T would leave you" would-n't be in sum - mer— But if I'd ev-er leave you _—it’-could-n't be in au - comm If ev-er I would leave you how could it be in spring - time? Ga C7 FT Bba7 see - ing you in sum - me, I nev - er would 0. how ['d leave in au - umn 1 nev - er will know koow - ing how in spring T'm be - witched by you $0. BbT BS @ 7 F7_, BbaT Your hair streaked with sun = light your lips red as flame Tve seen how you spar - le when fall nips the air Oh No! notin. spring - time C7 GID |* BS Jus = ter that puts gold to shane au - wma 2 C-7 F79 Bb6 = = es and I) must be there, Md could T D D+ G47 E-7 A7 D47 D6 eave you run- ning © mer-ri-ly thru. the ~=— snow? a FOF B Ev _A7 De Fi 2.6. al Coca win- ty eve-ning when you catch the fi- re’s glow If ev-er T would Bb6 3— or. co F9 sum - met, win- ter or fall_____ no, nev--er could” I leave youi 82 NANCY WITH THE LAUGHING FACE Van Heusen/Phil Silvers 1944 G7 Cc? G7) oc? Fw G7 i Ete mr weddy 1 nism cewws a an O a ek he fies ostinato Abe7 DPE G-7 B-75 a7 [¥ D7 G7 AT G7 time I kiss her. Belfove me T've got a case on Nancy with the lnoghing fc Jes- sons from her. Pic-ture a tomboy in lace, that's has no. sis-tet. No one could ev er replace my Bb7 Bb7 F6 At D-7 G7 p7s 2p7 AAT. She takes the D-7 AW ‘Nam-cy with the laugh-ing face. D7 AAT Do you ev-er hear mis- sion bells ring- D7 ~~ G7? C7 well,she'll give you the ve - ry. same glow. When she G-7 A7™ D-7 G7 G-7_ C7 D7 ing? Fa7 D7 speaks you would think it was Sing - ing, justo bear her say “Hel - 10” I swear to D.C. a 2nd Ene Fine) THE NIGHT WE CALLED IT A DAY Matt Dennis/Tom Adair 1942 ats Dm Gens, pw py ym ® - = ‘There was a moon out in space, but a cloud drift-ed ov I heard the song of the spheres. ‘like a min- or lament ‘The moon went down, stars were gone, but the sun did-n't ise with the dawn, there GB. Bb? B-7 BET AT apm |'Ga7 Dy ?Ga7 G7 2. Kissed me and went on your way, the night we called'it a day. 1 heard the day. had- n't the hear lefi 10. pray,THE NIGHT WE CALLED IT A DAY (pg 2) CE ca7D-7 Die7 ABS, BI, ETAT Soft tha the ~— dark, FR7S p79 BAT the hoot of an owl in the sky, BATH Dust DTP OC. alcode AL, sad tho’ his song, no blu - er was he than I, The moon went e Ee_,___ E-@7) E7 _E-6 B-7 Bb7 A-7 Ab7 Ga7 was-n't a thing left to say, the night we calledit a day. IT NEVER ENTERED MY MIND Rodgers/Hart 1940 A ew BbA7 FAT Bba7 Av G7 Fé G7 @ Once I laughed when I beard you say~ ing that I'd be play-ing so - li-tait8? Once you told me I was mis-tak- en, that I'd. a-wak-en with the sun Once you wamed me that if you scomed me, I'd sing the maid-en’s pray’ a- gain, AT G7 @ a7 paw G7 Cust C7 un-ea-sy in my — ea- sy char it nev- er en-tered my mind and or- der or ange juice for one, — and wish you were 2G7 G7 G7 C7 F6 G-7 Clad FAT it nev-er en-teredmy mind. You havewhat____ ss T_—dack_my-self__ G-7 C7 F47 G-7 AT Ab7 G7 CTust =C7 7 Die al Cone and mowI ev-en have to. scratch my back my- self. 6 A-75 D719 G-7 Ciust = A-7 D7 G-7 C7sus* F6 there a- gain to get in- to my hair a- gain, it nev- er entered my mind___84 IN THE WEE SMALL HOURS David Mann/Bob Hiliard 1955 C47 D-7 CAT D7 car Glut cal C7 | ‘When the sun is high in the af-ter-noon sky, you can al-ways find some-thing to do, — but from E7 B79 E7 FL-SB79p-7 Are D7 G7 dusk to dawn, as the clock ticks on, some- thing hap- pens to you. Inthe. cal c7 FAT F-6 Bb7!l a7 che? D7 G7 wee small ho-urs of the mom-ing~ whilethe whole wide worldis fast a - slexp, you D-7 G7 GF E-75 Ans FRRe75 B79 E-7 D-7 G7 lie a-wake and think a-bout the girl, and nev-er, ev- er think of counting sheep. When your a7 c7 FA7 F-6 Bb7#ll (a7 =7_ C79 FA? ATE Jone - ly heart has leamedits les-son—_ you'd be her's. if on-ly she would call, in the D7 Dp C6E_BI ATS = @ 7 G79 C5 Glut wee small ho-urs of the mom- ing, that’s the time you miss her most of all. ® pa D7 «G7 + 6 time you miss her most of aWHAT I DID FOR LOVE cs Asst AZ the sweet-ness and the sor- ro the dream was ours to bor row. and point me ‘ward to - mor- row. F we did what we had to do, and I can't re- gret_ what I did for love, al ‘but T won't for- got what I did for love, 2E- GD what I did for what I did for A> A/G FS7 Ess E7 A- A-/G FETS Bast B7 Look my eyes are dey E- GIA AL Gon, loveis never gone, as weus-vel on, love's what we'll re p75 G7 ccwcen @A- A-/G DFE A-7E D7 F CE mem- ber, Kisstoday goodbye you. D-7 Glut C Won't for-get; can't re-gret what I did cB F-/ab Cccp Fab c for love, what I did for love, what I did for Jove. LOVE STORY 1870 D7 G- Bba7 O [Diet D7 oa Ble F7 Bhat pba Asis py EbaT AT86 ALL I ASK OF YOU Phantom of the Opera 1987 Gh Dba7 Db No moretalk of darkenéss-* for - get those widecyed fears, I'm — here,noth ing canharmyou, my Let me be your shel-ter, Jet_me be your light, you're safe no-onewill find you, your AMIC Db B words will warm and calm you. Let me be your free-dém-* let day-light dry your tears, I'm fears are far be-hind you. All I want is freedom, a _worldthat'swarm and bright, and Dba7 Ges B. Bp .s hhere with you be-side me, to guard you and to guide you. ‘Say you love me ev- "ty you, al- ways be-side me, to hold. me and to hide me. Then say you'll share with me one Bb? AMT. DYF BT Bb About win - ter mom - ing. tum my head with talk of — sum-mer- time,. love, one life - time, let me lead you from your sol - i - mde___ DB ERT AMZ DF che say you need me with you ppro-mise me that all you say is ‘say you need me with you, here be-side you an - y- where you go, let me go Dbab Eb-T/Ab F-7/Ab Db G DYF BT All Task for is one love, one life - say the word amd I will Eb7 Abvoust Db Bb? Eb7 AMZ fol-tow you share each day with me, each night, each mom-ing DF G De/Ab Abjust Abo Db say you feel “The way I do, Jove me, that’s all I ask of you.MEMORY 87 A Webber/Nunn 1981 Cats 82 c A- F SS = 2S = oS SSS Mid-night, nota sound fromthe pave-ment has the moon losther mem-'ry. She is smiking a- Mem-'ry, all a- lone in the moomlight, I can smile at the old days, I was beau-ti- fal Day-light I must wait for the sun-rise, I must think of a new life and I mustn't give E- D7 ee Tone. tthe ‘lamp - light where with-ered leaves col - leer amy feet and oe hen, Ts we simon ber the ime Tew what hap pieness was ete in when the dawn comes to - night wil be ao memcorty, Wo and 2 Bl .. G7 cc F E- F wind &- glas to moan. Ev - ‘ry suect lamp seem to beat = mem - ‘ry live a- gain Burnt out ends of | smok - ey days the new day will be - gin, E- cp G E Az Dar G oe fa - wa - list- ic wam- ing. Some one mut-ters and a street lamp sput- ters stale cold smell of the morn-ing. The street lamp dies a - noth-er night is 0 - ver, E Dc aicode AT @ Don and soon it will be = mom = - _ ing, a+ noth - er day is Ab G- F7 2 mem-'ty of my days in the sun, IF you touch me you'll un-der- stand what c BHT BE hap- pi-ness_ is, look! anew day has be - gun ™88 A TIME FOR LOVE Johnny Mandel/Webster 1966 setx— BbAT 75 pm G-9 mn 9 Ab13/G> Shr Bb? AbS/Bb Bb6 C13 ‘A time for sum-mer skies for bum-ming birds and butterflies, for ‘time for climbing hil) for Wean = mg’ of, wincdow alt ad As time goes dite ing by thew ow bends and to do. Lot 7 BbyBb Ol Dine D? A-ts pw» [Faas pre ten-der words that har - mo-nize with love ———— dove. ‘time for mi-r- ing the daf - fo-dils a : ob my friends what ev - er sky a - Bl G7 pr G7 C9 D-7F A7~ = D-7_ D7 F- G7 hhold-ing hands to - geth-er, atime for rain- bow col-ored wea-ther, a time of make believe that E-75 Al Da? C-7 F19 pe ncaa O A-7 ATS pn of. As bove, Tye known a C7 Fist F7 —_Bb6 we've been dream G7 time for spring, 2 time for fall, but best of all a time for —love. TWELFTH OF NEVER G D B- D AT AT E- AT D7 E7 A7_ B- G E-7 AT D Bey AT Fine E-7 , AT 0G.aFneTHE WAY WE WERE 89 Hamlisch Bergman 1973 C ET Fa AT A-IG FAT E- £7 A- A/G ‘Mem - ‘ries light the com-er of | my mind —mis- ty wa-ter col-or memries pic - tures of the smiles we left be -hind—= smiles we gave to one an - oth- er - Mem - ‘ries may be beau ti- ful and yet what's to pain-ful to re -membet, a7 Gust ‘Ca7 —-7 Fa? G7 2Ca7 c7 F Scat- tered were. E-7 of the way we were. for the way we ma ena Fay Can it be that it was all so sim- ple then, for has time re-writ-ten ev-"ry line? Glast G7 oc.alcous D1 G7 car If we had the chance to do it all a- gain, ‘would. we? could we? Oper Ele! BE? A- A-IG FA7 E7 Fa Ev we sim-ply choose to for - get= = So it's the laugh- ter we will re ~mem- ber Fa7 E-7_ A-7_ D-7_ Gust C47 FAT GTaust car when-ev-er we re mem-ber=— the way we were the way we were WHEN I FALL IN LOVE ‘Young/Heyman 1952 FD = G-7Clat Fm, G7 «C™—OoF ol) BT 7 When I fall in love it will be for - ev-e,- = or I'll nev-er fall in When I give my heart, it will be com -plee-ly,- = or I'll never give my G-7 DI7MC Tas C79 |*F D7 G-7 C78 FAT By A-75 D719 love. In a restless world like this, love is end- ed be-fore it's be- gun, and too ma- heart and the G7 ES pba z Dm G7 c7 Fay B 7H in the warmth of the sun ‘mo- ment I can G-7 C79 F6 Ay moon- light kiss -es seem te cook Bb? E79 A-75 D7 G-7 BT OF p79 feel that you feel that way too, is when I fall in love with _you.90 EVERGREEN ‘Barbara Streisand/Paul Wiliams 1972 Love fresh as the fc CB A- 3 ET love that is shared by two D7 Bb G Gat C T have found with you__ Like a rose tun- der the FIG D-7 F/G c april snow 1 was al ways cer-tain that love would grow At oo EY FAT Love age Ipgs_ and ev-er- green sel- dom seen by Bb? Bc c7 Bhrar F6 Ev 9 You and 1 will make cach night a fir. Fa GF EW BhC C7 Fa7 Blast BT Ev-'ty day a be - gin- ning—__ Spir-its rise and their E-7 —s Bba7 cD Dz F/G dance is un- re- hearsed. They warm and ex- cite us, ‘cause we have the bright - est car BWC D-7 F/G love, Two lights that shine as one, Mom ing glo - ry and the91 EVERGREEN (pg. 2) Cay cB Ay E-7 o ‘mid - night sun, Time we've leamed to sail a> bove BIC FAl;— F-47) C oS Time_______won'tchange the mean - ing of, one love agolessand Dic cyc ie CHC ev en eve er sreen, DIC BIC DiC CHIC Cc WE'VE ONLY JUST BEGUN Nichols /Wiliams 1970 F Bb AT D7, G-7 We've only just be- gun © live white lace and prom is - es, Be fore the ‘ris- ing Sun we fly ‘so ma- ny Foads to choose, ‘And when the eve-ning comes we smile so much of life. a~- head, Olt |* Cust FAT Bbs7Fa7Bbs7 = a kiss for luck and we're on our way. and yes,we'vejustbe- gun we start out walk- ing and leam to run, we'll find a place where there’sroom to grow, D GAZ D7 G4? D GAZ D4? Ga7 Shar-inghor- i-zons that are new wo us, watch-ing the signs a-long the way, Ghar BAT GsT_ BAT GY Bay CTeust talking it ov-er just the two of us, working togeth-er day to day, to - gether. a7 OF CT oust Fa7——BbAT ‘Bba7 Fa7—Bba7 A‘ we've on-ly just be- gun.92 CLOSE TO You Hoffman 1933 C7 AbD Aba7 Glut G2 G-7 Why do birds sud=den- ly ap - pear ev-'ry time you are near? —_‘Justlikeme, Why do stars fall down from the sky, ev-'ry time youwalk by? ‘That is why all the boys in town follow you all__a- round, BY ?euit EbAT * = ab they want t0 be, close to you. Why do (On the day that you were born the G- Cust C7 ‘an- gels got to-geth-er and de - ci-ded to cre-ate a dream come te, 80 they a a a a a Ab (Abs7 Ab6 Bb D.. a1 Cone a Z a a a sprin-Kled moon dust in your hair of gold and star-light in your eyes of blue. ‘That is @ Ab Bb — BbAT os FT close to you.SEND IN THE CLOWNS 93 ‘Stephen Sondheim 1973, EbTust Ab Ebtaust Ab Ebtust Ab Isn't it rich? Are we a pair? = Me here at last_on the ground, you in the Isn't it bliss? Don'tyou ap -prove? One who keeps tear- ing a~ round, one who can’t Dba? 1. BB/D EbThus* Eb/Ab Ebjust a. Bb Ebast ait, Send in the clowns Is- n't it, clowns. Send in the move, where are the ab Gust BI c. Gz Cc G- clowns. Just. when I'd stopped op - en-ing doors, im al ly Cc F7 OC AbED — BD DDG. know- ing the one that I wanted was yours, mak-ing my en-trance again with my u- su- al Clas Bb-75C-11E> Ebjust EDAD EbTus* Eb/Ab Bblast fair, sure of my lines, no. one is there. Don't you love Isnt it EbJust Ab EbTust Ab Ab farce? My fault I fear. T thought that you'd want what Iwant. Sor-ry my rich? Is- nt it queer? los ing my tim - ing this latin my ca- Dba? Eb/Ab “BDO/Ab dear. but where are the clowns? Quick send in the clowns, don't both-er they're reer. andwherearethe clowns? There ought tobe Eb? Ab Ebtust | *Bboyab ab Ab EbTaust Ab here Isn't it clowns. Well, may-be next year..94 CAST YOUR FATE TO THE WIND = cunu/vere cow FE Cw Bb =e af SSS SS => = A = month of nighs, % year of dh” Oe - to-ber dif-ing in-t> Mont I shift my course a - Jong the breeze, won't sail upwind on me-mo- ries, the There nev- er was, there could-n't be, a place in time for men like me, who'd So now I'm ol) I'm wise. I'm smart, I'm "just aman with balf a beat, T c F Bb c F Bb © tide comes in aisd I just cast my fate to the wind. set my sail wi emp-1y sky is my best friend, and 1 ink the datk and laugh ‘at. day,” ad Jet their wild-est dreams blow a - way. ‘wonder how it might have been, had I not cast _my fate to” the wind: c7__Bb F Bb ‘c7__ Bb t7_ Bb Foc F Bb F Bb Cc oF time has such a way of chang-ing aman through-out the years And now I'm re - ar- Bb F Bb c oF D.C. a Se vere rang-ing—— my life through all my tears. sone. There's STRANGER ON THE SHORE ‘Acker Bilk F G7 C7 F F7 Bb BR F D-7 Here Stand watch-ing the Bde go oul so all a- lone and watched your ship “as it sailed out fo sea taking all my Why ‘ob why— must I go on like this?. shall I just be a “G9 G7 c7 * FIA F7 Bb _c7 F FI biue, just dream-ing dreams of you. Bb F G7 cr FF ‘The sigh ing of waves, the wail-ing of the wind the Bb A- G7 G77 ‘BE and Ende) tears in my eyes bum———__ plead - ing, my love, re tum,SOMEWHERE ‘Bernstein/Sondheim 1957 95 C CYB FT Bb G77 F7 Bb Cm, There's a place for us, some- where apace for us, peace and qui - et and There's a time for us, some day atime for us, ‘time to geth - er with There's & place for us, atime and place for us, hold my hand and we're p7%BoB [Kc 2C- Ab Db be AT o- pen air wait for us some~where.— time to care, some- day, some- where time to spare, time to leam, half-way there, G F:1;—,BbL;_, G-7 E7 a ‘We'll find a new way of liv-ing, we'll find a way of for - giv-ing—_some- where. Bb Bhs—, C- Ab sb FF? BF F ® hhold my hand and I'll take you there, some-how,— some day, _some- where. YOU DON’T KNOW ME c7 F (Cindy Walker/Eddle Arnold Yougiveyour hand to me, ahd then you say hhel- Jo, and I can hard-ly speak, my heart is No youdon’t know the one, whodreams of you at night andlongs to kiss your lips and longs to Yougiveyour hand to me’ and then you say good-bye, I watchyou walk” a- way, be- side the FRe7 Cc D7 G7 beat-ing so, and an-y - one can tell you think you know me well, but you don't hhold you tight, to you 'm just a friend, that’s all I've uck-y guy, to nev-er, nev-er_know the one who c D7 2 D-7 G7 c oF ca know me. No, you don’t ev er been, but you don't knowme=————"™" For loves you #0, F om @ Che7 Da, G7 c 1 nev-er knew the art of mak-ing love, though my heart ached with love for you A- At E- D7 G7 vc. a sens ne) fraid and shy, 1 let my chance go by, the chance you might have loved me too. You give your96 THE SUMMER KNOWS sseguuysaqnan or F- F-/E F-/Eb D-7i5 The sum-mer smiles, the sum-mer knows, and un~ ashamed, she sheds her clothes, The bud BhIA BeiAb G78, Can —c7 foes = = —— aS + sum-mer smoothes the rest-less sky, and lov-ing-ly, she warms the sand on which you lie. The F BLOF F Flat sum-mer knows, the sum-mer's wise, she sees the doubts with - in your eyes, and Bb6 B-75 E79 AaaT B79 A‘ s0 she takes her sum-mer time, tells the moon to wait and the sun to lin- ger, Abs? BbTi9 abs pT G G-ns twists the world ‘round her sum - mer fin- ger, lets you see the won-der of it all. And FIC Bb-6/C FIC Bb-6/C if you've leamed your les-son well, there's lit-tle more for_—sher ‘to tell, one F-iC BLOC F- last ca- ress, its time to dress for fallMY WAY 97 Francois/Thibault/Anka 1967 F ATE A-THED D7 And now the end is near, and so I face the fin- al cur-tain, my Re - grets, I've had a few, but then a- gain, too few to men-tion, I T've loved, I've laughed and cried, I've had my share of los- ing, and c7 F G7 fiend, ‘Tl say it clear, I'l statemy case, of which I'm certain, T've did what T had to do, and saw it thru with- out ex ~ emp- tion I now 1s tears sub- side, T find it all so a- musing To F7 Bes Bb-6 lived a life that's full, Twaveled each and ev- ‘ry highway, and planned each chart-ered course, cachcare-ful step a long the by- way, and think T did all that and may I say, “not in ashy way", oh 6 more, ‘much more than this, I did it = my way. Re - ‘more, much more that this, I did it my 10, oh no not me, I did it my F F7 BbAT way. Yes, therewere times, I'm sure you knew, when I bit off morethan I could For what is man? what has he got, if not him- self, then he has G7 c7 Av chew, but tha it all, When there was doubt, I ate it up, and spit it not, to say the things he tu-ly feels, and not the words of one who D-7 G7 c7 G-7 C7 F6 out, ‘faced it all, and I stood tall, and did it’ my way, kneels, the re-cord shows I took the blowsw, and did it my way,98 FEELINGS Ez Feel - ings oth-ing more than feel - ings ‘ay-ing to for- ‘Tear- drops rolling down on my face tuy-ing to for- D7 ——_ 66 FH? B7 J2D-7 G7 get my feel~ ings of love. get my feel- ings of love. B- c C47B A-7 D7 for all my life Tl feel it, I wish Td never Ga7 D-7 G7 A- D7 met you girl, you'll nev-er come a - gain, c CB AT D7 B- E E-«” E7 Feelings, feel-ings like I nev- er lost you, and feelings like I'l AT D7 G D-7_ G7 nev - er have you again in my heartBLUE MOON 101 Rodgers /Hart 1954 As C- FT Bb B C- FZ Bb7 Blue moon “you saw mestand.ing a- lone, with-out a dream in my hear, Blue moon you knewjustwhat I was there for youheardme say- ing a prayer Blue moon now I'm no long-er a-lone-————_with-out a dream in my heart, C- F7 Bb7aust EB ab fF Z with- out a love of my own. Fine And then there for, some-one I real-ly could care for 5 with: out a love of my own. F7 BIT B C7 Bb B * sud-den-ly ap-peared be- fore me, the on-ly one my arms will e-ver hold. I heard some- AbT D7 a C7 F7 F-7_ Bb7 bbo- dy whis-per “please a- dore me", and when I looked, the moon had tumed to gold. Blue DC al Fn TIME AFTER TIME ‘Sammy Cahn/Jule Styne 1947 car A-7 aT D7 G9 CAT AT D7 G9 Time af - ter time, «Tuell my- self that © fm 0. duck- yt be know what ‘I’ know, the pass- ng "years will show, youve kept ily love so AT B-75 B79 Bla-7 a-1G) FES BW EB lov - ing you. E-75 A719 D-7 So Wuck - y fo be the one -you rum to Bbis A799 ab7t G7 see, in the ev ‘ning when the day _is_— through, 2 G7 c7 FAT F7 F-6 Duc FS F-6 young 0 new —__ And time = af - ter time, you'll E-7 AT D7 D-75 C/G A-7 D-7 G7 C8 hear me say that Tm so luck-y to be lov- ing you____.102 THE DAYS OF WINE AND ROSES Henry Mancini/Johnny Mercer 1962 Fa7 By? D7#5 D9 G7 ‘The days ‘of wine and roses, laugh and rma - way, My Jone - = Wy heat dis - clo ses, just a —_ pase sing breeze, Bb-6 Bb VA-7 D7 G7 like a child at play- ‘Through the filled with mem-or-ies——— of the E-75 AT D7 G7 mea-dow land to - ward a elo-sing door, a G7 C7 2 AT door marked ne-ver- more, that was-nit there be- fore. The gol - den smile that D7 D-71C B-75 E79 A?) D7 G-7 C7 F6 in-tro-duced me to_______ the days of wine and ros-es and you. IT HAD TO BE YOU Isham Jones /Rahn 1924 L BHT (Ab ED+7 Aba7 F7 -————s ° It had to be you———___ it had to be you 1. wandered arround Some oth- ers I've seen,_______ might nev-er be mean_______might nev- er be cross, BY FA Bb7 Fv 1. Bb7 BHT SSS SS SS aE ov ———— —— SS and fi-nally found__—.__ some- bo - dy who__———_ could make me be true____ or ty to be boss, _but they wouldn't do. . ea c7 F7 CH FT BH By ET be = ee oe —— ‘could make me be blue and even be glad justto besad, _think-ing of you BT BT 2 Bb7 _Dier Db-6 Some oth-ersI've seen do. For nobo-dy else___ gave me a thrill__—_withallyoufaults AbT C7 F7 BB? Bh BT Ab L love you still, Ithadto be you, won-der-ful you, had to be you.SATIN DOLL 103 Ellington/Strayhorn /Mereer 1953 AT ET AT Al oa EQ G7? D7. G7 Cig-a- rete hold - er, which wigs me, 0 ver her shoul - det, she digs me, Ba-by shall we go out. skip pin care-ful a mi - go, yout flip- pin, Tel-le- phone num - bers, well, you know, do in’ my chum - bas with ur no, TE D7 Ab-7 Db9 cs (Bb? A? +) cat - tin’, that sat- in doll. Seed She's speaks Lat = in, that sat = in doll Boe my sat > in doll, G7 c7 Ga F6 SS = — >= ee = o = 1 - bo- dys fool, so Tm play - in’ it cool as can te. m™ AT DZ AT D7 D7 -—s, G7 AW 1 ‘catching me. (Switch-aroony) 0.6 a1 Fine ut aint for no girl give ita whirl, BYE BYE BLACKBIRD Henderson/Dixon 1926 F G77 Bh7 F/A__Abo7 Pack up all my cares and woes, here I go sing - ing low, Bye, Bye, G-1_C7_A-TET G- Gan G7 co Black - bird. When some - bo- G7 cn F6 G-7_c7_F7 c-7 waits for me, sug-ar's sweet, 50. is she, F7 love and un - der - G75 ons Bye, Eby D7 Black - bird. G No one here can G-4n G7 stand me, oh what hard luck == sto- ries. they all hand me. F ATS D7 G-7 c7 F Make my bed and light the light, Til ar-rive late to-night, Black-bid, Bye, Bye,104 ON A CLEAR DAY Lemer/Lane 1965 cm Gar B-7 Ga ‘nd you'll see wha you are. B-7 Bbo7 Ona clearday,__ rise and look @ round you AT F7M E79 glow of your be-ing out- car On a clear day how it will as -tound you _that the AA‘) A7D9__D-7___G7 D-7 G7 shinesew'ry star. Youfeel part of___ ev'ry mountain, seaand shore—__ Youcan hear, from far and Al DZ Gar B-7 near, a world you've nev er heard be-fore— on a clear day, on that clear day, E7 A7 GB C GB A-7 D7 G you_can see for - ev-er - and ev - er - more G A7 GB c GB AT D7 MOONGLOW Hudson /DeLange/Mills 1934 a c c- G A7 Av It musthave been moon- glow, way up in the blue, it_ musthavebeen 1 sill hear you say - ing “dear one, hold me fast" and 1 san in ‘And And now whenthiere's moon- glow, way up’ in the blue, I al-ways re- D7 GB Bb? A- Bk G/BG7 [Bl 7 F777 moom-glow, that led me straight to you. fing We_seemedto float right thru the ray- ing, “oh lord, please let this last.” -(Tag Xs) mem- ber, that moon-glow gave me you. E7 B-7 E7 A7 E-7 A7 D7 = B7 D7 DT DG. al Fine hea- ven-ly_ songsAUTUMN LEAVES 105 Al Joseph Kosma/Johnny Mercer 1947 AT D7 Gar car FATS The fall- ing leave drift by my — win-dow,____ the au - tumn_leaves T see your lips. the sum-mer kiss~ es the sun- bumed hands ‘BT E- 2 B7 E- of ted and gold. see_your I used wo + hold FS BW +E AT D7 GaT Since you ] emt Bway the days grow long and soon hear old winter's song—— But I Fens B7® EAT D-7G7 Ca? BT E- miss you most of all, my dar-ling,_ when au-tumn leaves start t0fall___ BLUE SKIES Iving Berlin 1927 D- D-@7) D7 D-6 Bb- Blue skies. smi ling me noth - ing but Blue - birds. sing - ing song———_ noth - ing but Blue —days,. noth - ing but at a all of them —_gone, F 1. E-S A7 blues skies" do Tse. blue - birds. all day long. blue skies from now = on > F Be F Bh c7 Nev-er saw the sun shin-ing so bright, nev - er saw things go- ing so. right. 'No- ti-cing the days hur-ry- ing by, when you're in love, my how they fly. 2. a Fine106 YOU MADE ME LOVE YOU exsenoisis c CE Be? p-7 G7 D-7 G7 D7 G7 ‘You mademe love you, I did-n't want to doit, I did-n’'t want to do it. Youmade me ‘You mademe sigh for, I did-n’t wan-na tell you, 1 did-n’t want to tell you. I want some "D-7 G7_C Dz Be CE Az o want you, andallthetime Iknewit, I guessyou akwaysknewit. Youmade me hap - py sometimes, D7 D-7 G7 G+7, you made me glad, bbutthereweretimes dear, you made me feel so bad, 2D-7 B7 E7 F7E7 F7_ £7 E A7 G- A7 G- A7 7 love that’s D7 ‘tue, yes I do, “deed I FA7 do, you know Ido. Gim-me, gimme what I ery for, you Fe C AT D7 G7 c kmow you got the brand of kisses that I'd die for, youknowyoumade - me__love you. AFTER YOU'VE GONE (Creamer/Layton 1918 E-7 AT Fa? F-6 a7 Af ter you'vegone— and left me cryin’, af - ter you've gone theres no de-ny-ing, There'llcome a time nowdon'tfor-get it,’ there'llcome a time, when you re-gret it ‘DT G7 a7 ce c7 you'll feel blue you'll feel sad,____ you'll miss the dear-est pal you've ev-er had____ ®D-7 AT D-7 F-6 C6 E7 Ag D7 BEHEREEHEEEREHEHEEREEEREREEEhHHe day, when you grow Tone - ly, ce G7 your heart will break like mineand you'll want me on - ly, ce Tier you've gone, af-ter you've gone a - way—2 2.= MY ROMANCE 107 Rodgers/Hart 1935, Cé7 Ean? A- A-@7) C47 D7 AT D-7 G7 My ro - mance does- n't have to have a moon in the sky. My ro mance doesn't My ro - mance does-n't_ need a cas-tle ris - ing in Spain, nor a dance to a A??? -D-7 G7 “a7 C7 Fa7 Bb7M CAT C7_-FA7 BOTA CAT AT need a blue la -goon-stand-ing by. No month of, May, no ewink-ling sas, no con-stant-ly sur -pris--ing fe - - - ~~ : a FR-7S B79 B-7 A-7_D7D-7_ G7 C87 C7 OFA? AM D7 DTIC @ -way, no soft guitars. - Myro fain, Widea - wake, - I oan makemymost far Pas E79 A-7) Bb7t E-7 A-7 D7 G7 C6 tas-tic dreams come true, my ro - mance doesn't need a thing but you, FLY ME TO THE MOON Bart Howard 1954 Av D7 G7 C47 C7 FAT By me to the moon and let me play among the star let_ me see what spring Fill my heartwith song and let me sing for- ev - er more. You are all I long B-75 E7 AT AT D7 Dt? o is like on + pis ter and mars "In other words____ hold. my fo all Tors ship and a - dore, In oth-er words _____ please be AT D-7 G7 a7 hand——______ in oth-er words; dar - ling kiss. me. B-75 E79 2B-7 AT D-7 G7 cé B-75 £7 6 in other words, T love you. vs E7 AT D7 G7 C6 me—____ in oth - er words, T love you,108 YOU MAKE ME FEEL SO YOUNG Gordon /Myrow 1946 a Bb G+ C7 FT Bb Bo? FIC OF) @ ‘You thake me feel so young, Ygumakeme feel like spring hassprang-—— ‘The mo- ment that you speak 1 wanna go, play and seek ‘Youmake me feel so young, youmakeme feel there’s songs tobe sung——— Bb7 EB 'D-7_G-7_C7 F7 C7 Bb in = divid-u- al, and ev-'ry-time I see you grin, I'm such I wanna go and bounce the moon, just like D7 a hap - py a G7 _C7 F7 [Blpt) ge =F7 Bh Bb? EY You amd I are just LiKe a cou-ple of tots, bal-loon_______ G7 C-1D-7_B6_E*T FIG- Fitoc wont fl p79 a toy F+7 Bb7 A-755 pick - ing up lots of for getme-nots— - D-7 G79.C-7 F7 D-7 G79 running across a meadow, BT EbA7 B-6, eo bellsto berung.and a wonderfulflingto be flung. Andeven whenI’m old and gray C7 F7 BS D7 G78 C-7D-7 BT F7 Bb T'mgonnafeelthe way I do to - day, ‘cause you makeme feel so young I'LL GET BY ‘Turk/Ahlert 1928 ipa AT e En F6 AT B-7 G7 c Til get by——— as ong as 1 have. you Though there be rain Pov-er- ty may come to me that's. true but D7 D7? D7 G7 GC ce?_p-7 G79 and dark-ness too ll not com- plain T'll_— see it through B-755 AAT D-7 G7 Da E7 E79 A-E+7 MN Say, ll_get by as_— long as Ihave _you. what careJUST IN TIME 109 Comden/Green/Styne 1956 Bba7 ATS D7 ADS G7 Just “in time, "T found you just ‘in time, ‘be-fore you came, ‘my time Was running G7c7__+F7 Bb7 Bb? low Was lost, ‘the los-ing dice were tossed, my brid-ges all were crossed, AbAT A-75 D7 _G- D7Ft G-1F no- where to go—_______ Now you're here, and now I know just where I'm CiE Bb6 Ab7__G7 co go-ing, no more doubt or fear, I've found my way For love came just “in time, FT Bb6 G-7 c7 C-7 F7 Bb6 You found me just in time, and changed my lone ly life, that love-ly day. OUT OF NOWHERE (Green/Heyman 1931 Gat, Bh BT ga, You came a - long—— from out of mo - - where= and _you took my heart__ If, you should go—— back to your no - - where_—= and _jeav-ing me with B-7 ET AZ B79 A-7 free Won-der- ful dreams, won- der-fulschemes from no-where it - mo- ty. TH al-ways wait BI, Dia D9 | B79 made ev-'ry hour, sweet as a flow-er, for me for ‘your re-tum out of AT c-6 B-7_,. Bbo7 A-7D7 G6 x no - where, hop- ing you'll bring your love——— to me.110 MAKIN' WHOOPEE Kahn Donaldson 1998 LE \ G7 o7 Fa7 Bba7 Bb-6 An-oth-er bride, an-oth-er June, an other sun - ny hon-ey moon; an othver A lot of shoes, a lot of rice, the groom is nervous, he ans-wers twice. Its real-ly He's wasbing dishes and ba-by clothes, he's so am bitious-he- ev--en sews, but dont for- D7 Ab-7 Db cz “F D- pb C7 (EB) AT Sea - son, an = oth - er rea - son for_mak- in’ whoop ee,__ kill = in” that he's. so will = in to make whoop - ee. get_ folks, that's what get folks for mak-in’ whoop - ee. cm Bb A-75 p79 G7 G-15 2 F Picture a it~ de love nest, down where the ror-es Fass. ops. G75 cm AT D7 G-7-C7 26. aFee cling, Pic-ture the same sweet love-nest, think what a year will bring. He's wash - ing ‘Another year, or maybe less, what's this I hear, or cant you guess. She feels neglected and he's suspected of makin' whoopee. She sits alone most every night, He doesnt phone her, he doesn't write, He says he's busy, but she says “is he?” He's makin’ whoopee. He doesn't make much money, only five thousand per. Some judge who thinks he’s funny, says “you'l pay six to ber” He says “now judge, suppose I fail?" the judge says “budge right into jal", you'd beuer keep her, I think it’s cheaper than makin’ whoo' AIN’T MISBEHAVIN' Fats Waller/Razaf 1929 Eb Ev F-7 Fhe? Bb G7 AD Ab-6 No one to talk with, all _by my-self. No. one to walk with, but Tm hap-py on the shelf 1 know for cer-tain, the one I love, I'm thru with flir- in’, its just you I'm think - in’ of, 1 don't stay out late, don'tcare to go, Tm home a- bout eight, just me and my ra - di-o, c7 F7 Bb @['G-7C7 F-7 Bb7 [2 Eb Ab ES G7 B Aint mis-be-hav-int Tm savin’ my love for you you. aint mis-be-hav- in’ Tm. savin’ my, love. for aint mis-be-hav- in’ Tm sav- int my"love for you. c- aby F7 c7 Like Jack Hor - ner jin the cor- ner, dont go no- where, what do I care BhoOBeT C7 F7_BY C7 F-7 BYT pe ncon Eb your kiss~es are worth waiting for, be - lieve me. you.NICE WORK IF YOU CAN GET IT 111 ra/George Gershwin 1937 Aaw es A9__Ds GA BT Hold ing hands at mid - night ‘neath a sar ry sky Swoll- ing with the one girl, sigh - ing sigh af - ter sigh, Lov ing one who owes you, andthe tak ing that vow (C6, By he, A=7) tx B7 ET AT E7 @ at 3 G CHF) nice work if you can get it, and you can get it if you uy c7 E2 Als Just i- ma- gine some - one_____—wait- ing at the cot- tage door, D-7 E-7 Ag AT Dt7 cm DG alCoda where two hearts be -come- one,- who could ask for an- y- thing more? Gas E9 Ag Dirust Gé get it,____ won't you let me ty? LIKE SOMEONE IN LOVE vanticuson/purke 1949 Bs? GID C-7—C-7Bb SO FVA—soANTN.s«G-7 CBT Lae-ly I find my-self out gaz ing at. stars, hear- ing gui- Law-ly I seem to walk as though Thad wings, bump in - to Bb7(A-7_ D7) Bba7 Bb-7) B7 DAT D-7 G7 tars, like some- one in_love. Some- times the things things, like some-one in. love. * Each time 1. CAT c-7 FT F7 BT tound me, most-ly F7 FR G-7_ C7 when -ev-er you're a -round == ome. F7 BT Bb limp as a glove, and feeling like some-one in _love.112 ALONE TOGETHER Dietz/Schwartz 1932 AT? _D-6 E7 A7__D-6 D- B-75 Bb C7. D-6 a bove the the star less Eb bbe-yond the crowd, the blinding rain, B-7 A+ lone to - geth- er, A+ lone - geth- er, G-6 Ams D7 G-7__ Cust E79 Bb7 world we're not too proud cling to gether we're night were not in vain for were to geth-er___ and Bm E-75 Dav * Daz ATS ATS FAT song as long as we're. to - geth- er. Our what is there to fear to - geth- er ATS D7. G G4 G7 G6 Gas Jove is as deep as the © sea______________ our love E75 A729 