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The Dark Horse Book Of The Dead Hardcover – May 31, 2005
Purchase options and add-ons
- Print length104 pages
- LanguageEnglish
- PublisherDark Horse
- Publication dateMay 31, 2005
- Dimensions6 x 0.5 x 9.25 inches
- ISBN-101593072813
- ISBN-13978-1593072810
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Product details
- Publisher : Dark Horse (May 31, 2005)
- Language : English
- Hardcover : 104 pages
- ISBN-10 : 1593072813
- ISBN-13 : 978-1593072810
- Item Weight : 1 pounds
- Dimensions : 6 x 0.5 x 9.25 inches
- Best Sellers Rank: #1,878,769 in Books (See Top 100 in Books)
- #1,384 in Graphic Novel Anthologies (Books)
- #2,262 in Dark Horse Comics & Graphic Novels
- #5,712 in Horror Graphic Novels (Books)
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"Nine Cautionary Tales of the Risen and Hungry Dead - Told in Words and Pictures; including famously Dead Author and Patriarch of Terrifying Adventure, Robert E. Howard." It's rare that a book's promotional blurb is worth referring to, but in this case it's appropriate thanks to its nailing of the anthology's overall tone: wry and a tad old school, perhaps the kind of thing Max Gaines would be publishing if the Comics Code Authority hadn't castrated his line of horror comics so many years ago. From the clever twist of Kelley Jones' "The Hungry Ghosts" opener, to the waterlogged horror of Jamie S. Rich and Guy Davis' "Kago No Tori," Book of the Dead delivers literate storytelling that doesn't shortchange fans of gore and hanging entrails. Pat McEown's "Queen of Darkness" is the most intriguing entry, hinting at a much larger story that begs for a more elaborate telling, possibly hinted at in the credits which explain this story "marks his return to comics as both writer and artist."
David Crouse and Todd Herman offer up the disturbing "The Ditch;" Eric Powell's "The Wallace Expedition" is a creepy tale with a nice Classics Illustrated-style execution; and Book of the Dead editor Scott Allie himself teams up with Paul Lee and Brian Horton for the surprisingly melancholy "The Magicians." Allie arguably saves the best for last, though, closing out with Evan Dorkin and Jill Thompson's "Let Sleeping Dogs Lie," sort of Stephen King's Pet Sematary told from the perspective of the pets themselves. Fans of Grant Morrison's overrated WE3 should check this one out to see a twist on a familiar theme done right.
While there are no outright misses here, there are a couple of questionable entries that keep this worthy project from A+ status. Mike Mignola's "The Ghoul" strikes a dubious balance between pretension and confusion as the BPRD track down a ghoulish fellow who only speaks in poetry while Hellboy beats the stuffing out of him, as annoyed by the stylistic quirk as I was. Perhaps some more familiarity with Hellboy would have improved my opinion of the piece, but if so, in this context, it would still be considered a swing and a miss. The other strike is Bob Fingerman and Roger Langridge's "Death Boy," a cartoony humor piece that brings to mind the old Sesame Street "one of these things is not like the others" segments. It's not bad, per se, just completely jarring in its tone and a bad fit here.
Nevertheless, the whole is far greater than the sum of its unequal parts, and it's an enjoyable collection worth every penny, suitable not just for genre fans but any fan of good writing and artwork. It's also a perfect introduction to comics for anyone that thinks they're just for kids and/or all about superheroes.
A great example is this fantastic, Hardcover graphic novel, "The Dark Horse Book of the Dead", an anthology of ten stories by a host of talented artists and writers including Mike Mignola, Kelley Jones, Evan Dorkin, Guy Davis, and Jill Thompson. The opening tale by Jones is a truly EC inspired tale called "The Hungry Ghosts". Jones' work conjures up memories of EC greats like Jack Davis and Reed Crandall as a lone hunter ventures into haunted woods, endlessly stalked by a horde of ghoulish ghosts, but the hunter has a secret that will keep him alive and free of the spirits.
Mike Mignola's story is a short, Hellboy adventure as Big Red tracks down a poetry-spouting cannibal who has subsisted for centuries by grave robbing and eating the remains. One of my favorite tales was a comedic piece by Bob Fingerman and Roger Langridge called "Death Boy". This zany, cartoony story finds a young man who was saved after a suicide attempt, only to be given the touch of death by the Grim Reaper who decides he wants to take a holiday from his work.
"The Magicians" takes a look at the conscience of the practitioners of the black arts as a man raises the skeletal remains of his father in order to have a father and son heart-to-heart conversation. A dark and moody tale to be sure...
"Let Sleeping Dogs Lie" by Evan Dorkin and Jill Thompson is a cautionary tale...Cats should never raise dogs from the dead to use them in their never ending battle with the canines. Dogs just don't like cats, even if the dogs are zombies!
There's also a great short story by Conan creator Robert E. Howard, called"Old Garfield's Heart" which features illustrations by Gary Gianni. While Howard was certainly most well-known for his works of swords and sorcery, he was equally adept at horror as this story will show.
Just a wonderful book of horror tales wrapped up in a gorgeous hardcover edition. Dark Horse continues to be one of the true leaders in modern comic book horror.
Reviewed By Tim Janson
Top reviews from other countries
Reviewed in Germany on March 21, 2020