The Met Quietly Deaccessions a Renoir Painting

On May 14, the Met sold a painting by Pierre-Auguste Renoir at Sotheby's for over $2 million, a work that had been in the museum's collection since 1971.

Pierre-Auguste Renoir, ‘La Promenade au Bord de la Mer (Le Bois de la Chaise Noirmoutier)’, oil on canvas, 66.2 x 81.4 cm, c. 1892. Photo © Sotheby’s
Pierre-Auguste Renoir, ‘La Promenade au Bord de la Mer (Le Bois de la Chaise Noirmoutier)’, oil on canvas, 66.2 x 81.4 cm, c. 1892. Photo © Sotheby’s

At Sotheby's Impressionist & Modern Art Evening Sale on May 14, the Met quietly deaccessioned a Pierre-Auguste Renoir landscape from its prodigious collection for $2.3 million, above its estimate of $1.2-1.8 million. The painting, titled La Promenande au Bord de la Mer (Le Bois de la Chaise Noirmoutier) which translates to 'The Walk to the Edge of the Sea (The Chair Forest, Noirmoutier),' was painted in 1892 at Noirmoutier, an island just off the northwestern coast of France.

An Impressionist alongside Monet and Pissarro, Renoir originally studied at the École des Beaux-Arts and submitted works to the Salon beginning in 1864. Throughout his life, his subjects and styles transformed They were often influenced by his extensive travels across Europe and northern Africa. After a period of focusing on classically inspired scenes and nudes, he returned to landscapes and the tenets of Impressionism while on a trip to the French Atlantic coast in the early 1890s.

Pierre-Auguste Renoir, ‘La Promenade au Bord de la Mer (Le Bois de la Chaise Noirmoutier)’, oil on canvas, 66.2 x 81.4 cm, c. 1892. Photo © Sotheby’s
Pierre-Auguste Renoir, ‘La Promenade au Bord de la Mer (Le Bois de la Chaise Noirmoutier)’, oil on canvas, 66.2 x 81.4 cm, c. 1892. Photo © Sotheby’s

In La Promenade, Renoir's characteristic soft brushstrokes and lush illuminated color create a dreamy vision of an island summer afternoon, as two women with parasols and two children stroll through the forest. Sunlight delicately filters through the trees and a ribbon of blue sea peeks in on the horizon.

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Bois de la Chaise, Noirmoutier Island, France. Photo by Elodie Oudot
Bois de la Chaise, Noirmoutier Island, France. Photo by Elodie Oudot

The painting was first acquired by the artist's Parisian dealer Durand-Ruel and was transferred to the US in 1897 where it circulated in various private collections. In 1970, it was purchased by Milena Jurzykowski, widow of Alfred Jurzykowski, the founder of a major auto company in Brazil. The following year, Jurzykowski gifted the painting to the Met, where it remained in the museum's collection for almost fifty years.

Related: Pierre Bonnard: Carefree Color

Pierre-Auguste Renoir, ‘Bois de la Chaise (Noirmoutier)’, 1892, oil on canvas, Barnes Foundation, Philadelphia. Photo public domain
Pierre-Auguste Renoir, ‘Bois de la Chaise (Noirmoutier)’, 1892, oil on canvas, Barnes Foundation, Philadelphia. Photo public domain

The museum deaccessioned the painting at Sotheby's to benefit its European paintings acquisition fund, following suit of other major American museums. Earlier this year, MoMA sold an Ernst Ludwig Kirchner painting for $5 million at Sotheby's, as well as a rare Pablo Picasso drawing at Christie's France for $320,000 in March.

Mark Rothko, ‘Untitled’, 1960, oil on canvas, 175.3 x 127.3 cm. Photo © Sotheby’s
Mark Rothko, ‘Untitled’, 1960, oil on canvas, 175.3 x 127.3 cm. Photo © Sotheby’s

Also, during Sotheby's Post-war and Contemporary sale on 16 May, an untitled Mark Rothko Color Field painting, a deaccession from SFMoMA, headlined the auction, bringing in $50 million (£38 mil). As museums across the US rethink their art historical canons, more of their enormous collections (most of which cannot be displayed because of the lack of space) will likely continue to appear at auction.

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