p- B75 Fa7 is as great as a love can be And. we can weather Bm p- B75 Bh7_ amp E7 the great un known_______ if we're a~ Jone____ to - geth-er. YESTERDAYS Jerome Kern/ Otto Harbach 1833 D- E-75 A7™ D- E-75 a7 D- D-/ct Yes - ter = days, yes - ter - days, days 1 knew os youth was mine, truth was smine, joy - ous, free and D-71C B-7'5 E79 AAT D9 G3 hap py, sweet se - ques - tered days. Old = en — days, gold - en flaming life, for - sooth, was. mine. Sado am, ghd. am co F13 Bbas E-75 Ane D- days, days of mad ro mance and love. Then gay days, 1 for to = day I'm dream- ing of yes - ter -113 PEACH ME TONIGHT Gene De Paul/Sammy Cahn 1954 D-7_ G7_GH Cal FT ET ATaxst D-7_ G7 Did you say I've gota" lotto lea well don’t think I'm ty- ing not to leam, C of it _ right down to the XY, Z of it clear my love should the teach-er stand so _ near my love, D7 1 Ca7 D-7 G7 E-75 G7 since this is the per-fect spot to learn, Teachme to night. Starting with the A, B, help me solve the mys-ter - y- of -it, = grad-u - a- tion's al- most_ heremy love, 2Ca7Bb9 C47 -E- =D 7 G7 C47 Cho7 D-7 G7 night” The sky's *a —biack- board high a - bove you if-a shoot- ing star go 6 FR7S B79 EET AT D7? G+ 0G. ave Tlluse that star to write I by, oveyou, a thoursand times a-cross the sky. One thing is n't ve-ry THE MORE I SEE YOU BP F7 ‘Warren Gordon 1945 G7 C79 BT Bb7 B F7 The more I see you the more I want you Some-how this feel - ing Can you im - a- gine=— how much I love you The more I see you, 'G-7 cn F-7 Bb7 B- BD DH? Gh7 7 just grows and grows When-ev-er you're gone I be come-more- mad- BA7 Ab-7 Bb? == Eb Bb/Db C-7 FT Fy BbTaust bout you, so lost with -out -you.t_ andso it goes Can you im- 2G- By Bb-7 BT AbAT Ab6 as years go by——_______I know the on-ly one for me can on-ly Bba7 F-7__G-7 Abs7 FVA E/Bb C79 +7 BbT B be you my arms won't free you, my heart won't ty.114 I HEAR A RHAPSODY rngouybaer 040 C7 F-7 Bb? Bba7 , BD G-7Db C7, ‘And when T hear you call s0. hear a ‘And when your spar- Kling. eyes ee thm the My dar-ling hold. me ght and. whis-pet to me Then soft thru ‘a F-7 P75 Bh BS GH call at all, star - lit skies star - ry night Pa-75 p79 [Bl g- thap - $0 - dy. ‘And when your p79 ATS G My days are so blue = when you're a - way D-75 G7 G+? agar Bhar — My heat looks for you, so won't, you stay?. HEART AND SOUL Hoagy carmichaei/Locsser 1938 Al F D7 G7 c7 F D7 G7 c7 ‘Heart and soul—— I fell in Jovewith you, Heart and soul the way a foolwould do, Hear and soul begged to be a-dored, Jost con- tol, _andtumbled ov - er board, iow F see, what one small kiss can do,’ look at me—— it's got me lov- ing you, c7 @F D7 hG7_ C7 je #7 D7 G2 mad - ly be-causeyou held me tight and stole 1 kiss in the night.” moommist glad = Jy that mag-ie night we Kissed there in the thee in the go beseause the ass you Bb A7___D7_G7__c7_-F7_—so«B7_ A7?,—sBhESSAT? G7 Obbutyourlips were thrill - ing, much too thrill - ing.» Newerbofore were mine so C7_F7__E7 C7 ecwce =O aT D7 G-7 c7 F strange-ly will ing. But stole held all my heart and soul ciauEewEegEgegegeasggcCduewtgteg8iteggg&gl aa tI LET A SONG GO OUT OF MY HEART 115 . Elungton/Mits 1938 As ayo C7? G7 CZ G7 cn T let a song go oat oT myhear, it was thesweetest mel-o-dy, Sinceyou and Ihave daifted part life doesa’tmean a thing. tome, T let a song go. out of myhear, be- lieveme darling when say F/AbG- F Ge BYG Ab? OB C7 FRASBITT TE Iknow I lost hea - ven - ‘cause you were the song cad Am] too please come back sweet mus = ier - —F know I was wrong, Twon't know swetm- sie 2 uns 2 ee FT BHT Bur D- G7 C- C-¥B C-Bb CIA lat tomake a -mende? - "You know that we were meant to Ab7D!T G7 BT BHT ocacam BWBb Bb ast Eb6 ‘be morethan just friends, just friends. tl you re- tum some day. STAR EYES Gene De Paul/Raye 1943, A C7 F7 Bb7 Ba? Bb? AMT Star Eyes, that to me is what your eyes are, soft as stars in Ap - ril Star Eyes, flash ing eyes in which my hopes rise, Jet me show you where my Star Eyes, when, if e-ver will my lips know if it's me for whomthose ‘Dba? G-7s cn Fa? F-75 Bw skies are, tell me some day you'l ful- fill their promise of a thrill heart les, let me prove that” it a-dores that “lov - li- ness of yours. lips glow? Makes no diffrence where you are, your eyes still hold my’ wishing ‘AbA7 AT D7 Gha7 All my life I've felt com-tent to star-gazeat the skies, now Tomy wantto melt the F7 BY oc acon & G75 DITC7 F-7 Boat BBG stardust in your eyes ob star eyes, howlove-ly you are.116 I THOUGHT ABOUT YOU denticusen/nercer 1000 ACTS Bb47 G7 cH F9 Gbi3F9 abr 1 tock a tip on rain and I thoughta- bostyou At ev'ry stop that we made ‘oh thoughta- boutou BT BT D-75 G7 C7 BT FT I passeda shad-ow- y lane and I thought a - boutyou. Butwhen I pulleddown theshade— then I real - ly felt blue Aba7 Ab7 D7 Bb 7 Two or threecars parked un der the lars a peekedthrough the crack "and looked at the tack— the 1. A-75 p79 ATS p79 G7 G7 F7 Bb? é = oe == = ‘v f SSF = moon shin- ing down on some lit- te town and witheach beam samecolddream__ BbA7 G7 F-7 BIT BS C-7 A-75 ab7M G-7 ole going back to you, and whatdid Ido? _I thought bout you. 5 I COULD WRITE A BOOK Rodgers/Hart 1940 A C47 A7—-D-7,_—«G7_—s C87 ATs: GT cca If they \ asked me I couldwrite a book a-boutthe way you walkand ‘And the sim - ple sec- ret of the plot_________ is just to tell them that I C6 C7) = DT G7 'C/E AbTES D-7 G7 C47 Bbe7 “ whis~ per and look I could write pre- face on how we love you a Jot—_——______ then tha GD__DIC_ GB BY? A? p7 a D-7 G7 2a- A-eD o met, so the world would —neveer for - ge» = Andthe ” world dis - A? A‘6 G-7. C7 Fa? BHT. CAT EW] 6G aT covers as my book ends, how to make two lovers of friends.COME RAIN OR COME SHINE 117 D-7 Mercer/Arlen 1946 Fa7 E75 7s Tm gorna love you like no-bo-dy’s loved you, come rain ot come shine ‘You're gon-na love me like —_no- bo-dy's loved me, G9 G-7 co FZ C-7_ BT! Bo I guesswhenyou -1s Highas amoun-tain or deepas a river, come rain or comeshine. F-6 Bb-7 B-Ab = G-7 C7 B-75 B79 met me, it was just one of those things——_but_don’tev-er bet me, ‘cause I'm 115 p7s G7 cm [aR B79 B-75—BT9 gon-na be true if you let me. Hap-py to- gether, un -hap-py to-gether, and A E7 A7 DB A-T Ab7l G7sab7tt Daysmay be cloudy or sunny, we're in or we're outof the Ag D-6 (G-7_ 7) won't it be fine. G7_ AT D-7__ G7 Bb money, but I'mwith you alvays, I'mwith you rain or shine. WHEN LIGHTS ARE LOW fA ‘Benny Carter/Spence Williams 1936 Far G-7 AT G7 a7 Bba7 A-7 DZ ‘Sweet mus-ic soft and mel - low, sooth - ing and slow, Dear, we'reso close to - geth - er, T loveyou $0, Lips meeting soft and ten - der, love's. all a - glow, G7 C7 BB D7 G7 Clust iF C7 strains of a mel - low cel --Jo,- when the lights are low. 7" why talk a - bout the weath - er, + why should't we sur- ren - det? 2F BLT BT Aba? ch? FW? BAT ‘Two hearts re-veal - = ing = = mus - ic hath charm, E-7 a7 D7 D-7 G7 G-7_ C79 2G. alFine life's so ap- peal - ing - with in-spi - ration -in - your arms.118 DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS 1946 Alter/ De Lange GH G+7 ca7, Av Do you “know what it means tw miss New Orleans, and miss it each night and ‘Miss the moss cov-ered vines, the tall sug- ar pines where mock ing birds used to Do you know what it means to miss New Orleans, when thats where you. left. your D7 F6 Fhe? CG ar @ pz AT day? 1 know ‘Tm not wrong, iS getting stronger the long er I stay away sing, and Td like to see the daz = y Mis-sis- sip pi a heart? And there's some-thing more: I miss the one I cafe for G7 @ c Bay a 2D7 AbG FR oe Miss the Bb-7 Bb7 hur ry-ing in - to spring. The moon - light on the bay-ou, a creole AbG A7 D7 G6 E7 tune that ls "the si, T_ dream a bout_mag_ -n0 lias in June, and g00n Tm Aq D7 D-7 G7 peace & D-7 G7 c wish-ing that I was there, Do you more than Tmiss New Or- leans. LULLABY OF BIRDLAND Cees ee tase D-755 G7 c7 F- Bh? BT Aba7 BL Eb7 1. Aba7 Db G75 cne F7 By Aw «CB 2AbaT Bh7 Bb Bb FR F9 Aba? Gh7m BO FI Bb-7 Bho Eb79 aba 7s DC. a!2n EF) i iiiiitiitiitiitininininn =A FINE ROMANCE 119 Kem/Fields 1996 ce AT GID Df? E-7 AT = A fine ro-mance, with ne—___ kisses, fine romance, my A fine___ro-mance, you won't__ nestle, fine romance, you D7 G7 "C6 F7 C/E, A7_D-7 G7 E7 friend this is. We shouldbe like a won't wres-tle, I Als couple of hot to -ma-toes._but__you're ascoldas D9 = ca7 D-7 G7 cz yes- ter-days mashed po - ta - -toes_2— Fa7 FETS B7 ET A7 A might as well play bridge with my old maid cm 6 o ‘aunts\— I havent got a chance this is. a fine. ro mancel_.__ Aine romance, my good fellow, you take romance, 'll take jello! ‘You'recalmerthan the seals in the Artic ocean, at leastthey flap their fins to expressemotion. A fine romance, with no quarrels, with no insults, and no morals! T’venevermussedthe creasein your blue serge pants, never get the chance, This isa fine romance! SWEET LORRAINE AT Mitchell Parish/CUff Burwell 1928 G47 F7 E7 D7 Di? «E-7,_ «GYD C7 7 Tye jst found joy" I'm as happy aa _—_ba- by boy, with an-oth-er brandnew A, Balt of eyes thatare bier than the summerskies—- when you see them you will Each night I” pray that no-bo-dystealsher heart a- way, just can't wait weal We Ev OA? AT D7 " B7 E7 A-7D7_{*Ge7-p-7G7 choochoo toy when I'm with my Sweet Lor - raine—_. A” raine re - a- lize why I lovemySweetLor - ~~ Fine hap-py day when I mar-ry Sweet Lor car E7B AT CG FAT Ev A7 CG When its F7 I don't miss the sun, A-75 D7 FT E7 rain - ing E7 for it's in my sweetie’s smile. B7 D7 mk that I'm uc-ky one, ead her down the aisle. 2. alFineF-/Ab GHB c Fa9 what goodwould common sense forit do? ‘Cause it's witcher! Wick = ed Bbi3 Fa9 B75 ER witeb- craft and al -though F know it's strictly ta -boo. A F/A AT D9 D7 G- ‘When you a -rouse-the need- in me, my heart says “yes, in-deed” in me, “pro- ceed with BiG G7 c7 o C7 F6 whatyou'relead- in’me to.”______ nicer witch than you. STORMY WEATHER Harold Arlen /Koehler 1933 B78 1) Ab Ao7_Bb7 Ab Ab7 Dba7 D6 Don'tknow ‘ why, there's no sun up in the sky, Stonmy Weather, sincemy galand I ain't to Life is bare, gloomand mis'ry ev-'ry-where,storm-y wea-ther just can’tget my poor self to Can't goon, ev~ “ry thing I-had is gone,storm-y wea-ther, since my galand I ain't to Ab/C F7}9 Bb-7 7 Ab F-7 Ppb-7 7 |*C-7 F7!9 Bb-7 7 Ab ADT gether, keepsrainin’ all the time gether, T'mweary all time. gether, keepsrain-in’ all the time. D Life is Repeat last 2 bars time. so weary all the time =25De7 AbfED AbT Db == DT. AbIED ADT 120 WITCHCRAFT Leigh/Coleman 1957 Sinatra F6 Abe7 G7 C7 Those fin-gers in my hair, that slycome hith-er stare that strips my consciencebare it's Ws such an an-cientpitch, but one I would-n'tswitch, _‘causethere's no F6 C-7 B74 Bb6 Be witch-craft_—_____ ‘And T'vegot no defense forit, the heat is too intense for it, When shewent away the blueswalked in and met me. If she stays away old rock-in’ chair wllgetme. Db 35 D7 Abe AbT CTS F79 BOT BY woos I All I do is pray the lord 2 -bove-will let me walk in the sun once more. Cant go ITHAT OLD BLACK MAGIC 121 Atlen/Mercer 1943 BE BS Bba7 Bs B BG ‘That old black mag - ic hasme in its spell that old black mag - icthayou The same old tin - glethat F feel in- side and then that el - e-vator 1 E-7 Bb7 F7 BT F-7 BOT i+ cy fin ~ gereup Rd down my spine G7_c7_F7_ Bh FD weave so. well. F7 BHT same old witch - craft when your eyes meet mine The starts its ride, and Aba7 Ab-6 G7 Gho7 F7 Ak6 down and down Igo, ‘roundand ‘round___ I go, like a leaf that's caught in the B G7 C7 1, AbTA tide I should stay away but whatcan Ido, T hear your D7 G7 G7 cB F- = name amd T'm a flame» 2 - flame with such a baring de- Dis =, BY B79 sie, that on-ly your kiss Ean put om the fire For B BS BT BS Be Bran you're the lov - er,-Ihave wait-ed for, the mate that fate had me cre- Bb-7 BS AbAT ALG at- ed for And ev -*'ty time your lips meet mine, AbaT Ab-6 T g0, darling down and down Fens 2 — lovingthe spin I'm in, underthat old black mag - iccalled- love.122 WILL YOU STILL BE MINE? P 2nd X ony eke wk maton (C7 ee ae A ba7 Bb7 «BAT AbAT Ci) FY J Z to stroll 2 - long fifth. av--2- When cabsdon’t drive a-round the "park no win-dows light the summer F-7_)Whenglamour girlshave lost their charms, when sir- ens just mean false a- Be7__G-75 C79 B-7 Bbo C7 FT ‘When lov- ets, makeno ren- de - ve nue ——__ when this fam - i --liar -world is- through, dark when love has lost its se - cret spark arms when lov-ers heed no call to arms, B-7 ET Boa AbAT FT Bb-7 EBT [FADTa® ADT will you still be mine? mine? Dba7 Ge AbST When moon light on the Hud - son's not ro - man— cyjx and spring no long-er tums a B-7_ E7 Bb-7E7 pc wcome OBb7 Bho BS Aba7 young man's fan- cy. will you still == be_—mine? LET’S FALL IN LOVE Kochler/Arien 1938 cé AT D-7 G7 cé AT D-7 G7 $ Let's fallin Jove, why should- n't we fall in love? Our hearts are made Let's close our eyes and make opur own par- a - dise, It - Ue we know Lets fallin ove, why should-n't_ we fall in love? Now isthe time E7 A-7 D7 G7 ‘Bh AT Ab7 Go f@B-75-E7 of it let’stake a chance why be afraid ___ of it?_ of offi, still we can wy to make a go. + AT AUD A D9 Be? E-7 A-7D-1, G7 = We might havebeen meant for each oth - er, to be or not to be, let our C47 CHT D-7 G7 oc. aco E-7 x7 D-7 GZ co o hearts dis - cov- er.- for it, while we are young, let’s fall in love.YOU'D BE SO NICE TO COME HOME TO 123 Cole Porter 1942 F E7 A- B-75 E79 A- G7 c7 You'dbe so nice to come home to you'd be so nice by the F D-7_D-/C_B-75 E7 B-75 ET A- AIG fire, ° while the breeze on high sang a lal - la - by,- -you'd = be FETS 79 Bs BT A B75 B79 all that = Tcould. de. ~ sires Un- der stars chilled" by the A —— G7 c7 F F6 win - ter under an Au- gust moon bum - ing a - boa yov'd be Bo? E-7 F6 Fhe7 C-71G Ale D7™9G7 Oc so nice, you'dbe pa - ra - dise to come home to. and love__. EASY TO LOVE Cry AT B-75 E79 A-7 D7 Ga7 ca You'd bea yw low, 50 ea ty ti dolizeall We'd be so grand at the game, so care freeto. ~ geth- er that it B7 TET AT D7 G47 CAT B-7 Bb AT oth- ers a dover - So worth the yeaming for, soswell to does seem a + D7 DIC B-7 E7 2 B7 c-6 AT kkeepev - ‘ryhome firebum - — ingfor. - shame, that you can't. see your Ga7 B77 Bb7 Ss A-7 D7 G6 fu - turewith me, ‘cause you'd be oh, s0 ca - sy to love.124 IT’S ONLY A PAPER MOON ‘Harold Arten D7 AT G Ghe7 Av Ds G Say it's on-ly a paper moon, sail - ing ov-er a card-board sea, ‘Yes i's on-ly a canvas. sky, hanging ov-er a mus-lim wee, I's a Bamum and Bai-ley world, Just as phoney as canbe, G7 c A> D7 D-7 2G but it wouldh't be make believe if you believed in me. With- C6 Che7 G47D E+] AT D13 G G7 out your love, is a honk - y tonk par - ade, with - C6 ch? Ga B-75 E7 Ay pe Dea rhe out your love, its a mel- 0 - dy played in 2 penny ar - cade. YOU'RE NOBODY TILL SOMEBODY LOVES YOU Morgan/Stock/Cave 1944 G6 B7 E7 no - bo- dy ull some - bo - dy loves you, The world is still the same, you'll never change it as D7 Ge B-7 Bbo7 TAT no - bo- dy till Av some-bo- dy cares D9 AT AT ‘You may be king, you may possess the D7 World and all its gold, but gold wont bring E7 A-7 EIB C6 C6 Cher hhap-prness | when you're grow-ing old. Aa sure asthe stars shine above Youre no - GMD F7 57 A? D7 Ge - dy till some bo- byToves —— you, so find your - self some. - bo- dy 0 ‘love.‘= YOU STEPPED OUT OF A DREAM 125 ——D You stepped out of a You stepped out of a Aba7 AG. ba7 BT dream you are too won - Brown/Kahn 1940 E+ BT Eb6 der- ful to be what you cloud “I want to take you a- way, a- way from the c7 G7 Fa7 seem Could there be eyes like yours could there be lips like yours, FAT AT could there be smiles like And have y ET AZ D-7 D7 s— Eb? Ab? D-7 G7 © yours hon- est and = mu = = dy? = D-75 G79 jou all «tomy self, G7 Ga, out of a dream—_____ safe. in’ my car D7 ++ lone and -a- pan, - a7 hheart___ ON A SLOW BOAT TO CHINA presi icesser 1048 Bb G7B T'd love to get you B G7 C7 'B Ione. stone. G7 cB leave all your lov-ers—_ Ab7 AT get you on a slow boat to Get you and Bb Ab7 c7 che slow boat to Chi- na, on a Out on the bri-ny with a moon big and shi- ny, Ec7 BD D7 all to my -self- »- melt-ing your heat of BY _Ab7 G7 C7 * FIG G7s c7 Chi-na__ all to my -self- a - lone—. keep you in my ams _ev-er- more__ FT FW |? weep-ing on the far a- way shore T'd love to C-7 F7 Bb126 DANCING ON THE CEILING Rodgers/Hart 1991 a F AMT Bho OBS? FIC abe? @ G7 C7 He danc-es ov- er- head, onthe ceil- ing near my bed, in my 1 uy to hide in vain, un - der-neath my coun-ter-pane, there's. my I love my ceil-ing more, since it isa danc-ing floor B7 Dm [2G7 C7 F Bats Brn sight through the night ___ T whis- per “go a-way my lov- love up a - bove____ F F7 Bbe B> A-7 D7 G7 cre @ isnot fie, but I'm so grate-ful to dis-cov-er he’s still there. 2G a1 Cose G7 c7 F just for my_—sOsove. MANHATTAN Rodgers/Hart 1925, F Abe? G-7 c7 FA?) BOT A-7—AboT We'll have Man-hat- tan, the Bronx and Sta- ten is- land too-___ it's love- ly ‘And tell me what street com- pares with Mott street in Ju - ly, _sweet push-carts D7 G-7 C79 |'a-7 D9 G-7 C7. Abe? G-7 c7 G7 g0- in’ through 200, i's ver-y famcy on Old De-lancy gently gid - ing D-7 A7 D7 G7 D7 G7 G-7 FR? G7 C7 street you know, the subway charms us so when bakmy breezes blow _toandfr. D7 G7 Bb-6 F D7 BATS bythe great big cit-y's a wond- ‘rous toy just made for a girl and G7 Av Abe7 G7 c7 F boy__ we'll tum Man-hat-tan in - to an isle of joy. ee,THEY CAN’T TAKE THAT AWAY FROM ME 127 Ira/George Gershwin BbTaudt A pep ot Gh? F7 ® ‘The way you wear your hat the wayyou sip your wa ‘The way yoursmile just the wayyou sing off key. ‘The way you hold your knife the way wedanced til thre BbTeus Eba7 Bb-7 EBT | Aba7 G-7 F-7 the mem-'ry of all: that No, No,they can’ttake that a-wayfromme. the way you haunt my dreams No, No, they B6 A-75D79.G-7_ C7 BPTast 2 Aba7 F-7 Bb7 ‘The wayyour smile just beams can't take that a- way fromme——— We may never, never G7 C7 G7 AT D7ust D7 G7 C7 G7 G-7C7 meet a-gainon the bump-y road to love. Still I'll _al-ways, akways keepthe mem-'ry F7 BT! BbTast pc.acoa @ Bblust Bb-7 Eb7must Eb7 of_s—- The way you hold yourknife the way you've changed my life-___ No, No,they AbAT F7 c- Ds By/B) _G-7B> F-7B) Bb7 BS 7 can't take that way from me No, they can'ttake that a -way-from mel MR. LUCKY Henry Mancint 1959 D7 D7 G7 C7 FT Bbs7 ‘Thy call us luck- y,—___ you and I. Tuck - luck - ® fick-Y tunbvn piste kj then we ES hen de AT D7 B+? E-7 C7 A-7D7D-7 G7 ‘When you take my hand or touch my cheek I know I'm ona life-time luck-y streak A luck-y * Bba7 BAT A-7 D7 B-7 Bb7 A-7_ | DiastD7 G6 j= fd i t misterlucky guy and you'rethe reason why128 CHEEK TO CHEEK rang Barn 1904 Cc Am D7G7 CA D7G7™ ca? D7 BT CE Heaven T'min heaven andmy heartbeats so that I can hard-ly Heaven Tmin heaven andthe cares that hung a - round me hm the BHT A? D7 G7 D-7 G7 D7 E7 speak and 1 seem to find the = bap - pi - mes I seek week seem to van ish like a © gam- bler's _Iuck-y _sueak__ Aq D7 G7 C_ A™MED-T GRE C Whenwe're out to-geth - erdanc - ing cheek to cheek. G7 c G7 Fine c G7 love to climb a moun - tain -and to reachthe highest peak but. it does-n'tthrillme Tove to go out fish - ing -in -2 riv-er or a creek py conten it D7 G7 'c zc fo balf as much as danc- ing cheek to cheek Ob I Dance with me, hhalf as much as danc- ing cheek to cheek C-Bh_,_, abs D-7 B-75 E7 A-7 D7 D-7 G7 Iwantmy arms a-bout you the charma-bout you will carry methrough____ to Dare THREE LITTLE WORDS eee A Ga D-7 E-7 = A7 Bb? ® D-7 G7 ‘Three lit- tle words oh, what I'd give for that won- der- ful phrase ‘Three lit-tle words that’s all 1 five for the. rest of my ‘days. ‘Three lit-tle words————~_ eight lit- te let- ters. which 2 D-7 9 D9 Di C7 G7 c7 G7 c7 to hear those feel in hear they tll sin- cere = ly, wha" ~y * and Fa? F6 Bb7A7 Ab7 G7 0 D7 G79 C6 no oth-er words cantell it half so clea Gye! Goce simply mean, 1 love youI CAN’T GIVE YOU ANYTHING BUTLOVE 129 Jimmy McHugh/Dorothy Fields 1928 C7 Bo7 Bb? BT “Ab I can’t give you an- y-- thing but love ba - by. That's the on-ly Gee, T'd like to see you look-ing swell ba -_ by. C7 FBT BT AbT Eb-7 _Ab7__Dba7 thingI've plenty of, ba - by. Dream awhile, scheme awhile, we'resure to find— Db6 C7B7Bb7 F-7 Bb7 7 Bb-7 B7 hap-pi-ness, and I guess, all those things you've al ways pined for. 2Ab7 BT Ab7 Dbs7 D6 Dba7 Dia- mond brace-lets, Wool- worth does-n't sell ba- by. Till that luck- y D7 AbIED _F7 Bb-7 Bbo E79 Ab ‘ay, you know damed well barby, ‘I. can'tgive you an-y- thing but love. SENTIMENTAL JOURNEY Green/Brown 1944 c c Ay D7 G7 Gon-na take a sen- ti- memtal jour-ney, gon-na set my heart at case, Got my bag, got my, Fe- Set var ton, ‘spent each dime could af- ford: Nev-er thought my heart be so year- ny, why did I de- cide to roam? c FT F-6 c AT G7 Cc sen- ti-men-tal jour- ney, ; to iM ants ak pee a, Gonna ‘ake a ‘Sen tiemeral jersey; So mental F FRo7 Cc Sev-en that's the time we leave at sev-en-__T'll be. wait-in’ up for D7 AT D7 G7 IG E/G G7 ocurme hhea- ven count- in’ ev-'ry mile of rail-road track that takes me back130 IN A MELLOW TONE / ROSE ROOM BHT Eb Aber BHT Ab7 Dba7 E D> De? Abs? Gb7 FT pe aby FT Bh Eb7 ab MOTEN SWING Benny Moten (Bb7 BT C7 FT) ab AMZ Db131 LIL’ DARLIN’ Neal Heft/Howard 1959 D9, Gast E77 D9, Gast = = SSS = = SS coo Fo F-6 cc FO F-6 ET AT AT E-7 2D-7 G7 Cc CUTE Neal Hefti/Styne 1958 D-7 E-7 AT? D-7 G9 cé AT D-7 E-7 AT Mind if 1 say you're cute! In ev-'y T mean I like “your style, that sly in - D-7_ G9 G7 G-7 C7 Fa7 E-7 D-7 F-6 way you're cute! Those big blue eyes, tigu -" ing smile. ‘Your ev- ‘ty mood, Cc FT E7 AT ‘RRS B7 E47 that tumed up nose, that cool your at - w- mde 2 D7 and care - free pose. E-75 A719 E-7 A+ D-7 G7 C6 just’ add up to you're cute! SWINGIN’ SHEPHERD BLUES co — c7 D7 — Ev- "ry kiss,ew'ry hug seems to act just ikea drug, you're getting to be a hab-it with me. “F/A FT Bb AT G7 c7 Fa? G7 Let me stay in yourarms,I'm ad-dic-ted to your charms, you're getting to be a hab-it with me. AT D799 G-7 cl Av AboT G7 Cast used to think your love was some- thing that I could take or leave a - F FR? G7 c2 AT D7 = Glut G7 1 need you for my D7 Jone_—_— but now I could-n’t do with- out my sup- ply, Clauss C7 E/G} A7D7 G-7 Abo7 AT own, Oh I you've got me in your clutches and 1 can't break free, you're G7, C7 F B7 D7 G7, ic F — —. get-ting to be a hab-it with me, can'tbreak it, you're get-ting to be a hab- it with me, PEG ‘O’ MY HEART Fisher/Bryan 1913 cz G7 ¢c7 Peg ‘o' my heart T love you, don’t let us par T love you. Peg ‘o’ my heat your glan- ces make my heart say, how's. chan-ces?, ct F7 [* C7 : F7 BI Bb/D Dbe7 1 al- ways knew, come be my own, C7 F7 it would be you since I heard your lilt-ing laughter, OL FT Bb it's your T-rish heart Fm aftér, “ come, make your home in my —_heart____142 LDIDN’T KNOW WHAT TIME IT WAS secgeert 1509 FT B7 E-7 AZ FT B7 E7 AT 1 did- n't. know what time it’ was, I met you. I did- n't — know what day it was, held my — hand, I didn't know what year it was, was no prize, 7 ED. @/'a-7 D7 |*a-7p7 Av Oh what a love - ly time it was, how sub- lime it’ was 100, grand, warm— like the month of May it was, and Tl say it was 1 wam-ed love and here it was shin- ing out of your G FA-715 BT FR-75 B7 E-7 G7 Grand to be a live, to be young, to be mad, 0 be yours a - lone c_ bp? G E7 al A+? D7 ro Grand— 10 see your face fel your touch, hear your voice say I'm all your own @ a7 ats GDB? cs Dias G eyes, Tm wise and 1 know what time it is now, OH YOU CRAZY MOON ‘Van Heusen/Burke 1939 A? D7 AT p79 Ga7 c B-7 E78 When they met. the way they smiled, T saw that =I was thru, When they kissed they tried to say that = it’ was justin fun, There they are. they fell__in love, 1 guess_you think you're smart, Bb? A? ‘Ge ET G6 CTS BY p79 ob. you era-zy mooh— what did you do? ‘ob, you —— look what you've ‘oh, you cra-zy moon you broke my B- Ghens ces FHT B-7 E7 Once you pro- mised me. you know. that_—it_would nev - er end. At PRT B-75 EWS Ay A? D7 ic. Fe you should be a - shamed to show your fun- ny face my friend.MAKE SOMEONE HAPPY ' 143 Styne/Comden 1960 F Fe F6 Fe F Ft F6 c- Make some-one hap-py, make just one someone hap- py. make justone Fame-——— if you win it, comes and goes_ in. @-min-ute, where's the real can C7 F9 Bb Bh Bb6 Br7 hear the heartyou sing to, one____smile that cheers you, one facethat stuff in life to cling— to Love_is_ the _ans- wer, Someone 10 BT ‘Fa BRT AST D7 G7. lights when it nears you, one girl you're ev - ‘ry - thing > to love isthe ans~ wer, 2 Ba7 Bb7 AD Dt G-7 Cc once you've found her, build your world a round her, make some- onehap- py, AT D7 G7 co F6 . make just one some-onehap-py and you will be hap-py' too. ™ WHAT NOW MY LOVE Becaud/Sigman 1962 —: F —:— BF F ox, G7 c7 LWhatnow my love?. Now that you left me howcan I__live____thruanother Watching my dreams "uum-ing to" ash- es" Std my hopes — “iw buss 2.Whatnow my love now that i's over 1. fgelthe world closing in op ‘Here come the stars tumbling a -roundme-— there'sthe sky where theseashouldbe. 3.Whatnow my love__now there is no-thing on- ly my _last________ good - F i. G7 c7 F — = day Watchin Yonce I could see once I could feel lay my 2What now “my jove——— ow that you're | gone beD-7__,__G-7 c7 F F7 Bh7 now 1 am numb, [ve be -come un- real 1 walk the i Ta be “a “fool” “wo go Son” and”: No ‘ne woud ‘Ge ~ B7 Abs? DbAT G75 Clas! c7 without "a goal, ‘no one would “ery. strig of heart, soul_____. What now my Pee stoke ee Ee ”have come and gone Eb lin gered there t0 touch your hair and. walk with me—_ all world was new be - neath a blue um - brel- la. sky then, still the days the lone - ly days go. on and on, and Bb-7 Bb Ab Ab-6 summer long— we sang_a song and— strolled ‘the gold-en sand, wot "er than sip er muon ay caled to You ‘guess who sighs— his Tul la bies through nights that nev- er end, Ebb Bblust = Bb7 =} Eb Bb7 = = Sp ogpt asm emus er vinta my fic - Ke friend, the sum - mer = wind—_ 6 Eb6 Ab Eb ae ee ae a JUST SQUEEZE ME D. Ellington/Gaines 1946 fA] F47 G7 A-7?) G-7 Fa7 G-7 A-7 p79 G7 ‘Treat me sweet and gen - tle. when you say goodnight, just squeeze ___ me, T get sen-G-men - tal when you hold ‘me tight, just When I get this feel - ing—— I'm in ec- stacy, 50 cz c7 BFL c7 Fa? but please don’t. tease me Miss ing you since you went a- way, — Bb sing-ing the blues a-way each day, count-ing the nights and wait-ing for you, G7 G-7 c7 c+ = arene Tm” im the mood to let you know, I nev-er knewlloved you so, please say you love me too,LOVE WALKED IN 145 ee Eb c-7 F7 F-7 Bb7 Bb ‘e 7 Love. walked right in and drove the sha- dows way ove One. ook and I for - got the gloom of ove C7 F7 F-7 Bb7 Eb7 walked right in and brought my sun=ni-est day One_____mag- ie mo-ment Took and I had found my fu- sure at One— look and Thad “Abay G-7 C7 F7 F7 F+7 Bb7 and my hear'seemed to know, that love said “hel- Jo," though not word was spo-ken. 2aba7 F7 pb Eb C7 FT Bb found a ‘world com-plete-ly new, when love walked in with you. NO MOON AT ALL Evans/Mann 1947 D- ATCt DIAC G7B No moon at all what a night even light-ning bugs have dimmed their light Don't make a sound it's so dark ev-en Fi- do is a- fraid 10 bark No moon at all up a-bove.__ this. is noth-ing like they told us of E-7h9Bb D- Bb7 AT D-7 AT stars have dis - ap- peared from sight dnd there's. no moon at all —— what a per- fect chance to park, just to think we fell in love, D7 . G7 Should we want at - mos - phere for in-spi- ra tion dear c7 F6 Ans fone kiss will make it clear, that to-night is right and bright moon-light might in-ter~fere__. : 146 DREAM A LITTLE DREAM OF ME ' Kahn Andre 1931 G BT D7 OG E7 — Stars shin ing bright a - bove you, night breez-es seem to whis- per I love you, Say “nightie night” and kiss me, just hold_me tight and tell me you miss me, ‘Sweet dreams till sun~ beams find you, sweet dreams that leave all wor-ries be- hind you, AT “G AT A-7 D7 F7 birds sing- ing inthe sy = ca~ more tees, dream a lit-tle dream of me. while 'm a - lone and blue as canbe ; but in your dreams what - ev- er thay be, 26 B7D7 G Bb Bb C7 F7 Bb? Eb C7 dream a lit-e dream of me. Stars fad-ing, but I lin-ger on, dear, still crav-ing your F-7 Bb7 Bb OCT pm FT BT Eb Aba? D7 o + Dc.alansen Fe wis, Tm longing wo nee tl diva, dea just tying in SWEET AND LOVELY Tobias Aram 1601 G7 c7 G7 c7 Sweet md dove = Wy, sweeter than the ros - es in” May, Skies “a= bove me never were as blue as her eyes. Sweet and dove - ty, Sweet-er than the ros - es in May, F F7 Bhs? BT car G7 C6 sweet and dove = hea = ven mast have sent ber my way md the doves who would want a. sweet-er surprise and she loves me, there "is noth- ing more I can say Fine FT Bb car FT Bi car ‘When she nes-tles in my arms so ten-der-ly___there’s a thrill that words can-not ex press. Ab-7. Db Eba7 Eb7 ab? D7 G7 DG aif In my heart a song of love is taunt-ing me, mel- 0 - dy, hhaunt-ing me—EBB TIDE 147 Maxwell, Sigmond 1953 a7 AT D-7 G7s a7 Firstthe | dde—™ rush-es in-—" planta kiss on the shore,then rolls out to So 1 rush to your side ‘like the on - coming tide with one buming G-7B) ATS D-75 G79 2 E-HIA ATat sea and the sea._—is verry still once more. So I arms. = open. wide? At thought, will your D7 ==> ~=B-75:_ B79 Ab D-77Ab CG AT last we're face to face, and as we kiss thru anem - brace, Ican tell, can feel, you are AT D-7 G7 C6 A-7 D-755 Gn love, you are real, real-ly mine in the rain, in the dark, in the sun, like the car AT D-7 Glust_G7 ce eb&—" Fm at peace in the web of your arms__ HARLEM NOCTURNE ide—" at its Earl Hagen 1940 a p-«n G-6 Ge) G7 BHIMMA ZF D-6 sem veo 2D-6 FB C7 FB C7 Fi3 C7 Fi3 £ B9 [* A9 G9 C7 1.0. al 1s Ena148 MEMPHIS IN JUNE H. Carmichael Gb Fo E9 BS Bb AD Abo G+7 -Ca7 G47 ca7 D7 E7 _;-F4IG ca7_ FAIG CAT BT 2 E- E- BH E7 AB CB _,_ B79 BT E7 AB Dias = D13. D-7 GH E- B+ 2Ca7 G47 CA? 3G? C7 FAT F-6 CAT FA9G ca7 FIG C47 C7 FAT ‘Dbao GEE BABY, AIN'T I GOOD FOR YOU Don Redman 1929 G7 c7 ‘F79 Bb C7 2 ANT Love makes me treat you the way that I do, Gee ba-by, ain't I good to noth - in’ too good for a girl that’s so. true, Be G7 = BT > Ab Cn ‘you, ‘There's ‘you. Bought you a fur coat for christ - mas, B Ab s—, AM D-75 >—S? ocarne a dia~ mond ring, a Cad- ill lac car, an ev- "ry ~ thingBLUES IN THE NIGHT 149 & A Bb Harold Arlen/Johnny Mercer 1941 = = Bb? My — mamadonetol’ me, when I wasin knee pants, my ma-madone tol me, son A From Nat-chez to Mo-bile, from Mem-phisto St.Joe, where- ev-er the four winds blow — I By Bb? woman- "ll sweet talk and _ give you the big eye, Dut when the sweet talkein's done——— a sr fsa a [oa a oe ing fa F ch, Fy Beas woman's @two-face— a wor-ri-something who'Illeave you to sing the bhies inthe night. Bb BT Bb Now the rain's a-fall-in', hear the train a call-in’, whoo-ee,— (my ma-ma done tol’ me) BT c-75 FT Bb — Hear dat lone-some whis-tle blow-in’ cross the tes~ whoo-ee— (my mama done tol’ me) a Fr a E Bb whoo-eSWuh-whoo-ee, Ol’ clicke-ty clack’s aecho.ing back the blues inthe night. The evenin’ ps c-75 Fre D7 cm breeze- "ll start the trees to cry- in’ and the moon~- ‘ll hide its light, Take my word, the © mock - ing- bird- ‘ll sing the sad - dest kind of song, G7 1G-75 c7 F7 C-75 7 when you get the blues in the nighe he knows things are . 2G-75 -( ‘G-75 C7 F7 G> Abo FIA, BCT FT og ucom wrong and she’s right From Bb7 C7 F7 cz Flsust Bb = 35 —— o B night. Hum... =. . My —ma-ma was right there blues in the night.150 LET’S GET AWAY FROM IT ALL Matt Dennis /Tom Adair 1941 A Bs Bb7S BS BT ADS Ffe7 G-75 C79 Let’stake aboat toBermu - da —_let’stake a plane to Saint Paul, Let'stake atrip in auail - er no need to come back at all. Let's go again toNi-a - gra thistimewe'lllook __at_the “Fall Bb Opts ce "Fo F7 F-7 BOT let's take a kay - ak to Quincy or Ny - ack, let's get away fromit all Letstake a pow- der to Boston for Chow - der, Jet’sleave our hut dear, get *F9 Bho Bs B7 =tab6 A-75D7 G-7 C7 F7 let’sget_ away from it all ‘Welll tra-vel'roundfrom town to town, welll vis-it ev - ‘ty BS Bb Bo?) =6C-7_—F9 BHT BHT pc. wcose state A- las ka and Ha - wei too then all the for- ty - eight —___ ® D9 co F7 Em Es ‘out of our rut dear, let's get a-way from it all. PAPER DOLL Jobnny Black 1915 F B7 D7 G7 c7 F Ge G-7 Tm goin’ to buy apaperdolithat Tecan callmyown,a doll thatotherfellows cannot steal, andthemhe F FIA F-/Ab C/G Al G7 c7 flirty, flirty guys with their flir-ty, flir- ty eyeh, will have to flit with dotlies who are real. When G7 c7 Fe?) Fh?) G7 c7 AT I come home at night she will be waiting, she'll be the test doll in all this world. I'd Bb Bo FIC D7 G7 c7 F rath -"er have a pap-er doll to call my own, than havea fic-kle mind-ed real live _ girlLET'S DO IT 151 Cole Porter 1928 Bb6 FIC BbYD FIC Bb Whenthe little bluebird, who has nev-er said a word starts to sing “Spring, Spring.” Whenthe little bluebell, in the bot-tom of the dell, start to ring “Ding, ding.” B E> BLD F7 BrD_ Be? c7 "C-7 FT 2 Bb7 ‘Whenthe Whenthe littleblueclerk,in the middle of his work.starts a tunetothemoonup &- C-7 FT Bb BT Bb6 EB Bb Be? C-7 FH bove, it is na-ture, that’s all, sim-ply tell-ing us to fall in love. ‘And that's why In Spain, the Al a ca F7 Bb BS AT Chinks doit, Japs do it, up in Lapland, little Laps doit, best up-per sets. do. it, Lith-u-an- i-ansand Lens do it, BIS C7 FT [D7 G79 C9 FHT 2pb6 D+7 Thedutchin F7 BT Jet's fall in love. C7 In Spain, the let's do it, G7 ‘Bba7 old Am- ster = dam = doit, not to men- tion the ‘Finns, BT Ab7 Dba7 C7 FH7 a folks in Si - am do it, think of Si - a-mese twins. Some Ar- gen - Bb6 C7 FT Bb G7 BT tines, with- out means do it, peo ple say in Boston, even beans doit, Bb6 G7 c-75 FIRS Bb6 let's doit, e's fallin love.152 MEAN TO ME parr 1000 F6 FT G-7) C9 F6 C-7F7 Bar op O® You're mean to me why must you be mean to me? Gee, hon = ey, it T stay home——each night when you say you'll phone. you don't and I'm mem It must be great fun tobe. co to me you should - n't for 'G-7. Fa? D-7 7 Fa? D7 G7 o seems to me you love to see me cry - ing, I don't know why left a-lone_—_sing- ing the blues and sigh- ing, FC-9 R79 BAT G-7—C-9 F79 Bb6 BS p7 ‘You treat me cold - ly each day in the year, you al- ways G-9 BY D7 G9 Clas! CHT cS Baw scold me when-ev- er some - bo - dy is near, dear. o pw D-7 G9 C9_—_F6 can't you see what you ‘mean to me. THE GLORY OF LOVE ly Hn 1986 A G D7 G G7 Cc You'vegot to give a little, take a lit-tle and Jet your poor beart break a lit-te, You'vegot to laugh alittle, cry a little, —be-fore the clouds roll by alittle, You'vegot to win. a little, lose a lit-tle and al- ways have the blues a lit-tle, G Ez AT Dz "G E- A-7 D7 CC-G that's the sto-ry of, that'sthe glo-ry of love You'vegot to love. c G G G G7 Fne_ as long as there's the two of us, wE'VE"gorthe world and all its charms. © And Cc c-7Bb AT Av D7 pcan en oa when the world is thru with us, we've got each other's arms. You've got to z TSI'M GONNA SIT RIGHT DOWN 153 Anlert/Young 1935 Cc car C6 GH Ca E7 Tm gon-na sit right downand write my-self a let- ter—— Tm gonna smileand say, “I hopeyou're feeling bet- ter,” F AT and make be- lieve it camefrom and close“withiove'the way you C6 ‘D7 D-7 Gast G7 C7Bb A7 you. I'm gon-na write words, oh so ‘do D7 sweet, they'regon-na_ knockme off my feet. “Alot of G7 *p-7 FFA? kiss-es on the — bot-tom, Tl be glad 1 F6 FR? C/GBP7_ AT got ‘em, I'm gonna T'mgon-na _ sitrightdown and D7 D7 G7 CD-C write my- self a let- ter and make be-lieve it came from you. YOU'RE MY THRILL ‘Washington/Lane 1994 G-75 cr G7 cn coms ‘You're my — thrill, you do some- thing to me, you send chills right You're my thrill, how my pulse in. - creas-es, T jut “go 0 Where's my thrill Why this strange de = “sis te that Keeps mount- ing Gh7 B79 BLT for) Fv ps @ c7 F7 tha me, and I look at you, ‘cause you're my thrill. Mmmm— Mmmm pie- ces when I look at you, ‘cause you're my thrill high-er? When I look at you I can't. sit. still’cause Bb7 F7 Bb7 D7 G7 c CcIG noth- ing else could —mat-tx, «Mmmm, —~=«Mmmm,~—=~«we's~smy~—beart on a G9 F9 peacose e G7 Ghar F- sil-ver platter. you're my thrill154 THAT'S LIFE Kelly Gordon /Dean Fay 1964 A G BT E-7 Bb7) AT Cc That's Life, that's whatpeo-ple say, you're rid-inghigh in Ap-ril, shotdown in May, but I That's life, fun-ny as it seems, somepeo-ple get theirkicks, step-pin’on dreamsbut I G CAT B7 EAT FA AT D7 know I'm gon-na change that tune, when I'm back on top in June. That's don't det it’ get. me down, ‘cause this FAT Di G Blo, ete ol” world keeps go-ing a - round, I've been a pup-pet, a pau-per, a pi-rate, a po-et, a cé BT pawn, and a king I've been up and down and ov-er and out and I know one thing, al D7 each time I find my-self Alc flat on my face, I_pick my-self up and get _ back in the race That's BT E7 Al Cc life Tean'tde-ny it, T thought of quit-ting but my heart just won't buy it If 1 G FETS B7 E-7 ATs D7 OG didn’tthink itwas worth a uy___T'd_ roll myselfup in a big ball and die.I'LL BE SEEING YOU 155 sammy Fan/trng Kahl 1938 BS G+ F-7 C7 FT C7. FT C7 TH be seeing you in all the old fa- mil- iar places that thisheart of Til be seeing you _in__ev~ ‘rylove- ly sum-mer'sday, in ev - ‘ry-thing that’s “D/Eb BD C7 Fv Bb7 that small ca- fe, BHT mine em-brac-es all day thru. In the park a- fet and e657 Bhat BBE Bs cross the way, the chi - dren's carous~ al, the chestnut wees, the wish- ing well 2G-7 Db Clu* =C7 FF F-WEY D-75— G79 C7 di- ways think of you that wayT'll find you in the mom- ing sun, and when the night is Flast F7 F-755 p79 BM new, T'll be look-ing at the moon, burl’ be seeing ye BECAUSE OF YOU Wilkinson Hammerstein Bb7 F-7Bb7 BG Bb7 F-7 Bb7 Because of | youthere’s a song in my heart Beccauseof you, my ro- mancehad its BS G-75 c7e F7 Be-causeof you, the sun will shine, the moon and stars willsay you're mine, for- 79 FT Bb7 Bb7 F-7 BT start F9 ev-er and never to pat " I on- ly live for your love and your BS G-75 cn F-7 AbAT D7 kiss it’spar- a - dise to be nearyou like this Be - cause of you my Bs C7 F9 F-7 Bb7 BOG156 WITH A SONG IN MY HEART geigesiartisz9 B F7__Bb7 B F7 Bb With a song in my heart I be-hold your a - do- ra-ble face, ‘At the sound of your voice hea-ven 0- pensits portals to me, C7 D-75 G79 c7 D-75 gis just’ a song at the sta but it soon is a hymn to our grace. can I help but re - joice_____ that a songsuchas ours came to be? c- C-7Bb A-75 ® ab : C-1G ‘When the mus- ic swells I'm touch- ing your hand____ But I al- ways knew. ACTS 5 D7 G7 co B78 it tells that you're stand - ing pear aand__ on a BB ATS _Abk6 BG — Gho7 F-7 Bons Bb s T would live life through, with a song in my heart for = you—____ o MY BLUE HEAVEN Donaldson/Whiting 1927 a Boast BS F-7 BIG F-7 Bal p7 Di C7 ‘When whip- poor - wills call__._ andev-'ning is nigh—____ hur- ry to A tm w the fight a ‘Iit- dle white light _will lead you to Just. Mol-lie and me and ba- by makes three we're hap- py in Fi3 Bb13, Bs Bb teat BT *Bh my———__ blue_____hea- ven,» "™* ‘A> tm to the You'll see a Ab6 G7 c7 F C97 GhoT smil- ing face a fi- re- place, a co = zy Toom,—__ a , F7 Bb7 F7 BHT BS 7-7 Bb Tat cca lit-te nest that’s nes-tled where the -—ros - es bloom Just Mollie and zDON’T WORRY ‘BOUT ME 157 Rube Bloom/Kochler 1939 BLT B79 AD F7 BLT B79 Don't wor-ry ‘bout me I'll get a- long for - get a-bout me, _be hap-py my Ab6 AbIC Be7 Bb-7 Blast Ge is as, love. Let's say that our little show is ov-er and so the sto - ry ends, G7 C7 F-7, Bb7 Bast BI why mot call ita day the sen-si-ble way, and still be friends “Look Bb-7. E79 AbD Fd BT, —3— 3 out for your-self’_ should be therule___give your heart and your love to whom- ADT D+7 Dba7 ‘D6 a3 — ev-er you love. Don’t be a fool daring, why shouldyou clingto some fad-ing thing that Ab G+7 Gb7 F7 Bh] E79 Ab6 used to be? If youcan forget, don't worry ‘bout me. BEAUTIFUL LOVE ‘Young/King/ilispie 1931 E-1s Ane D- D-7 G7 Beau-ti-ful love, you're all a_mys-ter- y, beau- ti-ful love, what Beau-ti-ful love, “I've roamed your pa-ra-dise_search- ing for love, my c7 Fa7 E-7 Al, D-7 G7 Bb7 AT have you done to me?- I was con - ten- ted till came a- long, dreams to re-a-lize——— Reaching for heaven, de-pond-ing’ on Vos’ 7 Bau E-75 A79 2D-B7T Bb? A? D- ith your song. Beav-ti-ful love Will my dreams come true?158 DON’T TAKE YOUR LOVE FROM ME Henry Nemo 1941 c D7 E7 BT GID D7 G7 tear a would you ‘Tear a star from out the sta and the sky feels blue, Would you take the wings from birds__so that they can't fly. D-7 Av? D-7_ G7 “Cc D-7 Di? CE petal from a rose and the roseweepstoo___ Take youreat’ a take the 0- cean's roar andleave Bo? D7 A? D-7 A? D-7 a7 ~—-D-7_ G79 way from mine and mine will sure- ly break, my life is yours to make, $0 CE, BT D7 G7 [Fc G7 C7 F6 please keep the spark a - wake. Would you just a sigh’. All this your heart won't F7__ Bb? C6 E-7'5 A798 D-7 Ad7 D-7 G79 C6 this is what 1 I HADN'T ANYONE TILL YOU let_you do, beg of you, don't take your love from Ray Noble 1988 G-7 co FO G-7F F6 AT D7 GB Thad-n't —an- y-one—— till you I was a lone-ly one till you__ Thad to save my love— for you I newer gave my love— ill you ‘G7 C7 Ans p-7 B-75 57 AAT? FET I used to lie a-wake and wonder if there could be a_some-one in the ‘And thru my B7 E79 D9 G7 c? z AT ‘Bb6 Be? wide world just made forme, now I see. I had to._lone - ly heart _de~ mand-ing it, FIC A-75 D789 G7 cn F6 Db7 F6 cu - pid took a handin it, I had-n't an- y-one——— till_—_-you.PLEASE DON'T TALK ABOUT ME 159 Sidney Clare 1980 G7 c7 G-75C7 @ F9 soe SSS = = Sa 7 ? Pease don’t talk a- bout_me when I'm gone oh hon-ey, though our friendship ceas- If you can't say an— y- thing real nice, it’s bet- ter not to talk at all MakeS'no dif-f'rence how—I car ty on—__fe-mem-ber, Eb6 C7 F-7 Bbo Eb 2 Bbis ‘Bb13 es from now on And lis-ten, is my ad - vice. ‘We're part- ing, B] G7 Ab7 G7 CT F9 c-75 FT you go your way, I'll go mine, it's best that I do— Here's a kiss, I hope that this brings Bb7 Gho7 F+7 Bb7 0 F-7 Bb79 BS DG. al Coda lots of luck to you. please don’t talk a-bout me when I’m gone. BUTTON UP YOUR OVERCOAT Henderson/DeSyivia G Dirust G E7 AT E-7 A7 CM D7 . But-ton up your ov-escoat. when the wind is free, take good Eat an ap- ple ev "y- day— get to bed by thee, Keep a- way bboot- leg hootch—- whenyou're on a spree, cD D7 @|'G E7 A-7 D7 |*G D7 G7 care “of yourself you be - long to me—___ long to me. Be care-ful c G Gar E7 Al cross- ing streets, 00-00, don't cat meals, 00 - 00, cut out sweets, 00-00, 7 7 Doe % D’ CD D7 GAT A-T Db°7, 6 acode Gc G you'llget’ a pain and m - in your tum- um. long160 LIL’ DARLIN’ ‘Neal Hefti/Howard 1959 A F9 Blast G-7 c7 F9 You may va - ca- tion in Ha - wa - ii, Tho’ you may fly to Scot- tish High - lands, No mat - ter where you care to wa- vel, Bbiast B B7 AbG ALS Bae ies ngs Switzer land to ski when you're scan-ning the snow cov-ered moun isle near Nap- 0 - li, when you're whis- tin’ “The Camp- bells are Com- what you choose to see when - ev- er your head hits that pil - B B7 Ab Ab-6 G7 C7 FS tains— or —_fan- ning your- self by the sea don’t dream of ing’ or hum-min “The Isle of Cap-ri”___ Tow,__what - ev er the — ho- ur may be B %oren G-7 C7 ‘Bb7 Bbladt 2B e an- y-bod- y but me! an - y- bod- y but me! F9 BT G-7 c7 cafe on the Rhine an = y - place a-long the lin T'll_for- F9 F-7 BT Bb7 BT ‘give you when a stranger puts your little heart in danger if his face resembles mine Whenyou a, en =2 BT Ab, AR G77 vis-it a night club in Fris- co and the _sing- er keeps sing- in’ off key, F9 FI Gs cs LHEeegegctegageptegveaEeveteteegbe.ek'ggaeae ea t« IDC. al and End (on won't ev-en mind if sud-den-ly he—_____ re - you of _me—— %o.15 Cn FO F-7 Bb B Don't dream of an- y-bod- y but mel.I LOVE PARIS 161 Cole Porter 1953 Cc T love Par-is in the spring- time————_ I love Par-is in the D-75 G79 Sta T love Par-is in the © win-ter when it’ driz~zles, D-7'5 G7 Cc C6D-7 CE D-7 T Jove Pareis in the sum-mer when it siz-zles. T love Paris ev-'y C6 D-7 CE D7 C6D7 E7 By D7 G7 F m0- ment ev- ‘ty mo- ment of the yea 1 ove FEe7 ciIG AT “D-7 G7 c why oh why do I love Par-is? be-cause my love is near E-7 A7 D-7 G7 c Par- is, *D-7 G7 be-cause my love be-cause my love is_near. IT’S BEEN A LONG, LONG TIME ‘Styne/Cahn 1945 F. Fu F6 3, FAT F/A AbT G-7 C7 Just kiss me once, then kiss me twice, then kiss me once a-gain, it's been a long, long time. G G- G7 G-7 C+7 FAT —— C7 Have-n’t felt like this my dear, since can't re-mem-ber when, it'sbeen a long, long time. You'Ilnev-er Acts p79 ABS DT G7 cn D7 oT know how ma-ny dreams I dreamed a-bout you, or just how emp-ty they all seemedwith-out you, so. F. F AT 1. G-7 C7 F6 4 Dj oi kkiss meonce and kissme twice,then kiss me once a-gain, it'sbeena long, long time.162 WHEN YOUR LOVER HAS GONE E.ASwan 1931 b6 Dba Ab7 —-Db7 BIT ‘When you're a - lone, whocares for sky - lit skies? ‘When you're a ‘What lone- ly hours, the ev-‘ning —sha-dows bring, ‘what_lone - ly F-7 Bb7 D6 ae Abs C7 “7 Jone, the mag- ic moon- light dies, at break of dawn, hours, with mem-'ries lin - ger - ing, like fad- ed Bb? D-75 G79 C-7_ F7 Bb-7 EH7 Ab6 Ac? Bb-7 BHT there is no sun - rise, when your lov-er has gone. -F7 Ab] G7 F7_B7 Bb7 E9 EbH7 Ab6 flowers, life can'tmeanan-y- thing, when your lov-er bas gone MOONLIGHT BECOMES YOU ‘Van Heusen/Burke 1942 Fé D-7 G7 C7 F D7 G7 C7 A-7 D7 3— ‘Moorlight ‘be - comes you, it goes with your hair, you cer- tain- ly know the ‘Moomlight be - comes you, I'm thrilled at the sight, and I could get so ro - If sly I love you. I want you to know, it's mot just be-cause theres G-1F c® ‘a7 D7 G7 C79 |*R6 C7 FT C7 Flat right things to wear_____ night You're all dressed up to go man - tic to moonlight, al C7 Flat = C-7_— FT * phar ES AD. D7 dreaming, now don't tell me that I'm wrong, and what a nightto go deam-ing, Gs. G7¢c7 @ oF Dm gz, G-7C7 Fo De. e mindif I tag a - long? wees though —_moon- light be- comes you so.‘THE SOUND OF MUSIC 163 Rodger/Haramersten 1959 F6 Fev The hills are a- live with the sound of mus - ic, T goto the hills when my heart is lone - ly I G7 F6 songs they have sung for a thou - sand = years—_______ The know Iwill hear what I'veherd be - = = = 7 te F6 Fe? hills fill my heart with the sound of mus = ic my F Bb c7 F6 heart wantsto sing ev-'ry song. it hears, my heart wants to Bb Bbo7 F6 Bb Bbo7 F6 beat like the wings of the birds that rise from the lake tothe «= ues, © My Bb Bbo7 F6 G7 c7 F7 heart wants to sigh like a chime that flies from the chureh_ on 2 breeze, to Bb Bbe7 F6 Bb Bb? F6 laugh like a brook when it tips and fall ov-er stones. on its way, «to D- AT D-7 G7 G7 C7 sing thru the night like a Inf who is leam- ing to pray. 1 Bb-6 F6 AT fore____ My heart willbe blessed with the sound of BPG G7 AT c7 F6164 STRANGER IN PARADISE Foret /Wright 1958 G7 c7 FA? G7 c7 % ‘Takemy hand, I'm astrangerin paradise, all lost in a won-derland, ‘Star-ry eyed, that’s a dan-gerin parra-dise for mortals who stand be-side an fervent prayer, of a stranger in paradise? Don'tsend mein dark des-pair from all that I A-7 D-7 °F6 D7 Ghar m6 paradise. If Istand you. I see your face and I as - cend- ed__ 3 Flas F7, Bh7 B67 Da7 D7 ‘out of the com-momplace— in-to the rare. ‘Some-where in space-——____I hang sus- GAT Ab7T G7 C7 Fay p7s DGalcode pended, until I know there's achance that you care. Won't you ans-wer the F6 D7 ~D-G, GiB C7 Fay, bbun-ger for. But o- pen your an- gel's arms____to the strang-er in paradise p7s G7 cis FE — Urome Kern/Feelds 1935 and tell himthat he need bea strang-er no more. SOME ENCHANTED EVENING ‘Rodgers /Hammerstein 1949 Cc G7 Cc Some enchantedevening—— you maysee a stamger——_-—»-you may ste a singer ‘Some enchanted evening some-one may be laughing you mayhearherlaughing, Some enchantedevening——— when youfind your te love-—— when you feel her call you Et F CS. D7 —7,® a c7 seross a crowded room. Ans some-how you know—— you know ev- en the— eros a crowded room, and night af- ter night as strange as it seems, scross a crowded room, then fly to her side and. make her your ht_nEtnEeERtinERBRnE ft HE nzSOME ENCHANTED EVENING (pg. 2) 165 E- D7 a fc that some- where you'll see her a - gain and a - gain, the sound of her —laugh-ter will sing in your G7 c G7 c G7 c AT DT G1 56 weoae ‘Who.can explainit? Whocantell you why? Fools give you reasons, wise men never try.—___ Oo FE D7 G7 c own or all thu your life you may dream all a - lone____ G7 cc @ c a cp c ‘Once you have found her, neveerlether go, once youhave founder, nev-er let her go. LOVELY TO LOOK AT Jerome Kern/Fields 1935 F6 Ab7 = G-7 c7 G7 Lovely to look at, de- light-ful to know and hea-ven to kiss a com-bi-na-tion like this Fos, p7 G7 is quite my most im- pos- si-ble schemecometrue. Im - a- gine find-ing a dream like you, You're F6 By75 El, AZ D9 G7 love-ly to look at, it's. thrilling to hold you ter- ri- bly tight___ for G7 ic G7 _..c7™ F6 ‘we're to- geth-er, the moon is new, and ob, it's love-ly to look at you to - night___166 [GET ALONG WITHOUT YOU VERY WELL Hoagy Carmichael 1998 Al BP C7 Flas BY? C-7 D-7 be? I get a-long with - out you ve- ry well of course I T've for - got - ten you just like =i © should of course I I get a-long with - out you ve - ry well, of course I what's in no y's D.C. 2nd End (Fine) best that 1 stick to my tune.SONG SUNG BLUE 185 Nell Diamond 1972 F ic Song song blue, ev- 'ry-bo-dy knows one, song sung ‘Song(song)sung(sung) blue(blue)weep-in’ like a will low, song{song)sung(sung) F F7 blue, ev ‘ty gar-den grows one, me and you are sub-ject blue(biue) sleep-in’ on my pil - low Fun-ny thing but you can Bb c7 te the blues now and then, but when you take the blues and make a sing it with a exy in your voice, and be- fore you know it start to feel- in’ Ga f23C7 F song, you sing them out a- gain, sing them out a-gain good, you sim- ply got__no choice. EVERYBODY LOVES SOMEBODY a tanertayior 1938 Bb D7 GZ By c7 Al Ev-'ry- bo-dy loves some- bo-dy some-time,—__ev- 'ry- bo - dy falls in love some how, Ev-'ry-bo-dy finds some-bo- dy some- place, there's no tell- ing where love may ap- pear Ey-'ry- bo-dy loves some-bo-dy sometime, and al-though my dream was 0- ver - due c7 Fa? C7 |? F F A-7Ab-7 G-7 Some-thing in your kiss just told me my —some- time is, = now bere Some- thing in ‘my heart keeps say - ing my some- place is your love made it well worh wait ing “for someone like you— Fre FT CG FT Bb FH Bb WT had it in my —pow-er_ Tar -range for ev-"ry girl to have your charms D- _,_D-“) D-7— G7 G7 FHT G7 c7 o SS Dea tnd End ne) then ev-'ry min- ute, ev-'ry ho- ur ev- ‘ry boy would find what I found in your arms.186 RAINDROPS B.aThomas A F FAT FT Bb Raindrops are falhin’ on my head and just like the guy whose feet are too big for his did me sometallcin’ to the sun and I said I did- n't like the way he gotthings Raindrops keep falhin' on my head, but thatdoesn'tmean my eyeswill soon be tur- ing A D, A-7D7_ G-7 bed, noth-ing seems to fit, these rain-drops are fall-in’ on my head, they Keep fall- in’ done, sleep-in’ on the job, these _rain-drops are fall-in’ on my head, they keep fall- red, cry-in's not_for me, ‘cause I'm nev-er gon-na stop the rain by com-plaimin’ FA7F7 Bb c c7 So I just thing Ikmow,__theblues__theysend tomeet___ mewon'tdofeat A-7 be-cause I'm D9 G7 me, it won't be long— till hap-pi-mess steps up—__ to greet. «= me Claast pewce OF FA G-7 CTast F free noth-in’s wor-ry-ing — me—___ SING 1973 Bb Bo7 c7 F7 “Bb F7 Bb7 si ing a . . sing ou . Sing, sing a Sone, any i gon stone B Bb Bb D7 G7 c7 c7 F7 i BEEBE ER EERE EEE kA: sing of goodtimes not bad, . sing of happy not sad. F7 BT EB D+7 sim-ple to last your whole life long don’t. worry thatit’s not good e-nough for G7 Cc? C-7 FT Bb Bb C7 F7 ‘any-one else to hear sing, sing a song. =)THIS GUYS IN LOVE 187 Bacharach, David Eba7 AbaT Dba7 EbA7 You see this. guy— this guy's in love with you yes.'m_inlove ve heard some talk they. say you think I'm fine this guy's in love— Aba D-7_ G7 C7 _ Bb-7 Bast BT who looks at you the way I do, when you smile I cantell we ‘and what I'd do to makeyou mine tell me how —is_it 50, don’t AbAT Abs G7 C7 F-9 Know each oth-er ve-ry well, how can I show you, I'm glad to fet me be the last to know, my bands are shak- ing, don't let © my BeToust Eps? AbaT Bar AbAT know you, ‘cause Tneed your love Twant yourlove_— heart keep brealeing, ‘cause EbAT D-7 C-7 FT Bb Bb? Bb? _s, B&B sayyou're in love, in love with this guy—___if not I'll just die MOMENTS TO REMEMBER ‘Allen/Stilman 1955 A Aba7 Ab6 AbST —ADG Abs7 AMT D> Bb? ‘The New Year's eve we did the town, the day we tore the goal post down, The qui- et walks, the noi-sy fun, the ball room prize we _al- most won, When oth - er nights and oth- er days may find us. gone our _sep'-rate ways, BT ‘B77 Ab7 Ab oBe7T 6B?) [* Bh? BT we will have these mo-ments to re’ - mem ber.~ The “moments to re- piab ab +7 ab? Bl Ab B7 Fine mem bet. Tho’ = sum-mer tums to —win-ter_ and the —pre-sent dis- ap - Ab Ab7 Db Abo Fe BHT BET BT yo wri pears, the laugh-ter we were glad to share will echo thru the years. When188 I SAY A LITTLE PRAYER Bacharach /David 1967 CG oC ‘The mo- ment I wake up, ‘before 1 put on my make- up____ 1 I run for the bus, dear, while rid ~ ing I think of us, dear 1 BU E E7 AT D-7 Wt-de prayer for you Walle con ing my hair now say a lite lite prayer for you At work = Tjust take time say a CG C BZ E and wond- ‘ring what dress to wear now T_—_—say a little prayer for you For- and all thm my —cof- fee break time Tsay a little prayer for you. Bi, G E- c BC F G ev-er, for-ev-er, you'll stay in my heart and I will Jove you, for - ev-ex, for-ev-ex, we E- c pec F G E- nev-er will pat, oh, how I'll love you, to - gether, to-geth-er that's how it must be, to no-one but you. GTwit —-—s— ans- wer my car Gust aT Gust car Prayer say you love me two, S = % g BeRenERBReEHEReEREetEeBeRtEBatl:;t kL CALC iti iti ina hk OEOUR LOVE IS HERE TO STAY 201 Gershwin 1952 G7 G7 c7 F BY A-7 D7 G13. G+ Its ve-ry clear. our love is here to stay, more than a year, But oh my dear, our love is here to stay. to - geh-er we're Clat C7 = BAT D7 BTS BAT D7 G7 c7 and the «te ~~ _le~ phone and goving long, long way—— In time the Rock-ies may crum-ble, Gi - bral-ter may tum ble, for-ev-er and a day The _ra- di-_o. G7 c7 Bb E-75 G7 ATS oF D7 ‘and in time may go But oh my G7 C7 F6 rmov-ies that we know may just be pass-ing fan-cies 2 BT D7 G-7 Gh? A-7— D7 they're on-ly made of clay, but, our love is here 10 stay. DON’T GET AROUND MUCH ANYMORE Duke Eltington 1942 Al Bef 7B TBAT C47 D-TERCIE An ‘could- n't bear it with-out they'd have asked me a-bout ‘aw- Ply different with-out Missed the sat-ur-day dance, heard they crowd-ed the floor-———— ‘Thought I'd vis-it the club, ——__got_ as far as the door, Been in-vi-ted on dates _ might have gone but what for, Gq G7 eG-7 ¢7 G7 ic o = Fe you, don'tgetroundmuch ‘an-y- more. “Thought vis-it the F F-6 E- D7 c7 Dar - ling 1 guess my mind's more at ease but F FR75 B79 OE Bbo7 G7 Dc. Fie nev = er the less, why str up mem-o-ries. Been in- vi- ted ona 202 DO NOTHING 'TILL YOU HEAR FROM ME a. Dateringn 0 il D-7, G7 car Dias Do noth- in’ ‘till youhearfrom \ me. Pay no at-ten-tion to what's said. Do noth- in’ ‘till youbearfrom me. At least con- si- der our mance. Some kiss maycloud my me-mo- fy, and oth-er ammsmayhold a thrill, c-6 G E+ AT DZ Why peo ple tear theseam of a- ny - one’s dream is over my head If you should take the word of oth ers you've heard, 1 have- nt a chance but please do nothin’ ‘till you hear it from me, and you_nev-er will G6 BIT J D7 2607 Bhat — |B) par Fine Ba True Te been seen ‘Aba Gar Ag Do noth - in’ till you hear from with someone new, but doesthat mean B-7 E7 AT that Tm un-twe, When were a -pat- = the Dims D.C. al Fine words in my heart re- veal how I feel — a-bout you. Some kiss may cloud my me7mo THERE WILL NEVER BE ANOTHER YOU ‘Warren /Gordon 1942 G7 Bbt7 D-75 C7 There will be ma-ny oth-er nights like this,__ when Tl be standing Will be oth=er Ups that may dass ‘bot’ they wont thrill me Bey BAT ‘Abe? Abs Bbs7 here with some-one new There will be _oth- er songs to sing, an - oth-er fall an- like yours used to do. ‘Yes Imay dream a _ mill- ion dreams but how canthey come C7 C7 F7 F7 BT F7 There F-7_ pbs B oth-er spring 2 FB but there will nev- er be an-oth- er —_you. Bat ab = G-7 C79 true, there will nev-er ev- er be an- oth - er you.ALL OF ME 203 ‘Simons /Marks 1931 Al ic E7 B-75 7 ATust All of | me, why not take all of me? Cant_you see Your good- bye left me with eyes that cry How can 1 ATS. Che? D7 “ET B-7 AT T'm no good with - ou you Take my lips, T want to lose—_ G7 TU nev-er use them___ ‘You took the D-75 Gn cé them, take my arms, F-6 E-7 AT pat that once wasmy Beam, 60 why porte all of me HAVE YOU MET MISS JONES a. scoy Fa7 Ffe7 G7 c7 Have you met miss Jones——— some- one said as we shook hands. ‘Then “I said miss Jones; youre a girl who un - der = stands, AT D7 ‘ab-7pb7 G-7. C7 [2 C-7— FT ‘She was just miss Jones to me. free And all at B] i & ma who must be ‘BbaT AbT pb? Ghar E7 AT to death and all at once EH Bb? D7 once I lost my breath, and all at once Da? Ab-7 Db7 Gba7 * G-7 C7 T owned the earth and sty c7 BMT A-7 Ab? G-7— CT Now I've met miss Jones, FAT G7 and we'll keep on meet. - ing till we die, ‘miss Jones and 1204 ALL THE THINGS YOU ARE ee FT Bb7 BT Aba Dba? G7 You are the prom-ised kiss at spring-time, that makes the lone-ly win-ter seem ca7 C7 F7 Bb? Eba7 ‘You are the breathless hush of ev ‘ning. that AT D7 ‘Aba7 D7, Ga7 ‘wem-bles on the brink You are the glow that G47 FY-755 BT Es7 ‘of a love-ly dights: cH sta the dear est things. = know are you are—__ F7 Bb-7 Eb? Aba? Dba? Db? Some day my ~—bap- py arms will hold you and some dy m0 C7 Be Bb7 BT Ab (G-75¢79) know that mo-ment di- vine when all the things you are are = mine__ JUST FRIENDS Klemmer/Lewis 1931 car — C7 FT G47 Just friends ov- ers_ no more Just friends, but not like be - Two friends drifting a- pant, two friends but one bro- ken Bh7 BT AT FNS BT OE-7 D7 think of what we've sbeen and not to kiss fore.. To a - gain seems like pre - beat Se Al E-7 AL,, A-7 D7 Db? |? A-7 D7 tend - ing it isewt the end ing. Two Fv B7io E? AT AT D7 loved we laughed we cried and G6 sud- den- ly love died, the sto- ry ends. and_—we're just’ friends. 2 kiitininmnt inDAY BY DAY 205 ‘Sammy Cahn/Stordahl/Weston 1945 G7 BbaT A-7 G-7 G-7 C7 Fa ing more in love with you, and day by day ‘ll my dreams come ite, so come what may Abe7 G7 G-F ET Al my love seems to grow Thee is-mt &-y end to my de - T wan you to D- D-@) D-7 D-7 G9 G7 vo = ton, its deep- er dear by = fa, thm am yo cen ATs DW G7 BLT BT 1 find that know Tm yours. a= lone and Tm in Fs? Eb = DJs! D7 G-7 crs Fa7 love to stay, as. we = go through the © years day by = day OUR DAY WILL COME Hilard/Garson 1963, Bb7 Av D7 G Our day will come and we'll have ev - ‘ry - thing. ‘We'll share the Our day will come if we just wait a ~ while, No tears for Bb AT D7 D7 py fall - ing in love can bring. No one can tell me that I'm too us, think love and wear a smile. Our dreams ore magic be- cause well cr B-7 Bb? AT _D? Jove you so and you love = me——— G E7 A7 D7 G will comesomanee ice ioe A 206 TANGERINE DY G7 C7 F6 Abe G7 C7 G7 C7 i Tan-ger- ine, she is all they claim withher eyes of nightand lips asbrightas. And I've seen toastsfor tangerine raised in ev-'ry bar a- cross the Ar-ger FA7 B-75 E79 qa? BAT ‘FAT DAT G7 c7 flame Tanger ines whenshe dances by senor - i- tas sureand B77 E7 AT D7 ~=D+7 *a7 p79 G7 ca bal ~ le-ros sigh. tine, E-75 a79 p-7 And I've yes she has them all on the i G7 G7 c7 F6 — run, but her heart be-longs just to one, her Heart be-longs to tan- ge - rine. IT COULD HAPPEN TO YOU vanticuson/burke 1944 B75 E79 a7 Fe? ATS p78 G7 Hide your heart from sight, Jock your dreams at night, it could Keep ‘an eye on Spring, run when church bells ring, it cold = Bba7 Aq Ams Dm G7 Bb6 Don’t count stars or you may you. All oT did was won- der ‘hap- pen hap-pen to you "Fa7 E-75 A79 p-7 + G7 G-7 A-7_—_BbA7 C7 stum- ble some one drops a sigh and down you tum - ble. 27 A-75 D7 G-7 Clust C7 F6 how yourarmscould be and it happened to me.I LOVE YOU 207 Cole Porter 1943 G75 cm Fa7 OF G7 c7 “T° love you" hums the A- pril breeze “I loveySt=—=—" echo. the “1 love you" the gold-en dawn a- grees, Fa7 AAT B-7 E7 Av °B-7 E7 bil G7 “I as once more she sees daf - fo - ils W's 15 pb» C7 ey FAT spring again, and birds on the wings a- gain, samo sing again the old me-lo- G7 CT pe wcan @ AWD G7 G-7C7__F6 &. 1 and it all be-longs to you and me. PENNIES FROM HEAVEN BUrke/Johnson 1936 car D7 E7 Be? Det, G7 car D7 Ev - ‘ry time it rains, it rains, pen~'nies from hea- ven. Don't you know each Trade them for a pack-age of fun-shine and. flow- es. If You want the “ET Ebo7 D=Ls. G7 c7 G-7 C+ cloud con-tains ——pen-nies from hea-ven— You'll find your for-tune fall - ing F6 E7Eb7 D7 AT D7 G7 D-7 G+7 all o- ver town be sure that your um-brei-la is up side down 1 CE ORAL, __ D-7 Fo F6 things you love, you. must have sho- wers. ‘So when you hear it thun - der, E-7 Ebo7 Da.— —:— D-7G™ ce don’trun un-der a tee, there be pemniesinhea-ven for you and me.208 MACK THE KNIFE Butastetn/Wel 1928 ‘Sinatra cé Che7 D-7 G D-7 Oh the * shark has pret- ty teeth dear and be shows them shark bitec—— with his teeth dear sear- let bil = lows G9 6 CE Bbe7 D7 Just a jack - knife has Mac- Heath dear, pear- ly white. start to spread Fan- cy gloves. though wears. Mac- Heath dear G9 D-7 G9 C6 and he keeps it out’ of_— sight ___ When the so there's © mot «= a trace of = red __ 3. On the sidewalk, Sunday morning, lies a body just oozing life; someone'ssneaking around the comer, could that someone be mac ‘4, Froma tugboatby the river a cementbag 's dropping down; the cements just for weight, dear, bet you Mackie'sbackiin own, ‘5. Louie Miller disappeared, dear after drawing out his cash; and MacHeathspendslike a sailor. did our boy do somethingrash? 6. Sukey Tawaly, Jenny Diver, Polly Peachum,Lucy Brown; Oh the line forms on the right dear, now that Mackie'sback in town SOMEWHERE BEYOND THE SEA 1947 Trenet/Lawrence Fé D7 G7 C2, F6_ D-7 G-7_ Cl, Fal AT Some - where be- yond the sea, some - whore wait- ing for Some - where~—__be- yond the sea, she’s there watch- ing for me We'll meet be-yond the shore, we'll kiss just’ as be - fore. D7 _C7,_, Fav D7 BbA7 DA G-7 ¢7_,_Cte7 D-7 Bba7 my lov-er stands on en if 1 could fly like birds on high, the then straight to her arms I'd go sea and nev- er a- gain I'l go -G-7 C7 F6 [Blas Fe B-7 £7, hap- py we'll be be- yond G7 C7 2 sil = ing. Some sail, «ing T's far. AG FA7 Bg? _ A AAT A6 be- yond a C6 G7 A? star, it's near be = yond the = moon___ 1 know. D-7_ G7, CAT AT D7 G7 G7 c7 i a a a a rhe oe aie ae i a i a be- yond a doubt, my heart will lead me there soon____ Dal 2nd End (Fine)209 Roders/Hart 1937 Al car BH? ab? D-7 G7 car ET ab7 THE LADY IS A TRAMP erat eight she likes the theater but won't go to Harlem in She gets too hun- gry for din ‘She don't like crapgames with Bar - ons and Earls. D7 G7 car G7 C7 FAT F-7 BHT ev = et comes late, she nev ~ er bothers with peo ple she hates, ‘- mine and pearls won't dish the dirt with the rest _of the girls, E7 A? D-1G7 fCAA™ D-7. G7 [EAT Bl Ear G7 ‘She like the free fresh___ E7 Av D-7 G7 E-7 A? D-7 G7 CAT that's whythe laedy is a twamp————— tramp. wind in her ha, life without care, she's broke— its oke Hate Cal- i- ET _Ab7 D-7 E7 AT D7 G7 CaT for-nia, it's cold and it's damp thatswhy the lady is a tramp. A FOGGY DAY George/Ira Gershwin 1937 Fa7 A-TS D1 G-7 c7 F6 p-75 A fos-ay town, had me low and How long I last? But the age of mira - cles G7 G7 c7 FaT C-7 FT Bb Bho FAT had me down, view the mom-ing with a larm, the Bri-tisb ma- had - n't passed, AT D7 G7 c7 Pc-7 F7 Bb6 se-um had lost its charm, For sud - den - ly I saw you there, and thru FAIC G-7C_ FAIC G-1C_A-7 -D-7_ G-7_ C7 F6 fog-gy Lon-don town the sun was shin - ing © ev - ‘ry - where —__210 rv Gor THE WORLD ON A STRING ‘Arlen/Koehler 1932 Al Bb = pb9Cc7 F7 AbM6 OEY Abr Tve got the "world on a sting, sittin’ ona rain-bow, got the string a-round my fin Tve got a song that I sing, I can make the rain go, an-y~ time I move my fine G-7_ Gh? F-7 Bb] Ee? FAT Bb * G+7 C79. F-7 Bb7 ger What 2 world, what a if, I'm in love eer. Lac-ky me, cant you see, Tm in love. B 2Bb6 Ab6 Ac Eb6 D-7 G9 co Jove.. Fre Life is a beau-ti-ful thing,—___ as long as I hold the string—____ Repeat F9 F-9 Bb ‘Dandend Tdbe asiFly so and so if Ishouldeveer let. go—_____________T've got the IT DON’T MEAN A THING (IF IT AIN'T GOT THAT SWING) Duke Enington/mius 1992 GGFR G/F GE BT G7 G7 a don't mean a thing if it ain't got that swing It don't mean a thing, all _you got. © do is__sing, brn * FTsust BbS doo wah, “doo wah, doo wah, doo wah, doo wah, doo wah, doo wah, doo wah, if BS Bl r+ Bb? 2 Flnst “doo wah, doo wah, doo Fhe makes no diff- ‘ence if | its sweet or hot G7 c7 F7 ATS p71 wah, Dewan just give that shy - thm = ev- ty - thing you got. aNIGHT AND DAY 211 Coe Porter 1982 BS BA7 Ba? Bb7 ——s—_,_ Byt7 Night and_ day, you are the one _On- ly you —_be- neath the Day and night why is it so? That this fong- ing for you BT —7— BA? Be A-T5 Ab-7 G7 moon and un-der the sun Whether near to me or fat, it's no mat-ter darling fol- lows where-ev-er I go—— In the roar-ingtraffic's boom, in the ‘stlence of my Gbo7 F7 Bb7 Bba7 [1 Be 2 be I think of you_—— "nightand day. Ber Ghar where you are— Day andnight “Night and [By (ine ty room, Gpa7 day umder the hide of me there's an ob, such a hum-gry yeam - ing; bum ing in- Bba7 C7 A-75 Ab-7 G7 side of me And its tor-ment wont be through “til you let me spend my Gbo7 F7 Bb7 life mak- ing love to you, day and nigh night and day. Geonge/tra Gershwin 1927 ‘S WONDERFUL A B 57 Fv Bb7e4 BbI3 'S.Won - der- ful ‘Smar- vel- ous you should care for ‘Saw - ful mice ‘Spar a- disc ‘Swhat I love to [FB cm F7 Bh ans p7 [Blow B-7 a7 pz B-7 You've made my life $0 cs F9 BbI3 E7 E79 = A-7D7 G9 ig glam- or- ous, ——— you can't blame me for feel-ing am - or- ous, Ger F7 C79 B-7Bb79 ‘Swon- der-ful___"Smar-veF-ous, that you should care" for me——212 HOW HIGH THE MOON Lewis /Hamilton 1940 A Gar Goa Fa7 Some-where there's mus - ic how faint the tune, some-where there's hea - ven, Some-times there’s mus - ic it's where you are, some-where there's hea - ven, F7 BbT EbaT AT D7 There is no moon a-bove when love is far a-way ‘The dark-est night would shine if you would come see me how high the moon, how near so far. 'G-7 A-75 D798 Gar A-7 B-7 BT A-7 p7 too, ‘till ittcomes tre, ‘Ga AT B7 BY oA?) 6D7_—OGAT that you love me as I love you. Some timesthere’s soon,—___un-til you will, how still my heart, how high the moon—____ BUT NOT FOR ME Ira/George Gershwin 1980 Bb? C-7_F-7_ Bb) Bb OAD. G-7_— C7 ‘They're writing songs of love but not for me. A lucky sta’s a= bove Twas a fool to fall and get that way,__Heigh-ho, a- las. and al +7 -Bb79 Bb Bb-7 Eb7 Abo7 Abs? Ab-6 but not for me. With love to lead the way, —'ve found more so lack- a= day Al- though I can't dis- miss the mem - "ry ‘Bbo7 EbAT—C-7 GouF F-7 By Bb BRHERHERHERHRHERtHERHHReHRheeHKRHEEHEH HE = clouds of gray, than an-y Rus - sian play could guar- an- tee T was a 2Bbo7 EbA7 Bb79 Bb C7 CH F7 of her kiss, T guess she's not fr.SHINY STOCKINGS 213 Frank Foster /E. Fitzgerald 1956 BT ET Bb-7 Bb?) G6 1° walked with my ba - by and I know in noth-ing fat, she's Tm “hip and Tm luc - ky to have some- one so well et dowed, 2 Ab6 Db AbGIC Be? B-7 got something mel - low lots of —fel- lows whis- de a. When girl half as” love - ly would make lots of fel’- lows proud. I B7 Bb? DT C-7 “FT soon as we're out, with no an, Gre of ter cham, ou oer ae oh D7 Gl cr Fm shad- ow of doubt she's got lots to be proud of Bb7 BY? Ab6 2B 1 Jove those shi- ny stock - ings most of all, SHOUT CHORUS BHT Bb? BHT _.Bb7 Ab6 A cs Re, | *Bb7 A Ab214 THERE IS NO GREATER LOVE Isham Jones/Symes 1936 A) pbs7 BY aly G7 There is n0 great-er love than what I feel for you No great - er ‘There is no greater thrill than what you bring to meno. swe - ter There is no great-er love in all the world, it's true No great - er F7 2 C7 C-7 F7 Jove, no heat so te There is no” song than what you sing Jove than what I feel for Bb A-7S D7 G- A-TS D? mm Youre the sweet - est thing Tobe eee G- ass D7 CT FT pc. uantent known, and to think that you are. mine a - lone. There is n0 WHAT IS THIS THING CALLED LOVE? Cole Porter 1929, ea cw F ® pas Wh Se ahs ting — | cdind Love? Ths fon ny wing a eo fe Se ask the Lord__ in heaven a- bove, ‘What = GW rem car called love? Just a fool of me? 1 7 F7 —1— Ba” Ab7 —: saw you there one won-der-ful day. You took my heat and threw it a- D7__o? acu © DI GH ce way Tha's why T is this thing called —_love?.SECRET LOVE 215 Webster/Fain 1953, 3) BDAT BbTus4EbA7 BbTaust BAT BbTeust EbST BbTeust EbS7 AAT G-7 C7. ° Once I had a sec- ret love ———_ that lived with- in the heart of So «ds told afiiendly star the way that dream-ers of - ten F-7 —_Bb7 F7 Bb7 F7 BT F-7 all too soon my sec- ret love, be- came im- just how — won der- ful you and why I'm oe do, __BeTeast Bb7I9 BD “B-7 Bb79, | 2G79 pat-ient to be free Now I shout it from the So. in love with you. BbA7 BS BL-7 B7 AbAT D7 BAT F-7 high - est hills, fe = ven told the gold-en daf - fo- ils, at last my G-7 Abs? —-Dbs_—C9 F7 By Bb7}9 BD eats an o-pen door and my scot lows no secret an-y- more——— ALMOST LIKE BEING IN LOVE asec; isi A BbAT F7 D-7 Dbo7 C7 Flat ‘What a day this has been, what’a rare mood Tm in, why its al- most like be-ing in There's @ smile on my face for the whole hum- an racewhy it’s al-most like be-ing in Br Gay G7 BI 2 D7 love ‘There's a ‘All the mmus-ic of life seems to be like a bell thar is C7 A-T5 pT a BbaT F7 D7 Dbo7 ring- ing for me—— And from the way that I feel, when the bell starts to peal. I would C7 che? BHD. Dbo? C1 F7 Bb ‘swear I was fall-ing, I could swear I was falking, Its al-mostlike being in love216 IN THE MOOD Jor Garland 1939 (Glenn Miles) Db Ab BA ab Db Boast Bas AWC _Bb7 Abc _Bh7 Bb? ab AbIC BT Ab BhT Ebina! Eb B® BT [Gy emete 6 OPUS ONE ‘Sy Oliver 1945, G c A-7 ‘G/B Bbo7 D7 2G Bb G7 C7 F7 Bb Gt c7 FA 1. a 2nd nd (Fi)STOMPIN' AT THE SAVOY 217 Goodman 1936 c7 ey Fh c7 E Fee7 Ab7 Al Ab7 D)7 c7 2G. al Fe JERSEY BOUNCE Plater/Bradshaw 1941 PENNSYLVANIA 65000 G c7 G Gfe7 PemisyFvaivia six fiv@hou ~ sand! E-7 £7 Bs, E7 B7 Al D C7_ B7 E9 AT D7 BT D7 D.C al Fine218 PERDIDO ‘Juan Tiza! 1942, Al C7 FT C77 F7 Bb B? D-7 G7 B D7 G7 |2Bb BT Bb G7 D-7— -De7 “C7 BT 2C-7F7 Bb7 BST TUXEDO JUNCTION Hawkins 1939 a ® Bo BD BT F7 Bb BD 6B? F7 BUF Bb Bb BD B OE F7 F7 B-6 B B B-6 Bb G7 C7 FT (D.C. al Cone ast x) ® Bhs. 789 BbS 3219 CRAZY RHYTHM Caesar/Meyer/Kahn 1928 Fa? G7 Av G7 Fal BOT AT Abo? + som 2 & of a fe ge SS = Crazy shy-thm, here'sthe door - way. Tl go my way, you'll go your way, Here is where we have a show - down, Tmtoo high-hat, you'retoo low - down, G7 c7 - Faz co Gis FF G7 A-7 D- . ‘crezy thy-thm, from now on we're though. you. they say that crezy thy-thm, here's good-bye to you. c7 F7 ‘BbaT Bb = BL-6. when a high-brow meets a low - brow, walk-ing. slong Broad- way, soon the high-brow, Bb At] D9 G47 co FAT G7 AT D7 he hasno ~ brow, ain't it ashame, and you'reto blame. Whasthe use of pro-hi-bi - tion? G7 Ab? G7 Ciust =C7 Db c7 oF You producethe samecomdi - tion, crazy rhythm T'vegonecra - zy too. STRING OF PEARLS220 UNDECIDED Al ‘Shavers/ Robin 1939 car cé car cé FM First you say you do and then you don't, and then you say you will and then you won't, You're Now you want to play and then it's mo, and when you sayyou'llstay that's when you go. If you've got 2 heatand if yourekind, then dontkeep us a- parumake up yourmind, D-7 $7 G7 [*ce Ab7G7J?C6 D-7 Die? CE D7 Fre B] Se ded now, to what ae you gon-ne dot ————_Tebeen G7 co G7 ce F6 c+ Fo Bb siting ona fence,and it doesn’t makemuchsense,'cause you keepme in suspenseand you know it Then you D7 CE F DFE Glaus G7 G+ DG. al Fie ‘promise to re-tum, when you don't Treal-ly bum, well I guess I'Tneveer lea, and I show it FASCINATING RHYTHM _ ra/ceorge Gershwin 1926 G2 c7 G2 c7 G2 c7 Fas-ci-nat-ing rhy-thm you've got me onthe go, fas- ci - nat-iMBchy-thm [T° all a- once it did-n't mat-ter but now you're do-ing wrong, when you start to pat-ter, I'm s0 un~ G7 oc? C7 F7 7 F7 qui - ve. Wha a mess you're mak-ing, the neigh~bors want to know why I'm hap - py, won't you take the day off? de - cide to min a- long — some- where F7 C7 FT Bb D1\"G-7 C7 F6 ways shak-ing just like a fli - ver Each mom ing 1 getup with the sun, far a= way off, and make it snap - py. ‘Oh how 1 Ey D- D7_g? c7 A-7S D9 T Kelow that G7_ C7? F6 has been done. G2 (Gtart a-hop-ping, nev-er stop-ping) to find at night no work 2 G-7 D7 Ge c7 ATS Gi Tong to be the man I used to be, _ fas-ci-nating Fhy-thm oh won't you stop pick- ing on me. =THE WAY YOU LOOK TONIGHT 221 Jerome Kern 1936 A ope cr FA . BT BAT Db Cust C7 F-7 Some day, when I'm aw-fly low, when the world is cold, Iwill feel a Love iy, with yoursmileso warm, and yourcheck so soft, there is nothing Love ly, —nev-er, nev-er change, Keep that breathless charm, won't youplease ar- Bb7 Bb-7 Eb7 Aba? F-7 Bb7 Bbs7 C-7_ F-7) BY glow just think-ing of you and the way you look to- night__7*_ for me butt love ou, ust the way Jou leek 2 nigh range it ‘cae Tove you ust the way You Took tos night _Barc-7 977 po pam tbh Bhar Ger aby pb Oh but you're. With each word your _ten- der-ness grows, BL7 B-7— Ab7Db7 Gh? BT AT AD/GDOF-715 Bb7H9 tearing my fea pan andthat_laugluhat wrinkles your BT Eb-/D> C-156 79 F-7G-7 abaTpb7?- OF-7 Bb7 F-7 Bb Bb7I9 BSS Deal Fine Dearne touches my fool- ish heart justtheway you are to-night. LONG AGO AND FAR AWAY Jerome Kemn/Gershwin 1944 Fo D7 G7 C7 FAT G7 c7 F6 Rp7 Long a - go and far a - way - 1 dreamed a dreamote day and Chills run up and down my spine, A - lad din's lamp is mine, the C7 AT D7 G-7. C7 fr abe F-7 Bh? 7 AbA7 now that dream is here be -side-me.- Long the skies were o- ver -cast,- but dream I dreamedwas not de -nied- me" aT oT G7 c7 clouds have passed, Bba7 you're here By? at last____ F6/AAboT G-7 C7 Just FT F6 look andthen I knew thatall I longed for, long a- go was you.222 I'LL REMEMBER APRIL prea G47 G7 Thalon-y ay willagthes int erty wlagh padstw w al we ele eee acy ese ieeoee aie ne ee AT D7 B75 EW ee ry ee ne Best toes cet cee mies AT D7 G47 G6 C7 FT Bba? be lad. TH be comtent you loved me once in TU smile, D7. G+ C7 F7 BbA7 = AT A-pril, your lips were warm and love and Spring were new. But I'm not a- fraid of Gar Ge FHT B7 Ea? D7 Deal Fie Au-tumn and her sor-row, for I'll re- member April and you. IT’S YOU OR NO ONE ‘Styne, Cahn 1948 h c7 Fa7 G7 c7 FAT Its you or no-one for me I'm sure of this____ each time we kiss__ Please don’t say no to my plea ‘cause if you do, then I'm all Bb7 7 AbST Av Now and for - ever and when for-e-ver's done, you'll find that you are G7 c7 2 4-75 D9 G-7 Bb-7 Eb? D7 still the one. FAT through. There's this a - bout you, my Ab7 Db A? D7 G7 C76 world’s an emp-ty world with - out you, it’s you or no-one for me. iBEBEHEHEEEBREEE EEthings. G7 F6 Tm old. fashioned, I love the moonlight, I love the old fash-ioned E-15 Al D-7 Ge D-7 Go ab I’M OLD FASHIONED 223 Jerome Kern/Mercer 1942 D7 G7 ¢c7__~*FA?_ D-7 G7 C7_—iBLF FAT The sound of rain up paoon the win-dow pane, the A7 BS GIB Clat cr (Blhre p7_ G7 cr Tm Ad starery song that A - pril sings _________ This years fan D7 B-7E7 Ad? B-7 Ch? D7 E7_OF?_ G7 C7. ing fan-cies, but sigh-itg sighs, hold- ing hands, these my heart un-der~ stands. D-7_G-7 C7 FA? D7 G7 CT C-7 FT — Bba7 Bb old fashioned, bat 1 don't mind it, that's how Twantto be, as D7 ~—-B-75 -Bh6 =A-7 D-7_ G-7 C7 F6 ong as you a - gree to stay old-fashioned with me. STARS FELL ON ALABAMA Perkins /Parish 1934 c Bb AT D7 G+ CAT D-7 E-7 Eb? We lived our lit-de dra- ma we kissed in’ afield of = white, and T can't for- get the gla- mour your eyes held a ten - der. light My heart beat like a ham-mer, my arms wound a round you tight, D-7 D-7 planned D-7 AT D-7_G7 [* C_A7__D-7_ G79 |2 Ca7 D-7_ Eb? E7 stars fellon Al-a - ba-ma lastnight. night. I never GI E7 Ebe7 D-7 GZ. C6 in my i-magi - na-tion a sit- u - a-tion so heaven - ly, a fairy G7__EVGH A? AIG Fe7 BT E47? G7 land where no one else could en- ter and in the © center just you and me “GENT!aa on INVITATION Kaper/Washington 1952 ‘You and your smile hold astrangein-vi - action, some-how it seems we'vesharedour How long must 1 stsy_ in a word of il Iusion—— be whereyou ae, 40 near ye ae F7 Bb7 Ee? o 2 2. dreams,but_ where? Time af - ter time ina room full of Srangert—— out ofthe far a - pat ——_Hop- ing you'll say witha warm in- vi Ab7 Db7i9 B] ci-7 FV Fan, B-7 blue suddenly Be you are there. Wher ev-er I go, youTe the glow oftemp- ta-tion,_ E7 Ea, Aa AL, glan-cing my way in the gray of the dawn And Da? G7 E-7'5 ET al- ways your eyes D7 Da? Gar? a —— ‘smilethastrange in-vi- ta-tion__thenyouare gone, whereoh wherehave you gone? @ Bm x Fat Bbran Bhan 'a- tion. “wherehave you been? Tingcome i come in-to my hear.” GONE WITH THE WIND Madigson 1937 F-7 Bb7 ERT OF-7 Bb7 Eba? A-7 D7 G6 Gone with the wind, just ike a leaf that has blown - way. Gove with the vin, now all is gone, gone isthe rap-ture that filled’ my beak. the wind Av Dl, cz ‘Gr F274 my ro; mance has flown a- way. + Yes-ter-day’s kiss-es are still on my lips the glad- ness that filled my heat. Eba7 G75 cn Ber Bb7 =F c oo BY Thad a life-time of heaven at ny fieger- tips. But F7 Bb7 G-75C7 F-7 Bis Just like a flame, Bh Jove bumed brightly thren be- came an emp-ty smokedreamihathas gone, gone with the wind.I'VE GOT YOU UNDER MY SKIN 225 Cole Porter 1938 F7 Bb7 Eba7 C79 F-7 Bb7 Tve got you deep in the Te got you. un-der my — skin Eba7 c7 Fv Bb7 Bba7 G-7Gbe7 ~ east of meso deep in my heart, you're real-ly a part of me, Tve FT Bb7 EbA7 EG. F-7 Bb7 got yoo = un-der my sin 1 tied so not wo give BbA7 Eb6 F-755 Bb7s D — EBAT EG ix__ 1 said to my-self “this af - fair will nev-er go so well” bat D2, —»— G7 BIC C47B A-7 A-WG F-7 why should I ty to re - sist when dar-ling I know so well, Tve got you BbFaust EbA7T BBG F-7 . BbUES sac-ri-fice an-y- thing, come what might, for the Bsr BY abores Aboip Bhat Ghat un-der my skin sake of having you neat, in spteof a warming oicethat comes in the night and re - peats and repeats in my F7 G79 C- C-7Bb Ab BbUAb_G-7_ C-71G_Ghe7 Fv ea. "Don't you know lit-te fool, you nev-er can win, use your men tal ~ i-ty. Bb ‘BbA7 Bb? Eb7 Ab Ab-6 = Db9 wake up to re- al- i-ty"___But each time I do, just the thought of you makes me BbaT pDb7m C79 Fv ‘Bb79 EAT stop, be- fore I be - gin, ‘chuse T've got you un-der my skin.226 COME FLY WITH ME ‘James Van Heusen/Sammy Cahn 1958 Al ca7 Ebe7 D-7 Ablu Gia G9 Come fly with me, WT Ay, ets fly a way u Come fly with me, let's flat down to Pe- w_— Weath—er- wise, ifs such a Tove - Ty day sas cr C6 G7 oc? Fas Bb cr a7 youcan use some ex - ot-ic booze there's a bar in old Bom- bay. Come fly with me, let's fly, I Lama land there's 2 onemanband and I'll toot his flute for you.. Come fly with me, le’s fy, say thewords and we'll beatthe birds down to A - ca-pul-co Bay. Its per-fect for a fly ‘D7 Gilat G7 E#7 Ds G9 |* p79 D7 G7) OC Gia ets fy” a way, take off in" the biog kes fly as way c Ab Ab Bh? Bat Once I get you up there where the air is rar - i- fied we'll just glide Be? Eb? Ab OF-7 Bb-7 Bhi Ab Ab abe 78 star - ry- eyed Once I get you up there, Tl be hold - ing G6 B-7 E7 A-7 Dit D7 G Glut G7_Ab7 GiutG79 you so near———__ you’ may hear an gels cher, ‘cause we're _to-geth- er. 2. acon % F9 GUE E75 Bb. E-7 AT Did D9 ing how—- ey - moon, they say, come — fly with me, —ilet’s_‘fly, D7 Glut G7 c e's fly a= way!I GET A KICK OUT OF YOU 227 Cole Porter 1934 Fa Bb79_|_,__BbA?_G-7_ C7 F-7 Bb79 ® T get no kick from cham- pagne, mere al- co - hol does~ n't Some get a kick from co - caine I'm sure that if Thad T get no kick in a plane. Fly- ing too high with some G-7. C79 Fz Bb7 co F-7 Ly abl G7 Bb, all, so tell me why should it be true that I get a kick Eb AbsT G-7_ C79 [*EbaT Es? Fy BOT thi) meat Biv out of — you?. ev-en one stiff it would bore me ty ff ie "ly D7 G7 G-15.C79 FT Bb7s B F-7 FeTENG Bb b-7 I get a c7 100, Boast ye T get akick_— om of Db/Ab Ab Db/Ab Ab BY7 Bb G-75 kick ev-'ry - time 1 see you're stand ing there be - foe me F- D758, De c79 F9 F-75 Bh T get a kick tho’ it's clear to me, you ob- vious -ly don't a- @ GD C-1,_ FA, BY Ab G7 C97, BB dore me. gal in the sky is my i-deaof nothing to do, yet Tgeta kick out of you. DEARLY BELOVED Jerome Kern/J.Mercer 1942 D-7 GT D-7 G7 D-7 G7 D-7 Dear-ly be - lov-ed, how clear-ly I see, some-where in hea-ven you were fash-ioned for 'No- thing could save me, fate gave me a sign} I know that I'll be yourscome show- er or G7 [+ ce AT D7 G7 car AT Bb7 Ab me. An- gel eyes. shine. see knew you an-gel vol - ces led me to you. 2C6 AT D9 D-7 G7 C6 So 1 say mere-ly, dearly be - lov-ed be mine.228 OLD DEVIL MOON ba? Lane/Harburg 1946 F6 Eb6 F6 Fa? 1 took at you and sud-den - ly some-thing in your eyes 1 see, You've got me fly-ing high and wide on a mag- ic car-pet fide Bar Fa7 C-7_ F7 ~— Bba7 soon be- gins be-witch-ing me It’s that old dev-il_ moon that you sole full of but-ter-flies in- side Wan-na_ cry, wan-na croon, wan-na laugh Bb-6 Eby ab? DbT_ Gh C76 BS from the skies, it'sthat_ old dew-il moon___inyour_eyes.. ‘You and your glance like a loon it'sthat old deveil moon inyour eyes Just when I think EbAT D47 G7 D-7 Re make this romance too hot to han - dl. G7 C7 era) Stars in the night blazing their light * F6 Eb G7 can't hold a can - dle to your raz-zie daz- le. think I'm _ free as a dove F6 Eb6 A-7S p79 G7__c7 F6 old dev-il moon, deep in your eyes, blinds me with love CHEROKEE Ray Noble 1938, F7 Bb7Eba7 Ab7 ‘Bba7 D7 "C7 G79 C-7 FAT cH FV BAT B-7 E7 AST D.C. land End Fine)GREEN DOLPHIN STREET 229 Latin car C7 DIC Duc. Love came. mem ‘ries live in my Lov = er——— one ove ly day, ‘Through these mo- ments a- part, “D7 ‘Swing G7 cay car stay Green Dol - phin street sup - plies the setting ____ = Swing EbAT 67 Dc a7 Bb7 E79 set-ting for nights" be- yond for- getting and When I re- call the love I AT AIG FETS B7 E7 AT D7 G7 a7 found on—— I kiss the ground on__ Green Dolphin street. I'M BEGINNING TO SEE THE LIGHT 1H, James/Ellington 1944 b7 Al rpms F-6 ET Bb? D9 G9 1 ‘nev-ercared much for moon-lit skies, I never wink back at fi-re- flies, but 1 nev-erwent in for af-ter glow, for can-die light on the mis-Ue - toe, but T— hev-er made love by lan-tern Shine, T ‘nev-er saw rainbows ‘in’my wine, but Fens F-6 Cc Bb AZ D9 G9 “c6 AT ‘now that the stars are in your eyes, I'm be - gin-ning to see the light___* I ‘now when you tum the lamp down low, now that your lips are burm-ing” mine, Ee Bb7 EL, B-7 ET light. Used to ram-ble in the park sha - dow bor-ing , in the dark, AT D7 7 G7 ocaFne then you came and caused a spark, tha’s a four a-larm fire now.230 JUST ONE OF THOSE THINGS Cole Porter 1985 (E-7 a7 } D- ATB-ICSTAICHC-7__ FT B-7s Bhs Kt was just one of those things, just one of those cra - zy flings It was just one of those nights, just one of those fa-bu- lous flights a EVA, F-6/Ab_G-7,. C7. F6 FYe7 G- C7 [E78 A™ [Ra Bh ‘one of those bells that now and then rings, just one of those things. Ko Wis It we'e ‘wip to the moon on gos-sa-mer wings. (D7 G7) EB Eo7 F-7 Bb? B G7 A-7 Bb? G7B thought a bit of the end of it when we start-ed paint - ing the town we'd have C6 Av FR-75 F- Ev Ebe7 G-7D C7 E-75 a7 So go0d- Bb-6 been a-ware—that our love af-fair—__ was too hot not to cool down. D- ATB-7C°TAYCHC-7 Fis Bba7 bye dear, and A= men, here's hop - ing we meet now andthen—___it was, AT D7 FRe7 G-7_c7 F FYA Bb B°FIC C7 F ‘great fun, but “it was just one of those things. EXACTLY LIKE YOU Fields /Mctiugh 1930 car ce Ds G7 I know why I've waited; know why I've been blue, prayed each night for some-one ex- Why should we spend mon-ey on a show or two, noone does those love scenes ex- Now I know why mother taught me to be tue, she meant me for some-one ex- MCAT D-71G7 |? F7 c+ cr Bl pe F-6 x ‘You makeme feel so grand I wamt_ to hand the E7 AT D7 GToc arn . act-ly like you. car act-ly like you FA7 F-6 = world to you.— You seem to un-der-stand_—_each fool- ish lit-tle schemeI'mscheming, dream, I'm dreaming.THE SONG IS YOU 231 Kern/Hammerstein 1932 car Ebe7 D-7 G7 Al = cH T hhearmus-ic when I look at you, abeau- ti- ful themeof ev-'ry dreamI ev-er I hearmus-ic when Ltouchyour hand, abeau-ti- ful mel- o-dy from some en-chanted D-7 G7 —o ET AT D7 G7 "down deep ‘in my heart ——— down deep in my Bb E-7 A7 D-7_G7 Thear it play, 2 ET A7 sta, the met & = way bea T hear it D7 G7 ce Bhs od Fi-75 B79 say is this the day? B] Ea? ch? FHT B7 E47 Ch? 1 wlone—— have heard this love-ly strain I alone___have heard this ARTS De Gt7 ci glad re-frain.. FH Mast it be, Bs for-ev-er in- side of me why can’t G7 Gq car Ebo7 o Jet it go, whycan't I let_you know? D-7 G7 Why can't 1 G7 Jet you know the song my heart would c7 Fa? Bb co Ce sing? The beau - ti- ful thap-so-dy of love and youth and_ spring, the music is E-7 AT D7 G7 C6 Bbi3, cé sweet, thewordsare true thesongis you.232 THIS COULD BE THE START OF SOMETHING BIG Steve Allen 1956 E C7 Fa Bb7 You're walk-ing a- long thesteet__ or you're at a —par-ty,____ or else you're a- You're lunch-ing at “Twen-ty One" and watch-ing your di- et, declin - ing You're up in an ae - roplane—— or din- ing at Sardis or ly - ing at F-7 F-/fEb D-7i5 G79 C-7 Bt BT Eb AbA7 Jone and then you sud- den-ly dig, you're look-ing in some-one’s eyes, Char-lot Russe ac cept - ing a fig when out of the clear blue sky, Ma- li - bu—— a-lone on the — sand___ you —sud- den- ly hear a bell AaTis D? G7 cm FB? Bb7 OF Gach you sud - den-ly re~ a- lize that thiscould be the startof something big. its sud - den-ly gal and guy, and__ this could be the start of something and right’ a- way you can tell that thiscould be the startof something grand. Fv Bb7 > Bb6 Bb-7Eb Eb? B71) You're lunch - ing at big. There's no com trol ling the un -roll-ing of your fate my friend, ET Bb-7/E> B7 ES Bb-VE> Bb7 Aba? who know's what writ ten in the mag-ic book? But when a lov-er you dis- Bb-7/Eb Ab F-7 C7 F7 F-7— Bb7 —c.alcoda ast cov - er at the gate my friend in-vite her in with-out 2 se-cond look. You're up in @ ® G7 c7 F Bb7 B This could be the start of some-thing, this could be the start of some-thing fine! ‘You're doing your income tax, or buyin’ a toothbrush, or hurrying home because the hour is late, the suddenly there you go, the very next thing you know, is this could be the start of something big. ‘You're havin’ a snowball fight or pickin’ up daisies, you're singing a happy tune or knockin’ on wood, ‘When all of a sudden you look up and there's someone new, oh this could be the start of something good. ‘Your destined lover you'll discover in fright'ning flash, so Keep your heart wake both night and day because the meeting may be fleeting as a light'ning flash and you don't want ito slip away. ‘You're watching the sun come up or counting your money, or else in a dim cafe you're ordering wine, ‘Then suddenly there she is, you want to be where she is, and this must be the star of something— (TO CODA) BRBREReReeReEReEReHEREOEROCOERLOCUCERLCUCELCUCUCERCERERLCUCERERCUCELCUCECOER EH233 Warren/Gordon 1941 CHATTANOOGA CHOO CHOO ic Gast c E7 a7 track rwen-ty nine, T've got my fare, sat ~ in and lace, 2 7 Par- don me boy, is that the Chat-ta-noo-ga can af-ford__— to board a Chat-ta-noo-ga ‘There's gon-na be——— | cer-tain par-ty at the D7 G7 c ——— boy can you gim-me a shine. ‘You leave the and just a ti- fle to spare 1 used to call fun-ny face. CGF, CcuG F. CIG. FIA penn-syl-van-ia sta-tion ‘bout @ quar-ter to four read a mag- a~ zine and than you're When you hear the whis-tle blow-ing eight to the bar then you know that Tenn-e~ see is FIA FT Bb Bo FIC D7 in Bal - i - more din- ner in the di- ner, noth in’ could be fin er, not ve- ry fat, shovel all the coal in, got ta keep it roll- in) 7 c7 FG? Gn Db7 than to have your ham and eggs in Car-o- li - na, there you are woo woo Chat - ta - noo- ga ® D7 G7 c c CB CTB FIA She's. gon - na ary. une tl Totell her thar Tl never roam ANT cIG AT D7 Gn c Chat - ta-noo- ga choo choo, won't you choo choo me home,234 You AND THE NIGHT AND THE MUSIC someone eet Cc D7 G7 ce ns FE You and the night and the — mu- sic, fill me with flam-ing de- sire, You and the night and the — mu- sic, _— thrill me, but will we be one, If we must live for the mo-ment, love ill the _mo- ment is through, ca fip-7 G7 ]® aa set- ting my be - ing com - plete-ly on fire, Un = til the i af'- ter the night and the — mus-ic are done? Abo D7 G7 D-75 G79 pale light of dawn-ing and day-light, our hearts will be throb- bing gui - tars, i Aba7 Aq7s D7 G7 p-75 G7 De cam mom ing may come with-out warm ing, and take a - way the stam. ~ 19 - ns 19 G78 Ce @ D-75_ G7, c AT D7 G7 c i af - ter the night and the = mu sic die will T have you? E RED ROSES FOR A BLUE LADY Tepper 1948 c BT E+7 1 want some "red ros-es for a blue la- dy, mis - ter flor-ist Wrap up some red ros-es for a blue la dy, send them to the AT E7 A7 D-7 “G7 E-7 take my or-der —_please._' We shad a sil-ly —quar-rel_ the oth - er day, sweet-est gal in town, and "if they do the Av D7 AT D7 D7 G7 hope these pret-ty flowers chase her blues a way Wrap up some 2 Fe Cc BW AT D-7 Dfe7 CE G7 c Swick, TU ftrery back to pick, your best white or - chid for her wed-ding gown,LOVE FOR SALE 235 not Bba7 Bbs7 ana au x-EbA7 Cote Porter 1930 1 200-49 Bb-7 EB rts nx Love forsale, ap pe - z-ing young love for Who: will buy? Who would lke to sam ple my sup - Love for le ap = pe tiz-ing young love fer Bhar BHT Be abr ® Dio —— romana sae, love that's fresh and sll un~ spoiled, love That's on ly my? Who's prepared to pay the price for a tip w fale 1 you want to buy my wares, Gps Gr cs Fv BLT Ev slight - ly soiled, love for sal pa - ra dise? love for sale Eb? Ab7 Dba F+7— Bb7}9 Eb-7 Let the po-ets pipe of love, in their child-ish way, T know ev-'ry aby Dba? BAT BIT B7 BT type of love, ‘bet - ter far than they. Tf you want the thrill of love, B69 ——»—, Gham G-75 C79 FT B7—OR-75_ BLT ve been thru the mill of love, old love, new love, ev-'ry love but true love. 2. alcoen % pw G7 c-7s ERS Bb Lastx tae Tog fol-low me and climb the sui, love forsale. 6 G75 Ghar FRB Ee? Eb6 Bb love. for sale.236 MY BABY JUST CARES FOR ME Donaldson/Kahn 1930 G FH OG FY My ba-by don’t care for shows, my ba-by don’t care for clothes, My ba-by don’t care for rings, or oth-er ex - pen sive- things, B-7 Bb? A-7— E79 7 A-TG FATS B7 “G my ba-by just cares for © me—_____ My ba-by don't care for E7 BYE E-7_ A7 D7 A-7 D7 furs and____lac- es,__ my ba- by don't care for high-toned____plac- es 2-75 B79 F7 E7 AT car 7s FHT she's sen-si-ble as can. be-__ My ba- by don't care who B-7 E7 AT AT D7 G knows my ba-by just cares for me. WALKIN’ MY BABY BACK HOME Ablert/Turk 1930 Bb? F7 G7 F7 BbA7 c-7 F7 Gee, it's great, af ter be - ing out late, walk-in’ my ba - by back home, We' go “long har-mo - ni— zin: a song,- or I'm re-cit - ing a poem, After I” kind-a straight-en my tie,” she has to bor- row my comb, cm oRY BO Fe B79 |p) B-7Bb7 | *B A-75D 79 am in arm, ov er mea-dow and farm, walk-in’ my ba-by back home. home. We owls go by’ andthey give me the eye, cone kiss, then, I con tin- ue a- gain, - G-7 D+ G2 c-7 C-7Bb A-7 DIA stop for a-while, she gives me a smile, and smug-gles her head to my chest. © We G7 D+ G2 7 C7 F7 startin to pet, and that’s when I get, her tal - cum all ov-er my vest.ida 7 ALOTOFLIVIN TODO = 237 caT cé C47 Use or 1st bars There are girls just ripe for some kiss- and mean ‘And there's wine all read - y for tast- in’, and there's Cadillacs, Life's a ball, if on - ly you know it and it's all C7 js , F6é D-7_ ~Dte7 E-7 to kiss me a few, ‘ob, those girls don't know what they're — miss~in’, all shi-ny and new, got- ta move, ‘cause time «= is— a -wast-in’, just wait-in’ for you, you're a- live,- so come on and show it, AT D7 *G7 Bb7 A7_Ab7 G7 *G7 Te got a lot of — liv-in’ to do. And there's liv-in? = t0 Fa7 “7 BT EpA7_,__APATED fo ‘There's music to play, plac-es to #0, peo- ple to see, Ba? F7 Bb7 D7 G7 D.C. al 2nd End (Fine) ev- ‘ry - + thing -for -you - and me, Life's a SOMEBODY LOVES ME ocrwinyacoonisi004 6 G6 Bb? A-7 D7 Ga7 BL-7B7 GAT E-7 7 D7 G ‘Some-bo-dy loves me, I won-der who, I won-der who she can be. Some-bo-dy loves me, 1 won-der — who, A-7 D798 GAT Bo? A-7 D7 G47 E-7 — CHTSEI79B-7 GETS CHT FATS Some-bo-dy loves me, Towish I knew, who she canbe wor- ries me B- £7 A> B-75 — A-7 B-77E A- A-@7)4-7 A-6 E-7 AT —— Forev-'ry girl who passes me I shout, hey, may - be, - you were meant to E7 a7 Av D9 48-75E7 A-7 D7 G6 be my lov-ing ba - by. - may - be it's - you.238 TOO CLOSE FOR COMFORT i: ‘Boch /Holofeener 1956 cé B47 E-77pb A7#9 D-77Ab G7 e Be wise, be smart, be - have my heart,don’t up - set- your cart hen she’s Be soft, be sweet, but be sis - creet,don't go ° off your _beatshe's too I Be firm be fair, be sure, be - ware, on your guard, take care while there's A> F7 a7 FC CB CVG FT = so close—— Be close for com - fort. ‘Too close, too close for com- fort, car G-7 C7 FT F-7 B6 AT D-75.G2, a Please not a- gain too close,t00 close to know just when to say “when Be 8c cm aA CH FT Fa BT I SSS AbT D-75 G7s Cc mun for co- ver, she’s much too close for com-fort now. THIS CAN’T BE LOVE Rodgers/Hart 1938 7 pbs 6 Ab FT This can't be love be-cause I feel so well no. sobs, no sof rows, no- This can't be love, I get_mo diz zy spell___ my This can't be love be-cause I feel so well but ?C-1 F-7 Bh7 EAT Ab head is not in skies. c7 F-7 C7979 BBO B79 just hear it beat____—this. is. too sweet to be love % ps C7 F-7 Bb-7 B79 Ab but still 1 love to look —in__your eyes. eee CCCCCCi(N..iaéée............ ees z BZ EBRBnaOEBRlOEeRhllO Eka Ek Ewwasa a es ese ae ae a ese Sg SS SS Se aS SS TOO MARVELOUS FOR WORDS 239 ‘Whiting/Mercer 1937 AT D9? AT D9 G6 You're just too mar-ve-lous, too mar-ve-lous for words, like glo-ri - ous, Its “all so. wonder-ful, I'll nev-er find the words, that say e- nough, 'G c7 G_ G7 2Ba7_ Ch-7 FET BE c slam-or-ous, and that old stand-by, am-orous. ts mean they just aren't swell e-nough. You're tell e-nough, D-7 GTaust D7 Glas a7 F7 much too much, and just too ve-ry, ve-my tev = er =e in E7 A? AT ODT AT D9 G FT Web- ste’s dic-tion -ar--y. -And- so I'm bor-row-ing a love song from the B-75 E79 A-7 C7 oF7 AT Dw G birds, to tell you that you're mar~ ve-lous, too mar-ve-lous for words. GIVE ME THE SIMPLE LIFE F-7 Bb7 Ba? C7 F7 Gt C7 BLT I don't believe in ‘Some find it plea- sant sant, Some like the high road, I" like the low road, free from. the AAT Ab-7 G7 C7 fret - tin’ and griev- in’, why mess a-round din ‘on et was cut out to. step and strut out, give me the simple life. me to- ma-toes and mashed po - ta - toes, y_and seed- y, but yes in- deed- y, 2-7 Bb7 EB F7 BT B F7 Bb7 me the simple life—FP A covtage si B D-75 G7 'm af-ter, not F9 ‘one that’s spa-cious and c-7 F7 BT wide, a hhouse that rings with joy and laughter and the ones you love in - side—— - D.C. al 2nd End (Fe)240 BETWEEN THE DEVIL AND THE DEEP BLUE SEA Harold Arlen/Koehler 1931 F D7 G7__¢c7 F D7 G7 ¢c7 T don't want you, but 'd hate to dose you, I for - give you, ‘cause 1 can't for - get you, 1 should hate —you, but = «Tguess «I love you, C7 FT Bb BPs FIC G7_¢7 ['F c7_ |?F EW i you've got me in be-tween the dev-il and the deep blue sea. Aa FET BE? AICH Ce Ba E7 Tought tocross you off my list, but when you come knock- ing at my door, cay D-7 G7 47 G7 7 DO-al Fe fate seems to give ty heart a twist, and ‘I come mun-ning back for more. YOU DO SOMETHING TO ME (Cole Porter 1929 B D7 Eb Ee Bb6 C7 some = thing to me, some - thing that sim - ply mys F7 Bis F-7 cr F7 G-75.C7_— FT fies me. Ten me, why should it be, you have the F-7 Bb G7 Gb? BLF CE powr tw hyp - no - tize me? Le me live ‘neath your spell, BED ByD F-7C Bis Eb D7 do do ‘that yoo - doo that you do 80, well, for do EP G7 c7_oFT F-7 Bb7 Be some - thing to me that = sno- bo - dy else could241 ALL OR NOTHING AT ALL san/tiwrene 100 fl A Ase AT As — ° AL or noth - ing at al or no- thing at fell under the spell of your cali AS Ae AT 5 Bb half a love nev - er ap - pealed - to- me—=—— if it's love there is no in be - twee I would be caught in the un - der - tow, G Gen G7 D-@) p-7 p-6 __% b- G-6_, Ir ‘your heart nev - "er could yield tome, then I'd why be- gin, then cry for some- thing that might have been no, ‘I'd. 50, you see, I've got to say, 2 Db7tu "p75 B79 Bb] BT D7 CAT rath - er have no- thing at all___ But ma ther have no- thing at all. AD Abt AD6 Abt Ab F7 Bb7 BT cheek don’t BT please, don’t bring your Ab lips so close to my Ab Db/Ab Ab smile or Tl be lost. be - yond re = calla The Be BT BT BT Be7 BT G-75 C79 Hiss in your eyes, the touch of your hand, makes me weak Fa D5 G79* CCTs E79 and my D.C. a1 Coda it heat may grow diz - zy and fall_—_ © by Bs B® A AG FT Be c — No, No, all or noth - ing at alll242 THERE'LL BE SOME CHANGES MADE Billy Higgons 1921 Dz G7 DZ G7 For there's 2 change in the wea- ther, there’s a change in the sea, Tm goin’ to cahnge my way of liv in’, if that ain't. e - nough, G7 c7 A-7 D7 c7 G7 te fom nov orawTEh change in me, My wal wilte arr ay Ul then Pil cage be way tht 1 Sou ny su, “ee G7 G7 c7 D-7F talk and my name, noth in’ a-bout me is goin” ‘be the same. I'm goin’ to D7 D-7 G7? oc? F7 2A-7 no-bo-dy wants you when you're there'll be some chan- ges Bb G7 c7 F7 Bb a 7 ' a Ab6 Abe Ab7 “ov-er, here can you be?” me” When “ov-er, come back to F Bb-6 F6 G7 1 re-member ev- "ty lite thing you used to do, Tm c7 AbT Db7 G-7 C7 so Jone - = = ly, ev- "ty road I walk a long I've BL6 F7 Bb Bb-7 BT walked along with you, 0 wonder Iam lone = ly. ¢ E79 BL7 C7 FT butlove is old, and while I'm wait-ing here, this heart of mine is Bh7 A799 AbG AST. Db6EbTaxt —ADG sing - ing, “lov- er, come back to me’244 WITHOUT A SONG dances: Younans/Rose 1929 Bb7 B B7 AbA7 Db B Without a song, the day would nev-er end, with-out a song, Thatfield of com would nev - er see a plow, that field of com, Tl never know What makes the rainto fall, —T'll newer know BT AbST Ds B G-75 C79 BT the road would nev-er bend, whenthings go wrong, a man ain't got @ friend, would be de - sereednow, a man is bom, but he’s no good, no- how, what makes the grassso tall, © I on-ly know there ain't no love at all © BB Bb7 C7 F7 BT |? Be F7 G7 Bb? with-out a song Thatfield of song Abo B6 BT AbAT G7 C7. FT BY7 I got my trouble and woe, but sureas I know the Jor-dan will oll, B G7 A-75_ D798 G-7_—CTust F-7—BYT (DG are rn get along as long as a songis strong in my soul.I'll —_nev- er THE BREEZE AND I Lecuona/Stilman 1928 Ge crs F C7 F C7 and I are say-ingwith a sigh you no long-er and I are whis-per-ing good-bye to dreams ___ we used to = A7D7 G-7 Clas FA? AT _D-7 breeze breeze . Ours was a + love song that-seemed com-stantas the moonending in a G7 c7 F a strange, mourn - = ‘And all 2 - bout me, they know you have de- AI, DI, G7 c? F D7 G7C7 F art- ed with- outme and we won - der why, the breeze “and I.WRAP YOUR TROUBLES IN DREAMS 245 Harry Barnis/Kochler/Moll 1931 c G7 C6 G7 C6 EF Av When skies are cloud- y and gray they're. on- ly gray for a day so Un - til that sun-shinepeeps thru there's. on- ly one thing to do, Just re-mem- ber that sun- shine al- ways fol- lows the rain D9 ‘p-7 G7 co G+? [?D-7_ G7 Cc £7 D9 ? Fre wrap your troubles in dreams, and dream your troubles a - way. Un - dreamyourtrou-bles a- way. Your AT BT E7 Al Dz G7 c o£ cas tlesmaytum- ble,that’s fate, af- ter all _life’s real - ly fun - ny that’s way. AT B7 E7 AT Dz G7 Cc G+ Cal Fine No use togrum- ble, just smileas they fall were-n't you king for a day? Say! DON'T BE THAT WAY Benny Goodman/Parish 1935 A pe c7 F7 BHT BS C7 FT BHT, Don't cry, ‘oh hon- ey pleasedon’t be that way Clouds in the The rain will bring the vi- o- lets of | May, tears are in ‘Sweet - heart____ to-mor-row is an-oth-er © day———_____ Don’t break my BHT B6 C7 F7 "BS F-7 BHT sky should nev- er make you feel that — way—__ The vain, so hon- ey please don’t be that Foe heart oh_hhon- ey please don't be that pe 7 Fe? BiG Blp7 G7 Jong as we see it chrough,246 FROM THIS MOMENT ON Cote Pores 1980 F-6 Ab? G77 DVFF- BT AMT From this mo- ment on—__ you for me, dear, From this hap- py day, no more ~—sblue songs, From this —mo- ment on, you and 1 babe, Dian ‘Dba7 Db-6 = Aba7 1-DbA7 a on- ly two for tea dear, from this mo-ment on— ‘on - ly— whoop-dee - doo songs, from this we'll be rid in’ 2-7 B-7 aby Dba7 G7 ‘mo-ment on For you've got the love I need 0 much__ AG Gh7 Fiat F7 Byb E7 got the skin Tove to touch,__ got the ams___ to FT Bb? B7 Ab7 D7 crs hold me tight ot the sweet lips to ‘kiss me good- nigh Db-7 Gh7 AbaT = pba7 Gb7 7 Be7 B79 ab high babe, ev-"ty care is gone—— from this mo - ment on SAN FRANCISCO 1936 Go ra- E> D-7 7a? crc Bg. FES B7 ET AT AT D7 D7 G7 pe wean OC AT Fb D7 G7_ CcALRIGHT, OKAY, YOU WIN 247 Watts /Wyche 1955 Asm Bm B SB Well, alright O-kay— you win, Fm in_Iove with you, Well, al-right, Ab B O- kay you win, Ba- by, what can I doe” rl % an B EB F3 Bb? 3 AbT : ci t — do an-y-thing you say-— it's just gotta be thatway——— Wall, al-right. Bs AbT All that Tam ask all T want from you Jjustlove . me like B Bb Ap pb T love you and it won't be hard to do Well al-right O- kay B Bb B ps.aco © Ab7 B Ab Ss = 5 you win, Fm in SweetBa - by take me by the hand B Ab BD AbED Ab B aba? BEMp well, abright___ o- kay you win! WOODCHOPPER'S BALL . ‘Woody Herman/Joey Bishop 1934 F7248 CHOO CHOO CH’ BOOGIE F7 Horton, Darling, Gabler 1945 T'm headin’ forthe sta-tion with my packon my back, I'm tired of transport- T'm gonna settle down be-side the rail - roadwrack, and live the life 0° BbT back of a hack I_love to hear the thy-thm of the click-e- ty clack and bbeat-en down shack So when I hear a whis-tle I can peep thru the crack and F7 c7 hear the lone-some whis-tle see the smokefromthe stack and pal_a- round with dem- 0- crat-ic watch the train a - roll-in’ when it's ball in’ the jack for I just love the rhy-thm of the F Bb7 F Bb7 3 fel- lows named “Mac” so_take me right back to the track, Jack! Coo- choo, clicl-e - ty clack F7 BT cchoo- choo ch’- boo- gic, woo- woo boo- gie woo- gic, __choo- choo_ 4C7 cw c7 ?C7 F6 choochooch:boogie, takemerightbacktothe track, Jack! I'm takemerightbacktothe track, Jack! MOUNTAIN GREENERY as C6 A-? D-? G7 C6 A? D7 G7 C6 arp? Ina moun-tain green-er-y where God paints the scen-er-y, just two cra-zy peo - ple to- While you love your lov er,let blueskies be yourcov - ef, when it rains, we'll laugh at the Beans could get no Keen-er,re - cep-tion in a bean-er-y, bless our G7 a 2¢c7 Fé. 7 F6 F-6 eth er And if you're T'll search for wood _s0 youcancook— wea ther E-7 A-7 D7 D7 G7 @ D7 G7 cs while I stand look = - ing. ‘moun- tain green- er-y homeBRERB RR SSSR ESRERSERSES SE HELLO DOLLY 301 Jerry Herman 1963 Beer Hel-> to Dol- 1, well hel - lo, Dol-1y, it's so nice to have_you room sway in', for the band’s play-in’ one of Dbe7 C7 FT Cc C7 AIC back where you be - long. You're look - ing swell Dol-Iy, we can tell C7 F7 Bb Be OFT Dol-Ij, you're still glow-in’, you're sill crow-in’ you're still go in’ strong. We feel the Eb? D7 G- D- 2 By your old fav-‘rite songs from way back when. So take her wrap. fel- as, So gol- ly gee, fel-las, G- D- c7 ® F7 Bb Be? C-7_F7 find her an emp-ty lap, fellas, Dolely-'ll never go away a- — gain—_ find her a va- cant knee fel-las % cr c7 F7 c7 F7 Bb go away, — Dol-ly-"Il nev-er go a-way, -Dok-ly-"ll never. go away a- gain__ I GOT RHYTHM George/tra Gershwin 1930 Bb G-7_ C-7_ F7 D-7De C-7_F7_Bb BHT Eb Eb6 = Bb FT 1 got thy-thm, I got music, 1 got my man who could ask for snycthing 1 got daisies, in’ green pas-aues, 1 go ie 1 "pot sweet dreams, bE? | BhBlp7 c7 more?" “ more? «Old man’ tou- ble, 1 don't mind him, You won't F7 carn @ Bb Ab7 G7 C7 F7 Bb find him ‘round my door. ask for a-ny-thing more, who could ask for a-ny-thing more?302 CABARET Kandor/Ebb 1966 BS Bb BH? Bb6 Bis BT Bb Whatgood is sit- ting a -lone-in yourroom?. Comehearthe mus-ic play, Put down the knitting, the book and the broom time for a hol-i day, AbD A°T G7 c7 F7 BT 1.6 BHT life is a ca-ba - ret oldchum_____ cometo the ca- ba ret. 2Eb6 Ab-6 EG C- C4) C7 FO ret. Cometste the wine, comebear the tand, comeblow the hom, stn eele-breting BIT Bs BbS Bb6 BHT ag some proph-et of doom to ‘ing frem cra- dle to tomb it A-75 D7 OG-7 c7 No use per -mit Start by ad B7 Ab right this way your ta-bles wait ing. Bb6 G7 Bb-7 wipe ev- "ry smile a - waya life is. aca ba = ret old-chum___ is- n't that long a stay Eb6 F-7 BbTast ocacos G-7 C7 AMAT come to the ca ba-ret___ ret old chum, on-ly a A-7D7 G-7 C7GH7 F-7 BbTast BS ca-ba - ret oldé-chum so come t___ the ca-— ba — ALLEY CAT 1962 De a Fine Cc D7 D-7 E- F D/F#G7ONE 303 Hamiseh/Kleban 1975 (Chorus Line) iw? Eb F7 BbInst AT Bba7 fev ‘ty “lit- tle Sep she takes—— c7 ATS Dz One sin - gular sen-sa- tion G-75 Onemiland sud-den-ly no - bo-dy thril-ling combination, ev- 'rymovethat she makes. i. tFR CHF 2 G- D7G- GH-75 else will do, you know you'll nev- er be lone - ly with you know ATE E9_BbAT AT who. One mo- ment in her pres-ence ‘and you can for- get the rest AbAT A-15D7 G- G7 3C93C9 oy FT BH for the girl is sec-ond best to none, som, ooh, sigh, _ give heryourat- tention, 2G-72G7 ? c7 2 C7 F9 Bb7 ED Use imoas End doo real- ly have to men- tion she’s the one! ON THE SUNNYSIDE OF THE STREET McHugh Fields 1930 D7 c G7 Ghe7 A-7 B-75_ E7 F Grab your * coat and get your hai, leave your worry on the doorstep, just direct your feet to the Can'tyou hear a pit-ter pat? and the happy tune is your step, life canbe so sweet onthe ir neverhave a cent, I'll, be richas Rocke -fel--ler,- gold dustat my feet onthe D7 G7 fc G7 zo B) c7 G-7 C7 sweet. [used to walk inthe shade— with those curay-side ofthe sweet. Cant you Aa D7 G7 D-7_G7 F D7 blues on par- ade but I'm mot a- fraid______ this rov-er crossed o-ver. If I304 NEW YORK, NEW YORK trv Last bare GICs Kander/Ebb 1977 ONYNY) F G7 c7 F ‘Start spread-in’ the news, ‘Tm leav-ing to-day, I wantto be a pan of it, ‘These va- ga-bond shoes are long-ing to stray and step a- round the hear of it My lit- te town blues are melting a- way, Til make a brand new start of it * F6 G7 C7 F7 F7 Bba7 New York, New York. Bhs, F6 ‘These va-ge-bond “ New York, New York. D7 Twant to wake up in the Al G-7_C7__ ps ganenng cicty that does-n't sleep, to find Tm king of the bill, top of the heap. My litle town 3 F6 C7 FT Bb BL-6 FIC D+7 Td make it Gy7 in old New if G-7A-7_BbAT Claus York. T can make it there, a ny where, c7 it's up to you, New York, New York. WHEN YOU'RE SMILING hisher/cootwin/snay 1928 Bb Bba7 G7 ‘When you're c- C7 smil - ing, When you're smil-ing—— the whole world smiles with F7 you. when you're Jaugh-ing____ when you're laugh- ing the sun comes Bb Bb7 Eb shin - ing thru But when you're xy - ing. you bring on the rain c7 F7 Bb so stop your sigh - ing. G7 c-7 F7 be hap- py again Keep on smi - ing Bb “cause when you're smil- ing the ~— whole world smiles with you.ON THE STREET WHERE YOU LIVE 305 Al Lerner/Loewe 1956 (My Fair Lady) Cc Gmus* G7 c G7 c I have of-ten walked down this streetbe-fore but the pavement al- ways Arethere li- lac tees in. the heartoftown? Can you hear a lark in Peo-ple stopand stare they don’t bother me for there's no- whereelse on Bbo7 D-7 G7 D-7 F-6 CE stayed be-neath my feetbe-fore____all at once am [_____sev-'ral_stor-ies high ‘am- y oth er partof town? Does en - chantment pour——— out of ev- "ry door? carh that “I would rather be. Let the time go by I won't care if I Av D7 G9 C_ Ch? D-7 Gust 2 G7 know-ing I'm on the live. no it’s. just_on the can be here on the C D7 Dt? CE Ble FET Go7 street where you Are ther “street where you EIGH, __F6 i = live" _ And oh that tow - er-ing feel- ing______just to F-6 FRe7_, Cc CB CB CIA AbT CIG FRETS = know some- how you are near—___ That 0 - =~ ver-power- ing Blut BT Es Al D7 G7 oc stansenang feel- ing that an-y se- cond you may sud- den-It ap - peara_______—_Peo- ple FINE AND DANDY F Abo7 G7 Kay Swift 1930 c7 FAa7 Abo7 G7 c7 Bho C-7 Che7BWD Bint = BO AbAT G-7C79 BS D-7 G7_G-7, C79 F6 Bhar306 GET ME TO THE CHURCH IN TIME Lemer /Loewe 1956 (My Fair Lady) G I'm get-tin’ Imarried in the mom- ing Ding Dong the bellsare gon-na I got- ta be there in the mom- ing spruced up and looking in my Tm get- tin’ married in the mom ing Ding Dong the bellsare gon-na G GF GEGD DIA D7 DJA D7 D7A_D7 chime—___ Pull out the — stop- per, let's have a whop-per, but get me to the prime. Girls,come and kiss me, show how you'll mist me, but hime Kick up a rumpus, but Be DIAG ['a-7D7,\|"_ G7 Bic G Alas church on time If 1 am danc- ing rollup the floor If I am whistling, 7 D7 26. al Fine OG B- throw me out the door! Cc G E-7_A7 G/D B-_ E-7_A7 For don't lose the compass, and get me 1 the A? D7 G church, get me to the church, for Pete's sake get me to the church on _ time. ANYTHING GOES cs Cole Porter 1934 car c In old - en days a glimpse of stock - ing was looked on as __some- thing shock - Good auth ors too who “once knew bet - ter words now on- ly use. four let So though I'm not a great ro- man - cer, I know that you're bound to. ans - AT C7 F6 D-75 Glas! C G7 PRs BT ‘ing, now hea-ven knows an- y- thing_goes. ‘The world has gone ter words.writ-ing prose 5 wer when I propose; BUF E-1G E BUF mad to-day, and good’s bad to-day, and black’s white to-day, and day's night to-day, when most E-7 Ag ch? D-7 G7_06 whine Buys to-day, that women prize to-day, are just silly gi- go - los___ SoIT’S DELOVELY 307 FI = pay Col Porter 1938 ‘The night is young’ the Sky iscleak” and if youwant’ to go walkingdear, it's de- F FRET G7 c7 G- B/G lightful, i'sde -licious, it'sde lovey. - 1 understand the reason wi G-6 G7 G- Ghe7 F/A Sen-tiemen - tal, ‘cause So am I, i's delightful, = it's de -li-cious, “i's do. lovely. - G-7C7 €-7 F7 Bbs7C-7_ Cfo? BLD pba? You can tell at a glance what aswell night this is for ro-mance, you can Bb-7 BS G7 c7 F hear dearMother Nacturemmur- muring ow "letyour - selfgo.- So pleaebesweSl” my Fe F6 ‘Fa7 F FE chick-adee, and when Tiss you just sayto me, “its delightful, - its de -li-cious, its de- Tost Brn D7 pb Cc c7 F6 lectable, it'sde tir-ious. -it's di Jemma,it's delimit, it's deluxe,it's de Jovely. - WHISPERING AT D7 Rose /Shonberger 1920 B BT Whis-per-ing while you cud-dle near me, is per-ing 0 ho one dear Whis-per-ing why you'll nev-er leave me, -—whis- per-ing why you'll nev- er D7 C7 F-7 BT" = We -whis- per -seems” to cheer me, I know say that you be - lieve - me, 2 FT Bb Toast B grieve me, G- Gh i's ue there's no one but you. You're “ whis-per-ing that I love you.308 MAME ery Herman 1988 ce D7 G7 D- D-47) Cc a7 hom, — Mame ‘you charm the You coax the blues right out ‘of the ‘You make the cot- ton ea - sy to pick, Mame» you give. my D-7 G7 Ca? BT A- AT husk right off of the com, © Mame,___ you got the ban- joes strum - min’ and old mint ju - lep a E- Ag D- D7 G7 pluck- in’ out mane to beat the band, the whole plan - ta- tion bum min’ sinoe c Ce D-7 G7_\|? E7 A Mame, you make that G7 you brought Dix - ie back to Dix - ie - land. - “ kick, AT A-6 Ez AS D- old mag- no - lia wee blossom at themen-tion of your name, you've made us feel a-live a-gain, E- Ag DB DY D7 G7 c and given us thedrive again, to makethe south revive again, Mame. LADY BE GOOD George.tra Gershwin 1924 G c7 Gy c7_iB7_ EM a, Oh, sweet and love -' ly Ia - dy, be good oh_—la- dy_ be good, I’ am so aw - fly mis - wn der- stood so. = la- dy -be_ good = — I'm just a Jone- some babe in the so a= dy, be good PG D7 G7 =C he7 ‘me Ob, please have some G E-7 AT AT D7 Dc. al Fine pi ty I'm all a - lone in this big ci - vy. T tell you,IT ALL DEPENDS ON YOU 309 Ray Henderson /DeSyiva/Brown 1926 CAT Glut = G+7 CA? Gloss = G+7 E-7— Eb I canbe hap-py, I can be sad, I canbe goodor I canbe bad, it all de - pends on D7 G7 D-| D-*) —-7?G7_ D-DD?) ope? * you I cam be lone-ly out in a crowd, I canbe humble, I canbe proud, it D7 G9 G+7_ C47 AT9D-7G7__G-7 c7 F F6 all de - pends on — you_____ I cansavemon-ey, or spend it, go right on living FA? E7Bb7 DTast D7 D7 G7 a7 T know that I can be beg-gar, D7 D-7G7_ C6 orend it. You're to blame,homey, for what I do. Glut = G+7 CAT CATR Bb AT I canbe king, I canbe al - most an-y old thing, it all de - pends on you. CECILIA Dreyer/Ruby 1925 c} C47 C6 Cie? =~D-7 G9 D7 G7 D-7 G7 Does your mother kmow you're out, Ce- ci - lia? Does she know that I'm a-bout to How “a-bouta lit - tle kiss, Ce- ci - lia? Just a kiss you'll nev- er miss Ce- "BIC C6 CE Be? D7 G7 G7 D-7G7 steal c you? Oh, my, when I loak in your eyes something tells me D- B® CE F CE E®GD (*B-75 E79 4-7 D7 FES B7 you and I should GTC E-7 AT D-7 get to- geth- er. cig, G7 D-7 GH Why do we two C6 o ep on wast-ing time, oh, Co-ci- lia, say that you'll be mine,310 THE SURREY WITH THE FRINGE ON TOP Z Rodgers/Hammerstein 1943, GD G GAIFR E-7 G47ID G GATFE E Chicks and ducks and geese beter scur-ry, when I take you out in the surrey, Watch that fringe and see howit flut-ters when I drive them high- step-pin’ strut-ters. ‘Two bright side- lights wink- in’ and blink-in’, ain't no fin- er rig I'm a- thinkin’, G47 "A-7D7 ‘A-7 D7 B-7 Gar E-2 car when I take you out inthe sur-rey with the fringe ontop. pop. The Nos- ey pokes-'ll peek —thrutheirshutters andtheir eyes will you can keep your rig if you’rethinkin’ ‘at I'd D-7 G7 Cc D7 G7 c wheels are yel-ler,the up-hol-ster-y's brown, the dash-board’s gen-u-ine leath- er, with E7 1 D B-7 E7 Al AT D7 is-imglass curtains ya’ can roll right down, in case there's a change in the wea - ther. & C EB A-7 F9 G Gte7 A-7 D7 G keer to swap ferthat shin-y lit- de sur-rey with the fringe on the top. PUTTIN’ ON THE RITZ F-7E> Irving Berlin 1929 Dba? FIC F Db? F-/C A F- F-71E> If you're blue and you don't know where to goto, why don't you go wherefash-ion Dif frent types who wear a day. coat, pants with stripes and cut-'a - way coats, per-fect Come let's mix where Rock - ¢- fell- ors, walk with sticks or um - brel- las in their G75 C79 F- F-VEDDbA7 F-K Bb-7 Fe sits put-tin’ on the riz" _” Dressed up like @ million dollar fits, mits BT Abe BT AbG G75 C196 are troup - er try-ing hard to like like Gar-y Coop - er sup-er dup -THE LATE LATE SHOW 311 Besin/Aged 1056 3) fe bby Gee. it's co- zy in the park. to-night when you cud-dle up and Hear the cra-zy mus-ic inthe tess see the flow- ers dane- ing ‘Then we am-ble back to my front door say _good-night and then we c F7 —E7 BT v7 Yas hold me tight stars_a- Bove —theyseem == to ROW, we're _put-tin' on the jn the wees old manmoon be gins. to grow, he's joiing in the Kiss some more guess you know Tike you soit starved at the Py Pc7__F6 Blais Ber F6 co lat, late show. C-7 F7 lnte,late show. Birds that should be dream- ing, startin chirp-ing a song, Bb6 Bo7 F6 Ffo7 G7 C7 While fi-re-flies are gleam- ing, we kissed, kissed all-night long % a7 ce F6 it stared at the late, Ite show. I LIKE THE LIKES OF YOU ‘Vernon Duke/Harburg 1933 Al EB C7 F7 BT B C7 F7 BT OB C7 1 like likes of you, I like the things you do, I mean I 1 like your eyes of blue, I think they're blue don't you? 1 mean I I like the likes of you, your looks are pure de - luxe, looks like FUA BbT BG 'F-7 Bb7 b-7Eb7 Ab like the likes of you, Fine like your eyes of blue. like ‘the likes of you. Bs Oh dear, “if I could on- ly say what I F9 F-7 Bb79 F9 E7M mean, T'mean if 1 could mean what I say, thats I mean to say that I mean’ to say Gat ”™312 MARGIE Conr/Beny 1920 c7 F6 Clas F6 C-7 FT Bb6 ‘My lit-te Mar = — gie, I'm al-ways thinking of you, Mar - gie, BbA7 Bb? BT F6 E7 B7 =p? Tiltell the world I love you. Don't for - get your promise to me, G7 G7 C7 G7 C7 F6 Clat F6 I have bought a home andrring and ev-'ry-thing, for Mar - gic, you'vebeen my C7 FT Bb6 AT C7 6 BBG in- spi- ra-tion, days are nev - er blue, Af-ter all is. said and F Bb F A7 D7 G7 Cimst C79 F6 done, there is reakly on-ly one, oh Mar-gie, Margie, it’s you. HOW CAN YOU DO ME LIKE YOU DO? ‘Austin /Bergere 1924 c F C BT AT? D7 G7 Cc D7G7 How come you do me like you do, do, do, how come you do me like you do? c F Cc Bb7A7 = D7 G7 Why do you try to make me feel so blue? I ain'tdone noth-ing to. you. c7 F6 Ab7 Do me right or else just let me be, ‘cause I can beat you do- in’ what you're doin’ to me. If you rave Til have to get you told, for I can changeyour tem- pra-ture from hot to cold, c F C Bb7 A7 D7 G7 Cc How come you do me like you do, do, do, how come you do me like you do?325 TIE A YELLOW RIBBON ‘om EP Eba7 F7 Bb7 Bb BE G- rm com-ing home, T've done my time, now I've got know what is Bus dri- ver, please look for me, ‘cause I could-n't bear to see c7 F Ab if you re-ceived my letter, telling. you Tm real-ly sill in pri-son and my love AMS and is - n't mine, what I might see, F7 c T'l soon be free; — then you know just what to do— if you still want sshe holds the key,— a sim-ple yel-low rib-bon’s all___ I need to set me Bb7 Ab-6 Bb7 B me, 1 wrote and told her please, Tie a yel-low free, 1 wrote and told her please, G fib- bon round the old oak tree, i's been three long years, do you c7 F- Ab B G7 still want” me? Tf TT don't see a eib- bon round the old oak c- B Bb c- c7 tee, I'll stay on the bus, for - get a-bout us, pat the blame on me, if F- Ab F7 Bb? Eb T don't see a rib-bon round the old * oak tree__Now the @ FP AR BB c7 whole dam bus is cheer-in’ and I can't be-lieve I see, a hun dred yel-low Ab F-7 Bb7 B326 SO WHAT'S NEW? 3986 c AT pO So tell me babe what's new? ‘Yeah So tell and how's the scene with you”. how you'll nev - er know you glad to see me too?___ *G7 coo G7 good to see you babe good to see you babe — F F- E7 Av D7 ‘You walked in, light went on, all o- ver my face, you lit up the place, and you've been G7 @ G7 E-7 AT D-7_ Die? ov {one just too long now. So world is spin- nin’, now I know!'m win-nin’, you stay E-7 A-7 D-7 Df? E-7 A-7 D-7 Df? E-7 A7 D-7 G7 Cc > = home now, don't ev-er roam now, and T'll say babe, i's* $0 good to see you! SWEET GYPSY ROSE 1973 c D-7 G7 D7 G7 c ERBEREERBERBEEEBEEBREBE EEETHAT’S ENTERTAINMENT 327 Shwartz/Dietz 1953 Bb+ C-7_ FT Bb Bo c-7 D7 B> G7 BA? @C Ce DH OCT Be? |\C-7,—-F7 2F7 Bb7 Eb Ee BS C7 F Fe Fé G7 C7 _ ~=#£F BS D-, C7 F7 HOORAY FOR HOLLYWOOD c7 F AT E7 ‘Whiting/Mercer 1937 AT GIVE MY REGARDS TO BROADWAY ceorge conen 1978 Bb C7 F7 * C7 F7 Bb F7 Foc? F G-7 c7 F F7 C- G7 C-7 F7 Bb G-7C7 F7_ Bb6328 IT’S ALRIGHT WITH ME en D: D-@7) D-7 G7 D- D-7 6 : I's the wrong time and the wrong place though your face is charm -ing it's the It’s the wrong song in the wrong style-— though your smile is love - ly- it's the It's the wrong game with the wrong chips though your lips are tempt ing, they're the G7 c7 er p71 D7 @ wrong face it's not her face but such a charm- ing face that it’s all right Som daik— te fot fer amie tr ach ‘ines Namie aay wrong lips. — theyre not her ips, but they'e such tempting ‘lipe’— that if some night G7 7 s with me——— It’s the with me. ‘You can't know how hap-py I G7 G-755 C79 FAa7 Fr E-75 79 ?G-7C7_ Fe C7 am that we met, Im strangely at - tracted to you, ‘There's some-one I'm p7 G7 G7 GE E-75 47 tying so hard to for - get dont you want to for -get someone too? @ G7 c7 Fay C-7F7_ Bb? G7 G-7_C7_F6 are free, dear, its all right it's allright with al ROSETTA ‘Woode Hines 1935 i F6 B7 D7 G7 c7 E7 = Ro - sett. my Ro -set—ta_ in. my heart dear, there’s no one but You told me that you loved me _nev- et leave me’ for some- bo - dy le eee a oe “a-7D7 G-7_ C7 * F6 Bevis E79 Bl. B-75 B79 ds a a ' yoo———" You Fie You've made my — whole life new. you. D-75 G79 Ca? A-7 D-7 G7 G7 C7 0.6. atand End (Fire ¢c7 F 267 + €d somethin’. in your fond em- brace did- n't need a shove, cig Az D7 G7 c alic you sure have start FR ‘cause just fell in love with your pret - ty baby face-_ TOOT TOOT TOOTSIE eee ce D7 D-7 G7 car C6 Foot Toot Tootsie good - bye Toot Toot Tootsie don't. ary. Kiss me Tootsie ‘and then, doit ov-er a= g Toot Toot Toot-sie don't cry, Toot Toot Toot sie good - “ec C47 Ch? D-7 G7 D~ G7 Cc D7 G7 way from you, no words cantell how sad it makes me. c G7 = or et fail if you don't get a let-ter then you'll know I'm in jail.” ‘Watch for the mail, T'll nev- Donaldson/Kahn 1925 YES SIR, THAT'S MY BABY Ee F7 Bb7 F7 Bb7 Bb [“Bb7 EP ‘Yes sir, that's my ba-by, no sir, I don't mean may-be, yes sit, that’s my ba-by now. ‘Yes ma’am.we've de-ci-ded, no ma'am, we won't hide it, yes, ma'am, you're in-vi-ted now 2 Bb Ebymdt Eb7 AbD GG F7 Bb7 By the way, by the way. When we reach the preactr I'll say, BREREREHEHEEREBERERERERBREBREREE HEROCK-A-BYE YOUR BABY 363 ‘Schwartz/Lewis /Young 1918 c Be? D7 G7 D-7 G7 Rock-a- bye your baby with a dix-ie mel-o - dy, when you croon, Weep no more my lady, sing that song a-gain for me, and old black Joe, c AT D7 G7 D7 G9 croon a tine, from the hear of Dix = i jist bang your cr dle, D-7 G7 Cc E7 AT GD AT DT Dix-on line, and swing it from Virgin - ia D7 G7 E7 mam-my mine, right on that Mas-on fo Ten-nes-see with all the love that’s in yer. just as though you had = me on your AT D7 see. A mil-lion ba-by kiss-es I'll de-liv - er, the min-ute that you sing that cIG Cc CE B7 D7 G7 ic} ‘Swa-nee riv - er, rock-a-bye your rock-a-bye ba- by with a Dix-ie mel-o - dy. THE SHEIK OF ARABY = *™*=/Ssi/esr 1921 Bb6 Be cr F9 C7 “F9 I'm the \ Sheik of Ar - a - by, your love be longs to ‘The ‘stars that. shine a - bove, will light BbS BYD Dbe7 C7 F9 C7 me At night. when you're a - sleep in- to your _F Bb c7 oF? [*F7 B7 D7 G7 = =e Ee tent [ll creep The way love You'll rule this c7 C7 F7 Bb6364 LIMEHOUSE BLUES ‘Db Philip Braham/Furber 1922 B9|*Bb9 Oh, lime-house kid oh, oh, oh, limehouse kid go-ing the way that the ob, lime-house blues I've the _ real lime-house blues G7 Ab D7 c7 F- vest of them did poor bro-Ken blossom and m0 bo- dys chil Bb7 Bb? BMT B? D7 2. Bbo haunt-ing and taunt_- ing, you're just kind of wild Oh, _ oh can’t seem to shake Abo G G FI off those sad Chi-na blues. Rings on your fin—- gers and Be BT Bb-75 BY? Db Ab/C Bb Ab tears for your crown that is the sto. - ry of old Chin-a-town__ UP A LAZY RIVER Hoagy Carmichael 1931 D7, G7 Up ala zy tiveer ‘by the old mill run, the "= oy, ha - ay viv- er IB oe Up a la zy riveer where the rob-in's song, 8 - wakes a bright new mora-ing, we can 1C7 FE ca noon- day sun, loaf a- long, F lin-ger in the shade “of a kind old tree, yw a-way Your tbu-bles, dream *Bb * By FIC D7 dream with me. blue skies up a-bove, —ev- "ry one’s. in__love, G7 c7 F E7 D7 «G9 co F up a la-zy riv-er, how — hap- py you can be, up a lazy riv-er with me.MOON RIVER 401 Johnny Mercer/Henry Mancini 1960 CoA F ic) F c B-?_E7 Moon riv-er, wid-er than a mile, I'm cross-ing you in style some - day. old Two dif-ters, off to see the world, there's sucha lot of world to see We're wA- C7 F BD At BT E- A7D-7GQ?A- dream maker, you heart break-er, where -ev-er you're go-ing I'm go-ing your way. “ af - ter the F7 oC OF Cc F C A- D7 G7 Cc same rain-bows end, waitin'‘roundthe bend, my huokle-ber-ry friend, moon river and me. SOMEDAY MY PRINCE WILL COME Moray /Churchill 1937 F AtT Bba7 D7 G- G-«n G7 C7 Some - day ‘my prince will come, some - day T'll find my love, and how He'll whis- per “I love. you” and. =—=Sssteal «ais or two, though e's, AT AboT G-7 C7 AT Abe7 G-7_ C7 thrill - ing the — mo-mentwill be, 2F AX G- When the prince of my dreamscomes to. me Abo? AT D7 G-7 C7 F far a- way I'll find my love, some- day, some - day when my dreams come true FASCINATION Marchetti/Manning 1904 c oF Cc CE EP D-7 Ri was fas-ci- na - tion I know, and it mighthave end-ed right there at the start. Itwasfas-ci- na - tion I know, — sea-ing you a-. lone with the moon- light a- bove, FD- D-7 D-7G7 G7 just a pass- ing glance, j then I touched your 2 pe IT might have gone on my way emp-ty- heart D7 G7 D- G7 C fas-ci-ca-tion tumed { love. f was fas-ci hand, and next mo-ment I kissed you,402 SOMEWHERE MY LOVE 1065 De. zivago Alc cD G GB Bh? A-7 D7 AT D7 Some - where my love there will be songs to sing, al - thougithe Some - where a hill blos-soms in green and gold and there are. You'll come to me——— out. of the long a - warm as the Til then my sweet think of me now and then God speedmy AT D7 @A7 D7 G D7 hope of springs“ Some - day, we'lmeet a- snow. cov-ers. the dreams,—__ all that your heart can hold. wind___ soft as the kiss of snow Jove ____ cc Gp Bb BWA BYG — BYF FIC Bb gain «omy dove, some - day, when - ev-er the spring breaks @AT D/A D7 DI G “till you are mine again AROUND THE WORLD ie emma c Gt c 1 Cfe7 A - round the world I search for you, I travelled on, when hope was gone to keep a might have been in Coun-ty Down, or in New York, “in” gay Par fo" ‘oS? D7 ~~ G7 D-7 G7 D-7 G7 D-7 ~ dez - vous. I know some - where, some - time, some - how, you'd look at me, and I would Cc G7 2A7 D- GH see, the smile you're smil- ing now. It Fee, or ev-en Lon-don town, no more will c AT D-7 G7 c 1 go all a - round the world for I have found my world in you.EMILY 403 Johnny Mande! 1964 a7, AT D-7 G7 ca7 G-7 C79 Fa7— BLT E-mily. E-mily, E-mily, has the murmuring sound of May—— All AAT FR? B-7 EJs E7 A-7 D7 D-7 G7 sil-Verbells, corel shells, car-ou-seiS—~ ahd the laughter of | chikdren at play, say. car AL D2 G7 car G7 C7 Fel Ela E-mily, E-mi-ly, E+ mily,_ and we fade to a mar-vel- ous view, two Av B7 E-7 A7 D-7 G7 c AT lovers a - lone and out of sight____ seeing i-mages—___ in the fire-light___ As my FR7s B7 BAT Al D-7 G2 ce eyes vis-ual - ize a fam-i-ly—__ they see dream-i-ly, E-mi-ly — too___. ALWAYS living Berlin 1925 Clast =F 'G-7 c7 F Tbe lov- ing you al- ways, with a love that's tue al-ways. Days may not be fair al- ways Class F F6 A B-7 E7 ‘When the things you've planned, need a help- ing hand, Iwill un- der- stand, c7 2 D7 7 Bb6 A al- ways, always. that’s. when I'll be there al- ways. not for just an BT OF G7 G7 c7 F hour, mot for just a day, not for just a year but al ways.404 EDELWEISS Rodgers/Hammerstein 1959 Bb FYA__BhD EB BF G7 C7 FT Ed cl- weiss, EB - del- weiss, ev - ‘ty mom- ing you greet. me, Bb FYA BD BE BF F7 Bb small and white, clean and bright, you ‘look hap py to meet. =e. F7 Bb BD Bb CE FFT Blos - som of snow may you bloom and grow, bloom and grow for - ev - et, Bb F-6/Ab EWG EbIGh BF F7 Bb E - del - weiss, © E - del- weiss, bless my —home- land for - ev - ex WUNDERBAR Cole Porter 1948 D7 G D7 Gar G47 G6 B- £7 ba Wun-der- bar what per-fect night for love Here 1 bar Wun-der- ba, we're a- lone and hand in glove not ‘Wan- der - ‘Wun- der - Wan-der - bar, ‘Wun-der- bar there's one fav- ‘rite star a - bove— what AT Bes B® D7 AT A-7™5 D7 G6 [© D7 AT am, here you are why i's, «uu ly = Wan- dr - bar Wan- der / cloud near and far why, it’s more than © Wun- der - bar____ bright shin - ing 26 F-7 Bb79 Bb6 C7 F7 Bb79 B care dear, and I for your kiss. C7 Av Tong dear CTs FHT B- E7 for you p7s mad- ly Ge ES T would die dear for you glad-Iy,— you're di- vine dear. and your mine dear. - - - 9 A> Dye weam © AT? D7 A? D7 G6 eS ze ad Wan- der = star—— like our love it's = Wun der - bar405 Giraud/Cannon 1953 F- Bb? Bhé Bh7 UNDER PARIS SKIES Stran-ger be - ware,there’s love in the air, un-der Par = is skies Love be-comes king, the mo-ment it’s Spring, un-der Par = is skies, Just look and see what hap-pened to me under Par - is skies, cr Fo BeOOF ff ty to be smart and don't. Jet your heart catch on fire. lone - ly hears meet some - where on the street of de - sire. watch what you do, the same thing can hap- pen to you 5 Bb7 EAT Abe ‘Aba Pa-ricsin love can bloom, high in a sky - lit’ room or in a D> Bb-7 Bb-6 c oc F oc gay ca - fe, where — bun- dreds of poe-ple can see. F BLT Bes — Bb7 T was-n't smart and I lost my heart un-der Par is skies, c7 F don’t ev-er be heart brok-en stranger like me Oh_ I feel in Bl pa = c7 F7 Jove ____ yes Twas a fool for feet Bb That Be Bb-6 Pare is can be so beau i= fly cruel et F Al D7 AT D- c7 F Paris is just & fay Co - queue, who wants tw love and then. for - get G7 F FR aot c c7 Fc DC. al Fine tt EndG7 cc Won der-ful, won- der-ful, Co-pen- hag-en, friend-ly old gill of a town. “Neathher ful, won der-ful Co-pen- hag-en, sal - ty old queen of the sea. Once T G7 ce E- ZS E- D- G7 and drink one down To G7 c Jet_us clink D7 ta-ver light on this mer- ry night, Ay Et Co - pen- hag- en, won- der-ful, won-der-ful Co pen = hag-en for me—___ VIENNA, MY CITY OF DREAMS pyeccynsit/ caesar 1997 Fe Fye7 G7 c7 c+ F6 when Vi- en - na dreams, as o'er the Danube the moon- light gleams. Hold me and it will seem, nighttime is end-less and love su - preme. *F/A__Abe7 G7 c7_ G6 c7 Fat F6 love like the cw Vi - en - nese. F6 Walz to Vi- en- ma's mel - 0 - 2 *F FH7 Bb ies, —_liveJaugh, and Be C7rust and With the day our twoheartswill stay in old Vi - en - na's dream___ MERRY WIDOW WALTZ Franz Lehar F c7 F 406 WONDERFUL COPENHAGEN Frank Loesser 1950 c F cB E-7yBb A7TWO HEARTS IN 3/4 TIME 407 ‘Stolz/Young 1930 Cc ec cc CE BT GD G7 Two hears beat with a joy com- plete, oh what a night for you and me—— Two D: D7 D D-7_D-7 G7 D-7 Gas! G7__Ca7 “" hears beat with a ove so. sweet, while walt-zing dream - i - Wy. G7 C7 FS AT D7 D-7 GiG+ T'll share your charms ‘till the break of dawn, locked in your arms ‘till the new day is bom. Two CC ce Cc Es an D7 G7 fc “hears beat with = joy com plete, walt-zing ta new para dite. VIENNA LIFE Bb F7 Bb c7 F G7 c7 F ocaantens-Foe WHERE IS YOUR HEART (Moulin Rouge) Eb G- C7 FT F-7 _ BbT FT Bb7 ‘sb Bb7 |2nb BE D-75 G7 c- pW G-7 C7 FT Bb carneQUE SERA SERA B Es? G7 D-7_ @G7 ce F Fa? F6 AT G7 D-7 G7 ¢ G7 MADEMOISELLE DE PARIS B- G- D Fe B- AT Cc F7 BT c7 AT EenI COULD HAVE DANCED ALL NIGHT 409 tame ners 58 Cc E- CD- E-7A7 D-7 T could have danced all night, T could have danced all night,and still have begged for more G7 D- D-«? D7 D-6 | Gt =—G7_ CAT I could have spread my wings and done a thou-sand things I've nev-er done be - fore. E FY B7 E G__A7D7 G7 FC/ED- Tl never know what made it so ex~ cit -ing, why all at once my heart took fight. Ton - ly ic F D-7 —o Cc know when he began to dance with me, I couldhave danced, danced, danced, all night FALLING IN LOVE AGAIN Fred Hollander 1930 ADS. G-7 C79 F-7 Bb? ES F-7 BT Eb EBT Aba7 Fall-ing in love a-gain, never wanted to, what am I to do, cant help it Fr Love's al-ways been my game, play it how I may, I was made that way, can't help it 7 G7 c-9 F7 F7 Men clus-ter round me like moth around a flame, and if their wings bum, I know Tm not to blame. DEAR HEART Mancini/Livingston 1964 FFA? FT Bb Be F G9 G7 C7 FFA Dear heart, wish you were here to warm this —night___ My dear heart, Soon Til kiss you hel - Jo at our front © door and dear —_heart FT Bhp: @F ab G- c7*F F7 Bb oBS OF AT D7 seems like 2 year since you've been out of my sight A simgle room,a table for one, its a T want you to know Tl G9 G7 CTocucon@F D-7 G7 C7 FL OBh OFF lonesome town all right. But. leave your arms newer-- more—__T was In-tro Yes 1 Ke old friend G7 sweet - heart Ten - nes - c walz- ing ~ ducedhim lost my 1 hap- pened to see. TENNESSEE WALTZ c7 withmy dar-lin’ to the Ten-nes - see to my lovedone and whilethey were lit- tle dar-lin’ the ~—nightthey were G7 I re - mem-ber the Redd Stewart/Pee Wee King wake, whenan waltzing my playingthe 2C friend - stole my bem - i - ful E7 night and the D.C. aad End Fine) Ten- nes- see Bb-7 Bavbles, beads. car ban - gles and beads. moi B7 some- bo- Bb7 waltz, now I BAUBLES, BANGLES AND BEADS know just how much I have lost Yes 1 Forest/Wright 1953, Bp AbAT F7 Bb-7 BS Aba7 bangles, D-7 Sparkles, spam-gles, my heart will sing, sing- Ab6 dy dream BS G? hear how they jing, jing-aling- a, baubles, car Aq ling - a, FHT B7 EA? ter and gleam B-7 Bb7 BS AbA7 so that some-day he may buy _me Abs? F7I9 Bb-7 BS T'veheard that'swhere it leads, wearing baubles, bangles and bangles bright shin- y D-7 G9 wear- ing baurbles, AT so, make F7 a fing, ring- a-ling-a, AbaT beads q SS a losFALLING IN LOVE WITH LOVE 411 Rodgers /Hart 1938 BbAT Bbs = BbAT_—BHG cr FI C-7_F7 Fall-ing in love with love is fall- ing for make be - lieve. I fell in love with love one night whn the moon was fall C7 F7 C7 FT Bba? = Bb6 = BAT BMS Fall- ing in love with love is play-ing the fool. 1 was un - wise with eyes un - a- ble to see. Bba7 Bb6 Bba7 Bb6 MA-7 Car-ing too much is such a ju-vernile fan - cy. 1 fell in love with love, with loveev-er = = = = = 7 = = G- Ge) G7 G-6 C7 F7 Leam- ing to trust is just for chil-dren in school 2 AT D7 Glext G7 C-7 G79 C-7 F7__BbAT last ~ ing. But love fell outwith me I'LL TAKE ROMANCE al (akiand/Hammerstein 1937 F6 D7 G-7_ C7. C/Bb A-7?— AMT Dbs7 G7 G-7 TI take ro- mance while my heart is youngand ea- ger to Til take ro-mance-—— while my armsare Stongand ea ger for you, ‘I'll give my first real to - mance-—— while my heart is youngand ea ger and G p79 heart a ys Tl take - ams their cue, Tl ake wo 5 8 ooo hear “a - way, TM ke ro - B-75 [Ble-7 ab? pba? Bb7 BHT AMT Dba? So my lov-er when you want me, call me in the hush of the eve - Db CH?) «OFT, BAT) EAT AT D7 G7 c7 ning, when you —call_~—sme, in the hush of the —eve-ning, I'll rush to -my412 MY FAVORITE THINGS chard Rages 1089 A. FR? car Rain-drops on ros-es and whiskerson kittens, brightcop-per Ket-tles and wermwoolen mittens, Cream col-ored poniesand crisp apple strudels, doorbellsand sleighbellsand shait-2e1 with noodles, AT D7 Gar cx Gar car FyR75 B7 brown pa- per pack-ag-es tied up with sting, theseare a fewofmy —fav-or-ite things. wild geese that “fly with the moon on their wings, E47 Es? Aa AAT Girls in white dresses with blue sa-tin se-shes, snowflakes that stay on my nate and eye - lathes, AT D7 GaT car Ga7 a7 FRETS BT [Etre ve winters hat “met in-to Spring, these are afew of my fav - ori hig, Ev FR75 B79 E7 E-™D ca7 when the bee stings, when Tm feel - ing sad, 1 Gs1D Disus* D7 When the dog. bites, car AT sim-ply re - mem-ber my fav-or-ite things and then I dont feel G6 car G6 car Gar car B79) (FR7S GREENSLEEVES D7 c Bb Al D-7 c B Ay you so long, de - Jight - ing "in your com pa - ay. D- AT Green - sleeves was my Bb Az D- and who mut my fia dy GreenLOVER repens 419 c F-7 BT F-7 Bb7 E-7 a7 Lov - et when I'm near you, and I hear you. — speak my name, Lov - er, when we're danc - ing keep on —glanc- ing in. my_ eyes, Lov - er, please be ten - der, when you're ten - der, fears. de - pan, BT AMT D7 G7 °CaT C6 FHT B7 1Ca7_ Bb? D-7 G7 softly in. my ear you breathe aflame dies ‘all love's owm en = trane- ing —-mus~ ic lov-er = T sur= ren der Ea? Fo7 Fe7 FET B7 FHT B7 Ea? plan I de - sign G7 Be? D7 Gn All of my Gar Ge7 fu- mre is in you. Your ev- "ry Av D7 prom- ise you'll al- ways con - tin - ue to be mine, G7 e to my hear. ALICE IN WONDERLAND Fain/Hillard 1951 BT D-7 G7 car FA7 B-7s E79 AT A lice in won - der- land, howdo you get to won - der- land? ‘When clouds go roll - ing by, they roll a - way and leave the sky, A+ lice in won = der - land, where isthe path to won - der- land, G7 E7 7 D-7 G7 B22 _p-7 G7 O-verthe hill or un = der- land, or just. be - hind the tee where is the land be - yond the eye’ that peo - ple can - not o-verthe hill or here or there? =. won - der 7 E-7 AT D7 G7 see Where can it be? Cer Fa? BHT Bo 57 Where do starsgo? Whereis A? __DeT AT D7 AI D7 AMG asewin They must be some - where in the sun-ny af- ter -414 BLUESETTE a ‘Bba7 eo D-2 79 C7 F7 Bbs7 Aba7 Bba7 AbAT 2G. UP JUMPED SPRING Freddie Hubbard Al Bba7 GH c7 F7 G7 G-F E-75 a7 Baz ['B-715 cs 20-7 EW FR Ab7 G7at C-7_—*FT Fa7 D7 ‘Bi ald End. Fine SCARBOROUGH FAIR D- c D- F D- G AzWHAT'LL I DO? 415 Irving Berlin 1924 Bba7 BrJeust Bb] A Ebay Abo BUG F-7b5 7 Whar'll 1 do when you are far— a - way— and I am blue, what'll 1 What'll 1 do when I am won= ‘dring who-—who's lov-- ing you, what'll I When I'm a = lone— with on-- ly dreams_of you that won't_come tue, what'll I BS6 BY ast eB Blass F-7 Ab6 do2—__Fre What'l 1 Whatll T do with just a phos to- Do ET D7 C7 F7 Bblast Bb7__,__ 0c ane graph to tell my troubles. to__ When Tm oa - MY BUDDY Kahn/Donaldson 1922 G Abo7 AT D7 G Nights are Jong since you's went «a= way, I think a - Miss your voice. the = touch of, =-your = hand just to BboT AT D7 G GUF ET AT bout you all the day, my —_bud-dy, my — bud-dy— 0 - bo- dy koow that you un-der - stand, my bud-dy,_ my bud-dy your bud-dy VAT AT Dt 2A7T DI quite s0 true. miss - es you—__ GRAVY WALTZ Steve Allen 1963 Cc 87 AT 75 F-6 BTS Azo °c c F7416 HELLO YOUNG LOVERS 7 Rodgers /Hammerstein 1951 4 As Bs BAT BS B Hel - lo young lov- ers who- ev - er you are, I hope your Be brave young lov- ers and fol - low your star, be brave and Don't cry young lov - erswhat- ev - er you do, don't cry e © E7 F7 Bb7 Bblaxst Bb7 G7 Bb7 all my good wish-es go with youto - night, cling ver- y close to each oth- er to - night, all of my mem'ries are hap- py to - night, BI trou-bles are few, faith-fal and tue, causeI'm a - lone, F7 BbTaust BY7 |" Eb6 blast Eb6 T've been in love like you Be you T've been in love like AbS Bb7 Ab6 BET Ab6 kmow how it feels to have wings on your heels, and to fly down the Bb-7 Aba pD-75 Gn street in a trance. You fly down a street. «on C7 FU cn F-7 BHT pc.atcode chance that you'll meet, and you meet mot real-ly by chance Don't % ‘ F7 Bb7 EbA7 B7 Ab6 ALG Tve had a love of my own—____ Tve had a love of ‘my Db7H c+7 F7 B79 BS own like yours, T've had a love of my — own.BEER BARREL POLKA 431 Brown/Timm 1839 G7 'D-7 G7 C F F c7 Roll out the barrel we'll have a barrel of | fun Zing! Boom! Ta - ra-rel_t__ ring ont a c7 Roll out the bar-rel, Bb we've got the blues on the run. Bo FIC D7 ‘Bb6 G7 now's the time to good song of cheer, C7 O£, D- roll the barrel forthe gang's AT D- Cc CVE _F CVG F/AC/Bb B C7432 THE HAPPY WANDERER Bb F7 Bb FT Bb Bb Bb F7 Bb F7 Bb FT Bb F7 Bb eB Bb F7 Bb HELENA POLKA c7LIECHTENSTEINER POLKA 433 c7 1. B) Bb c7 c+ OF c7 F TOO FAT POLKA G7 Cc Cr D-7 G7 c G7 Cc G7 lc434 HOOP-DEE-DOO Detage/Locsser 1980 Eb Bb7 ‘Hoop-dee- doo, Hoop-dee- doo, Thear a pokka and my troubles are through Hoop-dee- doo, _Hoop-dee- doo, this kind of mus-ic is like hea-ven to me B Bb ab Hoop- dee- doo, its got me high-er than a kite z cr Fv @ Bb7 Hoop - dee - doo, Hand me down my soup and fish, I am gon-na get my wish Hoop- dee - doo- in’ it to- BE Ab Ab nigh. When tilere’s a trombone play-in‘ rah - ta dab-dah- dah. I get a thrill, Be EbyB> BST Bb7 Eb? BT ET T aways wil + na stretch = in’ out a Bb? BT Ab Ab mile, Y "Hways smile ‘cause that's my style. When there's a fiddle in the AMT Dp DC ‘mid-dle and he oplays the tune so sweet, play the mine so sweet that I could — die. | D'BDbAb D> ab F7 BT ‘Lead me to the floor and hear me yell for more ‘cause I'm a hoop - dee - Bb? ab BH EB Dc acoss oo - in’ kind of guy. @ BW ED Db C7 F7 ab all of my might, rain may fall and snow may come, C7 FT Bb7 BE noth - ings gon-na stop me from hoop - dee - doo - in’ it to-night. (=.MALA FEMMENA 441 Toto/Allen 1951 Bb Bba7 Bb6 ‘G7 AL DILA Donita/Drake 1961 COME BACK TO SORRENTO i senesto pe curus 1935 c- F- Cc Ab c-442 ARRIVEDERCA ROMA Panavoeme stg G c- G G B7 Cc ETB A- . Ar - ti - ve - der- ci Roma good-bye, good-bye to Rome. ar Cinty of a + Hl - ve- der-ci Roma ‘it's time for us to part, _savethewediing D7 A7 D7 mil-lion moor-lit pla-ces, ci- ty of a million warm em - bra-ces, where I found the bells for my re - tuming, keep my lov-er's arms out-stretched and _yeam-ing’ please be sure the G D7 C-D7 G Bb? A-7 D7 2D7 one of all the —fa-ces far from home. Ar - bum-ing in her heart. flame of love keeps VOLARE 1958 Gn G79 C-7 79 Bb E7 G- C7 cr Bb G- c-7_ £7, Of» G, G-4? G-7_G-6_D-. AY, D-7 G Be, Bb, Bb, Ab7, Db Ae2$ D1, Ate Dl, F7 G7 .[,BhG7 @ Bh G-- C7 7, Bb OG C-7_F7,__ Bb 6.12. a1 Coda A At D- TASBb7 BEB SS SLES SSSR SESS SS Ab MARIA ELENA Barcelatn/Ruect! 1938 D7 G7 . c O SOLE MIO Bb7 R Br pi Bly Bb Bb Bb444 ANEMA E CORE Save DBepoato 1850 G47 B-7_ Bbo7 Av D9 AT D7 G6 BY? A-7 D7 Ga7 ATS _ Da? ne Al AT D7 B75 7A? DI, 7, 9 E7 1, AT C7 F7_ Ga? E7 A-7 Mescoli/Lee 1960 MY LOVE FORGIVE ME "Bb7 Ab BS C7 G-715_c79 F7 G-7 G7 F-7Bb7 2 Bb Tat OB G-75 C79 F7 Bb7 BAT Bs ‘Bb Teast BIG Gh1,_ F-7 PB bat B BH Op 7 Bhat Bh _F-7 Bhat BS D.C alCode Modiugno/Parish 1859 CIAO CIAO BAMBINA D-7 ANB D-7 G7 C C6 CAT Glut DC i oo oe oo i ne ee ee oe car co Cc CA C6 C_ OE- E-®7)|"B-7 A-7 FRETS B7 2E-7 AT E-7 Bb?) p-7 Bbe7 Ebo7 D-7 Gast Cc nH |BERBERS RSSSRSRERSSSRSS SEE DANNY BOY 451 peer Cc. c2 F F CE A? D7 Oh Dan-ny boy, the pipes the pipes are call- itgr“from glen to glen, and down the moun- tain- But when ye come, and all the flow'rs are dy - ing, if I am dead, as dead I well may D-7_ G7 Cc. cz F F- ce D7 G7 side, the sum-mer's gone and all the ros-es fall ig *it's you, it’s you must go and I must tbe, ye'llcome and find the place where I am ly - ing, andkneel and say an Av-e there for cc! G7 c FE. CE cc bide. But come ye back when sum-mer's in the mea - dow, or when the me, And‘ shall hear, though soft you uead a - bove me, and all my AIG CE D7 G7 c7 F FR? val - ley's hushed and white with snow, i's here TH be in sun= shine or in grave will warm - er, sweet- er be, for you will bend and tell me that you C/G A-_ F-/Ab CG_ AT D7 G7 c sha - dow, ob Dan- ny boy, oh, Dan- ny boy, I love you 30. love me, and I shall sleep in peace un - til you come to me. WHEN IRISH EYES ARE SHINING Ball/Oleot 1912 ec c7 F c When" I- rish eyes are smil-ing—_ sure it's like 2 += mom in Spring, Trish all the world seems bright and gay, At D7 G7 lik of T= fish laugh-ter you can hear the = an - gels sing D7 G7 Cc When “eyes are smiling, sure they steal your heat. a - way.452 MY WILD IRISH ROSE secs Bb B- Bb Bb7 B Ee? Bb F7 TOO-RA-LOO-RA-LOO-RAL c c7 F FT cIG F CE Ag D7 PAD D9 G7 Cc Gast IRISH WASHERWOMANSUNRISE SUNSET 455 A “Fiddler on the roof D7 G- G- DW G-_ G7 Is this the lit-te girl I car - ried? Is this the it~ tle boy at play? When did she get to be a beau - ty? Whendid he grow to be so ill? Now is the lit-tle boy a bride- groom? Now is the lite girl a bride? Place the gold ring a-roundher fin - ger, share thesweet wine and break the glass, G7 res A ET D4 1 don't re - mem-ber grow - ing old - er, when did they?. Wasn't it. yes~ ter~ day when Un - der the ca-no- py 1 see them, side = by side. soon the full cir- cle will have 2 C- A7 D+ G- D7 G- they were small ____ Sun- rise, sun- set, sun rise — come to pass___ Sun- rise sun- set, sun ise Ans G Acts G- G7 Cc F7 . sun-set, swift = ly— flow the days, seed-lings tum 0 ver night to sun- set, swift - ly fly the years One _sea-son _fol-low- ing an- har F pi ATS D7 G: G- sun ~ flowers, blossoming even af we gtze— Tpi-nes aod eas oth = er Ja den with a HAVA NAGILAH D7 G- D7A7 G FR A7/"D ARTSA ALINUHAWAIIAN WEDDING SONG 461 1926 c G7 cc? F G7 C G7 C E7 AT D7 This is the mo-ment I’ve wait-ed for, I can hear myheart sing-ing, soon bells will be G7 c Cc D7 G7 Cc c 7 ringing, This is the mo-ment, of sweet A - Io- ha. I will love you long-er than for- Go ec Gt CAT D7 G7 ever, promise me that you willleave me never. Here and now dear, all my love T c Cc G9 c vow dear, c7 pro-mise me that you will leave me never, _I will Jove you long-er than for - ev-er. F D7 G7 cal D7 Now that we are one, clouds won't hide the sun. Blue skies of Ha - wai-i smile on G7 c D9 A7 D7 G7 c this our wed- ding day. do love you with «alls my heart. GODFATHER (SPEAK SOFTLY LOVE) Ac - c- BS F- F-6 c *p-2s G7 Cc tena BT B Db G7462 ANNIVERSARY SONG (Chaplin /Jolson 1946 FT BT FH? BT E7 ©9 EB EW Oh—=—=" how we danced on the night___ we were wed___ we Tee world was _in bloom, therewere stars in the skies ex- The night seemed to fade in - to bos—- som-ing dawn the Could we but re- live thatsweet mo_—- ment sub- lime wed AT? FRUS FT E-7 CHT FMS BT E- vowed our te love though 2 word___was- n't’ said __ om for the few. that were there in your eyes sun. she a - new but “the dance lin- gered ‘on. Could find——— that our love is. sun - al - tered by time AT D7 G Gr AT D7 G Dearas I beld you so close in my arms, angels were singing a hymn to your charms,two FETS B7 E- FRETS By EF arr beans gent-ly beat-ing were mur-mur-ing low “my darl-ing I love you $0.” THE ANNIVERSARY WALTZ Ruben 1941 ic car ce Gc cher D-7_ G7 Tell me 1 may always dance the = An-ni-ver-sa-ry Waltz with you. D-7 G7 D7 G7 cé _—D-7G7 Tell me this is real ro mance, an © an-nni-ver-sa-ry dream come tue_____ Let G-7 c7 F6 . E7 AGT D7 Gt7 this be the anthem to our fu-ture years, to. miblions of | smilesand a few lit- tle tears. c AT E7 At D7 G7 c May I al- ways lis- ten tothe An-ni-ver-sa-ry Waltz with you. ee KrRrieEeE HEHE HEeETElOFTtOHEeOBR HERE ERE463 BRIDAL CHORUS (LOHENGRIN) Wagner Bb F7 Bb B Bb C7 F _ Bb FT Bb D- C7 F7 Bb Di wcoen Bb b Bb WEDDING MARCH (Recessional) Mendelssohn D6 E7 A> —G- F c7 F D- £7 AG F _,_C7 F F c7 FE c7 F Bb G7 CT DGalFinw464 THE MEXICAN HAT DANCE E. THE HOKEY POKEY THE BUNNY HOP B eeeBRS RES SSR SGERSS ESSERE ST AULD LANG SYNE 465 F c7 F F7___Bb F c7 AT D-7G-7 C7 F Bb OF c7 F F7 Bb F c7 D- G7? C7 F STAR SPANGLED BANNER Bb FVAG- D7FEG-7 C7 F_ F7_ Bb F7 Bb Bb F7 Bb F7 Bb F7 G- C7 F_F7 BOD- B G7 C- G7C-_ BYFF7 Bb BYD G-__BYF F7 Bb THE STRIPPER F A = Be F7E7B7 D7 G9 Ol FIA__DoAb G77 7 F7 F Be F7 F F7. drums (ala strip) FU. drums (a ta strip) G7 @F D7 G7, Cl F466 CHICKEN DANCE DADDY’S LITTLE GIRL Gerlach /Burke 1949 Bb D7 G- D7 You'rethe end of the rainbow, my pot 0° gold, you're dad-dy's little girl to have and Eb Bb co F7 hold. A precious gem is what you are, you're mommy's bright and shin-ing star. You're the Bb D7 G-D7 G- D7 spirit of Christmas, my staron the tee, you're the Eas-ter bunny t0 mommy and me, you're Eb Be Bb D7 G- c7 FT Bb sug-ar, you're spice, you're ev-"ry-thing nice, and you're dad-dy's. lit - tle girlTHOSE WERE THE DAYS 467 A- A-6 AT A-6 A D- D-6 Once up-on a time there was a tav-em, where we used to raise a glassor two, re- Then the bu- sy years went rush-ing by us, we lost our star- ry no-tions on the way, Just to-night T stood be-fore the ta-vern, noth- ingseemed the way it used to be, Through the door there came fam-i-liar laugh-ter, I saw your face and heard you call my name, D- AT AS 8 BZ E = = SE eS a menrber how we laughed a~ way the hours, and dreamedof the great things that we would do. if bychance I'd see you in the ta-vem, we'd smile at one= an oh. et and we'd Soy in the glass I saw a strange re- flec-tion, was that lone- ly fel-low really me? oh my frends we're old-er but no wiser, for ‘in our hears the dreams ar tll the sae, E7 Bl a D- G we thought they'd nev-er end, we'd sing and dance for- D- A Those were the GI days, my friend, ic eve-er and a day, we'd live the life we chose, We'd fight and nev- er lose, E7 for we were young and sure to have our way, lal la bly A D- F7 ET lala la Ia lala, those were the days, oh yes, those were the days, RUSSIAN DANCE D7468 LA VIE EN ROSE Lewiguyavid1950 c car cs D-7 G7 Hold me close and hold me fast, the mag- ic spell you cast. this is La Vie En Rose. Quand il me prend dans ses bras, il me par-le tout bas. Je voisLa Vie en Rose. D-7 G7 D7 G7 Cc G7 oi ‘When you kiss me hea-ven sighs, and tho’ I close my eyes I see Vie en Rose. Tl ‘me dit des mots d'a- mour, des mots de tous les jours. Il ca m’fait quel-que cho - se. c a7 Cc cz ‘When you press me to your heart, I'm in a world a - part, a world where ros-es bloom, Tl est en- te dans mon coeur u-ne pat de bon- heur dont je con-nais la cause. F6 F-6 CE AN A-7 D9 D7 G7 speak, an- gels sing from a-bove, ev-'ry day wordsseemto tum in- to love songs. i, dans la vie. Ime I'a dit, I's ju - re pourla vie - e. c car C6 D-7 G7 ce Give your heart and soul to me and life will al- ways be La Vie En Rose. Et ‘des que je Ya - cois a lors je sens en moi mon coeur qui bat LIMBO ROCK F c7 F Ev - 'y Lim - bo boy and girl, all a - round the lim - bo world, gon- na First you spread your lim - bo feet, then you move to lim - bo beat, Get your - self “a lim~- bo girl, give that chick a lim~ bo whirl, there's a c7 F Bb bo rock, alla - round the lim - bo clock. Jack be lim-bo, Jack be quick, tbo knee, bend back like the lim - bo tee. lim-bo' moon a-bove you will fall in lim bo love F c7 FB F Jackgo un-derlim- bo stick, all a - roundthelim- bo clock, _hey,let’s_ do the lim - bo rock.CIELITO LINDO 469 Bb Ee F7 Bb E F7 Bb TH nev - er for - get her the night that To met_her a thou sand. gui- T thought to re = sist her but fin - al= ly kissed her when I heard my Be F7 F7 bove were say-ing, love's in the then with a sigh so tender, we said good- * FT B+ Bb Bb air and my head was sway- ing, bye wo T night of splen= der___ one lit- tle kiss brought such hea- ven-ly bliss and = smy_—iife was, sill_in_my heat tho’ we've = drift ed n= z ft Bb F7 so com - plete a- gain. know we'll meet a gain. GUANTANAMARA Al D G AT D G Guan-ta-na-me-ra gva-jira Guan-tacna- me-r, Guan-ta-na- me - Al D Gaz BI Gc Al me guacjivra’ Guan-ta-na-me - fa Yo soy un hombre sin-ce-ro De don-de D G Az G AT rece la pakma Yo soy un hom-bre sin-ce-r0 de don-de ce - ce la Al Ri G a7 D Gal Pakma Yan-tes de mo-rit-me quie - ro E-char-mis ver-sos del al - a‘THAT'S AMORE 470 eee F- a Bb F- c7 In Na-po-li, wherelove is king, when boy meets girl, here's what they sing. F F When the moon hits your eye_‘like a big piz-za_— pie, thas: a - When the stars. make you drool just like pas- ta fa - zool, thas a - c7 G7 ¢7 c7 G-c7 G- mo - re,—___ when the world seems to — shine like you've bad woo much = wine, that's. a = mo~ re_______ Bells will cloud at your F Be C7 OFRe7 ring, ting-a-ling-a - ling, ting-a-ling-a - ling, and you'll sing vee- ta bel-la_____ G7 c7 c7 G- c7 hears will play, tip-py tip-py tay, tip-py tip-py tay, like a gay ta-ran- AT t-te When you feet, you're in love m7 D7 see, back in old Na-po - Ii, tha’s a - mo - re __ eeeCHRISTMAS SONG 485 Mel Torme 1946 Bar BT G7 Aba7 Bb? B77 ba p-7sG79@ Chest-nuts roast-ing onan op-en fire, Jack Frost nip-ping at your nose. kmows a tur-key andsome mis-tle toe help to make the sea-son bright, so, I'm of-fer-ing this simple phrase to kids from one to nine-ty two. AL AbT pb7— Gba7_Bb7 C7 Ab BbAT,_A-755D719/-Ga7 Yule- tide car- ols be- ing sung by a choir and folks dressed up as es-ki- mos. Ev'ry-body ti ny tots, with their --eyes all a- glow, will 7 F-7 Bb? EG Bb7 BT 2G7 AbST B-7 find it hard to sleep to - night. They know that San - son his way, he’s loaded BT B7 Aba Ab-7 D7 Gba7 lots of toys and goodies on his sleigh, andev'ty mother's child is gon-na spy, toseeif Fast FT F7 BY pc wcoue & C-7 Ab-6 rein- deer real-ly know how to fy. And though i's been siad ma-ny Bbs7 D7 B6 Bast 6 Bhat «= BS Bbast BOG times, ma-ny ways, "Merry Christmas, Merry Christ-mas, Merry Christ-mas to you." I'LL BE HOME FOR CHRISTMAS Kent/Gannon/Ram 1943 D7 CE BT D7 G7 c E-75 a7 Tl be home — for Christ- mas, you can count on me. Christ mas eve will find me where the love - light D-7 D-75G7 ¢ AT Dias D7 D-7 G7 Please have snow and mis - tle- toe, amd pre- sents on the wee___ 2D-7 F F-6 C/E E-75 A7 D-7 GlastG7 C ‘gleams,__ TH be home for Christ - mas, if on-ly in my dreams,a 486 HAVE YOURSELF A MERRY LITTLE CHRISTMAS sil Marten/Blane 1944 Cc oat D7 Gat CAT D7 G7 COAT OF Have your-self a mer-ry little Christ-mas, let yourheart be light, from now on, our Have your-self a mer-ry little christ-mas, make the yuletide gay, from now on, our Through the years we all willbe to- gether, if the fates al - low, hhang a shining “D7 B-75 E7 A7 D-7 G7 |? B-75 E7 AT G7 trou- bles will be out of sight__ twou- bles will be far a = wa Fa7 F-6 E7 Be? D7 Gast G7 C47 Here we are as in old-en days, happy gold-en days of yore, FS B79 E7 AT Av D9 =D-7 G7 Bie a coas faith- ful friends who are dear to us, gath-er near to us once more. a B-75 E79 A-7 Ab G-7 Gb7 a7 D-7 G7 ie} star up-on the high-est bough and_have yourself a mer-ry little Christ mas now. WHITE CHRISTMAS Irving Berlin 1942 c FIC C47 BICC47 D-7 AbT G7——D-7 G7 G+7 T'm— dream-ing ‘of a white Christmas, just like the ones. I used to. know T'm— dream-ing of a white Christmas, with ev-'ry Christmas card 1 write D-7 Glast CCA? C7 \F, Fa? F-6 ca AT ODT where the tree- tops glis-ten and chil-dren—_lis-ten to. hear _— sleigh bells in the be mer-ry and Bb7 C47 CHT D-7 G7 c —— bright and may all your Chhrist-mas-es be white. ’ g npHeEerEREEEEBEERSEERUDOLPH THE RED-NOSED REINDEER 487 Johnny Marks 1949 c CE Er GD G7 Rudolph the red- nosed rein - deer, had a ve- sy shi- ny nose, All of the oth - er rain - deer used to laugh and call him names, Then how the rein- deer loved him as they shout-ed out with glee, ic D2 < Da D-7 G+7 G7 D7 G7 G7 and if youev-er saw it you wouldeven say it glows. join in an- y reindeer they never let poor Ru- dolph you'llgo downin his-to- Rudolph the red-nosed —rein- deer, cc FE Fo? c ch? D7 G7 c a7 games. Then one fog- gy Christ- mas eve, San-ta came to say, G Ghe7 AT D7 D-7 Ru- dolph with your nose so bright, won't you guide my — sleigh to - “hight SANTA CLAUS IS COMING TO TOWN Coots /Gillespte 1934 c c7 E F- Cc c7 FE F- You bet-ter watch out, you bet - ter not cry, better not pout I'm tel in’ you why, He's makeing a list and —check-ing it twice, gona find out who's naughty and nice, Cc G7 c G7 7 AT D-7 2 San-ta Cis is com- int —— He's He G7 c7 F47 Fé . G7 c7 F sees you when you're sleep - ing. he knows when you're a - wake, be AT D7 GA? G7 AT D7 D7 ~~ G7 paar knows if you've been bad or good, so be good for good-ness sake. © Oh, you489 Sleigh Ride (page 2) G7 be the per = fect end ing of a per- = fect day, well be passa - round the cof fee and the © pump - - ‘kin pi it = Gr AT AP GiB B7 E- B/Ft sing-ing the songs we love to sing with - out a sin-gle stop, atthe fi - re-place while we nearly be like a pic-ture print by Cur-fi-er and ch A Ba7 Dias E-7 Az ‘watch the chest- nuts pop, Pop! Pop! Pop! There's a Ives, DTast 28.a1Fe these won-der-ful things are the things we re- mem-ber all thru our lives. SILVER BELLS Livingston 1950 c c7 F D7 G7 city side- walks, bu-sy side-walks, dressed in hol - i-day style, in the air there's a ‘Suings of streetlights, ev-en stop lights, blink a brightred and green, as the shop- pers rush c c c7 feel - ing of | Christ mas. Chi-dren taugh - ing, peowple pass - ing, meet- ing home with their tea sures. Hear the snow crunch, See the ids) bunch, is it F D7 G7 cc. @ smile af - ter smile, and on Santa's big scene, and a ev - "ry street cor ner you hear. bove ,all this bus tle you hear. bells, it's Christ - mas Ring - a - ling, hear them ring soon it will time in the cit - y. be Christ - mas day.Bernard /Smith 1934 B Eo? F7 ‘Bb7 Sleigh bells ring, are_you ‘nin’? in the lane, snow is glist-‘nin’, a Gone a - way is the bird, here to stay “is the ew bird, he Tater ‘on welll con - spi-re, as we ost by the of re, F9 Bb7 Bb BbIast 490 WINTER WONDERLAND i i we're hap- py to-night, walein'in a winter wonder ~ land. Gone a - 0. a- long, Foe G G D7 Inthe meadow wecanbuild a snow-man, then pre-tendthat be is parson brown, I Bb F7 Bb c7 F7 F+7 BT he'll say “areyoumarried,” we'llsay “no man, but youcando the job when you're in town.” LET IT SNOW ‘Styne/Cahn 1954 F c7 F AT Abo7 CiG C7 i Oh, the weather out- side is fright-ful, but the fire is so de- light-fal, Tt does-n't show signs of stop-ping, and I brought some com for pop-ping, The fi- re is slow-ly dy- ing, and my dear, we're still _good-bye- ing, I G7 D7 D-7 G7 G7 cn F 5 and since we've no place to-go, let it snow! let it snow! let it snow! the lights are tumed way down low, I but__as__long as you love’ ome’_ 80, F Cc “ch? D-7 G7 ' It When we — fin-al-Iy kiss good - night, how I hate go- ing out in the storm, but if C7 B7Bb7A7 D7 G7 G7 C7 you'll real- ly hold me tight, all the way home I'll be warm. TheJINGLE BELL ROCK 491 Al Booth/Beal 1957 c a7 C6 c_ cé Ce Dz Gi Jin- gle bel, jim-gle bell, jingle bell rock, jingle bell swing and jin-gle bells ring, Jin- gle bel, jin- gle bell, jin-gle bell rock, jingle bells chime in jin-gle bell time, ey G+ fun, now the jin-gle hop has be- gun. FRe7 CIG in the fros-ty air. What a bright time, its the right. time —to_—rock the night a - AT D7 D-7 G7 g™ jimgle bell_ time i aswell time__to go glid-in’ on a one-horse sleigh. c a7 cé c_ cé BT Al E Giady-up, fle bere, pick up your fect jingle around te clock; mix and mingle in a Fs p oon @ cc) 06M Dg D7 G7 c jin-gl-in’ beat, that's the jin-gle bell rock. that's the jingle bell, that's the jim-gle bell rock. JINGLE BELLS JS. Plerpont ‘D7 a G c AS Dashing thru the snow, in a one-horse o- pen sleigh, o'er thefieldswe go, Bells on bob-tails ring, mak- ing spi-rits bright, what fun it is to G *G D7 co Bc Jin- gle bells, jingle bells, Pp7 laugh-ing all the way. ride andsing a sleighing song to- night. ‘D7 G c jimgle all the way, oh what fun it is to ridein a one-horse o-pen sleigh. __one-horse o-pen sleigh.492 CHRISTMAS TIME IS HERE ee eel Abe i pam B-755 Bh7 i AAT FAIC Fa7 ET FA7 Christ - mas- time is here, hap- pi- ness and cheer, time for all that Snow. flakes in the ait, car-ols ev - ‘ry - where, old- en times and Christ - mas time is here, fam-‘lies draw - ing near, ob that we could Ab-7 G-7 Clad ®| ‘Rag ps9 LB] pba7 Gb AT chil-dren call their fav'rite time of year. share. Sleigh bells in the air, an-cient rhymes of loveand dreams to al-ways see such spi-rit thru the year. Dba7 Gham FA7 B7 D9 GZ Gt C9 beau- ty ev - ‘ry - where, yule- tide light, a fi-re- side and joy- ful Ld there. ® F6 AbD> FS Abp> OFS by a FROSTY THE SNOWMAN Nelson/Rolins 1950 c c7 F FRe7. cIG F FRe7 Fros- ty the Snowman, wasa jobly.hap- py soul Fros- ty the snowman is a fairy tale they say, Fros- ty the snowman was a - liveas he could be, CG "G7 Cc G7 |*D-7G7 & ar nn rEaElll:EREatlUG:elUle “" put-ton nose” andtwo eyes madeout of coal. came to life one day. There must have beensome chil-dren know how he s same as you and me. laugh and play just c1G D7 G7_C G E79 A-7 D7 -D-7 G7 ‘mag-ic in thatold silk hat they found, for when they placed it on his head he be-gan to dance a'r. 7 z @ Cc G7 G7 c ‘Thum- pe-ty, thump, thump, thumpe-ty thumpzhump, lookat Frosty go, ov-erthe hills of snow.THE GIRL FROM IPANEMA 501 Fa G7 Jobim/De Moreas 1963 . ert pe Fs = = S = + ae Ss —<—— Tall and tan andyoung and love- ly, the girl from I- pa- ne - ma goes walk-ing,and when Whenshe walks shes like a sam- baat swings so cooland sways so gene, that when “al and tan and young and lovely the girl fom T- pa- ne” ma goes walking, and when G7 oi “RAT oy fe Far S — 5 z = Fino she pasi- es, each one she pas¥"- es goes “hi “ar she pass - es, each one she pass - es goes see she pass - es, I smile, but she does- nt GbaT BT G7 IS i _s v — — Oh, but I watch her so sad- ly How—______ can_I tell her I D7 G7 = 1 7 Jove her?___ Yes, Az I would give my heart glad ly, Gt. oC Di alFne p79 bat each day as she walks to the sea, she —_looksstraight a-head not at me. THE SHADOW OF YOUR SMILE a Johnny Mandel/Webster 1965 FRET B7 B79 E-7 A7 The sha-dow of your smile when you are gon Willcol-or all. my Our wist-ful_ht -"de sar "was Tar too ‘A teardrop kissed your AT D7 Ga ca ae B7 light the — dawn. Look in-to my eyes my Jove and cys FIs FR? BT z z = = oe —S— Ss see_all the love-Iy things you tome. Our wistful lite 1 AT D7 B-75 E7at Ga. C7 FT B7 F7 lips and so_did 1 Now when I re - member spring all the joy that lovecan bring — E7ast E72 Al BT Dint D2 G6 _ 1 will be re - mem - ber- ing the sha- dow of you smile.502 D7 D-7 G7 Socloseyour’ eyes, for tha a Tove-ly way to be,__ Youcan'tde - ny, don't try _to fight the rris- ing sea Bynow we know, the = wave._is_on its way to be, _G-6 FB? 37 a-ware of things yourheart a-lone___ was meant to see the fun-da mental lone: don’t fight the moon, ‘the stars a-bove_anddon't fightme justcatch the wave, don’t be afraid of lov - ing me___ B7 E7 b7 AZ ‘D-7 G7 D-7 ‘You can'tde ~ li-ness goes. when-ev-er two can dream a dream to- gether — ZD7G7_ D7 Gmc, cps AT ‘When I saw you first, the time was half past three F-7Bb Bb9/Ab BAIG ACT Ds. a Fine When your eyes net nine it was e - ter- nity 2 q 4 WATCH WHAT HAPPENS Bs Be? 6, FO Legrand/Gimbel 1964 Bar ” 4 Let some- one siart be-liev- ing in you, aq ie some- one who can look in your éyes, and seein - Let some-one— with a deeplove to. give, e that deep lov Bb7 a AZ Eba7 B47 |'F47 Ba7 [?Fa7Gba7lBlga7 = Ga7._«G pee — SSS as Ss ; E himtouchyou and see what happgns. ” happens. Cold nolan believeyour let him find you and wach what 2 "prs * andwhat mag-ie” youl G7 C7 G-7 C7 hold out to HEE his your to Ear F6 Faz F7 Bb7 Wls— 3 FA? is cold! E6 May-be just a- fraid___ {© be bro-ken a Dé Ba? ‘ain. DS. al Cod Ta © Bar E6 Dé aT BT see, let some-one give his hear some - one who cares like me D.S.alCoua_ EHERteOLERtHRtHtiEanEEtiha" am a a a a MEDITATION Jobim /Mendonca 1962 503 B78 ce. D2 ce e785 In my_lone - li-ness, when you're gone and I'm all by my-self Though you're far a- way, I ‘have on- ly 1 close my eyes 1— will wait for you ‘til the sun falls from out of the sky, Bbo7 CE E-7 AT D-7 F-7 BT and I needyour caress, I just think of you and the and you are back wo stay, 1 just close myeyes____ and the for what else can T do?. 1 will wait for you me-di- E7 AM” D-7 —— G7 though of you hold~- ing me near makes my lone - li- ness soon dis- ap - pear. sad - ness that miss - ing you brings, soon is gone and this heart of mine sings Fa7 Bb, Ebe? — D7 G7 Bea Cece Yes, % Bh Ane Ab7 I love you so and that forme is all Ineed to know. G7 ce ———_ = ta-ting how sweet life will be when you come back to me- QUIET NIGHTS (CORCOVADO) Jobim 1963 DIA Ak G7 et nights of qui - et stars, ui- et, chords from tar, floating on he si Garr want “to “be, herewith you. so" close" me, cul the Bal ick G7 FAT 2 R-7 Bb E7 . ‘edce hat surrounds — Qui- etthoughts and qui-et dreams, qui-etwalks by qui AtT D9 D-7 Ab e.sveam 2F7 and_a win-dow look - ing on themoun- tains and the sea, how love = iy. Bb9 E7 AT D: 1 who Gm was lost and lone- ly, E-7 As? on- By Go G7 be-liev-ing life was D-7 o hive Toasd withyou the meaning of ex -istente, my love,504 ONCE I LOVED “jtumubert 1965 G7 cH Far FfS7 Ghe7 So, —_—— Once. T loved, and I gavesomuchlove to this love, it was the Then. cone day frommy in- fi-nite sad-ness you came and brought me Ad, AWG = F-7 BHT Bb? E75 ; world to me, Once cried at the though I was foobish and love again. Now. T know, that no mat- ter what ev- er be- par pis D47 G7 Are proud and let you say good - bye Jet you go— I will hold you close, falls, TU nev- er C47 FT ‘Bb? Be? Bb-6 make you stay, be-cause love is the sad-dest thing when “it A6 Abra Gi, . G7 AT D-6 ax —ZzSETI zat Tt Rt ERE OEBEtO:EkKE Eh Ee goes a- way, ‘because love is the sad-dest thing when it goes a- way GENTLE RAIN Luis Bonfa 1967 A-6 Bos E7 A? D7 G7 C7 We both are lost and a - lone in the world, walk with mein the gen-tle ve ath wees “ae wey Rl Gn my cheek, they re warm——— ike the gen-te Fs ys Br Ens an Dont be a -fraid, Tye a hand for your hand and T Come it-tle one, you've got me_in_the world, and our B-m5 B7 [vA-6 BIT “0. ee te @ar mm Be oo Ol F6 c7 F6 E-7 A> E7 rain like the gen-de rain, E z i 2 =ONE NOTE SAMBA 505 Jobim /Mendonca 1961 By pb7 c-7 D-7 This is just a lit - de sam - ba, built up- on a sin gle note. Oth- er So I comeback to myffirst note, as‘ must come back to you. 1 will D7 Db c-7 Br notes are bound to fol - low. — but the root is still that note Now this pour in- to that one note all the love I feel for you Asay Pa Bb7 Bba7 @ Ab7 SSS SS eee ———— SS SSS SSS rt a new one is the con - se- quence of the one we've just been through, atm one who wants the whole show ReMi, Fa, So, La Ti, Do D-7 Db cr B71 phe bound to be the un - a-void - a-ble con-se- quence —of_you. BHT abr pbar There's so ma-ny peo-ple who can talk and talk and talk and just say no-hing or nearly n0-thing. Db-7 Gh BAT c-7'5 Brn 1g oF near-ly no-thing, so I BPS [have used up all thescales I know and at the end I've come to no- Ab ‘bs c7 Ba7 He will find him-self with no show, bet-ter play the note you know. LITTLE BOAT (O BARQUINHO) Meneseal/Kaye 1962 Bba7 car FETS B? l E7 Az ‘Aba7 D-7 G7 E7 ATS D-7 G7506 HOW INSENSATIVE Joti 1868 D- Dbe7 c-6 How in- sen - sa-tive I must have seemed,———_when she told me that sheloved Now. she’s gone a- way. and I'm a= Jone with the mem'ry of her last Bois Bba7 EAT E-15 = + Sx —_—— = Eo ==! rears How un-moved and colf______I must have seemed whenshe Vague ad drawn and sad, Tse it still all her Ane D- pen C7 FT B75 she must have asked ‘Bba7 E-75 AT D7 G+ co ‘was tosay,———__what can you say, whentthis love affair is ov - er? wasl todo, ‘what can one do, when a love af-fair is ov - er? PRETTY WORLD (SA MARINA) Alc c 4 fp 4 4 7B Ff 7 DT c 77pm 7207 OG c [a7 i i i L i 5 Wye mut tne te _—— I J L ' J I I I I I ISO NICE (SUMMER SAMBA) 507 \Valle/Gimbel 1965 F B-7 sive-one to hold me tight, tit would be ve - ry nice, softe-one 10 love me right Some-one to cling to me, say with me right or wrong, someone {0 sing to me ET ‘Bba7 Bb would be ve - sy nice. Some-one to un- der-stand each lit- Ue dream of me, some lit - de sam - ba song. Some-one to take my heart then give her heat to me, Bb7 BT Su D7 «G7 someone to tke mehand, 10 be ateam withme. Sonice—— life would be t0 nice someone who's rad-y 10 givelove astat withme. Oh yes _that would be 30 E-75 a7 D7 GB G7 D7 co if one dayT'é find some-one whowould takemy handandsambathru life withme. zG-7 C79 F Bb F6 nice should it be you and me, I could see it would be nice O GRANDE AMOR Jobim 1958 2 Bs A790508 TRISTE Jobim Bb ‘BbAT Gbs7 BT OB Bba7 Sad. is to live in sol - itude, D-7__G7_C-7_—C-7BP far fromyour tranquil at - timde, G7 G-1F AT D7 sad is to know that noche ev ean live on a dream 4 BT AT D7 G7? C7 FT E7579 Dy that nev - ercanbe-— willl neverbe, dream - er awake. wake upandsee— Bb Bba7 B77 OB Bba7 Your beavty is anae - roplane, so highmy beartan'tbear thestrain, F-7 Bb? BAT Ab? D7 G7 —_——— a heart that stops when you— pass by, on - ly to cause me pain, c7 C7 47 FI B77 4% 4 £& * a is to live in sol i- ade——— << BLACK ORPHEUS (A DAY IN THE LIFE) ais sous 1959 B-75E79 A- B-75E7)9 A- D-7 GZ, CAT Che7 AT sad A A day inthe life of a fool—_, a sad anda long lonely day. I walkthe D7 G7 car FAT Bs BTS At BeTSET For? cofming my way—— 1 Ans D-7 a-ve-nue—— and hope I run in-to— AS B-7SE79_ A> the wel-come sight B-75 B79 B-715 "stop just a- cross from your door——— but you're nev-er there a-ny-more———_—_So D-7D-7C B-75E79 A- A-7G Fa7 B-75 E79 A- |['B-75E7K © back to my room, and there in the gloom I cry tears of good - bye Uae An D7 Av D7 AT D7 ET At “till you come back to me, that's the way it will be, ev-'ry - day in the life of foolDESAFINADO Love is like a nev- er end-ing Once your kiss-es raised me to a Tune your heart to mine the way it cz OA-75 pared it har - mo - ay and D7 to asym - pho - ny. stra- tion does- n't seem so rich. D7 G79 p7™ G7 mel - 0 dy. fev - er pitel used to be, G7 ‘A. sym- pho- ny con- due 509 Jobim 1959 G7 Po - ets have com- now the or = che - Join with me in ‘ATS + ted "by the Gba7 Lately you havechanged the tune we BT ET AaT used to sing,—___ Bb? are SS like the bos-sa no - va love should light-ing of the moon, but our song of love is slightly out of tune 2 Ga Bh-6 AT B-75 7 AaT Bhe7 SS — ——— — = B-7 E7 sing sed AaT FLT B-7 to har- mon- ize, E7 two souls in per fect tune,—__ CAT ch? . ‘now the song is diffrent and the words dont even thyme, ‘cause you for-got the me-lo-dy our D-7 G7 hearts would al-ways cron, Lae D7 sing a song of lov ing. Aber G7 | Eb G7 then you long There'll be no De-sa-fi- and so what good's a heart that G7 G7 A-75 D719 Bb-6 G7 C7 slightly out of tune? Av Were bound. to get in tune again, be - fore too x na-do when your heart be - c7 won't be slight-ly out of tune, youll _sing BHT longs to me com-plete- ly, F6 a+ long with me.510 LIKE A LOVER Ccaymmu/Metta 1967 Sergio Mendes C47 Glas ca7 DIC Like a lov-er the mom-ing sun—— slow ly ris-es and kiss- es you a- wake. Like a lov-er the = riv- er wind sighs and rip-ples its fin gers through your hair. Like a lov-er the vel- vet moon shares your pil-low and watch-es while you sleep B-7 E-7 Alsat AQ D47 GB Gt+7 ‘Your smile is soft anddrow - sy as you let it play up- on your face, —— Up - on yourcheek it lin - gers, nev-er having known 2. sweet er place, —— te tight ‘ar-rives on tip toe, gent-ly takeing you. in its em-brace, F47 Gr car Gat — Ob, how I dream I might be like the mom-ing sun to you, — Ob, how I dream I might be like the riv- er wind to you. — Ob, how I dream I might be like the vel- vet moon to you. = —_ How I en - vy a cup that knows your ‘liph— , DIC B-7 B79 E7 let it be me my love, anda tab- Je that feels your fin - ger- tips, [715 BB BHT E-7 Jet it be me, let_me be your love bring «an. end to the AT A/G D7Ft . GTeus* G7 ocarine end - less days and nights with - out — you. I I I 'THE LOOK OF LOVE 511 Bacharach/David 1965 bar D- Av of love isin your eyes, a look your smile can't dis- guise. look of love, it’s on your face, a look that time cant e- rase. Almé AT D- D7__—Bbar Bb Faz ie look of love, its saying so much more than words can ev-er say, Be mine to- night, let this be the start of so ma-ny nights like this, FT bar Bhs Alga D-7_G7_ F6 and what my heart has heard, well it takes my breath a-w 1 can hard-ly wait ® bold Fou, Tets tke a lov = ers vow and seal it with a kiss G7 a F6 G7 feel my arms sround you, how long I have waited, wait-ed just love Jou, now that T have found you. Pa my De Gy DG You've got the please dont ev-er £0, T love you 30, dont ev-er 0. DON’T MISUNDERSTAND Gordon Parks 1955 Al Fa7__B-75_ B78 Bba7 AS Dm «G7 Don't mis-un- de® stand we are on- ly. stran~ gers, of Ou Way to someone else, to Dov't mistake my smile—— ‘t justmeans t'm lone -"iy,” lowe me ull this “day is past and Don't mis-un- dee stand, you are no con- cem of mine, but in case you're free sometimeand you ‘G7 C7 @ FAT 09 2G7 C7 FAT Dw. some-place we for- got Don’t mis-take my” then for- get we met We're just pass-ing eed some time with G- E-75 —a79 D- D-71C B-75 Bb7OF/A Ab7m ime, in someseoret place, G7 yielding to a song one day to love the pain a- CTan 8am A-75 79 G7 C9. C7 ~FBb6 FAT way. Don’t mis-un-der_ me some-time to hold my hand then I will un - der- stand512 CALL ME Tony Hatch 1965 Bba7 Bb-7 If you're feel- ing sad and lone-ly,_— there's. a ser-vice can ren- der. ‘When it seems your friends de- sert you, _there'ssome- bo - dy think - ing of you. Tr you ‘cal Til be rightwith yoo you and T shoud bee geth-ce AbS7 Ab-7 Gba7 Tell the ove who loves you ony Tem be so warn | and tn-dez. Call me Tim the ove who'll nev er hum you, maybe has be-eause "I. Iove you ‘Take this love I long to give you, T'll be at your side for - ev - er. Be Gba7 Ebel Gba7 BRL don't be a-fraid you can call me-——_may-be i's late but just call me tell me and T'll be a Bb [Fe]? F+7 C7 F7 C7_F7_ Bb round. Nowdon’tfor- get me, ‘cause if you let me I will a-ways stay with C7 FT C-7 FT Bb 7 FT. Cal Fg you. You gotta trustme, that’show it must be, there's so much that Ican do. YELLOW DAYS Carillo/Bernstein 1965 G7 cz F6 re - mem-ber When the sun light had a spe-cial kind of bright-ness, and the She would hold me, and a smile would spread a- round us so com- pleie- ly, and the Lite “is emp-ty, andthe “sun light seems so harsh in-stead ‘of "ten- det, and the ATs p71 Ge F6 ACTS p7 lap tetae a STEER ighenes, pl tolt- ness of a kiss would lin- ger aweet-iy.” 6 lntgh-ter's jostan ‘echo T'e~ mem-ter from Je *c7 F6 C7 F7 ? nRHrmRte.waienmtnmte#e8%3§ggnkenmnpBmBenmemiw38stj$w7Z$283aeHH ww days, yellow days—F° Bur then came thun- der Bb BT EMT Ab and I heard her say good-bye thru tears of D-75 G7 C7 ee fe is a won-der, now I'm all aloneand my heart wants to know, yel-low days, where'd you go—BEE SERBS SRSA DINDI 513 Jobim /Gilbert 1965, Eba7 —2—, Db —1 ~~ EbAT > Dba? Sky, so vast is the sky, with far a-way clouds just wan- der-ing by, car Aq D-9 G3 where do they gio? Ob, 1 don't know, don't know; Bba7 —, pa, Ebr pear Wind that speaks to the leaves tell - ing stor ies that car . AS D-9 GB sor - ies of love be - long to you and me. Al EbA7 Dba? Bhar BT Eb79 On Din i, if 1 on-ly hadwords I would say all the beau-ti - ful Ob, Din -di,—tike the song of ‘the wind in the trees,that'show my heart is know Din di, = T'd_—be runing andsearching for you like a ri ver that aban 6 things that 1 see, whenyou're with me, On my Din- di, Fe sing - ing Din- di, bap ~ py Din-di, when you're with me. can't find the sea, thar would be me, without you, my Din di G- BAS G- ES cn Tove you more each day. F- Db F- Db6. Fa Td let you go a- way if you take me with you, = Den’t514 —CHEGADE SAUDADE (NO MORE BLUES) Jobim /Hendricks /Cavanaugh 1962 Al ams [ep- D- DC «ETB E79 B-715 I'm goin’ back home, nono more blues and no more fears I'll A Bba7 No more blues I pro-mise nomoreto No more tears and no more E-75 A792 D- D-71C B-75 ET E-75 ATS 2 D- p79 G- GIF AME right here all long. say no more good-byes— if tav-el_ beck - ons me I D- D-7C B-75 Ens Ay D- a7 swear I'm gon-na re- fuse, I'm gon-na set - ue down and there'll be no more blues. AToust D7 Bmp ET AT Ev-‘ry day while I am far sway, my thoughts mm home-ward,_______for-ev- er home Fe? E-7 De? DAT FET roam. Home is where the heart is the fun-ny part is,____ my heart's been 5 E7 su B-7 Bb-7 AT D7 87 G-7 FR sB7 E7 Alnus Ue down and live my life andbuild a home and find a wife. When we settle down there'll be no more blues, FHR-7 BT E7 E7 AT D E-75 a7 ‘noth ing but hap- pi- ness, when we set-Ue down there'll be mo more blues. ward. I trav-elled ‘round the world in search of hap - pi- ness but all my E7 E75 AT D47 DAvCH = B-7 hap. pi-ness I found was in my home——=— town. No more blues I'm goin’ back home, no more dues 'm thru with all my wan drin‘, now I'll set~516 | GOIN’ OUT OF MY HEAD Randazzo 1964 C2 a7 CL think I'm go-in’ out of my head yes I think I'm go- in’ out of my bead And I think I'm go-in’ out of my head ‘cause I can't ex- plain the tears that “I” shed F6 F7 Bb? Bb? ver you o- ver. you "T_— want’ you ‘to ver you over you. T see you each Bar G7 AbAT want me, “I need you ‘so bad- ly, I can't think of an - y- thing but mom - ing, but you just walk past me, you don't ev - en know that I c= ca 2 Cal D- G7 you. And 1 xist_______ Go - in’ om of my D-1G IB] ca7 —1, DG a7 bead 0- ver you, out of my head 0- ver___you, out of | my Cc oF c F CF Cc F c head day and night, night and day and night, wrong or ‘right, ‘I must think of a DF F-6 CE Be? mo way in = to your heat, there’s. no. rea - son GD __, A755 De. Gs Gast G7 DC. alFi why my be- ing shy should keep us. a pa__ and I Vamp Out at End C2 car cL car think I'm go-in’ out of my head yes 1 thinkI'm go- in’ out of my headRECADO BOSSA NOVA 517 Djalma Ferreira 1959 D7 Al p- aT G- G- E-75 A79 A- AT Saatend Op m3 AT D- LOOK TO THE SKY Joten 187 BHT abr Be, Ber, 2 G7 cn F2 = AbT pb "Gt, Gh F-2 ee @ axon Eba7 ——— Ab-9 Db7is,518 SO MANY STARS Sergio Mendez/ Bergman 1967 a FIG Gs G7 cr The dawn i filled with dreams so ma-ny dreams, which one Is mine?One must be wind— is filled with songs, so ma-ny songs, which one is mine? Fa? Bb3 E- CE E6 _E7 En E7 right for me——— Which dream. of all the dreams,—when there's a dream for ev - ‘ry star? song— songs— song D7 G7 cs 1. ATust AT [2 C6 FAT ATS ee ee: ene x I FRO F7 E-9 ARS Tome the comer dys the ents nights tat Thive seated, so macy eyes, comely Gn E13 E+] Alust A7)9 F/G Ge hearts, so ma-ny — smiles______ Whichone to choose? Which way to go? How can I E-9 A D-9 G7 cs mow? Out of oh so many stars, so ma-ny stars. a A MAN AND A WOMAN Lai/Keller 1968 car B7 Bhar E7 AT DA? @ E-7 Al Dav D-7 G7 a7 D.C. al Coda Las Do? |par >519 FW ESTATE Dig Bruno Martino/Brighett! 1986 Flast a G-as9 G- A-75 G-aas9 G-7_C-7 Estaé you bathe me in the glow of yourcar- esses. You tum my timid’sno's to eager Estaé, Oh _howyourgoldeen surlightbendsthe willow, your blos somssendtheirperfume to my Estzé. And whenyousleepbe-neath a snow-y cover, I'll keepyou in myheartjust like a Blo BAT, Bp? ab?) fA-T 79 @| 2a-7 D7 F7 yes ’s You sweep a- way my sor-rowswithyour sighs. Al- ways feelyou pitlow Oh, whocould knowyou half as well as I. Jov-er, then wait un - til youcome a-gain to me. Gar ceTs FATS BT E79 nearme, in-—=«sev = “ry song the mom - ing breeze com - pos - ¢s rf C7 Flast F79 Bb7ust Bb79 BbAd. AbI3 A? DIB allthe tenderwon- ders of the Ros - es cach time the set-ting sun smiles onthe sea @ G7 C7 D7 G7 C7 FT ONLY TRUST YOUR HEART Benny Carter/Sammy Cahn 1964 * FAT B79 E7 AT D-7 Nev-er trust the stars. whenyou're a - bout to fall in love, Took for hid- den Nev-er trust the moon when you're a - bout to taste her Kiss, she knowa all the Nev-er trust your dream when you're a - bout to fall in love, for your dream will ‘G-7 C7 |,G-7 G7 F ACE Just wait_____ for a ites, and she Knows how to ‘ie. | qa-yaloe so ee ee Soe eee D7 FIC B-75 E+ A Ab-7 G-7 C7 Dew Coda hight when the skies are all bare, then-if, you still © care © aim ans F-7 Bb7 C E-7 A7 D-75 G79 on-ly trust520 NEVER LET ME GO Livingston /Bvana 1966 Big Bye ab Di, Nev-er ltme go, love memuch to much, if you et me go, fe woud oe its toch, world was ov-er-tumed at the ve~1y stat, allmy bridges bumed by "my flaming hear Gur, “FT Ea BH BHT what would Tbe with -out you, there's no place for me with- out you. Nev-er let me 0, you'd nev- er leave me, Ab79 Di-6__,__ bau BAT Td be so lost if you went a-way___there’s bea thour sind hours F-715 BbaB Eb F7 G7 F79 in the day c7 257 with - out you I know Be- cause of one ca-ress my would you? Bhs, BT BT abns pis ‘You could-n't hurt me, could you? Neveerlet me go, never letme g0. IF YOU NEVER COME TO ME a. jcsnert 1906 ‘Eba7 Ds? Dba7 cre —— for the peaks where the win - ter. snows, whar's ——— if you nev - er come to me, wha's the Gl, GHZ, co cw Fv Bb7!9 ,__s_, the use of waves that will break in the cool of the use of my won-der- ful dreams and why would they Eb13 Ableust Bar eve - ning? with - out you it's lead me? with - out you,a" WHERE DO YOU START 521 Johnny Mandel/Alan Bergman 1988, BE Abegpb Bt Where do you start? How do you sep - a- rate the present from the past? How do you Which books are yours? Whichtapesand dreams be- long to you and which are mine? ourlivesare Where do you ‘start? Do you al - low yourself a lit-tle time to cry or ‘do you Bb7 EH? AbS7 Ab6 Ab-7 Ab-6 deal with all the things you thought would last, that did- n't last? with bits of tangled like the bran-ches of a vine, that in - ter - twine. So ma- ny close your eyes and kiss it all good - bye? I guess you try. And though T ® FS ‘Be GO Bhs G7 co mem "ries scat-tered here and there. I look a-round and don't know where to start ha - bits that we'll have to break and yes-ter-days we'll have to take a- ~~ don’t know where and don't know when, I'l Rei BS BAT Bb7aut Dbraust Gba7 BT Which books are part. One daythere'll be a song or some-thing in the air again to c-7 Flat AbsYBb Gb-7 Bb7ast — Bbo7 —_AbsgBb 2. Coda catchme by surpriseand you'llbe there again. A moment in what might have been. Wheredo you ® pa Bis G-9 cs G-9 cB find my-self in love a-gain, I pro-mise there will al-ways be a lite place mo one will see, a Flast Fi3 Bblast BOTS BS F7E BS tin-y part, deep in my heart, that stays in love with you.Be? BY 7 BHT Bb 7 can C7 F7 F7 Dband clung - F7 F7 a FT tom-mor-row was another day the mom- ing. found me miles a-way F7 G7 FT Be 6 45 with, still a mil-lion things to say. ] pe oe Ab Now, when twilight dims the sky above re call- ing F7 Bb7 BY ab thrills of our love there's one thing I'm cer-tain of, Bh7 Eb7 AbD BT EBT AD sertomytm um—— 1 will to old Br - il. Sante BRAZIL 535 ‘Barroso/Russel 1999 “rate moo ee DH oe ADS : the Bra-zil that I knew where I wan-dered with you Gh) oF? BbT ET BLT BT lives in my im-a-gi- na - tion, Where the songs are pass-ion-ate, and the smile has flash in it Bh7 EBT Bb7 BT Ab Bb-7Eb7 Ab Bh? BW and 2 kiss hasart in it, foryou put yourheart in it and so I dream_— of old Bra- A] Ab Bb i where hears were en = ter-taining Sane, BT Bb7 BT westoodbe ~ neath an amber moon, and soft-ly_ mur-mured “someday soon.” Ab Bh B79 abo ab? G7 GhIBlE7 ht We kissed___ to - ge er —___536 QUANDO, QUANDO, QUANDO Rents /Boone 1962 x Bey x Bb BMG C-7 F7 Tellme when wilyou be ‘mine tell me quando,quan-do, quan - do When will you say yes to met me quamdortuan-de, fuon ge Tean't wait mo-ment mere ell me quan-dovguan-do, quan. doa Bhar BT oC7F7 x x x Bb We can share a love di- vine please don't make me wait a - gain ‘You mean hap-pi-ness for me—— ‘oh my love please tell me when Say i's me that you adore and then “e tell me more * Bo? 2 Bi F-7 Bh x ‘When will you say yes to Eb Ev'ry mo- ments a day, G-7.c7 ev ‘ty day seems a lifetime,—_ let me show you the way. oy 3 m , C7 F7 #% FT Bb OBST oosa a " a " au " i" " " f — to a joy be-yond com-pare—__ T can't wait 2 mo-ment SAMBA D’ORPHEU 1959 al Lutz Bonfa 1JAZZ SAMBA (So Danco Samba) 537 . Jobin Ciba 1963 B Bb+7 4 a BS AbT G7 c7 Fo C-7 FT so damca sam - ba, vai, vai, vai,vai, vail So Bbo Be @|* Blo 2 BHT ° = = [B] “met sam ba 50 dance sam = ba vail So Bb-7 BS Aba? Ab6 Bos-sa No - va came and took the town. C7 F9 Fd Bb 0c arin Jetfrom Ri - 0 to New York and straighto Car-ne- gie Hall. 8 % BS F9 Fi7, Bho BS so danca sam- ba, so danca sam-ba, vaivai, vai, vai, vai, vail 1GO TO RIO grincnseennax F7 a C7 F7 C7 Bba7 Bb6 2 Bhs? Bhs Bb7 BbTaust B-7 Ab7 2 Gast G7 @7 DG Coda ant: @ H Aw pre G7 Clpt C7 Cast c Flast — F7 Flat 7 Dc.taxxgC-7 BLE ee538 TICo Tico soon E7G} At A ETB Ob, toco- to-cottic, oh, theo -ti-cotock, this ti- co - thco,he'sthe cuckoo in my clock, andwhenhe Tvegota heavydate a teta -tetateight, sospeakoh tico,tellme is it getting late? If T'm on t AE At \BUFt B7 E7 I time to woo, it's i= co - timefor all thelowersinthe block. I've got a time,"cockoo", but if I'm late “woowoo” Theone my Be G7 A- hbearthas gone to may not want to wait. Forjust a birdie, and a birdie that goes no-where, he knows of e + D7 Gl ew 'ty lover's lane and how to gothere. For in af- fairs of theheart, my t-co's ter-ri-bly smart, he tellsme c G2 c G7 “gently, sen-ti-ment-ly at the star.” Oh Oh I hear my little t-co ti- co calling, be-cause the Cc CE E FR ciIG Tove that not 0 cuck-o0 cock-o0 in the clock, tico- t tikme is right and shades of night are falhing. D-7 G7 cMAS QUE NADA 539 Jorge Ben/Deane 1963 A-7 B-/A iu FZ aa omy ATElat “4 D-7 Gust 7 Pow! Pow! Pow B-75 E79 A O00, when your eyes meet_ mine, B-75 B79) ae ow! It’s a feeling that be- gins to grow and grow and grow in-side me, til T Bs ETI A- E7 A> ona feel like I'm gon-na ex-plode. Oh, this is D-7 G7 car C6 what you do to me—____ Are your lips D-7— B75 Ifyourheartis beating mad-ly then B-75 E79 say ~ ingthings that you feel in yourheant?. EW A B-75 B79 A. Jet the music start Hold me, hold me, —_—It's_hea- ven 000 it's hea-ven when you At B-75 B78 A- E7 An Dc artstenaeg fare hold me, [want you night and day, 000 T want you here to stay. BIM BAM BUM Moraes 1941 BP F c1. FT eL 540 MENINA FLOR. Louis Bont, Mars Toto THEIR’'S TEARS F-7E> Claire Fischer gu Dba cr Dbaz C7oust GF (15, 6, 45) F7!9 Bb-9 A719 Ab-75 G7 C6 Gh7tn Gan? C7at FoBESAME MUCHO 551 Velazques/Skylar 1941 D- G-A D- __4__, G-47) G7, FR, be-sa- me — much - 0 eachtime I cling to your if youshould leave me————__each lit- le dream would take GE, AWE D- A-/C__BbA7 ATT G- kiss I hear mus - ic i= vin_____ Be sa-me much - o— wing and my life would be through, be sa-me much - 0 — E-75 a7 D-_, _ D=1C,__—_—BYT. AT D- G-/D_ D- hhold me my dar-ling and say that you'll al- ways be mine. fre love me for-ev-er and make all my dreams come tue. D- E75 a7 G: ‘This joy is some-thing new, my arms en-fold-ing you, nev-er knew this thrill be- fore, D- B B75 BH, AT ocafee G who ev-er thought I'd be hold ing you close to me, whis-p'ring “I's you I a- dore.” SPANISH EYES Kaempfert/Singleton 1965 G D7 Blue spanish eyes___tear-drops are fall- ing from your span-ish eyes Pret - c= est eyes in all of Mex-i- co— D7 G Please—— please don’t cry, this iS just_a- di - 0s and not good- bye ‘True ‘spanish eyes_____ please smile for me once more be-fore I go G G7 c me Soon I'll re- tum,—__ bring-ing you all the love your heart can hold—__ c G D7 G Please say si, si say you and your span-ish eyes will wait for _me— a552 BEGIN THE BEGUINE ae Ponte 1995 Cc céo cAT C6 Cc Cj D-7 G7 ‘When they be- gin the Be- guine___it rings back the sound of mus-ic so ten- der it ‘with youonce more— un-der the stars, and down by the shore an or-che-str's play-ing—_and D7 Gla, G7 ce brings back a night— of trop-i-cal splen-der,— it brings back a mem_- o-ryev-er gree I'm ev-en the palms seem tobe sway-ing— when theybe-gin Be 2 G7 c c F7 Bb cI theBe guine——- To live it again is past all endeavour ex- cept when that tune BY? ‘AbAT AcTS DI, G Ab G 2 — = clutch-es my heart, and therewe are swear-ing love for-ev-er— and pro-mis-ing nev- et, F7-,, G_ G7 fe cs 4, cy C6§ OC nev - er pat What mo-ments di vine, what rap-ture #0: rene—=— ll clouds eame a-long to dis c D- G7 F: pD-15 re et perse the joys we had tast-ed.—— And now when I hear peo-ple curse the chance that was wast- ed, Gia, G7 c Cf. C6 T know but too well what they mean s0 don't “let thembe- gin the Be~ Jet them be-gin the Be-guine, make them cco c_, ce G7 guine__let the love that was once a fire re-main an em ~ ber et it pay, till the stars that were there be- fore re-tm a- bove you __till EF D-, E-7 AT * Goud D2. sleep like the dead de - sire Ion ly re- mem- bet when they be-gin____the Be ‘whit-per to me once more “Darl-ing, I love you" andwe sud- den-ly know. G7 75 7s ic 267 G7 Dt guine Oh yes what hea - ven we're in,_____when they be-gin______the Be- c D-7. G7 c pine. when they be-gin. the Beguine.GREEN EYES 553 Menendz/Rivera 1929 B Ebs7 BG A our eyes that provmise sweet nights, 10 Rol when ay love be Eas ‘Sur green eyes with their soft lights, Those ‘cool and lim - pid green eyes, B E7 Bba7 I seemto bring, to my soul along - in a thirst for love i- vine so deepthat in my search-ing-——— for hap-pi-ness I F-7 Bb7 our lips meet, and-our hold you to find you anden - fold you, c7 F7 Bb7 ze fear heart 100, with a thrillso sub - lime. ‘Those cool and lim- pid BT F7 BbT B ° tiatthey will ever haunt me, all thru my life they'll taunt me c7 F7 Bb? butwillthey ev-er want me, green eyes make my dreams come true. MORE Ortolani/Newell 1962 Gal E-7 AT D7 «GAT E-7 More than the great-est love the world has known, this is the love I'll give to More than the sim- ple words I ty to say, I on-ly live to love you Long-er than e- ver is a long, long time, but far be - yond for-e- ver, AT D7 E- E-@) E-7 E-6 AT you a - lone. More than you'll e- ver know, : arms long to hold you so, life will be moreeach day. a my 5 oo you” be mine. I know I nev-er lived be - fore, and my heart is ver-y sure, noone AT AyD D7 ccronpenuce @ AT D7 G6 in your keep-ing, wak-ing, sleep-ing, laugh-ing, weep- ing. ‘else could love you more554 AMOR uts/Sylar 1941 A ic} E-7 A-7 this word so sweet that I re -peat, when you're a- way there is mo day D-7 G7 D-7 D7 G7 a mor, my love would you de- ny this heart that a+ mor, my love, make life di- vine, say you'll be B79 Ee FETS BT bd I have placed be- fore you. FRNS BT. E- can't find an-oth-er word with mean-ing so clear, my G E7 Av D7 lips ty to whis-per sweet-er things in your ear. But some-how or oth-er nothing sounds quite s0 dear se Ay D7 D7 G7 2 G7 Be C6 this soft car- esting know. ‘A mine, and love me G7 cé Ab C6 Ab7 Cc on - iy—— mine and loveme on - ly__ a+ mor—_ a= mor—___ POINCIANA Dist D7 Dias = D7 Diu D7 D-7 G7 an = a— your branch-es tome of love The pale moon Poin an- a some-how 1 the jungle heat with - "in “me Poin an: ‘tho skies may tum_from blue’ to_gray-—— B my love 3, D7 A C-6 het, ft8ty ine sha dows from a- ove Poin-ci - Love is. eve ty-where, its ere grows thyth-mic’ sav-age beat weil “ive forsev's er and Sea D7 Cc A? D7 oy ‘mag-ic per-fume fills the air—__ to and fro you sway, my heart'sin time,'ve leaned to care Poin-ei-SPEAK LOW 555 A Weat/Nash 1943 G7 a GT GT when you speak, love, our summer day with-ers a - ddar-ling speak low, love is a spark lost in the ddar-ling we're late the cur-tain de- scends, ev- ‘ry-thing BT ® Bh7 EW too s00n, 100 soon. Speak low when youspeak, love our moment is dak too soon, to0 soon. I feel wher-ev-er I go, _that to- mor-row is too soon, too soon. I wait darting B 2 FBT A-7D7 |? F swift, like ships a drift, we're swept a - part too soon. Speak “ soon. ‘Time is t0 old ‘eat, to-mor-row is here and. al-ways too Abe Ab6 — BbAT pb c7 md love. sie, love is pure gold and time a thief. we're @, ATS DT G7 G7 cB F6 wait will you speak low to me, speak love to me and soon, PERFIDIA Dominguez/Leeds 1939 G7 ¢ A> D7 G7 a Cc A D7 To ~ you_____my heart cries out “Per - fi- di- for 1 found you, the Your eyes. are ech - o- ing per - fi- di- a _for- get ful of our And now. T know my love was not for you, and so I'll take it @ pr, G7 EB? = «G7 love of my life, in some-bo-dy el-se’s arms Your With a pro- mise of love, your shar- ing an- oth-er'? charms, [B] bk win sigh, per 5 D- sad laement, my dreams have fad- ed like a brok-en mel-o- dy while the D- E7 G2, @D2,_G7 Cc ‘gods of love look down and laugh at what ro-mantic fools we mor-tals be. ‘And fid- i-a'sone good- bye.556 ALWAYS IN MY HEART tecuona/Gannon 1942 Bb FAL Bb You are al-ways in my hear even tho'you're far ® way canhearthe music BS BHD Db? C-7_—-F7 cr cons of the song of love I sang with you. ‘You are al-ways in my heart and when skies s-bove are FT c-7 F7_A7 Bb Flat gray, I rememberthat you care, and thenand there, the sun breaks through. Just be- fore goto Bb FAL Bb p-75 seep there's a remdo-vous I keep and thedream Ial-ways meet, helps me for- G79 c- EG Abe get we're far a= pan T don’t know ex-act-ly when dea, but I'm sure we'll mect © Bb BHD. Dbe7 c-7 F7 Bb gin dear, and my darling, tl we do, you are al-ways in my heart YOU BELONG TO MY HEART Lan /cubert 1948 Ebay F7 Bo Ev You be-long to my hear now and for- ev-er—— and our love had its ‘Twas a mo-ment like this, do you re- member? And your eyes threw a FT Bb Eba7 BbTeust sun, not long 4 = go We were gath- er ing stars while a kiss, when they met ming Now we own all the stars ‘and a G77 79 F7 Bb F-7 when I said “I love you" ev - ‘ry dar- ling you are the song and you'll * Bbteut Bb? Eb mil- lion gui mil-lion gui - Bb Tout + tars played our tars" are still Eb beat of my heart said it too. ‘Twas a moment like al - waysbe-long tomy hear. EE EE nt aeSOFTLY, AS IN A MORNING SUNRISE 557 A mao G D- paris Pambeypammenten 128 Soft- ly as in a momming sunrise _the light of lovecomes steabing Flam-ing—— _withallthe glow of sun-rise a burming kiss is seabing, Soft ly as in a eve-ning sun-set___the lightthat gave slo- ry E-75 Bb7 A7 ‘p75 AT [2 F ob. For the passions that thrill ___love__ in-to a newbom day— the vow that all be- tray. A-75 D7 G B-75 B79 and lift you high to hea - ven are the passions that kill love-_andlet youfall to hell, A7 E75 79 @ E- Bb7 A7 = so ends each sto - ry. will take it all a- way. STRANGERS IN THE NIGHT Campfert/Singleton F Strangers in the night ex-chang-ing glan-ces, wond'ring in the night— what ae the chan-ces, ever sincethat night — we've been te gethcen,” lov! em at" frst Sight “in love ors ov" er o AP G7 c7 G2 we'd be sharing love— be- fore the night was —— $0 in your e} thar ing love — fore the night through. yme-thing in your eyes — C2 G7 c7 G7 was so in-vi-ting, some-thing in your smile was so ex-ci-ting, some thing in my bean. c7 F F7 told me I must have you. Asn p79 Stran- ges UT G2 e night “Two Tone-ly peo- ple, BS sua ges i FE. night——Up 10 the momentwhenWwe saidourfirstheFlo, __lit- tle did we know, D-7 G7 Clas n.cacoa §& G-7 Clast F love was just a glance a-way, a warm embracingdancea-way. And for stran-gersin the night.558 YOURS c Rolg/Gamse 1931 CE Eb? Glut G7 FICC Yours till the stars lose their glo - ry. yours till the birds fail 10 Yous in the gray of De - cem- ber. G7 D-7 Gat G7 D7? G7__—D-7 D7 sing yours till the end of life's sto - ry-——_—_ this pledge to GtT Car D-7__G7 J ’a7 E7 AT you der —— bring bere or on far dis - tant D-7 Bbo7 CE 2 D-7 shores, Te nev - er loved an - y -onethe way Tlove you, how could F-7 Bb ic AT D-7_ G7 c TP when Twas bomto be yours. AMAPOLA pe Coe aad Faust Bb Bb Asma - o> Ia, my pret-ty little pop- py you're like that love-ly flow’r so ‘Asma = po- la_—— the pret-ty lit-Ue pop-py—— must cop-y its en- dear ‘Bb Dbe7 C7 F7 F7 Flat C-7 FI sweet and hea-ven-ly.__ Since I found you_my heart is wrapped a - c-7 FT C7 F+7 Bb ound you. and lov- ing yoo, it seems "to beta thapesordy———— Ava [ep7 GT 7 a oc Bp charm from you Asma = po - Ia A-m- BYD Dbe7 C7 F7 Bby q q i | BESBaeESaBBBBRBRUERHS SE TEA FOR TWO 565 Vincent Youmans/Caesar 1924 B7 De? Bb? BT BT ‘AbAT C-7 Be? BT BT Pic-ture you up - on my knee, just tea for two and two for tea, just. me for you and Day willbreakand you'll a- wake,and start to bake a sug-ar cake for me to take for BT | AbBe OC-7 F-7 -D-7 G7 D-7 G7 BLT you for me a ~ lone. all the boys to see. CAT | FT E-7 No-bo= dy near us to see us or hear us, no Be: D7 G7 D7 G7 friendsor re lationson weekend va~ ca-tions, we won'thave “it knowndear,that we owna. te-le- ca BHT BTS C75 Ero Bee cs GT? phone dear. see. AT Be Gt We will raise a fam-i-ly, a AVC Be? Bh? BT AMG boy for you a girl forme, oh can’t you see how hap-py we would be? CHERRY PINK AND APPLE BLOSSOM WHITE Loutguy/Davi 1950 oO Al F7 Bb7 B It's cheery pink and ap-ple blos-somwhite__when your true lov - er comesyour way, The sto-ry goesthatonce a cher-ry_ tree be side an ap- ple ‘tee “did. grow, ‘And that is why the po-ets al- wayswrite, if there's a newmoonbright ‘a - fove’ F7 BT B Fie it's cher-ry pink and “ap- ple los - som white, the po- ets say. and there a boy once met his bride 0 be Jong, long a - go. i's cher-ry pink and ap- ple ; som white when you're in love 2 > BT B ‘The story goes that once a The boy looked in- to hereyes, it was a sight to em thrallthe breez-es Andas they _ gent-ly ca-ressed, the lowers lookedup to find, the branches Bb Bb D 06. aFine —— SSS = SSS 7 Joined in he sghs, the blossoms stan ed to fall. Andas they” twined Andthat is why the poets ‘of the two trees’ were in - ter - twined. bo) eesDeminge/care 100 | BL7 Bb7 Ab 1 Sometime a- go I wandered down in-to Mex - i-co—__—While I wasthere, 1 BY? G7 566 FRENESI Ab BHT By Ab Bb7 Ab AT Dz moon was shin- ing bright and nee Al Dz G7 c I felt romance ev'ry where, AT D-7G7 ‘voices in the night__ Ev'ry-one was gay this was the start of their ho - li-day. EST break % ry BT B7 Bb? | It was fi-es-tadownin Mex - i- co and s0 I stoppeda-while to see the show, A love-ly se-no-ri- ta caught my eye I stooden-chanted as she wan-dered by, Andnow with-out a heart to call my own a great-er hap- pi-ness I've nev - er known, B7 Ab @ Bb BT I knewthat Fre-ne- si meant “please love me”. And I would say Fre- and nev- er knowing that it came from me, T gent ly sighed Fre- be-causeher kiss-es are for me a lone, as Bc Db Break A love-ly se-no-Fi-ta “ Shestopped andraised hereyes to mine_her lips just pleaded to be c Break Cc F7 kissed her eyes were soft as can-dle - shine f0 how was I to re- Bb7 EDT break ps.eicoe OBb-7 BY? ab | sist? And now without aheartto who wouldn't say Fre-ne - si.pe | NEVER ON SUNDAY 567 ee Al BbT Eb Oh you can kiss me on a -Mon- day, a Mon-day, a Mon-day is ve-ny, erty good Or you can kiss me on a. Wednes-day, a Thurs-day, a Fri day, and Sat-ur- day is best_—— Bb7 Eb r you can kiss me on a Tues-day, a Tues-day, a Tues-day, in fact I wish you would bor Jeveer, nev-er on 2 Sun-day, a Sun-day, a Sun-day, ‘cause that's my day of rest EWG Ghe7 2 BWG G> BY Eb BF Or you can kiss me'on a Most. an-y- | day, -you can be my guest BYGGPBbIF 2 Bb7 F-7 Bb7 an-y day you say but my day of | rest. Just” namethe day, _that you like the DANSERO Hayman 1953 Fa7 Fe G7 c7 Fal F6 Hold me core ind hold me tight hold me now while my head seems light If 1 dream— of new de-lights,— it's apart ofthis night of nights Here before my ve-ry eyes ‘I couldswear this, is pa - ra - dise C7 Ast D7 «G9 cs F6 thrills like this lin - ger so when I hearthem play Dan - se - 10. and while L— feel this glow let them play and play Dan - se - ro— this is all mine =I know,—— . when I hear them play Dan - se - ro— BI a7 AAT pz In my bear I know that if I've heard one tune, T've heard a thou- sand themes G7 Ge cm G7 cr ‘but still and all T find there's on-ly one that thrills me to ex-tremes,_—— and so it seems. 0. alFine568 MORNING Bb? Clare Fischer - Cal Tjader C-7, F7 Bb7 BI Bh? BMT C7 atx F79 G7 c-7s Db7 G7 Bz C75 FM. ma Bb-7 aa cms E79 BT cos E79 CARAVAN ute Etingon (Tao! 1997 cz andstars a-bove thatshine so bright the mys-try of theirfad-ing &™ Sleep“ u-pon my shoulder as we creep a-cross the sands so I may ‘You____be-sideme, here be-neath the blue my dream of love is coming F-1,73— F-6 F7 F-6 ‘that shines b - pon our ca“ra~ van, this mem'ry of our ca-ra- van. with-in our de-sert ca-ra~ van. c-75 F79 Bb —— a issoexdei - ting, you Bb-7 Eb7 Bb7}9._ Ab6 ingn thy farms,SEEBEBRERERE ESE ———e BLUE TANGO 575 Anderson/Parish 1962 B BY B Here 1 While the B BT 7 our u ‘oor Crirer am with you— in a world of blue and we're rmus- ic plays wwe re - call the days when our BB BT ‘otr first we met While the B danc-ing to the tan-go we loved when 2 Bb 7 OUf Jove was a tune that we could-n’t soon for - get As I Ab B ’ ‘try id kiss. your cheek wwe don't have to speak —— the vi- o- hold me tight in your arms to- night and this Blue Bb7 EB BT 7 lins, like a choir, ex - press the de-sire we used to know not long a - go. So just Yan- go will be our By 2 B ~ BY eB 7 thrilking mem-o-ry of love576 KISS OF FIRE Vtodo/Aten 1952 Ttouchyour lips andall at once the sparks go flying, thosedev-il_lips that know so well the art of cz ly-ing. And tho’ I see the dan- ger, still the flame grows high-er, I know I SF must sur-ren-der to your kiss of fi-re. ‘Just like torch, you set the soul with-in me Give me your lips, the lips you on - ly let me BL F7 bum-ing, I must go on a= long this road of no re ~tum-ing. And tho’ it bor- row, love me to - night and let the dev- il take to - mor-row. I know that F- c7 bums me and it tumsme in- to ash-es, my wholeworld crash es with-out your kiss of I musthave your kiss al-though it doomsme, tho’ it’ con - sumes me, yourkiss of fi- F- BT Ab fire. I can't re - sist you, what good is there in trying, what good is there de- BT Ab c7 nny- ing, you're all that I de - sivre, Since first I kissed you, my heart was yours com- Fr Db C7 Db pletely, if Tm a slave, then it’s a slave I want to be, don’t pi-ty c7 pb c7 DS.alFeeLA CUMPARSITA 577 G7 Cc G7 Redeigues 1955 LA PALOMA c G7 Ee D-7 G7 Soe Ce G7 BESBEEBEBEEEBSEHEER ERE RRE TD |578 JALOUSIE ade oom 1928 Al ob —s— BB Be phy Be Jeal- ous - FA night and day you tor-ture me Bb- F7 Be if this spell that I'm —un- der can on- ly be a mel-o~ dy For_I know no EbrBb Bb DyF F- G75, | GL, F- ‘one but me has won your heat but, when the mus - ic starts_____my peace de - FI Bb 2. parts. From the mo- ment they play that lan- gour- ous stmin and. we ‘sur- Bb7 Be c-755 —— ren der to all its charm once a- gain, this jeal-ous - y Po Be Bb Fv that tortures me is ecstacy, myster-y, pain. BD De C7 F9 ce F9 Bb dance to a wn- go of love—______your heart beats with mine as we fear that the mus - ic will end, ‘and shat - ter the spell it may Bb “FIC BYD Dper sway. that soft word your lend, C23 Your eyes gives the ans-wer I'm dream-ing of, F7 Bb F+7 * PIC cervel lips will nev-er —say,__ I to make me be - lieve, wheryour Eb Eb BF F7 Bb eyes just de - ceive, and i's on - ly the tan - go you love.A CHILD IS BORN 601 ‘Thad Jones Bhs? ED-/Bb Bbar Eb+/Bb Bhs? Eb-/Bb AcTS p® G7 D+7 G7 D+7 G7 co Flat FI3 Bhs? Ebr) Bh? Bh /Bb bar Da? ‘Bba7 Abo C-7'5 BHF Gba7tt G7 co @ Flt FB @ Flat FT Boa7 Bn bey SEARCH FOR PEACE McCoy Tyner 1965 Ans p71 Gin G7 ATS pm Gast GPs cm OFT Bb7 Eb-7 3, Ab7 Dh? EIB = Fon cp, An CB APC CIs __,_AbIC_,_ AT D7 — — o Guus G7 rm G9 _,_AbrG.,_ G-9_,__AbIG G-9_,__AbSTG DG alFine CHELSEA BRIDGE Billy Strayhorn 1941 ban Ahan BUN aban — Bb7 7 C7 B7 _,—.|* Dbs B7 B-7602 LAMENT oo F- ET Ab7— pba7. G7 c7 F ATS D7 «G7 E-75 A79—-D-7 BLT A-7 D-7 D7 cm ELT G7 E-75 A79 AT DbA7 G5, Eby) Fa? D-7_ bt C7 7 Bh PASSION FLOWER Bily Strayhorn FETS F7m FEDS F7H ENS B7 D9 = D7 Gar 2 Ga7 prt Dba7 785 Bb7 Eb7 Ab? Db7 I q a q i Fé I i 1 i ste on ‘DG. al Fine PEACE Horace Silver ' A-TIS aby G7 cw BAT C-75 B79 Bba7 i a B-7? E7 A‘? FET EAS Ab? phag. c7m B7m Bb i BLUE IN GREEN Miles Davis 1959 pba7 ATS D-7 Db7 C-7 F 79 Bba7 ATS D-7 5 = Eva AT D-6 Bba7 AT D-6 Last Ory ardAl gs cs E75 Bb? BRT ab?B-7-E7 Bh? BAT ab? br Foe Sole B}T AMT "C75 B7m Bb ETH |” B 7M Bin oon Bons pa Bb cms pT Bl™ = = -_ AT Db7 Gb? BI BHT Bb-7 Eb7 Ab-7 Db7 Gb-7B7 F-75_ Bban7 Latin Dou X fea! .C. aland Ena. Oy C-75 F729 C-75 E79 34 G7 BT G7 B7 7 Dom Bb79 Eb Bh Bb7 Ab-7 Db7 G-7 B7 F-745 Bb79 BbATin B-7 BT F-75 : ROUND MIDNIGHT 603 ‘Williams Thelontus Monk 1944 mer N75 Dax? G75 Can? “pans Bhat BRS = a we NAIMA oN Al oe 1, BY BI Ae,” aber cae B BA7B> Bb7I9 s—, BATBb Bb79 E7Bb 1, BATB> rm F-7Bb oo om 0. Co tat x a ® Aber ‘bar Dba7 AbaT Dba7 Aba Dba?604 YOU KNOW I CARE Duke Pearson C-UF FT F-7 Bb? E-7 AT C-VF F7 E7 A7 Bs? Ab7 DFE GIF A/E B-7SD7 CH7 FA? B-7E7 A Gat Bl cr BRE CIF F? AIF BMIF C-1F BbayF Ab-7 Db7 Gha7 Flas AT C-UF OFT E7 Al) C-VF F7) F-7 BbT BAT Ab7 _D-7G 7 C747 E75 BT @ D-7Ga7C7MF7 E75) BIT D-7Gan7C7 Bar I REMEMBER CLIFFORD Benny Golson nv BbAT Clauss C7 A ACH D-7C-7 Bb-7Ab-7 G-7 Cust C79 - Foe Fa? B-SE™ A- A-1G Fe7 a7 Bb BST C7 CHT De D-II FITS Be ATS DI G-7 #7 AST. BhaT 2-75 B79 G7 c7 [B) p-7s Em Ar pm G7 Cram Far E-75 av De DIC B-75 B79 A-7D7 G-7C7_ g B-75 E79 = A-75 79 G-7,C7anOF SS o De os acts Lat X0. 19 mt/ TURN OUT THE STARS 605 ‘Bul Evans 1966 Bs Em AT AT p-7 G7 Ca? AT FT BHT Eb? C-7 Av? D2 GA? E-7 CH-7 FH BAT Gt7 CHT Bb-75 Bb7I9 aby F715 pb) BT ERD) BAT B-TBP Tas AT DATA Alnst AT DATA Glut G7 CATG Glut G7 CAG C7 Be E-7 Bb7 A447 D-7 Ab7H Gs7 C-7 Bb Aba? C79 F-9 D-75 G79 C-7 Ebtust = AbAT Ga CAT B75 BT AT Gust GIT foo (7) QUINTESSENCE ‘Quincy Jones 1961 Bb6 BT FIC B-75 EYB AAT Eb7must AbAT a7 FIA BES BEES EE ERE REE Diat G- Of: Cin# ATD79G9C13|2CIu* C13 Bla BY Be BRT BT 15 19 - . - G7 cr F-@7) F-6 D-75 Go Cet CPR 6 coe ~ D7 Cnt cB F6 @ Chat E+7 AT606 LUSH LIFE Bly Strayhorn 1949 pbs BS BS Dba7 BO Dba, used to vis~ it all the ve-ry gay pla-ces, thosecomewhat_ may places, where one re- ‘The girls I knewhad sad and sul-len gray fa-ces| with dis- tin - gue traces, that used to Eb? F-7___Gb-7 Ab7 DZ ‘Dba7 D; ‘Dba7 lax- es on the ax-is of the wheel of life, to get the feel of life from jazz and bbe there, you could see where they'd been washed a- way by too ma - ny thru the day.twelve o’- D6 D7! |Db6 G-75.C7 F- F6 F7 F6 Fe cock: tails. G- G7 clock tales. Then youcame 2-long with your sien song to tempt me to mad-nes, F F600 FT F-6 | Dbl, Ee T thought for a-while that your poig-nant smile was tinged with the sad-ness Ab7 B7M Bb ERT ATM Eb7 _Ab7 ELT, B] ft est love for me ‘Ah yes! Twas wrong, again I was wrong. Der pz, pba? p7i Dé C75 BT E47 p7it Ute is i bar st -year @v-'ry-thing seemed so st c low Db6__,—, D}7. C7_—Fa7_ Tt Bgl ahd on - ly Di pz -y D7, hearts could on-ly be a bore. A D-7_ G7 ca A, rw - ful Eb7I9 ie & Aba? Sein 2 tough - ful ‘of Abs? B-7_A7 =~DAT care is to stile ‘in spite of “Tt — C-75B7__F-7_Bb7 week in Par-is will ease the bite of it, es LL Dba? 7 aie. G7 Db still biim- ing in-side my brain. = Ro- Dba? Gb7 F7 Bb7 will, while yet you AT AbT you, BT a lush life in some small dive, and Bb D47 G7_Db6 D7Db6 ‘mance is mush sti-fling those who strive, T'll G7 BT AT Ab7 live Es? there TH be while 1 rot with the rest S% hose whose lives we lone - ly 100INFANT EYES 607 Wayne Shorter 1965 G7 Faq Bb7 aye Ghar Flest Bb-7 Boast Bb7 Gha7 Fleas BT BY Tax! John Lewis 1955 rm" =” = _ | mi ml Boast Ab Etat p7s w@ = a a a a a ed608 KIDS ARE PRETTY PEOPLE ‘Thad Jones D- A7 35 D- C-7F7 Bb7 AT D- G7 FayC 5 Al 2 ‘D> D-7C B-75 ET FIC 2D- B-75 C7 F AT? D-_ Bba7 G-7,__ Eba7 os =I C7 FL Bhs? ogb7 FIC C7 ce FIC AT D- ATs =D- C-7F7 Bb7 a7 Dz G7 C7 F7—o By BB7_ B75 Am D- IF YOU COULD SEE ME NOW Tadd Dameron Eba7 Ab7 Eba7 ‘Ab7 G7 Fe B77 Bb Ga 7 7 Bh 2a-T5Ab-G- Gb7F7 BA? AvT D7 BET A? D7 B? ET AT C-1 F7 Bhar C7 F7 FE? oBbr ss @ BL O(Gha7 Bar EA De alcose |DOLPHIN DANCE 611 oo BY Ebs7 D-75 G79 be S—=— AY7 ae — x BY, FAT B-7_A-7B B-7_A-7BBY-7 Bhne BbTeust D-1s G79 IN YOUR OWN SWEET WAY Dave Brubeck C7 F7 Am Dm G-7_C7 Bis Eba7 abT pb? ba? Baz cs hava B F789 E75 a7 Da? ET AT ber D-7 car SEBEBBBBEEB EEE612 WHISPER NOT Benny olen 1958 coc ATS pm. GG) GF ct) vio % fas AMS D-7_—E-7 —F-7_—_—G7_ |? E-75 a7i9 c7 E-75 ATs D-755 G7 oc.wcoee Every X For Solos E75 a7 = D7 -D-IIC All G7 Form AABA Last X On $6 E75 479 D- D-/C G/B _BH-6 F/A AMT G-7 AT? o STOLEN MOMENTS Olver Nelson C7 D-7 Bbe7 D-7 D-7C Fa G-1F C7 D-71C D- Eb E- F- Gh F- E- Be Solo on Minor BluesBEEBE RRR REESE SUGAR 613 Stanley Turrentine C7 as p-755 c7 GH 6? C7 C7 > D-75 or aban DOXY ‘Sonny Rollins HAUNTED BALLROOM Victor Feldman 1977 Al Fe pm G7 co D™ G7, co Bb7 Ep7t Bo G70 By AbT br ion FHT cm Dba? B79 Abs7_Db-7 C-7 79 Bh7 C-7_,—+ Dba? E79 Aba7 EWG F-7 F-7Eb D-7 E-7 Fa7 Gn E-7 AT D7 Gs CTaust CT, coal C7ast_ Bb D+7 Dba? C7GIANT STEPS see aie D7_ G By OA D7 6G BY ob FAV, OB OF-7 BV BAT D7 G Ch? FR B F-7 BY bg —Ek 4-7 FY BERNIE’S TUNE Bemie Miler 1953 BS BERBER EE EBR BERBER EE Eckee BI E-75 a7 phe G-7 C7 FT Fie C-7_ FT Bb6 G-7 C7 F7_ Bb6 E-715 AneWORK SONG 615 F7 Nat Adderly/Oscar Brown Jr. 1960 Break- in’ up big rocks onthe chain gan 1 commit the crime, Lawd 0° need in’ Jjudge he say ‘five years’ hard "la ~ bor breakin’ rocks and serv ing _my time, crime of be - in’ —_hun- grey and poor. onthe chain you goin’ ta go", ‘Wanna see my Sweet hon-ey ba by, wan-na break this’ chain‘off an fan, C7 c7 Breakin’ rocks out here on thechaingang ‘cause I been con-vict - ed of crime. Left the gro- cer store © man a bleed-in’, when he caughtme rob - bin’ his store heard the judge say ‘five years of lab- or”, heard my wom- an scream “Lawd-y no", wan-na lay down some - whereit's sha- dy, Lawd, it sure is hot in the sun: F7 Hold it ste- a-dy right there while I hit it, there I reck-on that ought-ta git it, been FT Bb7 G7 _— F work- in’, an work-in’, but T stil got so terr-ible long to go. THINGS AIN’T WHAT THEY USED TO BE Etington F F7 F c7 — For7 Bb op oF abe? Gc? | F F7 Bb Bb OF EEEBEBE EEE ESS616 STROLLIN’ Horace Silver 1960 Db? E-7 AT EDT ADT we bee ‘Dba7 Ab-7)-Db7 G7 Cc? AbIs Db7 Bb-7 Bbz9 Bb7A p79 Bro Bb7I9 BTM o F-7 — Bb7#9 BT AbTeas! Ab7}9 Db6 F-7 B-9 Ab7IS @ pe Gm FT Bb BT Ab79— CIDPANTHROPOLOGY F-7 F7 q eEEBERB EEE ESBS SESEES ‘Bba7 ‘BbA7 Bb? F7 BM6OG-7 cz F7 OLEO Bb6 G7 F7 Bb? BbAT = EG BbAT.G+7 SERPENT’S TOOTH Ber ca Che7 D-7 G7 Bb? BT Ee? /D-7 DoT C-7 FT [2D THE THEME aq Bhar Di? BMD > cv Bba7 C7 ber BhD —3— Bbs? C-7 Bp Gm C7 F7 Dbe7 aa |* F7 625 Parker/Gillespie F-7 Bb7 C-LE7 pbs D.C. aland End (Fine) Sonny Rollins Fv *C-7 F7Bb6 Miles Davis F7 C7 FT ‘Jazz Messengers Miles Davis BD —3 5 Bb626 NARDIS tes Devs A} E-7 Fa? (e47)B7 ca (E-7) E47_(F7#9) _ E-7 AT D-7 G7 car F47 _peaandenaee) AIREGIN Sonny Rolins Fo 35 cn Fe Fn Be D Bb7 1 Dba7 D-7_ G7 ca7 C7 Bba7 BLT F7 G-75 C79 fephar D-75 G7 C8 Gh F7 B7oBbT Eb Teast ab MOANIN’ obs (F- Ab? = G7 C7) F-. BOF F- Bb iF F- Bb z= FI BLO Abou Gm crs FT C7 FT Bb-9 D.C. al 2nd End (Fine) ADS Dba cm EEE BEB HEEEEEEBEEEHE Ee SEEEEE BEE BSRSSRRE SSSR SR ES SE A ROBBIN’S NEST 627 CAT Ab7 ‘Sir Charles Thompson CE Eb? D7 GT 2 C6 B) ew ee py LAZY BIRD John Coltrane FT F7 Bb7 EbA7 Av D7 C7 Ga7 “Ab-7Db7 [2GA7 Fr AST Bb7 Bb7 A-7 D7 Ga7 Ab-7—Db7 1G aland Ena Fre) MOMENT’S NOTICE John Coltrane E-7 AT F-7_— Bb7 Bba7 Ab7 =Db7 ~D-7)—-«G7 Eb? Ab7 Dba7 D7? G7 C7 B79 Bbh7 BT Aba Ab7 Db7 'G-7 C7 Ab7 Db7 ha? F-7 Bb? 'G-7 C79 F-7— BOT BS F-7 G7 F7 EM F-7 G-7 F-7 Eb628 MILESTONES Old es doin Lem? Fa7 F7 Bb7 Eb Ab-7 D7 C7 FR Bb G7 KIA] c-7 _s. FI Bba7 ea ALT DP ch C7 _, Ch? FH? B-7 3: E7 C7 —s+F7 BbaT E7 AT D7 Ga Ad E79 = Aq D7, Bb7. B-7 ET josurme QUASIMODO Ebay G-75 cn F7 Bb7 Charlie Parker F-7 Ab-@” B73 [BE D-75 G7 C7 Ad Dz G7 C7 FR Bb Bey, cz FT F2 C79. F7 Bb7WITCH HUNT 629 el cr Wayne Shorter Pm] SPEAK NO EVIL ‘Wayne Shorter Dba7 C7 Dba7 E-9 At D-9 G#7 am G7 Gb Fa Bb7t bre Db7 car SERENITY Joe Henderson p-15 G7 AbeTGha7 ETAT F1,_Bb7 BA? D-75 G7 C-7 AbT oDb7 G+7 GbaT_ 7 F-7) BHT D-715 G79 2Eba7D-73719630 ORNITHOLOGY crane reece sean tame A] Ga7 G7 c7 Fa? B7 7, B7 2, Aq tact wag he asz_3c AT Ba? Bb7 AT D7, Gar AJ Dp? Bere FOUR ae pbT Bh7 BHT Aba ab? Db7 Bhar BHT "Bhar FHT oB7 *G-7_ Gh7 F-7 BbT Bbs7 SOLAR Miles Davis Cc G7 C7 Fav F-7 Bb H@ EE EB BBE EEEEHEn sn Ber Br al phar pes = aA NIGHT IN TUNESIA 631 D7 be ET EH E-DS, ans O[D- + = ATS D7 G G7 c7 Gans cn F6 E-75 a7 2s. alcoas D- G7 Gen G2 p79 Fa7 E-75 a7 WELL YOU NEEDN'T Thelontus Monk. 7 FZ632 DAAHOUD caord Brown 1952 Al Scio changes Bb7#9 Eb-7 Ab? Db-7 Gb ( BRHReHReEReEEHEEHEEE HEHE inm Eb? Gh Ab-7 Gb7 BHT Es? BAT F7 @ Bb7 Z Fo a es Bb7 BT AbAT BT AT Dy G7 No Chore Dea cade © rumen ART DHT Ghar Bb7 aby c-75__B7 *g Un soccurnesnen OO Bt on Drum Fil Salo Break 0.6. YARDBIRD SUITE (Charlie Parker a7 Ab7 c By @az7 D7 2 G7 D-7 G7 ocacos OA7 D7 G7 carLADY BIRD --- HALF NELSON 633 ee taoy ors C87 . a 24 Dameron Be9 Ble By BH, AbaT » $ G7 ce F9 E7 BA D-7 pi FH634 JOY SPRING Chord Brow Db Av ab G7 CL FAT AMT Ghar me ‘Ab Db7 Gba7 nay BT E7_,, Bh7 a7 aby Di, Ghar Ay DT G44. G1 £7 CLL FM AL PI 77 BT 7 BAT Ab7 Db7 Gh G7 c7 0. aiFne DIG Miles Davis HE EOEERHEHEHEEEEEf Aba7 Bb7 Eb7 AbS7 G7 c7GROOVIN’ HIGH 635 Dizzy Gillespie D7 Aq cr oF Bba7 Bb? AT BILLIE’S BOUNCE Chae Parker bY Bb7 FT ag na5 gas636 SMATTER Kenny Whee ‘Ba? x Bb-7 Gba7 C7 ATalt AbaT D7 4, G7 CF D-7 E-7 Fart BbA7 A-7 AbATG-7 GbA7 FT Bb-7 art ZX Bblast x“ Bam BHT vcotas CHT pects % Apa7m ZL GHT doves D-7 pewun Bba7 A-7 AbS7 G-7 GbAT -F7— BT BOLIVIA Cedar Walton 1975, |, BasstPiao (LC) (67) abTth G47 atin tee FNS B-7 cam i-liinBEReHEEEEEHBEEEE:EE:. B-7 B-VA Abs G7 (ovig) C7 FA? B79 Bba7 Ata [BJ G7 nxvaretancoo G7 Es) BharBEEBE ERE RSS oa NICA'S DREAM 637 Horace Silver, Al] pan aban Bhan Gba7 phy C79 rar ADT Db Ab7 Db? cos FI BON @ Ab? Ablust Ab}9—-DbAT Bb7 Eb7 = cals FI BI CTS FT ® phan Bhan ARGD Goer C7 Fm jb BEE) sso pak FALLING GRACE Steve Swallow ADT D7FH G7 F-7 Bb? EM6/G DFE G-1F CE Fa7 _,. F-75 Bye E7 Ay DT Gar c7 chy BaD Eba7 Ens Ame D-7 Db C-7_ -F7_—Bba7 EbAT ® Aber 4 jp QT638 THIs IS NEW C-6 G+? c-6 x Bro F+7 Kurt Well (ala Chick Corea) EDT ED-6 Eb-7 Ab? D-7 G7 Db7 Gorm Bri Bb7T G79 C-6 G+7 cs Bh? aby phar 7s FT FT Bh7 Bb7 Abs? gs Dba7in Bb-715 EBT Late Feel “Ab Ebinst Ab Ebest Ab EbToust Ab Ebest THE NIGHT HAS A THOUSAND EYES Brainin/Berner 1948 (a la J. Coltrane) Ga7D Dias Ga1D Dinus* D7 D-7 G7 car Deut BREHEHEEHEEEEEEEEEHsHSEVEN STEPS TO HEAVEN 639 Vietor Feldman/Miles Davis 1963 Inarude ate slo 2 Fay FAT Eb6 ‘RAT Bb6 SET epee pe arte Fa? BbS7 E-7 AT D-@ASTG7 nent Eb6 E6 F6 to soot 7 eae B) cor D7 G7 ca FT BHT BT ART DBT Ghar Fa? Bb? E-7 AT D-7AbT G7 amet BOE E6 F6 oo wo BI: Faas IMPRESSIONS tes Das A c- 2G. al Fine640 JOSHUA Vitor Feldman 1963 9 * EBBEREB EE EBEEB BRE BEE UE oF ID-9 C-9 | BL9 C-9 _ |D-9 Fa7 F-7 Bb7I9Bb47 IB+7 Ab7#4 «Dba? ga DS. a! Cose Last goto End C49 Bb9 [FATE A779 ~ -D-9G-7 BT BT D-9 D-9 ie ne a a1 ai) at on Fs__EPISTROPHY 641 Tr Monk x BEEBE EBE ERE BSS SS EE Claust c7 F6 Ee DbBEEBEBHEE EER SERS 2S EE CONFIRMATION 643 Charlie Parker E-25 79 D7 cr FT F-7 Bb7 @ a-7s pz G7 crs F6 ea F7 Ans D7 C7 F? . ¥ =— = SS SS = SS SSS F7 Bb7 A-TS p79 G7 = C7 F6 C7 c-4n C7 Fr ‘BbA7 DG. 3 Coan CON ALMA E47 Gti ch7 iB? Bb7 Ev Dizzy Gillespie & Bay Ab7 D7 FIC Fr Bh? Ab7 G79 pimm — [Foar 7 car oi Fe FETS B79 Fv Bb? DS.alFaeDizzy Gillespie 1944 ne mm @ ¢. moms a TastX Oni Ga? o x Al C- D-75 EbA7 F-6 C-7f D;, G79 C= D-78 Ebs7F-6 “D-15G7C- oe C7 F79 BbA7 Bb-7 Eb79 Aba? 3_D-7 Gan? ttt EnBabhaitnk zk BR om omSOLID 655 Bb. Eb? Bb7 Sonny Rollins ISOTOPE Joe Henderson _ BT FT ET Bb TENOR MADNESS sonny Retine a] | = ml a a NOW'S THE TIME Carle Parker F7 Bh FT656 BYRDLIKE Fredte ubberd = ATS p79 AS p79 AS D7 +7 DT «GTS C7 G75 C79 G-75C7I9, G75 C79 FAT (NC) Drum Fit F7 Bb7 F7 RELAXIN’ AT CAMARILLO ‘Charlie Parker VIERD BLUES Miles Davis i E a BIT BH Bb i a acues SPEEDBALL 657 Stanley Turrentine D7 G7 * c7mc) GINGERBREAD BOY ‘Jimmy Heath G7 C7 -F7 Bhs et Eb7___Db7 B79 Tacit SEER Ree Bb7!9 Tact’ Solos = Bb Blues658 EQUINOX cowue BESSIE’S BLUES BT aby Bb BLUE TRANE F-7— Bb7 c-7 F-7 BT C7 Be7 BT t = %: ey ee St == SSS MR. SIMS BEBEREEBEHEEBR EH SHEE ns seeBLUES FOR ALICE 659 Es Ane Sen c — pate = = FE SS BhT Eb Av? D7 AbT pi f — == Se = Ses Fo D Gc STRAIGHT NO CHASER BH F7 ‘Thelonius Monk F7 BLUE MONK “Thelonius Monk BT EMT Bh or a Charlie Parker SEB EBRNEEBRRR ERR te | ets ft, . PS ie a | i| 660 SOME OTHER BLUES John Coltrane 1977 F7 Bb7 F7 B7 Bb7 BT AbT D7 C13 B13 F7 c7 PERHAPS Chane Parker 1948 F7 c7 E7 Ans D7 G7 c7 D7 G7 BITTERSWEET Sam Jones BbTast tro and 8 Bn Alas Ablaust GTns*674 IT’S A RAGGY WALTZ Dave Brubeck Ac D7 G G7 es C7 D7 G7 E7 An DM. Gorc [@6 Fine ca? B-7 E-7 Bb-7 Bb7 Aba7 G-7 C7 F-7 Bb] E-7 B7 D7 D.c-a Fine WEST COAST BLUES ‘Wes Montgomery 1960 Bb7 ab eo BH By B-7 Ab7 D-7 G7 Db-7 Gb7 C7 C7 F7 Bb6 D7 G7 F7 . @ Bbs7 Ab7— Dh7— Gha7 Bln B7 BbaT ADT Db7 Ghar Blut * BT ByWALTZ FOR DEBBY 675 Bal Evans GIF CTE AC Fav D-7 G7 c7 AG D7Ft FIE> BDO G-77Db—C7_ CBP _AT__D-7 G7 c7 7 FAT D7 G-7__—C7_—ACH =DIC_ CGB C7 AT D7 B7 E7 ASTCE ASTB AST _AIGE G7 AT___D-7 Bba7 AT D-7 G3 AbaT—-Dba7 G-7 c7 ®,G-7 9b C7 cm aA7_bD7_—=iB7 E7 Av FT Bba7 ATat D-7 G9__Ghe7 ATIC AbSTIC 7 G-71C c7 F6 D7 G7 c7 FS VALSE HOT aa fee b+ ET Ab Bb Eb7 Ab Bb- EDT Aba7 Eb, Ab] Dba7 Eb AbT, Db Eb Ab] pba7 AI baz bar C7 F7 Bh7 Eb7 AbaT FR BeT Db C7 F79 BT Bb? “AbAZ.676 HOW MY HEART SINGS Aes aa Dy gt Earl Zinders car FAT DE ASE «CAND GAD Gtr Ab7 G7 ce G7 FH-715 Ba? WINDOWS Chick Corea Fa Deut G7 ADT G7 Ab7 G7 Ab7 Gy, AbT,_ «G7 Ent art HkKktETeErt KEIR Kk Eke me oe Eba7 D-7 C7 c-7Bb ATS ATG DFE D7 G7 GF CE C7 Ba? D-7 C7 Bhs? C-71Bb Bam ‘ast varpFaseSIMONE Frank Foster 677 bat D-7 Alot D7 Eba7 D7 Alas! DT = DTatt —— G7 Av BHT EH, D7 E79 Far Gh — orm FF’ Bb7 E-7 AaiT D7 = Atut = -D-7 Bbs7 _ = mi ‘ f mt m_ JU-JU Wayne Shorter : aber E7 Far m= Bre FAT B79 NIGHT DREAMER Wayne Shorter Ga7 Bb7 EBT D7 «Gaz By B77 Ga7 Bb? 7 D7 BRT Ab7 E7ns* Flsust G7 BTA? sDTSsSGa7?__siBb7?sdBTsBbaT ATS D7an G7 c7 AMT DIT G7 C7 WHAT WAS (Chick Corea 4 pbs Bhar pbc BP c- C7 Dba7 C7 Dba7 Eba7 G7 7 Abay Ams D7 G7 car B+7 Bb? ‘Aba? Gba? a7 E7 AAT BBEReEHEEESSa BeBe Be Eek lL685 SILVER’S SERENADE 9 -E-9 BS Horace Sttver A? Be9 = A-~9 BRS SONG FOR STRAYHORN Geny Mulligan F-/Eb Bb F-(pb Be? BE 2F-/e> ATM Aba G7 Gham a BESREEEEES |686 I TOLD YOU So cere ates F6 DF F6 DF F ATE “D- D-7C_ B75 En AT B-? E7 A7 D7 G7 CHE D7 Bb? CATE AT D7 G7 Aba7 Db7 D-7C , BE zD- Ag G7 B-9 AT Bh7 A-7 = Ab7 Db7 G-7 A-7 BAT C7 GDAT repeats Last x on 6 Latin /Rock THINK ON ME George Cables D7rust Fret EERE RERER EEE EBREEs Be Ab1G> EAT F-7 Bb7 Ebs7 Ane ® po G7 E-7 A7 D-7 Bb? BAT = D7nust. LUCKY SOUTHERN mm pa Keith Jarrett D+ Dé canpeo ST. THOMAS 687 E7 AT D7 G7 Cc GH Cc BHT —AT D7 AH7 G7 c7 Cie F Fe? CG G7 Cc a oe LITTLE SUNFLOWER Rene D7 G7 DIF? E7 b7 AT Dar hg gees == == PA = ol é ae : SS688 MANTECA Dizzy Gilispie/Gi Puller Montuna Bb Bb7 Ab7 G7 E7 : = — = = a = STF SS =| ; pins Gat eens oBT BH “her “By AT “Aba AR? ‘Db79 Ghar FES B7 R-7I5 Bos coms FT oS as Bac BS Co Be LIBERATED BROTHER Horace Stver G7 ¢c7 x BG-7 oF x 4% Bb, G7 ¢7 Bh? EBT x G7 c7 Ev BT Eb7, Bb7 @ Bb7 A+7 “|G, C7_ BRT Diu F-7, Bi *p79 IG-7_C7 4 Bb-7 —b7 G7 c7 ENA -Bb7 Eb G7 Ch = 4, Bh? Eb? Dut Cy FT Bey ERA*h D7! os. atcodntanx a e Ag? Ie alam esARMANDO'S RHUMBA 689 eo nigon Chick Corea, o Fee? G- Abo7_, rH AT _ EB» AbPBb Bb79-EbG. G+7 (On cue Sheu tet bar Unison —* FRIENDS c FOC FaIC ca7 DIC BbayiC Chick Corea Es7B AATB EA7B GhBb DATA FSyA BATA ‘Aba7 FAT Dé F-6/C c7> Aen FOC car FAIC Aer Ac D-7 G7690 SPAIN mega Ne chord LEY Fiat ii Last x ony Decal Fine FOREST FLOWER caries Lay A AAT G47 car ‘BbA7 Db7 D-75 G79,[>] S87e.0B7 Bh? Bar ha7 gaa BOAT —— CEORA Al aber Lee Morgan GREGORY IS HERE 691 eae Bam co Bvt SIBle7 Ab7 Dba? Bb? EDT Ab7 #7 G7 Bb? Ebfnust692 GAVIOTA Clare Fischer Latin (Bolero-Guajira) 112 c- Eb A] c- o GC CE I i a a a Ab F-7 D-ns G7 a a a a a E-7 Ams 2A-7 A-WIG BUF F9 EA AtT SS See SF 7 Gt7 Stein vampPENSATIVA 693 Clare Fischer at GET, arm mo AbD pb719 che slo G7 gun _ = E}7 Derbi ees B7 E-7 A7 par Ghar Flas! [2G7H Ghar DHT G7 = Fine G7 Fa7 Bb D-7 BEM Aa? Gh7 FT SBBSEE ES 25 ESE “Ens AAT é Dad G7 & — = pepe 72s tem ° pS === == SOUL EYES Mal Waldron 1964 c-9 G7 eo fT BbTan G-7s cre ‘AbA7 A-75 p7is 1Ga7 Ab? Db7 Ghar F-7 Bb7 Bba7 D-75 G79 [2G-75 crs F7 Boat Spo D567 @ pha? Bay BharBOA. emus SONG FOR MY FATHER orace Sover tea Bowe F-9 BS » m5 Ds =R-9 BLUE BOSSA Keay Dera C7 F7 D-755 G78 c-7 BT Ab7 Dba? MY LITTLE SUEDE SHOES cane Paker F-7— Bb7 Bs F7 Bb? Bs BHT AbAT G7 F-7 BS696 MERCY, MERCY, MERCY Joe Zam Bb OBWD B. BY Bb? BBE Bh EDBb BHT Eb/Bb, Bb? BB Bb Bb Flas! 67 F7 C7 D7 D7 G- FG- F G7 z GROOVE MERCHANT \Serame Richardson Bb? BT Bb7 Fv Bb BbYAb G-7 C7 F7 C7 FT Bb7 By? Ev BYF DIF} [iG-7_ BT C7 F7 Bb BYF DF} G-7 = B7 BUF DIFt 7 G7 B7, C7 F7 Bb @ C7 F7 Bb . WATERMELON MAN Herbie Hancock